Brad reviews the South Korean thriller HIDE AND SEEK (2013)!


I haven’t spent one second of my life worrying about people squatting on my property. My wife, on the other hand, likes to tell me that squatters are a real risk and that we need to be careful and constantly on the lookout. After watching the South Korean thriller HIDE AND SEEK, I’m not saying my wife is completely right to be so concerned, but the idea of someone deciding to take over another person’s home is actually quite scary! This film takes that ordinary fear and turns it into something genuinely disturbing. Director Huh Jung finds some interesting ways to expand on that premise, creating an atmosphere where the most familiar surroundings no longer feel safe.

Sung-soo (Son Hyun-joo) has everything a man could want. He’s a successful businessman with a beautiful wife, two perfect kids, and a luxurious apartment. When he learns that his estranged older brother, Sung-chul, has disappeared, he sets out to get his belongings. In order to get his stuff, he goes to the rundown apartment complex where his brother had been living. While there, he discovers strange symbols carved beneath the doorbells of the apartments. The residents seem frightened of his brother, and nobody wants to answer his questions. Things become even more unsettling when Sung-soo returns home and discovers similar markings outside his own apartment. Sung-soo becomes convinced that someone, maybe his own brother, is stalking his family, and they are all in real danger.

Is there anything more unsettling than the thought that someone is watching you, maybe even going as far as secretly living in your home?! I take my responsibility to protect my family very seriously, and this movie leaves open the possibility that it’s not as easy as it appears. HIDE AND SEEK plays with the idea that we all seem to take our sense of security inside our homes for granted. When that safety net is taken away from us, we know that our characters are potentially in danger at all times. The idea that no place is safe, no matter how many locks we have, is disturbing and creates an effective and horrific atmosphere.

Son Hyun-joo is good as the family man whose increasingly erratic behavior makes it difficult to determine just how much of what he’s experiencing is real. Moon Jung-hee is also effective as Joo-hee, a woman he meets who is living in the rundown apartment complex where his brother lived. She is particularly scared of his brother and her circumstances become increasingly important as the story moves forward. I really like Jeon Mi-seon as Sung-soo’s wife. She’s not really prepared to have to deal with this sudden threat in her life, but when she realizes her kids are in danger, she’s about as badass as it gets.

There are a lot of good performances on display, but this is one of those movies where you think you’ve figured everything out, only to discover that things are not as simple as they appear. The story gives up its secrets piece by piece, but with enough sleight of hand that you can’t always trust your eyes. First-time writer and director Huh Jung seems to be having fun toying with us and delivers an impressive debut!

HIDE AND SEEK isn’t a perfect movie, and there are times where it stretches credibility, but there’s enough tension and freakiness here to make those shortcomings relatively easy to overlook. It’s an effective thriller that takes a familiar fear and reminds us that sometimes the most frightening thing isn’t what’s waiting outside our front door, but what might already be inside.

Have A Happy Vintage Halloween, Part One


1910

It is hard to say when Halloween first became truly popular in the United States.  Most historians seem to agree that the traditions of Halloween were first brought to the U.S. in the 19th century by immigrants from Scotland and Ireland.  Though the holiday had its roots in pagan holidays, most Americans initially knew Halloween as being an evening of celebration before All Saints Day.

The commercialization of Halloween began in the early 1900s.  That was when postcards featuring pumpkins and black cats and even the occasional witch first started to become popular.  The postcards from the era were more playful than frightening, with several wishing their recepient a “Merry Halloween!”  Below are a few vintage Halloween postcards that show how Halloween was viewed at the start of the 20th Century.

1900

1900

1900s

1908

1909

1910

1911

1913

Happy Halloween!

1910

1913

 

Lisa Marie’s Grindhouse Trailers: My 12 Favorite Horror Films


For today’s Halloween edition of Lisa’s Marie Favorite Grindhouse Trailers, I present to you, without comment, the trailers for my 12 favorite horror movies.

Happy Halloween!

  1. The Shining (1980)

2. Suspiria (1977)

3. A Field in England (2013)

4. Night of the Living Dead (1968)

5. Zombi 2 (1979)

6. The Exorcist (1973)

7. Halloween (1978)

8. Two Orphan Vampires (1996)

9. Near Dark (1987)

10. Scream and Scream Again (1970)

11. Horror of Dracula (1958)

12. Messiah of Evil (1973)

The Leshy, Short Film Review by Case Wright


The Leshy is a “micro horror film”. Is it terrible? No. It’s not. Jon Kent, the creator, has some real brass. I was very skeptical that a short film could deliver a story in a minute, but it did. The characters are clear, there is a story, and a payoff. The Leshy checks all the blocks for an entertaining short and does not try to be more than it is.

A man is dragging a dead body in the woods and he gets hunted by the leshy. I don’t know the physiology of a leshy, but it seems hungry. I would highly recommend that you take a minute out of your day to watch this.

Horror On The Lens: Night of the Living Dead (dir by George Romero)


 

Happy Halloween!

Watching this movie is a Halloween tradition here at the Shattered Lens and I am honored to keep that tradition alive (!!!!) in 2026!

Be sure to check out Arleigh’s review!

For the record, you can count me amongst those who thinks that Ben got everyone killed.  We root for Ben because he’s the more likable character but, in the end, Harry was right and Ben ended up becoming a cold-blooded murderer.  These are the type of things that make Night of the Living Dead the scariest zombie film ever made.  The living are just as terrifying as the dead.

I should also note that, for all the criticism the character gets, Barbara has one of the most totally realistic reactions that I’ve ever seen in a horror movie.  She’s in shock and denial.  I would probably have the same reaction.

And now, here is the greatest zombie film ever made!

 

Live Tweet Alert: Join #ScarySocial For A Halloween Double Feature


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, we’ve got a special Halloween double feature!  First up, we’ve got the original Halloween II!

After Halloween II, we will watch Invisible Invaders!

Along the way, we will have tricks, treats, trivia, and prizes!  The Halloween season is always fun at #ScarySocial!

If you want to join us on Saturday night, just hop onto twitter, start Halloween II at 9 pm et, and use the #ScarySocial hashtag!  The films are available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Horror Scenes I Love: The End of The Original Dawn of the Dead


The original Dawn of the Dead, which was released in 1978 and directed by George Romero, is not only one of the most influential horror films of all time.  (Even more so than Night of the Living Dead, Dawn was responsible for inspiring the Italian zombie boom.)  It’s also a rather dark satire of humanity and commercialism.  With the world ending, both humans and zombies head to the mall.  Briefly, the humans manage to form their own peaceful society but, inevitably, they end up screwing it all up.  The Dead may be slow and not particularly intelligent but, as poor old Steve discovered in that elevator, they’re absolutely determined to get what they want.

Dawn of the Dead ends with an apocalytpic combination of bikers, zombies, and one helicopter that has next to no fuel.  Our two remaining survivors head off in search of some place safe but we all know that helicopter isn’t going to stay in the sky for long.  In its way, the ending of Dawn of the Dead is even more bleak than the end of Night of the Living Dead.  The characters in Night of the Living Dead were dealing with a menace no one understood and their inability to work together was largely the result of shock and panic.  In Dawn of the Dead, everyone knows that the Dead are returning to life and everyone knows how to stop them but people still cannot set aside their differences long enough to do so.  Even with the world ending, Peter gets some joy out of shooting one of the (living) bikers.  His smirk suggests that one doesn’t need to be a zombie in order to sacrifice their humanity.

4 Shots From 4 Halloween Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Halloween Films

Halloween (1977, dir by John Carpenter, DP: Dean Cundey)

Halloween II (1981, dir by Rick Rosenthal, DP: Dean Cundey)

Halloween (2007, dir by Rob Zombie, DP: Phil Parmet)

Halloween II (2009, dir by Rob Zombie, DP: Brandon Trost)