Retro Television Review: Homicide: Life On The Street 5.19 “Deception”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the Luther Mahoney saga comes to an end.

Episode 5.19 “Deception”

(Dir by Peter Medak, originally aired on April 25th, 1997)

A Nigerian drug courier is found dead in a hotel room and, of course, that means that Kellerman, Lewis, and Stivers are going to get another chance to go after Luther Mahoney.  After covering up the death of the actual courier, the police send in an undercover officer who delivers a batch of “bad” drugs to Mahoney’s middleman, Antonio Brookdale (Christopher Mann).  When the drugs hit the street, it leads to a revolt amongst Mahoney’s customers.  No one is buying from Mahoney and that causes Mahoney to lose his temper.  Luther Mahoney can handle almost anything but he can’t handle losing money.

Mahoney demands that Antonio meet him at a public park.  What Mahoney doesn’t know is that the police — including Kellerman, Stivers, and Lewis — have got the park staked out.  When Mahoney, in a fit of rage, shoots both Brookdale and an innocent mother with her kids, the police rush to the scene.  A panicked Mahoney jumps in his vehicle and drives away, leaving his crew behind to get arrested.

Lewis tracks Mahoney down to his apartment, where Mahoney is desperately packing up his money.  The sight of Mahoney causes Lewis to lose control.  He starts hitting Mahoney, demanding to know why Mahoney had to kill so many people when he could have just been content to sell drugs.  Mahoney manages to grab Lewis’s gun.  Kellerman and Stivers burst into the apartment with their own guns drawn.  Seeing them, Mahoney lowers his gun and says, “What are you going to do?  Read me my rights?”

“You have the right to remain silent….” Kellerman says, before shooting and killing Mahoney.

OH MY GOD, KELLERMAN JUST EXECUTED LUTHER MAHONEY!

Technically, you could argue that, as Mahoney was still holding the gun, the shooting was justified.  Mahoney lowered the gun but he never dropped it.  Nor did Mahoney ever say that he was surrendering.  Instead, he laughed and mocked the cops.  If Mahoney had raised the gun quickly enough, he probably could have gotten at least one shot in before Stivers and Kellerman had time to take action.  Then again, Kellerman also never ordered Mahoney to drop the gun.  Instead, he just shot him.  After Mahoney falls, Kellerman asks Lewis and Stivers if either has a problem with what happened.  “Nope,” Lewis says.  Stivers, however, doesn’t look convinced that the shooting was justified.

It’s a shocking moment but it’s also a moment that feels somewhat inevitable.  Kellerman has spent this entire season with people accusing him of being crooked.  Even though he was never charged, even his fellow detectives assumed that he must have been doing something to get in trouble in the first place.  Meanwhile, Mahoney killed numerous people and smirked every time that he got away with it.  Kellerman snapped and probably committed a crime.

If that’s not bad enough, Munch is contacted by Punchy DeLeon (Lewis Black), a small-time mobster who has just spent ten years in prison on a murder charge.  Punchy tells Munch that he knows that a criminal associate of his, Jimmy Pugliese, was murdered and buried in section C of the parking lot at the Plimco race track.  With Munch and Brodie in attendance, the parking lot is dug up and …. nothing is found.  Munch does some further investigating and discovers that Pugliese had a girlfriend named Fallon (Deborah Hazlett).  When he drives out to see her, he discovers that Pugliese (Brian Hemmingsen) is still alive.  Pugliese orders to Much to get off his front porch.  Much leaves, not realizing that he’s been followed by Punchy.

Back at the office, Sgt. Howard tells Munch not to worry about it because there hasn’t been an actual homicide.  However, then Fallon shows up and says that Pugliese has disappeared.  Munch drives out to Plimco, where he finds Punch waiting for him in Lot C.  Punchy explains that he took the fall for a murder the Pugliese committed.  Because Pugliese didn’t keep his promise to take care of Punchy’s wife while Punchy was in prison, Punchy used Munch to track down Pugliese.  And now, Pugliese really is buried under the parking lot.  (It helped that the parking lot itself was already ripped up due to Munch searching for the body the first time.)  Munch tells Punchy that he’s going back to prison.  Punchy replies that he did ten years for a murder he didn’t commit and suggests that should allow him to commit one murder without punishment.  It doesn’t work that way, which is kind of sad because Punchy was a likable guy.

Finally, Bayliss and Pembleton decide to be partners again.  Good news!  But Bayliss is also buying groceries for the uncle who molested him.  What the Hell, Bayliss!?

Seriously, this episode got dark!

Well, dark or not, this was one of the better episodes of season 5.  This was Homicide at its most cynical.  Luther Mahoney is dead but someone else will inevitably take his place and now Kellerman really has committed a crime.  (For all the cheering the cops do as they listen to Mahoney incriminate himself on tape, it’s not going to be much comfort to children of the innocent woman that he shot in the park.)  For once, Munch actually does his job well and the end result is a man getting murdered and Punchy going back to prison.

One final note: I will miss the magnificently evil performance of Erik Dellums, who played Luther Mahoney with the right mix of arrogance, hubris, and ruthlessness.  A good villain is hard to find!

Retro Television Review: Homicide: Life On The Street 5.5. “ME, Myself, and I”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the show gets a new co-star.

Episode 5.5 “M.E., Myself, and I”

(Dir by Michael Fields, originally aired on November 1st, 1996)

There’s a new medical examiner in town!  Julianna Cox (Michelle Forbes) drinks too much, smokes too much, and she takes her job personally!  She drives too fast!  She speaks her mind!  She fires the incompetent and the corrupt!  She shows up at crime scenes!  Lewis moves a body before Dr. Cox arrives.  She tells him to never do it again!

She’s a new regular and this entire episode is essentially dedicated to hitting us over the head with the fact that she’s awesome.  And she is awesome and she’s also played by Michelle Forbes so I’m sure she will be a worthwhile addition to the show’s ensemble.  That said, this episode sometimes seem to be so desperate to convince us that we’re going to love Dr. Cox that it forgets to craft a compelling story.  She helps Bayliss to solve a case.  Bayliss likes her.  Well, Bayliss like everyone.  Indeed, Bayliss gets so excited whenever an attractive woman appears that he sometimes seems like a cartoon wolf, with his eyes popping out of his head.

In other news, Kellerman is still under investigation and he’s not taking it well.  The great Edward Herrmann played the officious FBI agent who took over the Box and spent the episode asking the other Homicide detectives if Kellerman seemed to be corrupt.  “How did Detective Kellerman afford a new boat?”  Actually, how did Detective Kellerman afford a new boat?

Pembleton went off his blood pressure meds so he could make love to his wife on his anniversary.  Pembleton — how are you going to recover from this stroke if you keep finding excuses not to take your medication?

Finally, Brodie got kicked out of Bayliss’s apartment so he moved in with Lewis.  Brodie praised a black velvet painting of Teddy Pendergrass, leading to a fight between Lewis and his wife.  It was an amusing scene.  Brodie, you stand accused of murdering a marriage!  The jury finds you guilty!

It was an okay episode.  Homicide is one of those shows that is enjoyable watch because of the ensemble and Michelle Forbes seems like she’ll be a good addition.  When you’ve got a cast this good, you can get away with an episode where not that much really happens.

Retro Television Review: Homicide: Life On The Street 4.13 “I’ve Got A Secret”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

Ring ring.  “Homicide.”

Episode 4.13 “I’ve Got A Secret”

(Dir by Gwen Arner, originally aired on February 2nd, 1996)

This week, almost everyone has a secret.

For example, when Pembleton and Bayliss are called in about a man found dead in his car, they discover that, earlier in the day, he went to a local ER after being shot.  The gunshot wound, which was accidental, didn’t kill him.  Instead, it was the internal bleeding that the doctor either missed or intentionally ignored.  Dr. Kate Wystan (Mimi Kennedy) may come across as being a selfless doctor who has dedicated her life to helping the residents of Baltimore’s most crime-ridden neighborhood but Pembleton and eventually Bayliss come to suspect that her secret is that, because the victim was black and a known criminal, she didn’t give him the same standard of care that she gives to her other patients.  Pembleton considers this to be murder, though it sounds more like a case of malpractice than anything else.

Munch spots Kay kissing a man outside of police headquarters and he becomes obsessed with trying to figure out who the man is.  He’s always believed that Kay is happy being single and alone.  (Uhm, hello?  Munch?  Remember when she dated Ed Danvers?)  Kay’s secret is that apparently she has a life outside of Homicide.

Finally, Lewis and Kellerman spend the entre episode chasing a burly man who is wanted for killing both of his parents.  At first, this entire storyline feels almost like a parody of NBC’s request that the series start featuring more action.  Lewis and Kellerman spend the entire first half of the episode chasing this guy through allies and pool halls and every time, they fail to catch him.  There’s none of the badass heroics that we’ve come to expect from cop shows.  Eventually, Lewis reveals that his brother is in a mental institution.  When Lewis tries to visit his brother, he’s just turned away.  Lewis’s secret is that he actually cares about his brother.

This was an okay episode.  By this point in the series, Homicide had reached the point where it could do an episode where the true enjoyment came less from the storyline and more from just listening to the characters talk to each other.  I really didn’t care much about the crimes that they were investigating.  Instead, I just enjoyed listening to Pembleton and Bayliss talk and bounce ideas off of each other.  They’ve come along way since the day that Bayliss objected to Pembleton’s interrogation technique and Pembleton shouted that he would never have a partner.  By the same token, Kellerman and Lewis have their own unique chemistry that is fun to experience.  They’re like the sensitive frat cops.  As for Munch and Kay, they should just hook up already.  It’s obvious to everyone that they’re in love!

Maybe that’s their secret?