Retro Television Review: The Brady Bunch Hour Episode 1.4


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

Ugh.  What fresh Hell is this?

Episode 1.4

(Dir by Jack Regas, Originally aired on March 4th, 1977)

“It’s the Brady Bunch Hour!” the announcer shouts as the Kroftettes dance at the pool.

As opposed to the previous three episodes, the audience’s applause sounds a bit deflated, as if they know what’s waiting for them.

The Bradys come out and perform (Keep Your) Sunny Side Up, from the hit 1929 musical Sunny Side Up.  If you’ve never heard of this song before, don’t worry.  Up until I watched this episode, I had never heard it either.  And judging from their performance of the song, I would be willing to guess that Bradys hadn’t heard it until maybe an hour before performing it.

While the Bradys sing, the Kroftettes perform water ballet.  For some reason, someone decided it would be a good idea to film the Kroftettes emerging from the water in slow motion, which kind of makes it look like they’re sea beasts emerging from the ocean to kill the Bradys.  Not that the Bradys notice, of course.  They’re too busy trying to remember the lyrics to Keep The Sunny Side Up.  Trying to keep up the family’s flagging energy,  Florence Henderson sings with a lot of intensity.  The kids look embarrassed and who can blame them?  I doubt singing a song from 1929 was one of the selling points when the Kroft Brothers approached them to do this show.  As Mike Brady, Robert Reed has a silly grin on his face.  He’s obviously having the time of his life.  When the song finally ends, Reed is noticeably out of breath.  For whatever reason, The Brady Bunch Hour loved to show the audience the Bradys struggling to catch their breath after every performance.  I guess we were supposed to say, “They worked really hard!” but instead, it leaves the impression that the show is actually killing its cast.

Anyway, the song finally ends and we spend some time with the kids bantering.  Greg is noticeably upset about his siblings being so immature.  An argument breaks out.  Carol yells at everyone to hold it down.  It’s like being forced to watch someone else’s terrible Thanksgiving dinner.  Carol and Mike announce the guests for the show are going to be Vincent Price and Rip Taylor.  Greg gets mad because he wanted to introduce the guests.  IT NEVER ENDS!

Finally, we go to commercial break.  When the show returns, The Brady Bunch is singing It’s Not Where You Start from the 1973 Broadway musical, Seesaw.  Again, you have to wonder if this was really the music that everyone was listening to in 1977.  I mean, this was the same year that Saturday Night Fever came out.  This was the year of Star Wars.  I just doubt there was a nationwide demand for a show featuring Robert Reed singing Broadway show tunes.  Again, this performance ends with close-ups of Robert Reed and Florence Henderson gasping for breath.  Obviously, performing requires a lot of physical exertion but Reed gasps like he’s got a pack-a-day smoking habit.  Carol explains that they just sang this song because it reflected an experience that they had with Greg earlier in the week.  What a weird way to introduce a flashback.

We cut to the Brady compound, where Greg is in the living room, attempting to write a song, strumming his guitar, and getting annoyed with the family.  In Greg’s defense, his family is loud and annoying but, at the same time, is there no other room in the house where Greg could have worked.  Anyway, Greg announces that he’s going to have to get his own place.  Seeing as how Greg is in his 20s …. well, yes, he does.  There’s really no reason why Greg (and for that matter, Marcia) should still be living in the Brady House and having to ask his stepmother for permission to stay out late.

Anyway, Mike and Carol attempt to have a serious conversation with Greg about his desire to move out so, of course, Rip Taylor shows up as Jackie Merrill, the landlord.  It turns out that Jackie has a place that Greg can rent.  “It’s funky but not junky!” Jackie announces.  Mike orders Jackie to leave.  “I see Papa Bear is cranky!” Jackie replies.  “Dad,” Greg announces, “I love you …. but I’m not your BOY anymore!”

DAMN!  LOOK AT GREG STANDING UP TO HIMSELF!

We then cut to Marcia Brady, saying that everyone at the Brady House was really sad about Greg wanting to leave.  And then from there, we cut to Jackie showing Greg his new apartment.

Someone knocks on the door and demands to be let in.  And …. hey!  WHAT’S VINCENT PRICE DOING HERE!?

Vincent asks Jackie and Greg if they’re dead.  When he discover that they’re alive, Vincent explains that he’s a ghost hunter and Greg’s apartment is haunted by “Stella Beaumont, among others.”  Vincent explains that Greg looks a lot like Stella’s great grandson, Dinky, who died when he fell off of Greg’s new couch.  Vincent Price has a lot of fun hamming it up but you probably already guessed that.

While Greg worries about ghosts, his family sits around the house and worries about him.  Greg calls Carol so that he can give the family his new phone number.  Carol starts to cry.  “Say hello to everyone for me,” Greg says.  Uhmm …. did Greg move to another country?  Aren’t they all in Hollywood and still doing a variety show together?  Why are they acting like they’re never going to see him again?  Did Vincent Price talk to them?

Anyway, we then cut to Carol singing Traces while Greg sings All By Myself.  As usual, Florence Henderson knocks the song out of the park.  Barry Williams, however, struggles a bit as All By Myself is a terrible fit for his rather limited vocal range.  Don’t get me wrong.  Barry Williams has a perfectly pleasant singing voice but when he tries to hit those emotional high notes, it’s just cringe city.

Mike Brady welcomes us to “the second half of the Brady Bunch hour …. minus one.”  Mike doesn’t seem to be too upset about Greg moving out.  It’s interesting that Greg’s stepmother seems to be more emotionally invested in him than his own father.

We then cut to Carol and Greg in their living room, talking about how all of their children will have soon moved out.  Carol is upset that Greg is not answering the phone at his new apartment.  Mike tells her that it’s good that Greg is out and having fun.  Suddenly, Greg rings the doorbell and says that he was just in the neighborhood.  Greg then confesses that he owes Carol and Mike an apology for moving out without telling them and he also explains that he hates his new apartment.  Greg says that he wants to come back and live in his old house.  I guess Mr. Merrill forgot to have him sign a lease.

We cut to Peter saying that we’ve reached the part of the show where Greg always pushes him into the pool.  But this week, Peter says, he’s going to do the pushing.  Peter sneaks up on Greg but, just as Peter is about give him a shove, Greg moves slightly to the left and — yep, Peter falls in the pool!  It’s kind of sad that this recurring bit is the only part of The Brady Bunch Hour that I ever find myself looking forward to.  Greg then introduces a giant creature named H.R. Puff-in-Stuff, who proceeds to “lip-synch” to an Elton John song called Celebration.

Alice the Maid comes out on stage and explains that “Well, Greg’s back now,” and the family is going to throw a party for him.  But first, it’s time for Marcia to sing Time In A Bottle.  Much as with Barry Williams, it’s not that Maureen McCormick has a bad voice.  She has a perfectly pleasant voice.  But she’s singing a song that’s way outside of her range.  Plus, someone decided that she should wear her hair up for her performance, which was not a good look for her.  Maureen McCormick had really pretty hair so why would you hide that?

We then cut to Jackie Merrill, delivering a Tennessee Williams-style monologue about how he was only doing his job when he gave Greg that terrible apartment.  The Bradys then throw a party for Greg.  Bobby gets a cake smashed in his face.  Bleh.  I hate that gag, it’s so messy.  Is this over yet?

Actually, it is almost over.  The Bradys perform the finale, a medley of songs about being happy, including the Happy Days theme song.

This episode was kind of annoying but at least it had Vincent Price.  Plus, that bit with the dancing monster was enjoyably weird.  I don’t blame Greg for wanting to get out of there.

Hey, there’s only five more episodes of this show left.  Yay!

Live Tweet Alert: Join #FridayNightFlix for Rocky III!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1982’s ROCKY III!

Do you have the eye of the tiger?

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Rocky III is available on Prime and Netflix!  See you there!

Retro Television Reviews: City Guys 3.21 “Yoko Oh-No” and 3.22 “Party Like It’s 1999”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Roll with the city guys!

Episode 3.12 “Yoko Oh-No”

(Dir by Frank Bonner, originally aired on December 3rd, 1999)

Apparently, the show’s writers remembered that Dawn and Al are a couple before they wrote this episode because it opens with Dawn giving Al a hard time about buying her a “gold” bracelet that turned her wrist green.  Seriously, Dawn, you can do so much better.  DUMP HIS ASS!

The majority of this episode, however, dealt with Jamal and Ashley (Trina McGee).  Ashley, as you may remember, was Jamal’s girlfriend who spoke with a ludicrously exaggerated southern accent.  Trina McGree is probably best known for playing Shawn’s longtime girlfriend on Boy Meets World.  She appeared on three episodes of City Guys while she was still on Boy Meets World.  If I remember correctly, she was actually pretty good on Boy Meets World but was she ever awful on City Guys.

Jamal’s friend tell him that they think he’s letting Ashley control his life.  At first, Jamal says that they don’t know what they’re talking about but then he realizes that he’s wearing the clothes that she likes and that he’s carrying around a beeper because he’s a drug dealer so Ashley will always be able to summon him.  Jamal realizes that he has to break up with Ashley but, after Ms. Nobel says how proud she is of him for having a committed relationship, Jamal decides that he can’t break up with her.  (WHAT!?  HOW MUCH CONTROL DOES MS. NOBEL HAVE OVER HER STUDENT’S LIVES!?)  So, Jamal tries to arrange for Ashley to fall in love with L-Train instead.  It doesn’t work.

While this is going on, Dawn decides that she wants to see All-4-One in concert.  (All-4-who?  They were big in the 90s.)  Because no one on this show can do anything the simple way, Al pretends to be dying in an effort to get them to give him free tickets.  The band — which, for some reason, come to meet Al at the diner owned by Jamal’s father — are not happy with Al’s deception.  Al confesses that he has to impress Dawn.  The band, who I guess are super forgiving and have nothing better to do with their time, agree to give Dawn a private concert.

Meanwhile, Jamal and Chris decided to use their radio show to try to get Ashley to dump Jamal.  They ask listeners to call in with their romantic problems.  L-Train calls in and says that his girlfriend picks out all of his clothes and forces him to carry a “peeper.”  L-Train then calls in a second time, pretending to be his girlfriend.  “You go, girl!” Ashley says, which leads to Jamal announcing that he’s sick and tired of her bossing him around.  Uh-oh, Jamal — you’re on the radio!

Jamal rushes over to Ms. Nobel’s office and apologizes for breaking up with Ashley.  Jamal, were you required to turn in your balls when you enrolled at Manny High?  Seriously, I can’t believe I just typed that but Jamal is just annoying as Hell in this episode.  Anyway, it turns out that Ms. Nobel doesn’t care because Ms. Nobel is a middle-aged woman with a school to run.

At the diner, All-4-One performs for Dawn.  Were All-4-One one of those bands that Lou Pearlman screwed over?  “They’re all for real!” Al announces.

This was a dumb, dumb, dumb episode.  This is actually the second Peter Engel-produced show to feature an episode called Yoko, Oh No!  It worked better for California Dreams because, in the case, the title actually referred to someone dating the lead singer of a band.  In this case, it’s just dumb.  Jamal is not John Lennon.

Let’s move on.

Episode 3.22 “Party Like It’s 1999”

(Originally aired on December 3rd, 1999, directed by Frank Bonner)

On New Year’s Eve, the kids gather one the roof of Manny High and think about all of their previous adventures and — oh crap, it’s a clip show.

Anyway, the neat guys will see you next week!

2022 In Review: Lisa Marie’s Top 30 Films of 2022


Without further ado, here are my top 30 films of 2022!

(Why 30?  Because Lisa doesn’t do odd numbers!  Also, be sure to check out my picks for 2010201120122013201420152016201720182019, 2020, and 2021!  Wow, I’ve been doing this for a while!)

30. Marcel The Shell With Shoes On (dir by Dean Fleischer Camp)

An animated film with heart, Marcel The Shell With Shoes On would probably be ranked higher if Marcel’s favorite news show had been something other than 60 Minutes.  Still, questionable viewing habits aside, Marcel and Nana Connie and all the other shells were amazing characters and the end of the movie brought tears to my mismatched eyes.  With this film and I Want You Back, Jenny Slate had quite a year.

29. Ted K (dir by Tony Stone)

Released in February of this year, this film about Ted Kaczyski and his descent into madness was unfairly overlooked. Sharlto Copley was perfectly cast as Ted K.  This is a film that probably won’t make Ted’s supporters happy but, at the same time, it also avoids painting him as just being a straight-out madman.  It’s refusal to simplify makes the film far more than just another true crime biopic.

28. Dashcam (dir by Rob Savage)

Starring Annie Hardy as herself, this low-budget horror film is a scathing satire of life during the age of COVID and performative “wokeness.”  After the past few years, there’s something rather cathartic about Hardy’s refusal to obey.

27. The Batman (dir by Matt Reeves)

At this point, I’m fairly cynical about comic book movies in general and Batman films in specific.  I mean, how many Batmen have we had over the past ten years?  (Actually, I think only four but it feels like a lot more!)  That said, I enjoyed The Batman, for both its noirish atmosphere and it’s willingness to embrace the melodrama.  You have to love the fact that the villain was basically a nerdy podcaster.

26. Operation Mincemeat (dir by John Madden)

Based on a true story, this film was a throwback to the earnest World War II films of the past.  Colin Firth, Kelly MacDonald, Matthew McFayden, and Johnny Flynn were all well-cast and did their part to bring this moment of WWII history to life.

25. Father Stu (dir by Rosalind Ross)

You don’t have to be from a Catholic background to appreciate Father Stu but it probably helps.  This was one of those roles that only Mark Wahlberg could have pulled off.

24. See How They Run (dir by Tom George)

This stylized murder mystery was terrifically entertaining and witty.  Sam Rockwell and Saoirse Ronan are both treasures.

23. I Want You Back (dir by Jason Orley)

Two friends conspire to win back their respective romantic partners and end up falling in love with each other instead.  This was an enjoyable comedy, one that was blessed with an outstanding cast that included Jenny Slate, Charlie Day, Scott Eastwood, and Gina Rodriguez.  The scene in which Jenny Slate sings Suddenly Seymour is a classic.

22. Ambulance (dir by Michael Bay)

This was the film that Michael Bay was born to direct.  For once, Bay’s hyperkinetic style was perfectly matched by the story being told.  It also helped that the ambulance was a real ambulance and not a robot pretending to be an ambulance.

21.Send Me (dir by Nick Palmisciano)

This is a heart-breaking documentary about the efforts of 12 veterans to evacuate as many allies as they could during the disastrous withdraw from Afghanistan.  This film deserved more attention than it got.

20. The Bombardment (dir by Ole Bornedal)

Based on a true story, this Danish film deals with the accidental bombing of a school during World War II.  It’s been overshadowed a bit by All Quiet On The Western Front but, in its quieter way, The Bombardment is also a strong look at the horrors of war.

19. Goodnight Oppy (dir by Ryan White)

This is a poignant documentary about Opportunity, the NASA exploration rover that spent 15 years exploring Mars.  This movie proves that a robot can make you cry.

18. Dark Glasses (dir by Dario Argento)

Don’t listen to the critics.  This enjoyably over-the-top giallo was an entertaining return-to-form for Dario Argento.

17. Wildcat (dir by Melissa Lesh and Trevor Fost)

This poignant documentary follows a depressed veteran as he finds purpose helping to raise a baby ocelot in Peru.  Be prepared to cry.

16. Apollo 10 1/2 (dir by Richard Linklater)

Richard Linklater’s animated film was well-received by critics but it’s still hard not to feel that it’s been a bit overlooked.  Narrated by Jack Black, the film details the 1969 moon landing from the perspective of a child with a very active imagination.  Nostalgic, sweet-natured, and ultimately rather moving, Apollo 10 1/2 is a film that celebrates life.

15. Three Minutes: A Lengthening (dir by Bianca Stigner)

This haunting and moving documentary, which is narrated by Helena Bonham Cater, examines a three-minute snippet of 16mm film that was shot in a Jewish town in Poland in 1938, shortly before the Nazis invaded.  By examining every aspect of those three minutes, this documentary becomes both a memorial for the inhabitants of that town and a much-needed reminder of the horrors and reality of the Holocaust.  With anti-Semitism and Holocaust denial on the rise, this is an important documentary.

14. The Northman (dir by Robert Eggers)

The Northman is occasionally thrilling and occasionally ludicrous but it’s always watchable.  Robert Eggers finds moments of humor and odd beauty in this Viking epic.  Nicole Kidman embraces the melodrama and goes all out.  I just hope Valhalla was actually worth all the trouble.

13. Puss In Boots: The Last Wish (dir by Joel Crawford)

Yeah, you knew this film was going to show up on my list.  To be honest, the film could have been about just about anything.  I’d watch Puss In Boots read the phone book as long as Antonio Banderas returned to do his voice.  The fact that the film itself was cute and even touching was an added bonus.

12. Guillermo del Toro’s Pinocchio (dir by Guillermo del Toro and Mark Gustafson)

Yes, a puppet can make you cry.

11. Babylon (dir by Damien Chazelle)

Was it flawed?  You bet.  Did it run a little bit too long?  Yes, it did.  Could I have done without the scene with the elephant?  You better believe it.  That said, this film was so gloriously excessive and over-the-top that it was easy for me to forgive its flaws.  The critics may not have liked it but Babylon is a film that will be rediscovered.

10. The Fabelmans (dir by Steven Spielberg)

I went back and forth over whether to put The Fabelmans or Babylon in the number ten spot.  In a way, they’re kind of similar in that they have their flaws but they’re both saved by their director’s obvious love of cinema.  In the end, David Lynch’s role as John Ford moved The Fabelmans into the 10th spot.

9. Everything Everywhere All At Once (dir by the Daniels)

To be honest, I think some people are going a little bit overboard in their praise for this film.  Yes, it’s one of the year’s best but 2022 wasn’t that strong of a year and Everything is one of those probable Best Picture winners that, like Nomadland and CODA, will probably not be quite as celebrated after it actually wins.  That said, Michelle Yeoh and especially Ke Huy Quan deserve all the praise that they’ve received and I appreciated that the film featured the destruction of an IRS office.  It’s not as perfect as some say but, due largely to the cast, it still deserves to be in my top ten.

8. Nitram (dir by Justin Kurzel)

This is another unfairly overlooked film, this time from Australia.  Caleb Landry Jones gives a powerful and disturbing performance as a troubled young man named Nitram who commits an act of shocking violence.  Anthony LaPaglia and Judy Davis play Nitram’s parents, who are both troubled in their own individual ways.  Essie Davis plays the older woman who falls in love with Nitram, despite the fact that Nitram is incapable of loving anyone.

7. Emily the Criminal (dir by John Patton Ford)

Aubrey Plaza plays Emily, who discovers that not only does crime pay but, in the gig economy, it’s one of those few ways to get ahead.  Part thriller and part satire, Emily the Criminal reminds us that Plaza is one of the most interesting actresses working today.

6. All Quiet On The Western Front (dir by Edward Berger)

This German anti-war epic stays true to the themes of its source material while updating the plot for the modern era.  The contrast between the generals and the diplomats planning battles and the soldiers dying in them is a powerful one.

5. Elvis (dir by Baz Luhrmann)

This wonderfully excessive biopic features good music, a great performance from Austin Butler, and a wonderfully eccentric one from Tom Hanks.  Luhrmann is hardly a subtle director but Butler’s performance keeps the film from spiraling out of control.

4. Vengeance (dir by B.J. Novak)

This whip-smart satire of both true crime podcasts and the red state/blue state divide deserved far more attention than it received.  Ashton Kutcher has actually become a surprisingly dependable character actor.  Director and screenwriter Novak tells the story with sensitivity and a sharp eye for the absurd.

3. The Banshees of Inisherin (dir by Martin McDonagh)

In his best film yet, Martin McDonagh examines friendship, art, violence, and anger in Ireland.  Brendan Gleeson no longer wants to be Colin Farrell’s friend.  Farrell’s attempts to discover why leads to all sorts of surprising and macabre developments.  Gleeson and Farrell have never been better.  Kerry Condon and Barry Keoghan offer up poignant support.

2. Tar (dir by Todd Field)

Lydia Tar is a brilliant artist.  Does it matter that she also might be a terrible human being?  Todd Field’s return to filmmaking meditates on the meaning of art, morality, and the consequences of hubris.  Cate Blanchett is perfectly cast.  The scene where Tar talks to a student who objects to playing music by a white male is a real litmus test.  Do you think Tar is a bully or do you think the student is being too sensitive?  For all the talk about how Lydia dismisses the student’s claims, many also fail to note that the student is the one who calls her a “bitch” and runs out of the room.  Much as in Field’s previous film, no one is as perfect or as justified or as blameless as they may believe.

And, finally, my top film of 2022 is….

  1. Top Gun: Maverick (dir by Joseph Kosinski)

After 2 years of lockdowns and pessimism, Top Gun: Maverick was finally released and it reminded audiences of what they loved about movies in the first place.  Top Gun: Maverick was the movie that we needed in 2022.

Well, that concludes my late look back at 2022!  Now, let’s focus on 2023!

Lisa Marie’s 2022 In Review:

  1. 16 Worst Movies
  2. 10 Favorite Songs
  3. 10 Top Non-Fiction Books
  4. Lisa Marie’s Favorite Novels
  5. The Best of Lifetime
  6. 10 Good Things I Saw On Television

2022 In Review: 10 Good Things That I Saw On Television


Continuing my long-delayed look back at 2022, here are ten good things that I saw on television during the previous year!

(Also be sure to check out my picks for 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, and 2011!)

  1. The Dropout

Hulu’s miniseries about Theranos was a disturbing look at how Elizabeth Holmes managed to defraud her investors, provide false hope for the ill, and become a celebrity despite not actually knowing anything about which she was speaking.  Amanda Seyfried’s performance as Holmes was brilliant and she was well-supported by an amazingly strong supporting cast.  The Dropout pretty much is the last word that needs to be said about Theranos.

2. Barry

Whether it was the Kaboom app or that amazing motorcycle chase, the latest season of HBO’s Barry was full of amazing moments.  The saga of the hitman-turned-actor-turned-hitman continues to fascinate.  As likable as Bill Hader can be, he never lets us forget that Barry is, at heart, a bit of a monster.

3. The Better Call Saul Finale

Finales are a tricky business and a bad one can ruin a show’s legacy.  Fortunately, the final season of Better Call Saul delivered everything that the audience could possibly hope for.

4. Pistol

Danny Boyle’s miniseries may have provided a romanticized history of 70s punk rock but it was compulsively watchable nonetheless.  Sidney Chandler stole the entire series as Chrissy Hynde.  Anson Boon brought some unexpected shadings to the role of Johnny Rotten.  That the real-life Johnny didn’t care much for it is, at this point, to be expected,

5. The Amazing Race

The Amazing Race returned with two new seasons.  The first season was one that was filmed during the COVID lockdowns and it suffered due to the fact that some of the strongest teams had to drop out of the race because of the long delay in shooting,  Still, you had to respect the show for not giving up and just canceling the season altogether.  The second season was a return to form for The Amazing Race, with Derek and Claire providing themselves to be two of the most likable winners that the show has had in a while.  For those of us who feel that Derek and Claire got screwed over during their season of Big Brother, their Amazing Race victory was especially nice to see.

6. Abbott Elementary

One of the best sitcoms to come along in a while, Abbott Elementary is both poignant and hilarious as it details the day-to-day life of the teachers at Abbott Elementary.  Though Sheryl Lee Ralph has deservedly won the majority of the awards, the entire cast is wonderful.  Janelle James, as Principal Ava Coleman, will hopefully get some Emmy recognition later this year.

7. Ghosts

What a sweet show about dead people!

8. Yellowjackets

Not sine Lost have I been so intrigued by a drama.  Succession is a show that thinks it’s clever.  Yellowjackets actually is clever.

9. The Offer

It was a guilty pleasure but a pleasure nonetheless.

10. I Want You Back

The best made-for-TV movie of 2022.  Jenny Slate singing Suddenly Seymour was a classic moment.

Lisa Marie’s 2022 In Review:

  1. 16 Worst Movies
  2. 10 Favorite Songs
  3. 10 Top Non-Fiction Books
  4. Lisa Marie’s Favorite Novels
  5. The Best of Lifetime

2022 In Review: The Best of Lifetime


First off, my apologies for being so late in finishing up my look at the best of 2022!  I’ve still got three categories to go, so let’s get to it by taking a look at the best of Lifetime!

As chaotic as 2022 may have been, one thing remained unchanged!  Lifetime provided me with both a lot of entertainment and a lot to think about!  Not only did it embrace the melodrama with films like Deadly Yoga Retreat but it also sensitively dramatized the real-life tragedies of The Gabby Petito Story and Dirty Little Secret.  Below, you’ll find my picks for the best Lifetime films and performances of the past year!

(For my previous best of Lifetime picks, click on the links: 20142015201620172018, 2019, 2020, and 2021!)

Best Picture: The Gabby Petito Story

Best Director: Thora Birch for The Gabby Petito Story

Best Actress: Melissa Joan Hart in Dirty Little Secret

Best Actor:  Jonathan Bennett in Deadly Yoga Retreat

Best Supporting Actress:  Maja Vujicic in Mommy’s Little Star

Best Supporting Actor:  Roderick McNeil in Mommy’s Little Star

Best Screenplay: Dirty Little Secret

Lisa Marie’s 2022 In Review:

  1. 16 Worst Movies
  2. 10 Favorite Songs
  3. 10 Top Non-Fiction Books
  4. Lisa Marie’s Favorite Novels

The Heart-Breaking Covers of Girls’ Love Stories


Published from 1949 to 1973 by DC Comcis, Girls’ Love Stories was a romance comic.  Today, it’s probably best remembered for its melodramatic covers, many of which were later recreated by pop artist Roy Lichtenstein.  As you can tell by looking at the covers below, happiness was not easy to find for the women of Girls’ Love Stories.  Everyone was either a cheater or, even worse, they had a “reputation.”

 

The Black Reel Awards Honor The Woman King


On February 6th, the Black Reel Awards announced their picks for the best of 2022!  The nominees can be found be clicking here and the winners can be found below!

And here they are:

OUTSTANDING FILM
THE WOMAN KING – Maria Bello, Viola Davis, Cathy Schulman & Julius Tennon, producers

OUTSTANDING ACTOR
JEREMY POPE – THE INSPECTION

OUTSTANDING ACTRESS
DANIELLE DEADWYLER – TILL

OUTSTANDING DIRECTOR
GINA PRINCE-BYTHEWOOD – THE WOMAN KING

OUTSTANDING SUPPORTING ACTOR
BRIAN TYREE HENRY – CAUSEWAY

OUTSTANDING SUPPORTING ACTRESS
ANGELA BASSETT – BLACK PANTHER: WAKANDA FOREVER

OUTSTANDING SCREENPLAY
TILL – KEITH BEAUCHAMP, MICHAEL REILLY & CHINONYE CHUKWU, WRITERS

OUTSTANDING INTERNATIONAL FILM
SAINT OMER (FRANCE) – ALICE DIOP, DIRECTOR

OUTSTANDING DOCUMENTARY FEATURE
SIDNEY – REGINALD HUDLIN, DIRECTOR

OUTSTANDING ENSEMBLE
THE WOMAN KING – AISHA COLEY, CASTING DIRECTOR

OUTSTANDING VOICE PERFORMANCE
ZOE SALDANA – AVATAR: THE WAY OF WATER

OUTSTANDING SCORE
THE WOMAN KING – TERENCE BLANCHARD, COMPOSER

OUTSTANDING ORIGINAL SONG
“LIFT ME UP” – BLACK PANTHER: WAKANDA FOREVER

OUTSTANDING SOUNDTRACK
BLACK PANTHER: WAKANDA FOREVER

OUTSTANDING INDEPENDENT FILM
THE INSPECTION – ELEGANCE BRATTON, DIRECTOR

OUTSTANDING SHORT FILM
NORTH STAR – P.J. PALMER, DIRECTOR

OUTSTANDING EMERGING DIRECTOR
NIKYATU JUSU – NANNY

OUTSTANDING BREAKTHROUGH ACTOR
JEREMY POPE – THE INSPECTION

OUTSTANDING BREAKTHROUGH ACTRESS
THUSO MBEDU – THE WOMAN KING

OUTSTANDING FIRST SCREENPLAY
THE INSPECTION – ELEGANCE BRATTON, WRITER

OUTSTANDING CINEMATOGRAPHY
NOPE – HOYTE VAN HOYTEMA, CINEMATOGRAPHER

OUTSTANDING COSTUME DESIGN
BLACK PANTHER: WAKANDA FOREVER – RUTH E. CARTER, COSTUME DESIGNER

OUTSTANDING EDITING
THE WOMAN KING – TERILYN A. SHROPSHIRE, EDITOR

OUTSTANDING PRODUCTION DESIGN
BLACK PANTHER: WAKANDA FOREVER – HANNAH BEACHLER, PRODUCTION DESIGNER