Author Archives: Lisa Marie Bowman

Here Are The AFI’s Top Ten Films of 2022!

Posted on by Lisa Marie Bowman

Earlier today. The American Film Institute announced their picks for the top ten films and television shows of 2022.  Over the past few years, the AFI has been one of the most reliable of the award precursors. 

Usually, there’s just one or two films on the AFI list that doesn’t make it into the Best Picture lineup.  This year, I would expect Nope to be replaced by The Banshees of Inisherin.  (Banshees, being an Irish film, was not eligible for the AFI list but it did receive a special award.)  I’m also not totally sold on The Woman King as a best picture contender, though I’m a bit less sure about which film replace it.  Glass Onion, maybe?  Guillermo Del Toro’s Pinocchio?

Being included on the list is definitely good news for She Said, which was in danger of being forgotten after its disastrous box office performance.

Here are the lists:

AFI Movies of the Year
“Avatar: The Way of Water” (20th Century Studios)
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“The Fabelmans” (Universal Pictures)
“Nope” (Universal Pictures)
“She Said” (Universal Pictures)
“Tár” (Focus Features)
“Top Gun: Maverick” (Paramount Pictures)
“The Woman King” (Sony Pictures)
“Women Talking” (MGM/United Artists Releasing)

AFI Television Programs of the Year
“Abbott Elementary” (ABC)
“The Bear” (FX)
“Better Call Saul” (AMC)
“Hacks” (HBO Max)
“Mo” (Netflix)
“Pachinko” (Apple TV+)
“Reservation Dogs” (FX)
“Severance” (Apple TV+)
“Somebody Somewhere” (HBO)
“The White Lotus” (HBO)

AFI Special Award
“The Banshees of Inisherin” (Searchlight Pictures)

Live Tweet Alert: Join #FridayNightFlix for Young Sherlock Holmes!

Posted on by Lisa Marie Bowman

 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie? 1985’s Young Sherlock Holmes!

Everyone had to start somewhere!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Young Sherlock Holmes is available on Prime and Paramount!  See you there!

Here Are The Sequel-Dominated 2022 Satellite Nominations!

Posted on by Lisa Marie Bowman

The Satellite nominations were announced on Thursday morning. 

What are the Satellites?  For years, they were like a less important version of the Golden Globes.  However, considering all of the recent controversy that has surrounded that Hollywood Foreign Press and the Golden Globes, it wouldn’t surprise me if, in a few years, the International Press Academy and the Satellites became Hollywood’s new favorite shady precursor group.

Like the Globes, the Satellites hand out awards for both film and television.  Below, you’ll find their film nominations.  If you want to see their TV nominations, Next Best Picture has got you covered.

Here are the Satellite noms for 2022!  To me, perhaps the most interesting thing about the nominations is that many of the biggest contenders — Glass Onion, Top Gun: Maverick, Black Panther: Wakanda Forever, Avatar: Way of the Water — are sequels.  It’ll be interesting to see if the Academy follows suit.

ACTRESS IN A MOTION PICTURE DRAMA
Jessica Chastain – The Good Nurse (Netflix)
Cate Blanchett – TÁR (Focus Features)
Michelle Williams – The Fabelmans (Universal Pictures)
Danielle Deadwyler – Till (United Artists Releasing)
Vicky Krieps – Corsage (IFC Films)
Viola Davis – The Woman King (TriStar Pictures)

ACTOR IN A MOTION PICTURE DRAMA
Brendan Fraser – The Whale (A24)
Tom Cruise – Top Gun: Maverick (Paramount Pictures)
Gabriel LaBelle – The Fabelmans (Universal Pictures)
Hugh Jackman – The Son (CAA Media Finance)
Bill Nighy – Living (Sony Pictures)
Mark Wahlberg – Father Stu (Columbia Pictures)

ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL
Margot Robbie – Babylon (Paramount Pictures)
Michelle Yeoh – Everything Everywhere All At Once (A24)
Janelle Monáe- Glass Onion: A Knives Out Mystery (Netflix)
Emma Thompson – Good Luck to You, Leo Grande (Searchlight Pictures)

ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL
Collin Farrell – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Austin Butler – Elvis (Warner Bros.)
Diego Calva – Babylon (Paramount Pictures)
Adam Sandler – Hustle (Netflix)
Ralph Fiennes – The Menu (Walt Disney Studios Motion Pictures)
Daniel Craig – Glass Onion: A Knives Out Mystery (Netflix)

ACTRESS IN A SUPPORTING ROLE
Jean Smart – Babylon (Paramount Pictures)
Angela Bassett – Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
Kerry Condon – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Dolly de Leon – Triangle Of Sadness (Neon)
Claire Foy – Women Talking (United Artists Releasing)
Jamie Lee Curtis – Everything Everywhere All At Once (A24)

ACTOR IN A SUPPORTING ROLE
Eddie Radmayne – The Good Nurse (Netflix)
Ben Whishaw – Women Talking (United Artists Realising)
Paul Dano – The Fabelmans (Universal Pictures)
Brendan Gleeson – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Ke Huy Quan – Everything Everywhere All At Once (A24)
Jeremy Strong – Armageddon Time (Focus Features)

MOTION PICTURE, DRAMA
Top Gun: Maverick (Paramount Pictures)
Living (Sony Pictures)
The Fabelmans (Universal Pictures)
Till (United Artists Releasing)
Women Talking (United Artists Releasing)
Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
TÁR (Focus Feature)
Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)

MOTION PICTURE, COMEDY OR MUSICAL
Triangle Of Sadness (Neon)
Everything Everywhere All At Once (A24)
RRR (Variance Films)
Glass Onion: A Knives Out Mystery (Netflix)
The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Elvis (Warner Bros.)

MOTION PICTURE, INTERNATIONAL
Argentina, 1985 (Argentina)
Decision To Leave (Korea)
Holy Spider (Denmark)
Close (Belgium)
War Sailor (Norway)
Corsage (Austria)
Bardo (Mexico)
The Quiet Girl (Ireland)

MOTION PICTURE, ANIMATED OR MIXED MEDIA
Turning Red (Walt Disney Studios Motion Pictures)
Marcel The Shell With Shoes On (A24)
Guillermo del Toro’s Pinocchio (Netflix)
Inu-Oh (GKIDS)
The Bad Guys (DWA)

MOTION PICTURE, DOCUMENTARY
The Territory (National Geographic Documentary Films)
All The Beauty And The Bloodshed (Neon)
Moonage Daydream (Neon)
Fire Of Love (Neon)
Descendant (Netflix)
The Return of Tanya Tucker: Featuring Brandi Carlile (Sony Pictures)
Good Night Oppy (Amazon Prime Video)
All That Breathes (HBO Documentary Films)
Young Plato (Yleisradio)

DIRECTOR
Baz Luhrmann – Elvis (Warner Bros.)
James Cameron – Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
Steven Spielberg – The Fabelmans (Netflix)
Joseph Kosinski – Top Gun: Maverick (Paramount Pictures)
Martin McDonagh – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Sarah Polley – Women Talking (United Artists Releasing)

SCREENPLAY, ORIGINAL
Daniel Scheinert & Daniel Kwan – Everything Everywhere All At Once (A24)
Tony Kushner & Steven Spielberg – The Fabelmans (Universal Pictures)
Martin McDonagh – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Ruben Östlund – Triangle Of Sadness (Neon)
Todd Field – TÁR (Focus Features)
Lukas Dhont & Angelo Tijssens – Close (A24)

SCREENPLAY, ADAPTED
Sarah Polley – Women Talking (United Artists Releasing)
Samuel D. Hunter – The Whale (A24)
Rian Johnson – Glass Onion: A Knives Out Mystery (Netflix)
Peter Craig, Ehren Kruger, Justin Marks, Christopher McQuarrie & Eric Warren Singer – Top Gun: Maverick (Paramount Pictures)
Kazuo Ishiguro – Living (Sony Pictures)
Rebecca Lenkiewicz – She Said (Universal Pictures)

ORIGINAL SCORE
Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe – Top Gun: Maverick (Paramount Pictures)
Terence Blanchard – The Woman King (TriStar Pictures)
Justin Hurwitz – Babylon (Paramount Pictures)
John Williams – The Fabelmans (Universal Pictures)
Carter Burwell – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Hildur Guðnadóttir – Women Talking (United Artists Releasing)

ORIGINAL SONG
“Hold My Hand” – Lady Gaga: Top Gun: Maverick (Paramount Pictures)
“Lift Me Up” – Rihanna: Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
“Naatu Naatu” – Kala Bhairava, M.M. Keeravani & Rahul Sipligunj: RRR (Variance Films)
“Vegas” – Doja Cat: Elvis (Warner Bros.)
“Carolina” – Taylor Swift: Where The Crawdads Sing (Columbia Pictures)
“Applause” – Diane Warren: Tell It Like a Woman (Samuel Goldwyn Films)

CINEMATOGRAPHY
Claudio Miranda – Top Gun: Maverick (Paramount Pictures)
Linus Sandgren – Babylon (Paramount Pictures)
Roger Deakins – Empire of Light (Searchlight Pictures)
Ben Davis – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Russell Carpenter – Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
Mandy Walker – Elvis ( Warner Bros)

FILM EDITING
Eddie Hamilton – Top Gun: Maverick (Paramount Pictures)
Jonathan Redmond, Matt Villa – Elvis (Warner Bros.)
Sarah Broshar, Michael Kahn – The Fabelmans (Universal Pictures)
Paul Rogers – Everything Everywhere All At Once (A24)
Monika Willi – TÁR (Focus Features)
Terilyn A. Shropshire – The Woman King (TriStar Pictures)

SOUND ( Editor / Mixer )
Top Gun: Maverick – Mark Weingarten, James H. Mather, Al Nelson (Paramount Pictures)
Avatar: The Way Of The Water – Christopher Boyes (Supervising Sound Editor / Re-Recording Mixer ), Gwendolyn Yates Whittle Dick Bernstein (Supervising Sound Editors), Gary Summers, Michael Hedges (Re-Recording Mixers), Julian Howarth (Production Sound Mixer) (Walt Disney Studios Motion Pictures)
Babylon – Steve Morrow, Ai-Ling Lee, Mildred Iatrou Morgan, Andy Nelson (Paramount Pictures)
Elvis – David Lee, Wayne Pashley, Andy Nelson, Michael Keller (Warner Bros.)
The Woman King – Becky Sullivan, Kevin O’Connell, Tony Lamberti, Derek Mansvelt (Sony Pictures)
RRR – Raghunath Kemisetty, Boloy Kumar Doloi, Rahul Karpe (Variance Films)

VISUAL EFFECTS
Top Gun: Maverick – Ryan Tudhope, Scott R. Fisher, Seth Hill, Bryan Litson (Paramount Pictures)
Avatar: The Way Of The Water – Joe Letteri, Eric Saindon, Richie Baneham, Dan Barrett (Walt Disney Studios Motion Pictures)
Babylon – Jay Cooper, Elia Popov, Kevin Martel, Ebrahim Jahromi (Paramount Pictures)
Good Night Oppy – Abishek Nair, Marko Chulev, Steven Nichols (Amazon Prime Video)
The Batman – Dan Lemmon, Russell Earl, Anders Langlands, Dominic Tuohu (Warner Bros)
RRR – V. Srinivas Mohan (Variance Films)

PRODUCTION DESIGN
RRR – Sabu Cyril (Variance Films)
Babylon – Florencia Martin, Anthony Carlino (Paramount Pictures)
Elvis – Catherine Martin, Karen Murphy (Warner Bros.)
Avatar: The Way Of The Water – Dylan Cole, Ben Procter (Walt Disney Studios Motion Pictures)
The Fabelmans – Rick Carter (Universal Pictures)
A Love Song – Juliana Barreto Barreto (Bleecker Street Media)

COSTUME DESIGN
Ruth E. Carter – Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
Mary Zophres – Babylon (Paramount Pictures)
Cathrine Matrin – Elvis (Warner Bros.)
Gersha Phillips – The Woman King (TriStar Pictures)
Sandy Powell – Living (Sony Pictures)
Alexandra Byrne – Empire of Light (Searchlight Pictures)

ENSEMBLE MOTION PICTURE: Glass Onion: A Knives Out Mystery (Netflix)

The National Board of Review Honors Top Gun: Maverick

Posted on by Lisa Marie Bowman

Earlier today, the National Board of Review announced their picks for the best of 2022.  For best film, they selected Top Gun: Maverick!  Typically, the NBR’s winner does receive an Oscar nomination.  (One of the few times, in recent history, this didn’t happen was when the NBR named A Most Violent Year the best picture of 2014.)  That said, the last time that the NBR’s winner went on to also win the Best Picture Oscar was in 2008, when Slumdog Millionaire was named Best Picture by both the Academy and the NBR.

Here are the winners from the National Board of Review:

Best Film: Top Gun: Maverick

Best Director: Steven Spielberg – The Fabelmans

Best Actor: Colin Farrell – The Banshees Of Inisherin

Best Actress: Michelle Yeoh – Everything Everywhere All At Once

Best Supporting Actor: Brendan Gleeson – The Banshees Of Inisherin

Best Supporting Actress: Janelle Monáe – Glass Onion: A Knives Out Mystery

Best Original Screenplay: Martin McDonagh – The Banshees Of Inisherin

Best Adapted Screenplay: Edward Berger, Lesley Paterson & Ian Stokell – All Quiet on the Western Front

Breakthrough Performance: Danielle Deadwyler – Till

Breakthrough Performance: Gabriel LaBelle – The Fabelmans

Best Directorial Debut: Charlotte Wells – Aftersun

Best Animated Feature: Marcel the Shell With Shoes On

Best International Film: Close

Best Documentary: Sr.

Best Ensemble: Women Talking

Outstanding Achievement in Cinematography: Claudio Miranda – Top Gun: Maverick

NBR Freedom of Expression Awards: All the Beauty and the Bloodshed & Argentina, 1985

Top Films (in alphabetical order):
Aftersun
Avatar: The Way Of The Water
The Banshees Of Inisherin
Everything Everywhere All At Once
The Fabelmans
Glass Onion: A Knives Out Mystery
RRR
Till
The Woman King
Women Talking

Top 5 International Films (in alphabetical order):
All Quiet on the Western Front
Argentina, 1985
Decision To Leave
EO
Saint Omer

Top 5 Documentaries (in alphabetical order):
All the Beauty and the Bloodshed
All That Breathes
Descendant
Turn Every Page – The Adventures of Robert Caro and Robert Gottlieb
Wildcat

Top 10 Independent Films (in alphabetical order):
Armageddon Time
Emily the Criminal
The Eternal Daughter
Funny Pages
The Inspection
Living
A Love Song
Nanny
The Wonder
To Leslie

Retro Television Reviews: City Guys 3.3 “Alley Oops” and 3.4 “Face the Music”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Let’s get this over weight.  No, no …. I’m not at all second-guessing my decision to sit through every episode of City Guys.  Not at all …. this is definitely the best decision that I’ve ever made.

Episode 3.3 “Alley Oops”

(Dir by Frank Bonner, originally aired on September 18th, 1999)

Oh God.  This episode not only features a lot of bowling but Ms. Nobel gets a storyline as well.

Even though it’s never been mentioned before, it turns out that Jamal, Chris, Al, and Dawn are all on the same bowling team.  What?  Like seriously, where did this come from?  Anyway, it turns out that the team would be great except for the fact that Dawn is a terrible bowler.  Okay, that makes sense.  There’s never been any indication that Dawn would be a good bowler.  And since Dawn has never been portrayed as being a member of the group’s “inner circle,” you have to kind of wonder how she ended up on the team in first place.

Anyway, there’s a big game coming up against a Puerto Rican team that is led by the flamboyant Lupe Guadalupe (Jose Urbina).  One of the interesting things about City Guys is that for all of its “Open up your eyes, we’re all the same” rhetoric and liberal posturing, it was a show that had absolutely no problem making fun of people of either Asian or Spanish descent.  Lupe and his team all speak with exaggerated accents and randomly drop Spanish words into their conversation, which the live studio audience finds to be hilarious.  On the one hand, Lupe is a stereotype.  On the other hand, he’s also the best character in this episode because he never stop taunting the City Guys.  Lupe is the better bowler and he knows it and he makes no apologies and it’s impossible not to enjoy the exaggerated rituals that he goes through before rolling the ball down the lane.  Considering that this show often acted as if Jamal and Chris were the center of the universe, it’s good to see a character who doesn’t have any respect for them and who is actually better than them at something.  Go Lupe!

Anyway, realizing that she sucks, Dawn fakes a wrist injury so that L-Train can take her place on the team.  L-Train is a great bowler and it looks like the City Guys might win the trophy!  But then Dawn cheers too hard and the cast on her wrist flies off.  Everyone really she wasn’t actually injured and an important lesson is learned about something.  I don’t know what the lesson was to be honest.  I don’t bowl.

While this was going on, Ms. Nobel developed a crush on the new substitute teacher, Mr. Washington.  But then she saw Mr. Washington with a younger woman and she assumed she was his girlfriend.  It turns out she was just his sister so yay!  Ms. Nobel’s getting it tonight.

Let’s move on….

Episode 3.4 “Face The Music”

(Dir by Frank Bonner, originally aired on September 18th, 1999)

“Lionel,” Ms. Nobel tells L-Train towards the end of this episode, “I think you learned an important lesson tonight.  Before you show your songs to anyone, you should copyright them.”

Finally!  A lesson that all of City Guys‘s audience could take to heart!

Anyway, in this episode, it’s revealed that L-Train is a huge fan of the blues, a songwriter, and a follower of Slick Willie (Sherman Hemsley), a veteran bluesman.  Much as with the bowling league, all of this kind of came out of nowhere but, by this point, I’m kind of used to that as far as City Guys is concerned.  L-Train, Chris, and Jamal go to see Slick Willie perform at the local blues club.  L-Train lets Slick Willie see one of this songs.  Slick Willie steals the song and puts it on his next album.

Didn’t the same thing happen to Jake on California Dreams?

This felt like a bit of a throw-away episode, as if Peter Engel called the writers into his office and said, “We’ve got Sherman Hemsley for a day, find something for him to do!” and the writers panicked and just recycled an old California Dreams script.  It’s funny that a show about copyright law basically stole its plot from another show.  How much you want to bet that we’ll never hear another word about L-Train being an aspiring blues musician?

Eh.  You’re disappointing me, City Guys!

 

Retro Television Reviews: The Love Boat 1.14 “Isaac’s Double Standard / One More Time / Chimpanzeeshines”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for love and monkeys!

Episode 1.14 “Isaac’s Double Standard / One More Time / Chimpanzeeshines”

(Dir by James Sheldon and Richard Kinon, originally aired on January 14th, 1978)

This is a bit of an odd episode.

It’s odd because it features yet another stowaway.  Somehow various characters were always managing to stow away on the boat.  This week, the stowaway was a chimpanzee.  How did a chimpanzee get on the boat?  Gopher brought her on.  Apparently, Gopher was under the impression that he had the week off so he agreed to look after a friend’s chimpanzee.  Then he discover that he actually was working that week so he decided that it would be a good idea to smuggle the chimpanzee onto the boat.  Of course, it doesn’t take long for Isaac and Julie to discover that Gopher has a chimpanzee in his cabin.  Neither one of them appears to be surprised that Gopher has a friend who owns a chimpanzee.  Me, I would want more information on whether or not Gopher’s friend worked for a circus or a zoo or a research lab.  I mean, most people just don’t own chimpanzees as pets.  Instead, everyone just accepts that Gopher is living with a monkey and that it is now their duty to keep Captain Stubing from finding out.

Of course, the chimpanzee gets loose.  She runs around the ship, stealing food and clothes and surprising passengers.  Fortunately, she’s a well-trained chimpanzee and she doesn’t try to kill anyone.  In real life, Chimpanzees are known for being extremely dangerous and unpredictable.  On shows like this, they’re adorable! 

While looking for the chimp, Gopher meets and has a romance with Anne Parker (Kim Lankford), who has just had a nose job.  She’s insecure about her new nose.  Everyone assures her that her new nose looks great.  And it does!  As someone who spent most of her teen years planning on getting a nose job, I was really impressed with it.  (For the record, I still have my original nose and I now realize I wouldn’t change it for the world.)

While Gopher is dealing with the chimp, Isaac is freaking out because his mother (Pearl Bailey) is on the ship with her new boyfriend (Arthur Adams) and they’re sharing a cabin!  Isaac is being a little bit hypocritical because he happens to be sharing a cabin with his girlfriend, Charlene (Tracy Reed).  Isaac finally realizes he’s not being fair and he accepts the fact that his mother is having sex at his workplace.  So, it all works out.

Meanwhile, in our third storyline, Nanentte Fabray is a singer who is hired to provide the cruise’s entertainment.  She’s upset to discover that her pianist (Don Adams) is also her ex-partner.  Don’t worry, they get back together by the end of the cruise.  Of course, everyone’s too busy looking for the chimpanzee to notice.

This was not a terrible episode, just an odd one.  The Nanette Fabray/Don Adams storyline was pretty forgettable and, though it’s always cool when Ted Lange actually gets to do something other than make drinks, Isaac’s family situation played out predictably.  What made this episode stand out, for better or worse, was all the business with the chimpanzee.  How Gopher kept his job after that, I have no idea.  Chimpanzees have been known to kill people if they get stressed out and being dragged onto a cruise ship by a stranger seems like it would be a stressful situation.  Still, after all that, Gopher kept his job.  I’m beginning to think that Captain Stubing might not be the disciplinarian that the crew things he is.

Next week, we’ve got more love but hopefully less monkeys.

Retro Television Reviews: Fantasy Island 1.13 “Fool For A Client/Double Your Pleasure”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week’s episode of Fantasy Island is …. well, let’s just say that not every fantasy can be a winner.

Episode 1.13 “Fool For A Client/Double Your Pleasure”

(Dir by Earl Bellamy, originally aired on May 13th, 1978)

This episode begins with Tattoo suffering from a toothache and Mr. Roarke giving him a hard time about it.  Indeed, Mr. Roarke seems to take an almost sadistic delight in telling Tattoo that he shall have to see a dentist.  The relationship of Mr. Roarke and Tattoo strikes me as being an odd one.  On the one hand, Roarke allows Tattoo to handle the money and Tattoo appears to be the second-in-command.  One assumes that, if Mr. Roarke ever went on vacation, Tattoo would be left in charge.  At the same time, Mr. Roarke doesn’t seem to particularly like Tattoo and he seems to take a lot of pleasure from the various humiliations that Tattoo suffers on a weekly basis.  From what I understand, Ricardo Montalban and Herve Villechaize were not exactly friends offscreen so perhaps, this is just a case of reality bleeding into fiction.

Anyway, Tattoo’s toothache is perhaps the most interesting thing about this episode.  Both of the fantasies are kind of lame.

In the first fantasy, Ken Berry plays Larry, a blue collar guy who has spent 12 years working on the Alaskan pipeline.  His fantasy is to spend the weekend with two beautiful women.  No sooner has Larry arrived on Fantasy Island, then he meets Nina (Caren Kaye).  She’s beautiful and Larry’s happy.  Then he meets Dina, who is Nina’s twin sister and, because of the whole twin thing, she’s beautiful and Larry is happy.  EXCEPT …. it turns out that there’s only one woman and her fantasy was to pretend to be a twin for the weekend.  Wait …. what?  I mean, it works out.  Dina and Larry fall in love and they leave together but it seems like Larry didn’t really get his fantasy and, at the very least, he deserves a partial refund.  

In the second fantasy, comedian Rich Little plays Herb Costigan, a paralegal who wants to be the world’s greatest lawyer.  Mr. Roarke sets him up with a house on the “other side of the island,” which Roarke explains is populated by rich people who apparently have vacation homes on Fantasy Island.  Roarke has told everyone that Costigan is a world-famous attorney.  However, when a murder occurs, Costigan is framed for the crime and soon, he’s defending himself in court!  Eventually, it turns out that there was no murder and the supposed victim just faked his death and is now wandering around the Island with a fake beard glued to his face.  It really doesn’t make any sense but this fantasy does establish that the island is, at the very least, a territory of the United States as there’s a big American flag in the courtroom.

Neither one of these stories really worked for me, largely because neither Ken Berry nor Rich Little seemed to be particularly invested in their characters.  It also doesn’t help that Berry and Little shared a superficial physical resemblance, to the extent that it was often a struggle to keep straight who was having which fantasy.

In the end, Tattoo’ toothache was the highlight of this show.  Fortunately, it just turned out to be his wisdom teeth coming in.  Take that, Mr. Roarke!