Film Review: Voyage of the Damned (dir by Stuart Rosenberg)


In 1939, an ocean liner named the MS St. Louis set sail from Hamburg.  Along with the crew, the ship carried 937 passengers, all of whom were Jewish and leaving Germany to escape Nazi persecution.  The ship was meant to go to Havana, where the passengers had been told that they would be given asylum.  Many were hoping to reunite with family members who had already taken the voyage.

What neither the passengers nor Captain Gustav Schroeder knew was that the entire voyage was merely a propaganda operation.  No sooner had the St. Louis left Hamburg than German agents and Nazi sympathizers started to rile up anti-Semitic feelings in Cuba.  The plan was to prevent the passengers from disembarking in Cuba and to force the St. Louis to then return to Germany.  The Nazis would be able to claim that they had given the Jews a chance to leave but that the rest of the world would not take them in.  Not only would the Jews be cast as pariahs but the Germans would be able to use the world’s actions as a way to defend their own crimes.

Captain Schroeder, however, refused to play along.  After he was refused permission to dock in Cuba, he then attempted to take the ship to both America and Canada.  When both of those countries refused to allow him to dock, Schroeder turned the St. Louis toward England, where he planned to stage a shipwreck so that the passengers could be rescued at sea.  Before that happened, Belgium, France, the Netherlands, and the United Kingdom jointly announced that they would accept the refugees.

Tragically, just a few days after the passengers disembarked, World War II officially began and Belgium, France, and the Netherlands all fell to the Nazi war machine.  It is estimated that, of the 937 passengers on the St. Louis, more than 600 of them subsequently died in the Nazi concentration camps.

The journey of the St. Louis was recreated in the 1976 film, Voyage of the Damned, with Max von Sydow as Captain Schroeder and a collection of familiar faces playing not only the ship’s passengers and crew but also the men and women in Cuba who all played a role in the fate of the ship.  In fact, one could argue that there’s a few too many familiar faces in Voyage of the Damned.  One cannot fault the performances of Max von Sydow, Malcolm McDowell, and Helmut Griem as members of the crew.  And, amongst the passengers, Lee Grant, Jonathan Pryce, Paul Koslo, Sam Wanamaker, and Julie Harris all make a good impression.  Even the glamorous Faye Dunaway doesn’t seem to be too out-of-place on the ship.  But then, in Havana, actors like Orson Welles and James Mason are awkwardly cast as Cubans and the fact that they are very obviously not Cuban serves to take the viewer out of the story.  It reminds the viewer that, as heart-breaking as the story of the St. Louis may be, they’re still just watching a movie.

That said, Voyage of the Damned still tells an important true story, one that deserves to be better-known.  In its best moments, the film captures the helplessness of having nowhere to go.  With Cuba corrupt and the rest of the world more interested in maintaining the illusion of peace than seriously confronting what was happening in Germany, the Jewish passengers of the St. Louis truly find themselves as a people without a home.  They also discover that they cannot depend on leaders the other nations of the world to defend them.

Defending the passengers falls to a few people who are willing to defy the leaders of their own country.  At the start of the film, Nazi Intelligence Chief Wilhelm Canaris (Denholm Elliott) explains that Captain Schroeder was selected specifically because he wasn’t a member of the Nazi Party and could not be accused of having ulterior motives for ultimately returning the passengers to Germany.  Canaris and his fellow Nazis assume that anti-Semitism is so natural that even a non-Nazi will not care what happens to the Jewish passengers.  Instead, Schroeder and his crew take it upon themselves to save the lives of the passengers.  It is not Franklin Roosevelt who tries to save the passengers of St. Louis.  Instead, it’s just a handful of people who, despite unrelenting pressure to do otherwise, step up to do the right thing.  Max von Sydow, who was so often cast in villainous roles, gives a strong performance as the captain who is willing to sacrifice his ship to save his passengers.

Flaws and all, Voyage of the Damned is a powerful film about a moment in history that must never be forgotten.

From 1939, it’s Lionel Barrymore and Orson Welles in A Christmas Carol!


This radio production of A Christmas Carol was originally broadcast on Christmas Eve, 1939.  It’s not really Christmas unless you experience at least one version of Charles Dickens’s classic holiday tale and this version features not only Orson Welles providing the narration but Lionel Barrymore playing the role of Scrooge!

Other members of the cast included such well-known Welles’s associates as  Everett Sloane (Marley’s ghost), Frank Readick (Bob Cratchit), Erskine Sanford (Fezziwig) and George Coulouris (Ghost of Christmas Present).  Two years after this broadcast, Welles, Sloane, Sanford, and Coulouris would all appear in Citizen Kane.

For your listening pleasure, we offer up this journey to the past….

Here is Dracula, presented by Orson Welles and The Mercury Theater!


Did you know that in 1938, the same year that they horrified America with their production of The War Of The Worlds, Orson Welles and the Mercury Theater did a radio version of Dracula?

Check out this amazing cast list:

Orson Welles – Dracula/Dr. Arthur Seward
George Coulouris- Jonathan Harker
Ray Collins – Russian Captain
Karl Swenson – The Mate
Elizabeth Fuller – Lucy Westenra
Martin Gabel – Professor Van Helsing
Agnes Moorehead – Mina Harker

Coulouris, Collins, and Moorehead would, of course, all go one to appear with Orson Welles in Citizen Kane.

And now, we are proud to present, for your listening pleasure …. DRACULA!

Bonus Horror on TV: The Night America Trembled (dir by Tom Donovan)


Filmed in 1957 for a television program called Westinghouse Studio One, The Night America Trembled is a dramatization of the night that Orson Welles terrified America with his radio adaptation of War of The Worlds.  

For legal reasons, Orson Welles is not portrayed nor is his name mentioned.  Instead, the focus is mostly on the people listening to the broadcast and getting the wrong idea.  That may sound like a comedy but The Night America Trembled takes itself fairly seriously.  Even pompous old Edward R. Murrow shows up to narrate the film, in between taking drags off a cigarette.

Clocking in at a brisk 60 minutes, The Night America Trembled is an interesting recreation of that October 30th.  Among the people panicking: a group of people in a bar who, before hearing the broadcast, were debating whether or not Hitler was as crazy as people said he was, a babysitter who goes absolutely crazy with fear, and a group of poker-playing college students.  If, like me, you’re a frequent viewer of TCM, you may recognize some of the faces in the large cast: Ed Asner, James Coburn, John Astin, Warren Oates, and Warren Beatty all make early appearances.

It’s an interesting little historical document and you can watch it below!

A Blast From The Past: Orson Welles’s 1938 Broadcast of The War of the Worlds


On October 30th, 1938, Orson Welles and the Mercury Theater On The Air broadcast an adaptation of H.G. Wells’s War of the Worlds and, legend has it, they scared the ever-loving heck out of America.

Actually, there’s some debate as to just how panicked America got when they heard the Mercury Theater On The Air’s adaptation of War of the Worlds.  There was definitely some panic but there are differing reports on just how wide spread it was.  For our purposes, let’s assume that the entire country was terrified at the same time and that everyone was loading up a shotgun and planning to go out and look for aliens.  One thing is for sure.  With his adaptation of War of the Worlds, Orson Welles managed to invent the whole found footage genre that would later come to dominate horror cinema in the late 90s and the aughts.  Every found footage horror film owes a debt to what Orson Welles accomplished with War of the Worlds.  We won’t hold that against Orson.  Instead, it’s just another example of how far ahead of his time Orson Welles was.

H.G. Wells, the original author of War of the Worlds, and Orson Welles only met once, while they were both in San Antonio, Texas in 1940.  (Orson Welles and H.G. Wells hanging out in San Antonio?  To be honest, that sounds like it would make a good movie.)  They were interviewed for a local radio station.  H.G. Wells expressed some skepticism about the reports of Americans panicking while Welles compared the radio broadcast to someone dressing up like a ghost and shouting “Boo!” during Halloween.  Both Wells and Welles then encouraged Americans to worry less about Martians and more about the growing threat of Hitler and the war in Europe.

I’ve shared this before but this just seems like the time to share it again.  Here, for Halloween Eve, is the 1938 Mercury Theater On The Air production of The War of the Worlds!

Scene That I Love: Charles Foster Kane Runs For Governor in Citizen Kane


Orson Welles was fond of telling the story of how Franklin D. Roosevelt, shortly before his death, encouraged Welles to enter politics and run for Wisconsin’s U.S. Senate seat in 1946.  Welles gave it some consideration but ultimately, he decided not to run.  He was, after all, a movie star and, in the mid-40s, he had yet to be exiled from Hollywood.

Welles later said that a part of him regretted not running because, if he had, his opponent would have been Joseph McCarthy.  Welles assumed that he would have easily beaten McCarthy and therefore, the McCarthy era never would have happened.  Of course, the truth of the matter is that there’s no guarantee that Welles, as someone who had spent most of his life in New York and California, would have even won the Democratic primary, that Welles would have defeated McCarthy in the general, or that some other Senator wouldn’t have launched an anti-communist crusade in McCarthy’s place.  But Orson Welles was never one for false modesty.  That’s one thing that made him such an important and exciting filmmaker.

Welles also said that, despite his regrets, he was ultimately happy that he didn’t run because he would have felt the need to then run for President.  President Welles!  Imagine that.  (Actually, it probably would have been a disaster but still …. President Orson Welles!  If nothing else, a Welles presidential campaign would have spared America from having to look at Adlai Stevenson for two straight elections.)

Today’s scene that I love provides a glimpse of what an Orson Welles political campaign might have been like.  In this scene, from 1941’s Citizen Kane, Charles Foster Kane runs for governor and gives the political speech of his life.  Sadly, as we all know, Kane would never be governor and he would never again be as beloved by the masses as he was in this scene.  Instead, he would die isolated, alone, and wishing for his childhood.

4 Shots From 4 Films: Special Orson Welles Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today we celebrate what would have been the 109th birthday of the great Orson Welles!  It’s time for….

4 Shots from 4 Orson Welles Films

Citizen Kane (1941, dir by Orson Welles, DP: Gregg Toland)

MacBeth (1948, dir by Orson Welles, DP: John L. Russell)

Touch of Evil (1958, dir by Orson Welles, DP: Russell Metty)

Chimes at Midnight (1965, dir by Orson Welles, DP: Edmond Richard)

A Blast From The Past: The Night America Trembled (dir by Tom Donovan)


Filmed in 1957 for a television program called Westinghouse Studio One, The Night America Trembled is a dramatization of the night in 1938 when Orson Welles’s adaptation of H.G. Wells’s The War of the Worlds reportedly caused a panic amongst listeners.

For legal reasons, Orson Welles is not portrayed nor is his name mentioned.  Instead, the focus is mostly on the people listening to the broadcast and getting the wrong idea.  That may sound like a comedy but The Night America Trembled takes itself fairly seriously, complete with Edward R. Murrow narrating and taking drags off of a cigarette.

Clocking in at a brisk 60 minutes, The Night America Trembled is an interesting recreation of that October 30th.  Among the people panicking are a large collection of future stars and character actors.  Ed Asner, James Coburn, John Astin, Warren Oates, and Warren Beatty all make early appearances.

It’s an interesting historical document and you can watch it below!

An Auditory Blast From The Past: Orson Welles’s 1938 Broadcast of The War of the Worlds


On October 30th, 1938, Orson Welles and the Mercury Theater On The Air broadcast an adaptation of H.G. Wells’s War of the Worlds and, legend has it, they scared the ever-loving heck out of America.

Actually, there’s some debate as to just how panicked America got when they heard the Mercury Theater On The Air’s adaptation of War of the Worlds.  There was definitely some panic but there are differing reports on just how wide spread it was.  For our purposes, let’s assume that the entire country was terrified at the same time and that everyone was loading up a shotgun and planning to go out and look for aliens.  One thing is for sure.  With his adaptation of War of the Worlds, Orson Welles managed to invent the whole found footage genre that would later come to dominate horror cinema in the late 90s and the aughts.  Every found footage horror film owes a debt to what Orson Welles accomplished with War of the Worlds.  We won’t hold that against Orson.  Instead, it’s just another example of how far ahead of his time Orson Welles was.

H.G. Wells, the original author of War of the Worlds, and Orson Welles only met once, while they were both in San Antonio, Texas in 1940.  (Orson Welles and H.G. Wells hanging out in San Antonio?  To be honest, that sounds like it would make a good movie.)  They were interviewed for a local radio station.  H.G. Wells expressed some skepticism about the reports of Americans panicking while Welles compared the radio broadcast to someone dressing up like a ghost and shouting “Boo!” during Halloween.  Both Wells and Welles then encouraged Americans to worry less about Martians and more about the growing threat of Hitler and the war in Europe.

I’ve shared this before but this just seems like the time to share it again.  Here, for Halloween, is the 1938 Mercury Theater On The Air production of The War of the Worlds!

4 Shots From 4 Films: Special Orson Welles Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today we celebrate what would have been the 108th birthday of the great Orson Welles!  It’s time for….

4 Shots from 4 Orson Welles Films

Citizen Kane (1941, dir by Orson Welles, DP: Gregg Toland)

The Stranger (1946, dir by Orson Welles, DP: Russell Metty)

Touch of Evil (1958, dir by Orson Welles. DP: Russell Metty)

The Trial (1962, dir by Orson Welles, DP: Edmond Richard)