6 Reviews of 6 More Films That Were Released in 2013: The Company You Keep, Dracula 3D, Getaway, Identity Thief, Pawn, Welcome to the Punch


In part of my continuing effort to get caught up on my 2013 film reviews, here are 6 more reviews of 6 more films.

The Company You Keep (dir by Robert Redford)

Shia LeBeouf is a journalist who discovers that attorney Bill Grant (Robert Redford) is actually a former 60s radical who is still wanted by the FBI for taking part in a bank robbery in which a security guard was killed.  In one of those coincidences that can be filed directly under “Because it was convenient for the plot,” LeBeouf’s girlfriend (Anna Kendrick) works for the FBI.  Anyway, all of this leads to Grant going on the run and meeting up with a lot of his former radical colleagues (all of whom are played by familiar character actors like Susan Sarandon, Nick Nolte, Richard Jenkins, and Julie Christie).  Ben pursues him and discovers that Grant could very well be innocent and … oh, who cares?  The Company You Keep is a big smug mess of a film.   It’s full of talented actors — like Stanley Tucci, Brendan Gleeson, and Brit Marling (who, talented as she may be, is actually kinda terrible in this film) — but so what?  I lost interest in the film after the first 20 minutes, which was a problem since I still had 101 more minutes left to go.

Has there ever been a movie that’s actually been improved by the presence of Shia LeBeouf?

Dracula 3D (dir by Dario Argento)

Dario Argento’s version of the classic Dracula tale got terrible reviews when it was briefly released here in the States but I happen to think that it was rather underrated.  No, the film can not compares to classic Argento films like Deep Red, Suspiria, and Tenebre.  However, the film itself is so shamelessly excessive that it’s impossible not to enjoy on some level.  The film’s moody sets harken back to the classic gothic villages of the old Hammer films, Thomas Kretschman turns Dracula into the type of decadent European aristocrat who you would expect to find doing cocaine in 1970s New York, and Rutger Hauer is wonderfully over-the-top as Van Helsing.  Yes, Dracula does turn into a giant preying mantis at one point but if you can’t enjoy that then you’re obviously taking life (and movies) too seriously.

Getaway (dir by Courtney Solomon)

I saw Getaway during my summer vacation and the main thing I remember about the experience is that I saw it in Charleston, West Virginia.  Have I mentioned how in love I am with Charleston?  Seriously, I love that city!

As for the movie, it was 90 minutes of nonstop car chases and crashes and yet it somehow still managed to be one of the dullest films that I’ve ever seen.  Ethan Hawke’s wife is kidnapped by Jon Voight and Hawke is forced to steal a car and drive around the city, doing random things.  Along the way, he picks up a sidekick played by Selena Gomez.  Hawke and Voight are two of my favorite actors and, on the basis of Spring Breakers, I think that Gomez is a lot more talented than she’s given credit for.  But all of that talent didn’t stop Getaway from being forgettable.  It’s often asked how much action is too much action and it appears that Getaway was specifically made to answer that question.

Identity Thief (dir by Seth Gordon)

My best friend Evelyn and I attempted to watch this “comedy” on Saturday night and we could only get through the first hour before we turned it off.  Jason Bateman’s a great actor but, between Identity Thief and Disconnect, this just wasn’t his year.  In this film, Bateman is a guy named Sandy (Are you laughing yet?  Because the movie really thinks this is hilarious) whose identity is stolen by Melissa McCarthy.  In order to restore both his credit and his good name, Bateman goes down to Florida and attempts to convince McCarthy to return to Colorado with him.  The film’s “humor” comes from the fact that McCarthy is sociopath while Bateman is … not.

It’s just as funny as it sounds.

Pawn (dir by David Armstrong)

An all-night diner is robbed by three thieves led by Michael Chiklis and, perhaps not surprisingly, things do not go as expected.  It turns out that not only does Chilklis have a secret agenda of his own but so does nearly everyone else in the diner.  Pawn is a gritty little action thriller that’s full of twists and turns.  Chiklis gives a great performance and Ray Liotta has a surprisingly effective cameo.

Welcome to the Punch (dir by Eran Creevy)

In this British crime drama, gangster Jacob (Mark Strong) comes out of hiding and returns to London in order to get his son out of prison.  Waiting for Jacob is an obsessive police detective (James McAvoy) who is determined to finally capture Jacob.

In many ways, Welcome To The Punch reminded me a lot of Trance and n0t just because both films feature James McAvoy playing a morally ambiguous hero.  Like Trance, Welcome to the Punch is something of a shallow film but Eran Creevy’s direction is so stylish and Mark Strong and James McAvoy both give such effective performances that you find yourself entertained even if the film itself leaves you feeling somewhat detached.

Lisa Marie Is Kinda Mad At The Screen Actors Guild


The Screen Actors Guild nominations were announced on Wednesday morning and I’m just going to be honest.  I am not happy.  The SAG nominations have a pretty good track record as an Oscar precursor, largely because the Actors’ Branch is the largest branch of the Academy.  The Actors Branch, of course, is totally made up of members of the SAG though not every member of SAG is in the Actors’ Branch.  As such, there’s usually one or two SAG nominations who don’t get an Oscar nomination but, on the whole, SAG is a pretty good precursor of who is ultimately going to receive an Oscar nomination next January.

So, why am I upset?

Well, the SAG nominated some very good and deserving performers this year but somehow, they did not nominate Michael Shannon for Take Shelter.  They did not nominate Carey Mulligan for Shame.  They did not nominate Andy Serkis for Rise of the Planet of the Apes.  They did not nominate The Guard’s Brendan Gleeson. And, worst of all, they did not nominate Michael Fassbender for Shame.

My personal theory is that Fassbender’s brave performance left the other members of the SAG feeling small, in more ways than one.

Here’s what did get nominated:

Outstanding Performance By A Cast In A Motion Picture
Bridesmaids
The Artist
The Descendants
The Help
Midnight in Paris

Outstanding Performance By A Male Actor In A Leading Role
George Clooney, The Descendants
Demian Bichir, A Better Life
Leonardo DiCaprio, J. Edgar
Jean Dujardin, The Artist
Brad Pitt, Moneyball

Outstanding Performance By A Female Actor In A Leading Role
Michelle Williams, My Week With Marilyn
Glenn Close, Albert Nobbs
Viola Davis, The Help
Meryl Streep, The Iron Lady
Tilda Swinton, We Need to Talk About Kevin

Outstanding Performance By A Male Actor In A Supporting Role
Nick Nolte, Warrior
Kenneth Branagh, My Week With Marilyn
Armie Hammer, J. Edgar
Jonah Hill, Moneyball
Christopher Plummer, Beginners

Outstanding Performance By A Female Actor In A Supporting Role
Octavia Spencer, The Help
Berenice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs

On the plus side, the SAG showed absolutely no love for David Fincher’s rip-off of The Girl With The Dragon Tattoo.  Also, it’s nice to see Jonah Hill’s performance in Moneyball hasn’t been totally overshadowed by Brad Pitt’s more showy performance.  Also, it’s looking more and more like Bridesmaids is going to be a factor in this year’s Oscar race and the more I think about it, the more I like the idea of that.

 

Here Are The 2012 Critics’ Choice Movie Award Nominees


Earlier today, the Broadcast Film Critics Association announced their nominations for the 17th Annual Critics’ Choice Awards.  The BFCA is the largest of the so-called “major” critics’ groups (and, interestingly enough, it’s also the newest and the least prestigious) and it has a fairly good track record of predicting the actual Oscar nominations.  The awards themselves will be handed out on January 12th, 2012 in a self-important, kinda seedy ceremony that will be broadcast on VH-1.   

BEST PICTURE
The Artist
The Descendants
Drive
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

BEST ACTOR
George Clooney – The Descendants
Leonardo DiCaprio – J. Edgar
Jean Dujardin – The Artist
Michael Fassbender – Shame
Ryan Gosling – Drive
Brad Pitt – Moneyball

BEST ACTRESS
Viola Davis – The Help
Elizabeth Olsen – Martha Marcy May Marlene
Meryl Streep – The Iron Lady
Tilda Swinton – We Need to Talk About Kevin
Charlize Theron – Young Adult
Michelle Williams – My Week With Marilyn

BEST SUPPORTING ACTOR
Kenneth Branagh – My Week With Marilyn
Albert Brooks – Drive
Nick Nolte – Warrior
Patton Oswalt – Young Adult
Christopher Plummer – Beginners
Sir Andrew Serkis – Rise of the Planet of the Apes

BEST SUPPORTING ACTRESS
Berenice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Carey Mulligan – Shame
Octavia Spencer – The Help
Shailene Woodley – The Descendants

BEST YOUNG ACTOR/ACTRESS
Asa Butterfield – Hugo
Elle Fanning – Super 8
Thomas Horn – Extremely Loud & Incredibly Close
Ezra Miller – We Need to Talk About Kevin
Saoirse Ronan – Hanna
Shailene Woodley – The Descendants

BEST ACTING ENSEMBLE
The Artist
Bridesmaids
The Descendants
The Help
The Ides of March

BEST DIRECTOR
Stephen Daldry – Extreme Loud & Incredibly Close
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Nicolas Winding Refn – Drive
Martin Scorsese – Hugo
Steven Spielberg – War Horse

BEST ORIGINAL SCREENPLAY
The Artist – Michel Hazanavicius
50/50 – Will Reiser
Midnight in Paris – Woody Allen
Win Win – Screenplay by Tom McCarthy, Story by Tom McCarthy & Joe Tiboni
Young Adult – Diablo Cody

BEST ADAPTED SCREENPLAY
The Descendants – Alexander Payne and Nat Faxon & Jim Rash
Extremely Loud & Incredibly Close – Eric Roth
The Help – Tate Taylor
Hugo – John Logan
Moneyball – Steven Zaillian and Aaron Sorkin, Story by Stan Chervin

BEST CINEMATOGRAPHY
The Artist – Guillaume Schiffman
Drive – Newton Thomas Sigel
Hugo – Robert Richardson
Tree of Life – Emmanuel Lubezki
War Horse – Janusz Kaminski

BEST ART DIRECTION
The Artist – Production Designer: Laurence Bennett, Art Director: Gregory S. Hooper
Harry Potter and the Deathly Hallows Part 2 – Production Designer: Stuart Craig, Set Decorator: Stephenie McMillan
Hugo – Production Designer: Dante Ferretti, Set Decorator: Francesca Lo Schiavo
The Tree of Life – Production Designer: Jack Fisk, Art Director: David Crank
War Horse – Production Designer: Rick Carter, Set Decorator: Lee Sandales

BEST EDITING
The Artist – Michel Hazanavicius and Anne-Sophie Bion
Drive – Matthew Newman
The Girl With the Dragon Tattoo – Kirk Baxter and Angus Wall
Hugo – Thelma Schoonmaker
War Horse – Michael Kahn

BEST COSTUME DESIGN
The Artist – Mark Bridges
The Help – Sharen Davis
Hugo – Sandy Powell
Jane Eyre – Michael O’Connor
My Week With Marilyn – Jill Taylor

BEST MAKEUP
Albert Nobbs
Harry Potter and the Deathly Hallows Part 2
The Iron Lady
J. Edgar
My Week With Marilyn

BEST VISUAL EFFECTS
Harry Potter and the Deathly Hallows Part 2
Hugo
Rise of the Planet of the Apes
Super 8
The Tree of Life

BEST SOUND
Harry Potter and the Deathly Hallows Part 2
Hugo
Super 8
The Tree of Life
War Horse

BEST ANIMATED FEATURE
The Adventures of Tintin
Arthur Christmas
Kung Fu Panda 2
Puss in Boots
Rango

BEST ACTION MOVIE
Drive
Fast Five
Hanna
Rise of the Planet of the Apes
Super 8

BEST COMEDY
Bridesmaids
Crazy, Stupid, Love
Horrible Bosses
Midnight in Paris
The Muppets

BEST FOREIGN LANGUAGE FILM
In Darkness
Le Havre
A Separation
The Skin I Live In
Where Do We Go Now

BEST DOCUMENTARY FEATURE
Buck
Cave of Forgotten Dreams
George Harrison: Living in the Material World
Page One: Inside the New York Times
Project Nim
Undefeated

BEST SONG
“Hello Hello” – performed by Elton John and Lady Gaga/written by Elton John and Bernie Taupin – Gnomeo & Juliet
“Life’s a Happy Song” – performed by Jason Segel, Amy Adams and Walter/written by Bret McKenzie – The Muppets
“The Living Proof” – performed by Mary J. Blige/written by Mary J. Blige, Thomas Newman and Harvey Mason, Jr. – The Help
“Man or Muppet” – performed by Jason Segel and Walter/written by Bret McKenzie – The Muppets
“Pictures in My Head” – performed by Kermit and the Muppets/written by Jeannie Lurie, Aris Archontis and Chen Neeman – The Muppets

BEST SCORE
The Artist – Ludovic Bource
Drive – Cliff Martinez
The Girl With the Dragon Tattoo – Trent Reznor & Atticus Ross
Hugo – Howard Shore
War Horse – John Williams

The BFCA has obviously made a lot of nominations and some of them are interesting but I have to be honest: the BFCA as an organization annoys me with how they’re always bragging about how big they are and how they’re so good at celebrating the conventional establishment wisdom.  So, I’ll just say that its nice to see Hanna getting at least some sort of recognition (even if that recognition is kinda minor.)

Lisa Marie Compromises: Moneyball (dir. by Bennett Miller) and Warrior (dir. by Gavin O’Conner)


Here’s one thing I’ve learned about relationships – sometimes, you have to compromise.  Sometimes, you have to do things for your man that you’d rather not do and you have to pretend like you’re enjoying it and sometimes, you even have to do it several times before you get what it is that you want.  Case in point: I recently went to two sports films with Jeff. 

Now, I have to be honest.  I don’t know much about sports in general and quite frankly, I really have next to no desire to know.  Why am I so indifferent to this thing that most men appear to be incapable of living without?  Well,

1)      I have asthma and therefore, I never got to play any of the games that all the other kids were playing.  This led to me becoming bitter towards those who could actually breathe and have fun at the same time and,

2)      I’m a girl.

My indifference to sports tends to extend even to cinematic sports.  Seriously, most sports-related films either put me to sleep or lead to me making a lot of snarky comments under my breath.  However, I recently forced Jeff to accompany me to see One Day, which is one of the most girly movies ever made.  In fact, it was such a girly movie that I’ve had to see not one but two sports movies with Jeff.  The first was Warrior and the second (which we saw on Saturday) was Moneyball.

I don’t quite feel qualified to review Moneyball because, to be honest, I couldn’t make heads or tails of what was going on during most of the film.  Normally, I would just say that this was a sign of failure on the film’s part but the audience around me really seemed to love this film and so did Jeff.  So, I’m going to refrain from judging Moneyball too harshly.  Instead, I’ll simply state that this film was not for me but if you’re a baseball fan (and you really love to get into the nitty gritty details of how a baseball team is put together), chances are that you’ll enjoy this film. 

Fortunately, there are a few things that help make Moneyball a tolerable experience even for a sport illiterate like me.  The film tells the story of Billy Beane, the general manager of the Oakland A’s and how he turned the A’s into a winning team by revolutionizing the way that teams are put together.  I’m not really sure what he did that was revolutionary because the film itself really doesn’t spend too much time explaining how his method is different from the previous method.  It spends a lot of time telling us that his approach is different but Aaron Sorkin’s script seems to assume that everyone in the audience already knows how baseball works.  (That’s not necessarily a slam against the film, either.  It’s a baseball movie, after all.)  Luckily, Brad Pitt, who gives such a mature and multi-faceted performance here that you hope that Billy succeeds even if, like me, you’re not really sure what he’s talking about half the time, plays Billy Beane.  Seriously, this was the first time I’ve ever watched Brad Pitt and forgotten that I was watching Brad Pitt.  Pitt is ably supported by Jonah Hill, who plays his assistant and is largely responsible for introducing Pitt to the “new” system.  Hill plays his scenes with all the enthusiasm of a high school nerd who has finally forced the cool kids to acknowledge how much smarter he is than them.  It’s a truly endearing performance and again, you find yourself rooting for Hill even if you can’t quite understand what he’s going on about half the time.

Again, if you’re a sports fan or a fan of statistics (which I am not because seriously, math is just one big bleh to me), you’ll find a lot of to enjoy in Moneyball.  I wish the film had been a bit more accessible for someone like me but obviously, I’m not that target audience and, regardless of whether you’re a sports fan or not, director Bennett Miller keeps the action moving quickly and the performances of Pitt and Hill both hold your attention.

Warrior takes place in the world of “mixed martial arts,” which I assume is the new big sport.  I say assume because I actually know even less about the world of mixed martial arts than I do about baseball. Before going in to see Warrior, all I knew about MMA and the Ultimate Fighting Championship was that Russell – one of the most unlikable Big Brother houseguests ever – was apparently a UFC contender.  Or maybe it was Jesse.  I don’t know.  I have trouble keeping all the Big Brother houseguests straight, to be honest. 

Warrior is the story of two brothers.  One of them is a bitter, pill-popping ex-Marine who fights because he’s angry at the world.  Tom Hardy plays him.  The other is played by Joel Edgerton and is presented as a happily married teacher who is fighting because he’s flat broke and in danger of losing his home.  The two brothers haven’t spoken in years and about the only thing they have in common (beyond the fact that they’re both good at fighting) is a shared hatred for their father (a quite poignant Nick Nolte, doing wonders in a role that seems almost too perfect for him), a recovering alcoholic who sees his sons as his only hope for redemption.  Ultimately, the parallel fighting careers of the two brothers leads to a surprise family reunion in Atlantic City where they find themselves both competing in the same brutal, winner-take-all tournament.

Warrior tells a pretty familiar story and there are a few plot developments (such as Hardy’s AWOL status from the Marines) that feel undeveloped but the film still works about a hundred percent better than it has any right to.  Director Gavin O’Connor wisely takes a low-key approach to the film’s more melodramatic moments and brings a sense of gritty realism to the beginning of the film that provides quite a contrast to the later gaudiness of Atlantic City.  Nolte and Edgerton both give excellent performances and, after years of being best known for his mug shot, it’s nice to see what a strong and multifaceted actor Nick Nolte actually is.  However, the film truly belongs to Tom Hardy.  In this film, Hardy is a true force of nature and gives a performance that is both frightening and sympathetic at the same time.  You want to reach out and give the poor guy a hug even though you know he might end up killing you in response. 

Coming out of Warrior, I still didn’t know much about MMA but I did know that I had just seen a well-made, emotionally satisfying film.