I’m picking today’s song of he day as much for the video as the song. By combining one of The Prodigy’s best songs with scenes from George Miller’s best film, whoever put this video together did a brilliant job!
I’m picking today’s song of he day as much for the video as the song. By combining one of The Prodigy’s best songs with scenes from George Miller’s best film, whoever put this video together did a brilliant job!
Today, we wish a happy birthday to Camila Cabello, a talented singer and songwriter who deserves much better than appearing in Disney remakes with James Corden.
Enjoy!
Today’s song of the day comes from the latest score to win an Oscar. From The Brutalist, who is a bit of Daniel Blumberg’s Oscar-winning work.
I know the feeling.
Enjoy!
I watched nothing this week!
Well, that’s not quite true. I watched an episode of Dark on Netflix with Case. It’s time travel with a macabre, very German twist. We’re on the third season now and the show’s mysteries are truly intriguing.
And then I watched the final episodes of Cobra Kai, also on Netflix. If we’re going to be honest, Cobra Kai probably went on a season or two longer than it should have. Towards the end, the show really was stuck in a repeating loop. That said, I still got a little teary-eyed while watching that final episode. I feel like I’ve really watched these characters grow up and that includes the ones who should have grown up decades earlier, like Johnny Lawrence. I hope William Zabka is cast in more movies and shows after this. If he’s not, at least Johnny got his chance at redemption.
Otherwise, I was sick this week and I watched nothing. But fear not, I’ll be watching the Oscars in about 19 more hours!
Today’s song of the day was beautifully used in the 1975 Stanley Kubrick film, Barry Lyndon. Check it out if you haven’t already.
Woo hoo! This video made me dance!
It also made me nostalgic for the day when my best friend Evelyn and I would joke about starting a band. It never happened, mostly because I’m a dancer, not a singer. I can dance to a tune but I can’t carry one to save my life. Still, it’s always fun to play What If? and listen to good music.
Enjoy!
Continuing the mini-Inferno theme that we’ve got going today, today’s song of the day is Keith Emerson’s theme song from Argento’s 1980 classic.
I prefer this version to the original because I don’t like Queen. Deal with it.
Enjoy.
On Monday, when I watched The Seven-Ups with Jeff, Leonard, Bradley, and his wife Sierra (as well as one of our favorite TSL commenters, Dougie Cooper), I was struck by the fact that the film’s score sounded a lot like the score for The French Connection. At first, I figured that it was just a sign of how influential The French Connection was but later, I learned both score were composed by the same man, Don Ellis.
I’ve been thinking about The French Connection a lot since I first heard that Gene Hackman had passed away. A few years ago, I was lucky enough to attend a secret showing of The French Connection at the Alamo Drafthouse. The film worked wonderfully on the big screen, with that car chase leaving me totally breathless. Gene Hackman’s performance as Popeye Doyle was undeniably powerful, his hyperactive and self-destructive pursuit of Charnier filling the entire theater with both dread and excitement. Even though we knew how the film would end, those of us in the audience still couldn’t look away.
Anyway, this is all my rambling way to brag about going to a secret screening of The French …. no wait, wait. Actually, this is my rambling way of introducing today’s song of the day. Here is Don Ellis’s Theme From The French Connection.