My Top 6 Super Bowl Commercials


Let’s just admit that the Super Bowl was weird this year.

I’m not talking about the game.  To be honest, I could really hardly care less about the game.  When it comes to winners and losers, I’m one of those people who wishes that both teams could win. I think the coach of the winning team should let the losing team score a touchdown so that no one’s feelings get hurt.  I worry about concussions, broken ankles, and compound fractures.  I can handle some of the most graphic zombie films ever made but football just freaks me the fug out.

Instead, I’m one of those people who watches for the commercials and this year, the commercials were odd.  I guess that’s to be understood, all things considered.  But even when you take into account the pandemic and the general sappiness of modern American culture, the commercials felt weak.  There were a lot of inspirational commercials.  Bruce Springsteen gave a two-minute monologue about America while sitting in a jeep.  There was a Ford commercial about how we’re all in this together or something like that.  The beer commercials were less surly and more cringey this year.  There were a lot of commercials with celebrities where the whole joke seemed to be, “Hey, look!  A celebrity!”

There were precious few commercials for any upcoming movies or TV shows.  In fact, there were four.  FOUR!  Every previous year, I’ve worked myself to a beautiful exhaustion trying to keep up with all the movies being advertised during the big game.  This year, I wrote a few — very few — words about Coming 2 America, Old, The Falcon and the Winter Soldier, and Raya and the Last Dragon.

Anyway, with all that in mind — here are 6 commercials that I did enjoy.  I don’t know if it’s right for me to say that any of these really qualify as a “favorite” because I really didn’t have any favorites this year.  But, the important thing is that I enjoyed the commercials below.

6) Edgar Scissorhands — Cadillac

I guess Edward is dead or something?  Because Edward’s definitely not in this commercial.  I can only assume that he died or he moved to Paris and was later judged to be too problematic to be invited back to appear with his son.  Well, regardless, this is a cute commercial.  I wouldn’t necessarily say it’s a good commercial because people are going to remember Edgar on the bus more than they’re going to remember the Cadillac but still, it was nice.

5) Adam Levine Sets Up Gwen Stefani and Blake Shelton — T-Mobile

But if not for the spotty network, Gwen and Blake never would have gotten together!  Oh well.  What matters is that Gwen and Blake are a cute couple.

4) Jason Alexander Hoodie — Tide

This was actually kind of a disturbing commercial but then again, I like the idea of clothing that screams at you.

3) Doritos — Flat Matthew McConaughey

It was weird enough to work.

2) Alexa — Michael B. Jordan

It was sexy enough to work.

  1. Reddit

This made my night.  This ad was short.  It wasn’t pretentious.  It didn’t pretend that it was going to bring America together.  It didn’t feature Bruce Springsteen doing his Kerouac imitation.  Instead, it popped up for five seconds, it freaked a lot of people out, and it kind of gave the finger to the whole silly culture that’s sprung up around Super Bowl advertising.  That was brilliant.  (Considering that Reddit has now become the favorite scapegoat of the establishment, I applaud them for raising their profile as opposed to just meekly waiting for the storm to pass.)

Reddit wins the night!  And, just in case the above video gets taken off of YouTube for some reason, here’s the ad:

Hardball (2001, dir. by Brian Robbins)


Conor O’Neill (Keanu Reeves) is a gambler who is going to be killed by his bookies unless he can pay off a $6,000 debt.  When he finds out that he can make $500 a week just for coaching a little league team in the Chicago projects, he takes the job.  He’s not planning on caring about the team but, of course, he does.  He doesn’t expect to fall in love but when he meets his team’s 5th grade teacher (Diane Lane), he does.  No one expects him to get his team to the championship but he does.  When tragedy strikes one of his players, Conor and the team have to decide whether to keep playing or to give up.

Hardball is a movie that I wanted to like because Keanu Reeves is in it and the movie tells a good, heart-warming story.  Hardball is really predictable, though, and the movie is so focused on Conor that you never really get to know most of the players on team or what winning the championship would mean to them.  I wanted to know about the members of the team, all of whom were poor, black, and living in the most dangerous neighborhood in Chicago.  (When Conor drops one of them off from practice, he’s told to duck whenever he walks by a window, just in case someone outside is shooting a gun.)  There is one really powerful scene that drives home the reality of the danger that the kids on the team live with on a daily basis but other than that, the movie is almost all about the white coach and his problems.  The team should be the heart of the movie but instead, Hardball focuses everything on Conor and whether or not he’s going to stick with coaching the team even when things get difficult. Even Conor says he’s done, everyone knows he’s not going anywhere.

The other thing that bothered me about Hardball is that, for a baseball movie, there wasn’t enough baseball.  Conor didn’t spend any time discussing strategy with his players or doing any other coaching beyond telling his players not to trash talk each other and to always do their best.  I understand that little league is not the same as major league baseball but I still would have liked to have seen more scenes of Conor actually being a coach and his players actually learning how to play the game.

Hardball‘s not all bad.  It’s got a good heart and it’s got Keanu Reeves.  I just wish it had more baseball.

The San Francisco Film Critics Circle Embraces Roma and Orson Welles!


The San Francisco Film Critics Circle announced their pics for the best of 2018 earlier today.  They picked Roma for Best Picture and they also rightfully honored Orson Welles for his work on The Other Side of the Wind.

Check out a list of their nominees here and check out the winners below!

Best Picture: ROMA

Best Director: Spike Lee (BlacKkKlansman)

Best Actor: Ethan Hawke (First Reformed)

Best Actress: Melissa McCarthy (Can You Ever Forgive Me?)

Best Supporting Actor: Michael B. Jordan (Black Panther)

Best Supporting Actress: Regina King (If Beale Street Could Talk)

Best Original Screenplay: Paul Schrader (First Reformed)

Best Adapted Screenplay: Charlie Watchel, David Rabinowitz, Kevin Willmott and Spike Lee (BlacKkKlansman)

Best Film Editing: Bob Murawski and Orson Welles (The Other Side of the Wind)

Best Cinematography: Alfonso Cuarón (ROMA)

Best Production Design: Hannah Bleacher (Black Panther)

Best Foreign Language Film: ROMA

Best Animated Feature: Spider-Man Into the Spider-Verse

Best Documentary: Won’t You Be My Neighbor?

Marlin Riggs Award (for courage & vision in the Bay Area film community): Boots Riley (Sorry to Bother You)

Special Citation Award (for and under-appreciated independent film): The Endless – a genre-bending story of emotionally estranged brothers starring and directed by Justin Benson and Aaron Moorhead