Late Night Retro Television Review: Highway to Heaven 4.17 “We Have Forever: Part One”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan loses his powers.

Episode 4.17 “We Have Forever: Part One”

(Dir by Michael Landon, originally aired on February 10th, 1988)

When Jonathan’s former wife (Dorothy McGuire) dies, Jonathan assumes that God will release him of his duties and bring him to Heaven to be with her.  Instead, Jonathan is told that he is still needed on Earth and that he has an assignment.  Jonathan gets upset and uses some language that one doesn’t always expect to hear from an angel.  God responds with thunder and lightning.

Long story short, Jonathan loses his angelic powers.  He becomes a human again.  But since Jonathan died 40 years ago, shouldn’t taking away his powers cause him to drop dead on the spot?  I’m a bit confused on how this works but then again, it’s also pretty obvious that God is trying to teach him a lesson as opposed to just punishing him.

Jonathan runs away from Mark, refusing to speak to him.  He sees a movie theater that is showing Heaven Can Wait and he proceeds to throw beer bottles at the marquee until all of the letters have fallen.  Jonathan ends up in jail but Mark manages to track him down and gets him released.  Jonathan borrows some money from Mark so that he can go get drunk.

Later, walking along the beach, Jonathan sees a young woman named Jennifer (Leann Hunley) who looks just like his wife did when they first got married.  Jennifer attempts to commit suicide by walking into the ocean.  Jonathan saves her life.  It turns out that Jennifer is suicidal because her boyfriend dumped her.  Jonathan tells her that her boyfriend isn’t going to care that she killed herself.  In fact, he’ll probably brag about it to all of his friends.

Long story short, it’s obvious that Jonathan and Jennifer are falling in love.  Meanwhile, Mark is looking for some way to occupy himself and considers accepting a job at the camp for the blind that he and Jonathan visited earlier in the season.  Finally, this is a two-parter so we’ll see how everything works out next week!

I will say that this was a nice change-of-pace for the series.  Seeing Jonathan finally get mad after four seasons of doing whatever he was assigned to do was interesting and Michael Landon’s anger and sadness felt very real.  Victor French also did a good job of portraying Mark’s sadness over not being able to help his best friend.  This was an episode where Highway to Heaven‘s unabashedly earnest and emotional approach really paid off.

Horror On TV: Hammer House Of Horror #9: Carpathian Eagle (dir by Francis Megahy)


Tonight’s episode of Hammer House of Horror is Carpathian Eagle.

Men are being murdered in bed by a woman who removes their heart.  Inspector Clifford (Anthony Valentine) investigates with the help of a true crime historian named Natalie (Suzanne Danielle).  Natalie tells the story of an ancient Carpathian countess who murdered men in the same way and suggests that the murders might be the work of a modern-day descendant.  The truth turns out to be a bit more complicated, if also a bit predictable.

This is not my favorite episode Hammer House of Horror but still, it’s worth watching to catch a young Pierce Brosnan in an early small role.  This episode originally aired on November 8th, 1980.

Retro Television Review: Decoy 1.7 “Deadly Corridor”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, Casey goes to prison!

Episode 1.7 “Deadly Corridor”

(Dir by Teddy Sills, originally aired on November 25th, 1957)

A murder has occurred in the medium security wing of a woman’s prison.  The Warden (Agnes Young) and the District Attorney (John Newton) asks Casey to go in undercover to discover who killed a prisoner.  Casey will pretend to be a prisoner and only the Warden will know that she’s actually a cop.  Casey won’t have her gun, her badge, or her usual backup.  It’s a dangerous assignment but the medium security wing will be shut down if there’s another incident.  The District Attorney starts to explain the importance of rehabilitation.  Casey replies, “I’m a police woman, not a sociologist.”  Casey accepts the assignment because that’s her job.

Casey’s in jail!  She has a really nice cell.  It comes with a dresser, a vanity mirror, a bed, a lamp, and a desk!  She’s even allowed to wear makeup in prison.  Sign me up!  Casey comes to suspect that the murder was committed by the butch Taffy (Colleen Dewhurst) but instead, it turns out the killer was the mentally-fragile Lois (Lois Nettleton).  Lois is a kleptomaniac and killed the other prisoner after she ratted Lois out to the warden and caused Lois’s sentence to be lengthened.  Lois subsequently attacks Casey because she’s worried that Casey is also “a fink” and Lois doesn’t want to end up spending any more time in prison.  She wants to be released in three months so she can finally visit the grave of her baby.  (Awwww!)  Unfortunately, by the end of this episode, it’s looking like Lois will be lucky to escape the electric chair.

This episode has all of the usual women-in-prison cliches but they were all handed in a way so as to not upset the 1950s television viewing audience.  For instance, the episode never came out and said that Taffy was a lesbian but the way she stared at Casey and ordered her to “come and see me,” didn’t really leave much doubt.  When Taffy beats up Casey, she’s establishing her dominance and reminding the viewer that no one can walk away from a fight in prison.  When Casey snitches to the warden, it’s because she wants to get Taffy out of the way for 24 hours so that Casey can investigate the murder.  Casey can get away with that because she’s a cop and she can always just go to the Warden and ask to be released from the prison.  If Casey were an actual prisoner, being labeled a snitch (or a “fink” as they apparently put it back then) would be a fatal error.

This episode had its campy moments but Lois Nettleton and Colleen Dewhurst both gave excellent performances and the final confrontation between Casey and Lois was actually pretty suspenseful.  To my surprise, this turned out to be a good episode.

Late Night Retro Television Review: 1st & Ten 1.13 “Super Bull Sunday”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, season one comes to an end with the Championship Game!

Episode 1.13 “Super Bull Sunday”

(Dir by Bruce Seth Green, originally aired on February 17th, 1985)

The Bulls make it to the Championship Game!

And lose!

In fact, they lose in spectacular fashion.  We don’t actually see much of the game but we do see the aftermath.  We learn that star running back Carl Witherspoon set a record for fumbles.  Star quarterback Bob Dorsey set a record for interceptions.  The offensive line set a record for letting their quarterback get sacked.  Coach Denardo blames himself but Diana announces to the press that the Bull will be back next year so …. “LOOK OUT!”

Admittedly, the big game only took up about 5 and a half minutes of screentime.  Most of this episode centered around a dumb plot to trick Diana into selling the Bulls to the Japanese so that her ex-husband (remember him?) could swoop in and buy back his team.  It was a pretty dumb plan that fell apart easily but, at the very least, it appears that it finally led to Diana firing her duplicitous general manager, Roger Barrow (Clayton Landey), something she should have done at the start of the season.

But let’s give the show some credit.  It would have been really easy to just have the Bulls pull off another last-minute victory.  Instead, season one ended with the agony of defeat and the actors actually did a really good job of playing up their depression.  It can’t be easy make it to the Championship Game and fail.

So, that’s it for season one.  It wasn’t really that good of a season but maybe I would feel differently if I was a football fan or if I was a dude.  This is very much a guy-centered show.  Next week, we’ll start season 2!

Horror On TV: Hammer House Of Horror #8: Children of the Full Moon (dir by Tom Clegg)


In Children of the Full Moon, a married couple on holiday has some car trouble.  They find a large house that is looked over by Ms. Ardoy (Diana Dors) and inhabited by a multitude of children, who may or may not be werewolves.  This episode starts out somewhat light but the tone eventually shifts and things end on a memorably dark note.  Diane Dors gives a wonderful performance as the mysterious Ms. Ardoy.  Be careful about where you take your vacation.

This episode originally aired on November 1st, 1980.

Retro Television Reviews: The Love Boat 6.21 “The Captain’s Crush/Out Of My Hair/Off-Course Romance”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard, it’s love!

Episode 6.21 “The Captain’s Crush/Out Of My Hair/Off-Course Romance”

(Dir by Ted Lange, originally aired on February 19th, 1983)

Kathy Costello (Stella Stevens) is looking forward to taking a cruise with her husband, Joe (Monte Markham).  However, at the last minute, Joe decides that he would rather go to a golf tournament than take a vacation with his wife.  The angry Kathy boards the boat and immediately runs into her ex-boyfriend, Ted Cole (Ron Ely).  Kathy enjoys spending time with Ted but then suddenly, Joe shows up on the cruise.  He’s not happy to discover his wife is spending time with her ex.  The main problem with this story is that there’s no one to root for.  Kathy is cheating but her husband is being a jerk.  It’s rare that I ever watch an episode of The Love Boat and say, “This should end with divorce,” but this episode inspired me.

Meanwhile, Lydia (Delta Burke) boards the boat with her wealthy fiancé (Jeffrey Tambor).  Lydia’s ex-boyfriend (Richard Gilliland) also boards the boat, hoping to break up their engagement.  This storyline felt oddly similar to the other storyline and it suffered from the same problem.  There was no one to root for.  None of these people deserved to get married.

Finally, movie star Janine Adams (Joan Collins) boarded the boat and ate dinner with the Captain.  The next day, the tabloid news wires are full of speculation that the Captain is going to become Jane’s tenth husband and the Captain starts to think that maybe he’d like to be Jane’s tenth husband.  Go for it, I say!  Seriously, Janine and the Captain are as close to a likable couple as this episode has so they might as well get married.  Of course, they don’t get married.  I guess that’s a good thing.  It’s hard to imagine The Love Boat without Captain Stubing at the helm.

This episode was directed by Ted Lange and, as usual, he gets good performances from the cast.  Unfortunately, this cruise is let down by two weakly-written stories.

Late Night Retro Television Review: Pacific Blue 3.1 “Inside Straight”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Everyone’s book for another season of bicycles and law-breaking.

Episode 3.1 “Inside Straight”

(Dir by Michael Levine, originally aired on August 3rd, 19997)

One night, while on a date with Chris, TC spots a man holding a gun.  TC draws his own gun and yells at the man to drop his weapon.  The man turns around.  He fires so TC shoots and the man goes down.  It turns out that the man was an undercover narcotics detective with a spotless record.

TC is suspended and the bike patrol basically stops doing their job and instead proceed to harass the dead man’s wife and his partner until they discover that the wife and the partner were having an affair and, conveniently, the cop was actually shot by someone who happened to be standing behind TC.  It seems like simple forensic evidence (like the amount of bullets on the scene) should have proven that without the bike patrol even getting involved but I guess the cops in Malibu or wherever this show takes place are extremely incompetent.

Meanwhile, the poker game of mobster Joseph Tataglia (Joseph Campanella) gets held up,  The thief is a degenerate gambler who tries to frame TC’s older brother, Teddy (Andy Buckley — how, it’s David Wallace from The Office!).  The real thief is easily exposed and captured.  I’m not really sure what the point of this story was.  Tataglia last appeared during the first season but this episode acts as if he’s been a continual presence in the show for the past two seasons.  I imagine viewers were confused as to who he was or why he had so much pull with Palermo.

There’s a scene where TC is subjected to an intense interrogation from Internal Affairs and I have to admit that it made me laugh because TC and Palermo were wearing their dorky bicycle cop uniforms while being yelled at by someone in a suit.

Another scene features Victor and Cory telling Chris and TC that there’s a huge crowd waiting to see the movie that they want to see.  Victor says TC might have to flash his badge to get tickets.  Police arrogance is annoying in general but it’s even worse coming from people who ride bicycles.

It appears that nothing had changed with the start of a new season.

Horror On TV: Hammer House of Horror #7 “The Silent Scream” (dir by Alan Gibson)


Today’s episode of televised horror is The Silent Scream, the seventh episode of Hammer House of Horror.  It was originally broadcast in the UK on October 25th, 1980.

A quick content warning for everyone: This episode features some scenes of animals in distress so I personally would advise viewer discretion.  That said, I simply had to share this episode because it features Peter Cushing’s final performance for Hammer Studios.  He plays a seemingly kindly old man who has a very dark secret.  A youngish Brian Cox plays the ex-con who gets a job working for Cushing.  This is a very unnerving episode with an ending that truly sticks with you.

Retro Television Review: Fantasy Island 7.13 “Ladies Choice/Skin Deep”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  The show is once again on Tubi!

Smiles, everyone, smiles!

Episode 7.13 “Ladies Choice/Skin Deep”

(Dir by Don Weis, originally aired on January 28th, 1984)

The highlight of this week’s episode is Mr. Roarke beating someone up.

The person on the other end of the beating is John McDowell (Lloyd Bochner), who owns a winery on the Island and who, for reasons that aren’t particularly clear, hates Mr. Roarke.  When McDowell discovers that Fancy Summerfield (Kim Lankford), who grew up at the winery when it was owned by her father, is in love with Mr. Roarke, McDowell decides to manipulate her to hurt Roarke.  Fancy, who is upset that Mr. Roarke doesn’t return her romantic feelings, allows herself to fall for McDowell but then realizes that McDowell is a jerk.

A party at McDowell’s mansion leads to a fist fight between Roarke and McDowell.  McDowell starts it but Roarke ends it.  He beats up McDowell with such ease that McDowell surrenders.  Fancy realizes that McDowell is not the man for her and she also realizes that Roarke does care about her, even if he’s not in love with her.  (This episode implies that Roarke does not allow himself to fall in love with mortal women.  It’s understandable when you consider what happened when he got married.)

And let’s give credit where credit is due.  Ricardo Montalban looked good beating up Lloyd Bochner.  Admittedly, it was obvious that the majority of the fight was filmed using stunt doubles but, in those rare occasions where we saw Roarke’s face as he threw a punch, Montalban looked like he knew what he doing.

(Lawrence, needless to say, did not come to Mr. Roarke’s aid during the fight.  In fact, Lawrence was barely in this episode.)

As for the other fantasy, it was pretty stupid.  Joe (Michael Lembeck) comes to the Island with his loudmouth buddy, Vinnie (Fred Travalena).  They are attending a sports expo.  Vinnie is all about hitting on the models but Joe falls for Paula Santino (Donna Pescow), who is pretty but definitely not glamorous.  The main problem with this fantasy was that both Joe and Paula were neurotic quip machines so listening to them have a conversation made me want to rupture my ear drums.  Vinnie, for his part, said some pretty bad things about Paula.  Roarke was too busy beating up John McDowell to do anything about it.

This episode was …. actually, not quite as bad as some of the other season seven episodes that I’ve recently watched.  The second fantasy got old pretty quickly but the first fantasy featured Roarke beating someone up and there’s something to be said for that.  The main problem with this episode is that none of the Island guests were particularly likable but I still appreciated that Roarke was willing to go to all of that trouble for them.

Then again, without Tattoo around, Roarke really doesn’t have any choice but to take on all the trouble himself.  What else is he going to do?  Depend on Lawrence?

Late Night Retro Television Review: CHiPs 4.16 “Karate”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch reveals even more hidden talents!

Episode 4.16 “Karate”

(Dir by Leslie H. Martinson, originally aired on March 8th, 1981)

Ponch and Baker have been assigned to patrol Ponch’s old neighborhood.  Ponch says that he feels as if he can see a ghost on every corner.  Baker laughs and says that at least they have an easy assignment.

Not so fast, Baker!

Andy Macedon (Lewis Van Bergen) is paying teenagers to steal dirt bikes for him.  Macedon went to school with Ponch.  Macedon was a few years ahead of him and he was always a bully.  Now, Macedon is setting up a crime ring.  He’s even got Donny Bonaduce working for him!

Ponch’s solution?  Ponch decides to encourage the neighborhood kids to come to the local youth center by having Bonnie teach gymnastics while Ponch teaches karate.  Are you surprised to discover that, on top of everything else, Ponch knows karate?  You shouldn’t be.  You’re watching….

Admittedly, it doesn’t start off well.  When Andy Macedon comes down to the Youth Center and personally challenges Ponch to a fight, Ponch backs off.  He does it because he doesn’t want to make trouble for the Youth Center but the kids view him as being a coward.  If Ponch is ever going to stop Andy Macedon and keep young Rivas (Mario Marcelino) from falling under Macedon’s evil spell, he’s going to have to beat Andy in a karate street fight with everyone watching.

And that’s exactly what Ponch does.  Why?  Because it’s the Ponch Show and there is nothing that Ponch cannot do!

This episode featured a combination of bass-heavy music and not just Erik Estrada but also Danny Bonaduce doing karate moves so you know it was a classic.  I related to Terri (Kari Michealson), the teenager who couldn’t decide if she wanted to be a gymnast or a criminal.  I went through the same thing when I was 16.  Ballet or crime?  Crime or ballet?  I compromised by shoplifting makeup after my dance classes.

There is nothing Ponch can’t do.  Never forget.