Lisa Marie’s Too Early Oscar Predictions for May!


It’s time for me to post my monthly Oscar predictions!

As always, the usual caveats apply.  It’s way too early for me to try to make any predictions.  Most of the films listed below haven’t even been released (or screened) yet and it’s totally possible that a big contender might come out of nowhere in the fall.  That seems to happen almost every year.

So, take these predictions with a grain of salt.  These are my guesses.  Some of them are based on instinct.  Some of them are just there because I think it would be a really, really neat if that movie or performer was nominated.  However, I will say this: I do think that if a comic book movie is ever nominated for best picture, it will be Black Panther.

(I actually preferred Avengers: Infinity War to Black Panther — sorry, Ryan — but, much like Get Out, Black Panther has gone beyond being a movie.  It’s become a cultural signpost, in a way that Infinity War never will.)

The Cannes Film Festival is going on right now and one potential Oscar contender — Spike Lee’s BlackkKlansman — is due to make its debut in the upcoming days.  Right now, I don’t have BlackkKlansman listed in my predictions, mostly because the Academy hasn’t exactly embraced Lee in the past.  But I will be interested to see how Cannes reacts to the film.

(Check out my predictions for January, February, March, and April!)

Best Picture

At Eternity’s Gate

Black Panther

Boy Erased

First Man

If Beale Street Could Talk

Mary, Queen of Scots

The Other Side of the Wind

A Quiet Place

Widows

Wildfire

Best Director

Damien Chazelle for First Man

Ryan Coogler for Black Panther

Barry Jenkins for If Beale Street Could Talk

Steve McQueen for Widows

Josie Rourke for Mary, Queen of Scots

Best Actor

Steve Carell in Beautiful Boy

Willem DaFoe in At Eternity’s Gate

Ryan Gosling in First Man

Lucas Hedges in Boy Erased

Robert Redford in Old Man and the Gun

Best Actress

Viola Davis in Widows

Felicity Jones in On The Basis of Sex

Melissa McCarthy in Can You Ever Forgive Me?

Saoirse Ronan in Mary. Queen of Scots

Kristen Stewart in JT LeRoy

Best Supporting Actor

Russell Crowe in Boy Erased

Sam Elliott in A Star Is Born

Oscar Isaac in At Eternity’s Gate

Michael B. Jordan in Black Panther

Forest Whitaker in Burden

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Margot Robie in Mary, Queen of Scots

Sissy Spacek in Old Man And The Gun

 

 

4 Shots From 4 Sofia Coppola Films: Lost In Translation, Marie Antoinette, Somewhere, The Beguiled


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

Today is Sofia Coppola’s birthday!

Sofia Coppola has long been one of my favorite directors.  Unfortunately, she’s also a director who is frequently misunderstood and underestimated.  No one captures romantic ennui with quite the skill of Sofia Coppola.  At the same time, she’s also shown a rare ability to make films that feel at home in both an art house and a commercial theater.  If the MCU ever gets around to doing that Black Widow solo movie, I demand Sofia Coppola be hired to direct it.

This edition of 4 Shots From 4 Films is dedicated to her.

4 Shots From 4 Films

Lost in Translation (2003, dir by Sofia Coppola)

Marie Antoinette (2006, dir by Sofia Coppola)

Somewhere (2010, dir by Sofia Coppola)

The Beguiled (2017, dir by Sofia Coppola)

Cleaning Out The DVR: Party Mom (dir by Michael Feifer)


(I recorded Party Mom off of the Lifetime Movie Network on March 30th.)

Party Mom tells the story of two moms who live in Los Angeles.

Jackie (Krista Allen) is a party mom!  She has a nice house in Beverly Hills, where the party never ends.  She’s always quick to point out that she looks young enough that she could pass for being Ashley’s sister instead of her mother.  For her part, Ashley (Amber Frank) kinda wishes that her mother would be a little more traditional.  Of course, Jackie’s usually too busy trying to get Ashley’s friends drunk to really worry about what her daughter wants.

Caroline (Megan Ward) is definitely not a party mom.  Instead, she’s a hard-working, no-nonsense mom who lives in the Valley with her husband, Gary (Brian Krause), and her two daughters, Brittany (Elise Luthman) and Emma (Savannah Judy).  Caroline just can’t understand today’s teenagers, with their social media and their iPhones and their lack of interest in hanging out with their boring parents.  In Caroline’s day, teens would have loved a chance to spend a night watching TV and eating popcorn with mom and dad!  Now, they just want to sneak out of the house and take selfies.

Brittany thinks that Jackie is the best, though Caroline isn’t quite sure that she wants her daughter hanging out in a mansion where all of the adults are just as stoned and drunk as the kids.  Caroline even attempts to put her foot down and ground her daughter.  Of course, that doesn’t really work.  Instead, Brittany simply sneaks out of her bedroom window and heads for Beverly Hills!

Of course, since this is a Lifetime film, it all leads to the usual combination of underage drinking and tragedy.  When Brittany and a group of drunk friends leave the mansion, a terrible car accident leaves only one survivor.  Jackie finds herself on trial for involuntary manslaughter.  Caroline and Gary are determined to see Jackie pay for being a party mom but Jackie’s rich enough to afford a slick attorney.  In fact, Jackie doesn’t even seem to feel that bad about the car accident or almost anything that happens afterward.  As she explains it, all of the tragedy is due to people from the Valley coming into Beverly Hills, where they don’t belong.  It all leads to murder, arrests, and one final confrontation.

I liked Party Mom, largely because, in high school, my best friend’s mom was a party mom and watching this movie brought back a lot of memories.  At the time, it was always fun going over to my friend’s house and literally getting to do anything that I wanted to do.  Looking back now, of course, it’s easy to say that my friend’s mom was incredibly irresponsible and probably should have been forced to go on Dr. Phil or something.  But, at the time, I was a lot like Brittany.  I just thought it was cool that there was an adult around who refused to care what was being done in her house.

Krista Allen does a really good job in the role of Jackie, tearing through the film like an irresponsible, perpetually drunk tornado.  She especially does well towards the end of the film, when Jackie really goes off the deep end.  Like all good Lifetime film, the melodrama in Party Mom is over-the-top and we’re all the better for it.

What Lisa Watched Last Night #180: Mommy Be Mine (dir by Sean Olson)


On Friday night, I watched the latest Lifetime premiere, Mommy Be Mine!

Why Was I Watching It?

Finally, I’m healthy again!  After spending two freaking weeks getting my ass kicked by allergy season, I finally feel as if I can start writing about and reviewing movies again.  Obviously, after being knocked out for two weeks, I’ve got a lot to get caught up on so I decided what better way to start than to watch the Friday premiere of the latest Lifetime film, Mommy Be Mine?

What Was It About?

It’s Cara’s (Sierra Pond) first day at school and she already has a friend!  In fact, Cara has decided that Summer (Ava Locklear) is her best friend, despite the fact that 1) Cara has only known her for a day and 2) Summer already has a best friend, the wonderfully sarcastic Tori (Megan McGown).

Still, Cara is determined to not only make Summer like her but to also become a surrogate daughter to Cara’s mother, Lianne (Arianne Zucker).  In fact, Cara even starts to call Lianne “mom.”  Everyone agrees that’s kind of creepy but Cara seems like such a nice girl.  I mean, it’s not like she’s actually a psychotic killer who has killed in the past and who is planning on killing again…

Or is she!?

What Worked?

Sierra Pond did a good job as the scheming psycho.  It was obvious that she was having fun playing the role and, as a result, it was fun to watch her perform.  As well, Arianne Zucker was sympathetic as the overprotective mother.  When she finally snapped and told off Cara, it was a great moment.

What Did Not Work?

Usually, I have little trouble suspending my disbelief when it comes to a Lifetime film.  Lifetime films are specifically designed to be melodramatic and just a little bit silly.  That’s what makes them so much fun.  If the characters didn’t always do the stupidest possible thing, the viewer would miss out on the fun of yelling, “Oh my God, you’re so stupid!”

That said, even by the standards of Lifetime, Cara was a bit too obviously insane.  That’s not to say that Seirra Pond didn’t do a good job playing the role.  She appeared to be having a lot of fun with the role.  But, as a character, Cara was so obviously messed up that it was hard to sympathize with anyone who would actually be stupid enough to allow her into their house.  The minute she started calling Lianne “mom” should have been the minute that both Lianne and Summer announced, “Okay, time for you to go away now!”

As good as the rest of the cast was, Ava Locklear sometimes seemed to be lost in the role of Summer.  This was her first leading role and, in some scenes, her inexperience definitely showed.

“Oh my God!  Just like me!” Moments

As always, I totally related to the sarcastic (if obviously doomed) best friend.  From the minute that she first met Cara, Tori not only knew that she was up to no good but she had no hesitation about sharing that opinion.  Unfortunately, characters in Lifetime films never seem to listen to their sarcastic best friend until it’s too late.  Sarcastic best friends always end up dying a little after the one hour mark and it’s a shame.

Lessons Learned

Seriously, if your oldest friend in the world says your newest friend is a psycho bitch, don’t question the conclusion.  Trust the voice of experience.

Here’s The Teaser Trailer For The Predator!


Despite featuring Jacob Tremblay, this is apparently not a sequel to The Book of Henry

To be honest, the trailer is kind of bleh.  Then again, it really doesn’t have to be anything spectacular.  Most people who see this film are going to see it because of The Predator name, as opposed to anything that may or may not be in the trailer.  Predator is a bit like Alien and The Terminator.  There’s always going to be, at the very least, a curiosity factor whenever a new chapter in the franchise comes out.

That said, the film is directed by Shane Black, who is a freaking genius, and the script was co-written by Fred “Night of the Creeps” Dekker.  So, I’ll give it a look.

Cleaning Out The DVR: The Hoodlum Priest (dir by Irvin Kershner)


(I recorded The Hoodlum Priest off of TCM on January 6th of this year.)

“I’m not trying to change the world.  I’m just trying to keep the world from changing me.”

— Anti-Death Penalty Activist in The Hoodlum Priest (1961)

The Hoodlum Priest tells the story of two men who have far more in common than may first seem apparent.

Billy Lee Jackson (Keir Dullea) has spent the last few months in prison and seems to be destined to return as soon as possible.  Though he was convicted of armed robbery, the truth was that Billy was little more than a mugger and a petty thief.  It only takes one look at him to see that his tough exterior is largely an act.  Billy is angry, bitter, and often scared but tough he definitely isn’t.  As soon as Billy’s released back onto the streets of St. Louis, he teams up with his friend, Pico (Don Joslyn), and the two of them plot to crack a safe.

Father Charles Dismas Clark (Don Murray) is a Jesuit who has dedicated his life to trying to rehabilitate ex-cons like Billy.  As Father Clark explains it, he is the son of coal miners, a descendant of the original Molly Maguires.  He knows what it means to be on the fringes of society.  As opposed to his colleagues, Father Clark speaks the language of the streets.  (Of course, we’re talking about the streets of 1961 here, which means that Father Clark spends a lot of time saying stuff, “Hey, I ain’t no square!”)  Father Clark’s dream is to open up a halfway house, a place where those released from prison can stay as they try to reintegrate into society.   Helping Father Clark is a famed attorney named Louis Rosen (Larry Gates).  Opposing him and suggesting that Clark is as much a hoodlum as those he claims to be helping is a supercilious journalist named George Hale (Logan Ramsey).

At first, it appears that Billy could be one of Father Clark’s greatest success stories.  After convincing Billy and Pico to abandon their criminal plans, Father Clark arranges for Billy to get a job.  Billy even begins a rather unlikely romance with a wealthy socialite named Ellen (Cindi Wood).  However, no matter how hard Billy tries to resist, the temptation to return to his old ways remains.  While Father Clark struggles to convince people to support his halfway house, Billy finds himself drawn back into a life of crime…

The Hoodlum Priest was based on a true story.  The real Father Clark personally approached Don Murray and told him the story behind the founding of Dismas House.  Murray felt so strongly about Clark’s story that he not only starred in and produced The Hoodlum Priest but also wrote the screenplay.  (The script was credited to Don Deer, which was Murray’s nickname when he was a high school track star.)

That this film was a passion project for Murray is obvious in the intensity of his performance.  As played by Murray, Father Clark is hardly an intellectual.  Instead, he’s frequently as emotional and, at times, as angry as the people that he’s trying to help.  When Billy fails to show proper gratitude after Father Clark rescues him from being sent back to jail, Clark refuses to excuse the snub.  Clark may be sincere but he’s not going to let anyone push him around.  Director Irvin Kershner and cinematography Haskell Wexler bring a gritty realism to the film’s visuals, which keeps the film from getting overwhelmed by its own sincerity.

The Hoodlum Priest is a well-done piece of social commentary, one that features a still relevant message about the struggle of ex-cons to reintegrate into society.  Don Murray brings the same righteous authority to this film that he would later bring to Twin Peaks: The Return.  This is a good one to keep an eye out for on TCM.

Lisa Reviews Avengers: Infinity War (dir by Joe and Anthony Russo)


(Warning: There are spoilers in this review.  They’re not necessarily huge spoilers but they’re there.  Read at your own risk.)

Avengers: Infinity War is a lot of things.  It’s big, it’s thrilling, it’s emotional, it’s colorful, it’s loud, it’s flamboyant, and, clocking in at two and a half hours, it’s occasionally a bit exhausting.  It’s overwhelming but it’s never boring.  It’s a nearly perfect example of pure cinema, where the story is less about what happens and more how it’s told. It’s a tribute to not just the Marvel Cinematic Universe but also to the audiences who have been flocking to each movie since Iron Man was first released way back in 2008.  Avengers: Infinity War is a pop art masterpiece, one that provides the first part of a climax to a saga that’s been unfolding for ten years.

In the days leading up to the release of Avengers: Infinity War, the main selling point was the assumption that this movie would feature every single character that’s been introduced as a citizen of the MCU so far.  Though the film comes close to including everyone, there are still a few characters who are notable for their absence.  Ant-Man and the Wasp are nowhere to be seen.  None of the Marvel Television characters show up, which is a shame because I’m sure Jessica Jones would have had some choice words about the potential end of the universe.  Two familiar SHIELD agents make a brief appearance, though you have to wonder where they were when New York and Wakanda were being invaded.

That said, all of the big heroes show up.  Tony Stark (Robert Downey, Jr.) flies into space with Dr. Strange (Benedict Cumberbatch) and Spider-Man (Tom Holland).  Thor (Chris Hemsworth) teams up with Rocket Racoon and Groot (voiced by Bradley Cooper and Vin Diesel, respectively).  When Wakanda is attacked, Black Panther (Chadwick Boseman), Captain America (Chris Evans), The Falcon (Anthony Mackie), White Wolf (Sebastian Stan), the Hulk (Mark Ruffalo), Rhodey (Don Cheadle), and Natasha (Scarlett Johansson) are all present to defend it.  Meanwhile, Vision (Paul Bettany) and Wanda (Elizabeth Olsen) continue to pursue their odd relationship while Peter Quill (Chris Pratt) and Gamora (Zoe Saldana) search for Gamora’s father, Thanos (Josh Brolin).

It’s a packed film and the fact that it works as well as it does is a testament to the power of perfect casting and movie star charisma.  At this point, we feel as if we know these characters.  We know that Tony Stark is going to be haunted by what happened the last time Thanos’s minions involved New York.  We know that Spider-Man is going to be desperate to prove that he belongs with the adults, just as we know that Dr. Strange isn’t going to be particularly impressed with anyone he meets.  Needless to say, some characters get more screen time than others.  Despite a good deal of the film taking place in Wakanda, Black Panther largely stays in the background.  I personally wish that both Natasha and Captain America had been given a bit more to do.  Considering just how talented both Anthony Mackie and Don Cheadle are, it’s a shame that neither one of them ever gets to do much in these films.  At the same time, Infinity Wars allows both Elizabeth Olsen and Paul Bettany to come into their own and Chris Hemsworth again shows that he may be the most underrated star in the MCU.  I’ve read a lot of criticism of certain actions taken by Peter Quill towards the end of the film but actually, it’s exactly what you would expect his character to do in the situation and, up until that moment, Chris Pratt is a welcome presence.  It’s important to have someone around who appreciates good music and who can make you laugh, especially considering that Thanos is planning to wipe out 50% of the universe’s population…

Oh yes, Thanos.  After spending years lurking in the background, Thanos finally steps forward in Infinity War.  In fact, it can be argued that Avengers: Infinity War is actually much more of a Thanos film than an Avengers film.  While our heroes are continually spending the film trying to catch up to Thanos and reacting to his latest action, Thanos is always one step ahead.  Thanos is the one who steers the narrative and, for once, you really do believe that an MCU villain views the heroes as being mere distractions.  Thanos is the one on a quest and the film follows him through every step of his search.  In fact, the film’s most emotional moments belong to Thanos.  For all the death and destruction to be found in the film’s surprisingly dark narrative, Thanos is the only character to ever shed a tear.  Like all great villains, Thanos doesn’t view himself as being evil.  Instead, Thanos speaks very sincerely of his desire to bring balance to the universe.  The scary thing about Thanos isn’t that he claims that he’s being merciful when he slaughters millions of beings.  The scary thing about Thanos is that believes it.

Thanos, you see, is a bit of an intergalactic environmentalist.  As he explains it, the universe only has a finite number of resources.  By killing half of the universe’s population, he is ensuring that the other half will be able to survive in peace and harmony.  Most people would call Thanos’s actions genocidal but Thanos would probably say that he’s merely making the difficult decisions that others don’t have the courage or intelligence to make.  It may all sound rather far-fetched and melodramatic until you consider that, just last week, bureaucrats and doctors in the UK decided it would be better to starve a sick infant to death rather than allow his parents to take him to be treated in another country.  With his mix of narcissism and absolutely belief in his own moral certitude, Thanos is a far more familiar villain than a lot of viewers might want to admit.  As opposed to the forgettable villains who have appeared in so many MCU films, Thanos is a compelling and complicated figure.  It’s interesting to note that two of the best performances of the year so far were given by actors appearing as villains in MCU films, Michael B. Jordan in Black Panther and Josh Brolin in this one.

As befits the film’s subject matter, Infinity War is a sprawling film, one that skips from world to world.  The visuals are frequently spectacular, as are the many battles.  From the opening attack on New York to the final battles in Wakanda and in space, the action is non-stop and thrilling.  (It helps that, as opposed to some of the previous MCU films, it’s always clear who is fighting who and why they’re fighting.)  For me, though, the most memorable scenes are the scenes where Thanos looks and considers the worlds that he’s destroyed.  There’s a scene where an exhausted Thanos rests on a placid planet and it’s one of the strongest images in the history of the MCU.

I’ve been told that I shouldn’t worry too much about all of the characters who are killed over the course of Infinity War.  From what I’ve been told, it’s apparently something of a tradition in Marvel comics to kill off a bunch of recognizable characters and then have them come back to life an issue or two later.  And the fact that the sequel to Infinity War has already been filmed and is set to released next year leads me to suspect that nothing’s permanent.  I mean, if all of these people are really dead, there aren’t going to be many heroes left to make any more movies about.  That said, I still got far more emotional than I probably should have at some of the unexpected demises.  Especially … well, no.  I won’t say the name.  But seriously, it was upsetting.

2018 is shaping up to be the year of Marvel.  So far, Marvel has released two of the best films of the year.  To be honest, a film as huge as Infinity War shouldn’t have worked and yet, it does.  It’s a masterpiece of pop art.*

* For a totally different response to Avengers: Infinity War, check out Ryan’s review by clicking here!

Here’s The Latest Trailer (and the pre-trailer teaser) for Ant-Man and The Wasp!


Hi, everyone!

So, Jeff & I just saw Avengers: Infinity War!  I’ll be working on my review tonight but while I’m writing, feel free to watch the latest trailer for this year’s third Marvel film, Ant-Man and The Wasp!  2018 is truly shaping up to be the year of Marvel so it’ll be interesting to see if people get as excited about Ant-Man and The Wasp as they have about Black Panther and Avengers: Infinity War.

To be honest, the combination of Black Panther and Infinity War have set the bar very high.  Obviously, the film isn’t going to have the cultural cachet of Black Panther.  Nor does it look like it’s going to be quite as colorful as Infinity War.  Instead, this looks very much like a back-to-basics super hero film, one that will make good use of Paul Rudd’s charisma.  Hopefully, he and Evangeline Lilly will have a bit more chemistry in this film than they did in the first Ant-Man.

The video below starts with the “Where was Ant-Man during Infinity War?” teaser that was released yesterday and then it continues on to the trailer, which was released earlier today.

A Blast From The Past: Patriotism


Flag (Erin Nicole Bowman, 2010)

Today is Loyalty Day!

If you haven’t ever heard of Loyalty Day before … well, then you’re probably a subversive or something.  Loyalty Day has been a real holiday since 1955.  That was when President Dwight D. Eisenhower proclaimed May 1st to be Loyalty Day.  (I’m going to guess that this was done largely to provide an alternative to International Workers Day or Communist New Year or whatever May Day was known as back then.)  The official statutory definition reads as follows:

(a) Designation.— May 1 is Loyalty Day.(b) Purpose.— Loyalty Day is a special day for the reaffirmation of loyalty to the United States and for the recognition of the heritage of American freedom.(c) Proclamation.— The President is requested to issue a proclamation—

(1) calling on United States Government officials to display the flag of the United States on all Government buildings on Loyalty Day; and
(2) inviting the people of the United States to observe Loyalty Day with appropriate ceremonies in schools and other suitable places.

So, in honor of Loyalty Day, here’s a short film from 1972.  It’s called Patriotism and it was apparently made to teach school children what it meant to be a patriot.  Apparently, it means working as a crossing guard and wearing a vaguely fascist-looking vest while doing so.  It also means keeping an eye out for weeds and trash in your neighborhood.  My favorite part of this film is when the kid spots the turned over garbage can and gets a look of disgust on his face.  You can just tell he’s thinking, “Those goddamn hippies.”

(For the record, that’s what I always think whenever I can’t find a pen at work.)

Personally, I agree that making a good neighborhood is the first step in making a good country so I definitely applaud the kids for taking the time to clean their neighborhood up.  Still, I have to wonder: where are the adults?  How many grown ups walked past the overturned trash can and just ignored it?  Perhaps all the adults in the neighborhood were so disillusioned by George McGovern dumping Tom Eagleton as his running mate that they just gave up on life.  Who knows?  1972 was apparently a pretty traumatic year for some people.  Myself, I just find it amusing that there was a politician named McGovern.  That’s like a seminarian named McClergy.

Speaking of adults, this short film was hosted by actor Bob Crane, who would be murdered six years later and whose life would serve as the basis for a rather depressing movie called Auto Focus.

Anyway, in the immortal words of Team America: World Police, “America!  Fuck yeah!”  Let’s make this the best Loyalty Day ever!

 

 

Scenes That I Love: The Mirror Scene From Duck Soup


Since today is May Day, how about a little Marx for today’s scene of the day?

Believe it or not, when Duck Soup was initially released in 1933, it was considered to be something of a failure.  Especially when compared to previous Marx Brothers films, it was seen as being a box office disappointment.  The critics didn’t care much for it, either.  They felt that the film’s political satire was preposterous and tasteless.  Much as how today’s critics attacked the Death Wish remake for being released at a time when gun control was trending on twitter, critics in 1933 attacked Duck Soup for being a cynical, anti-government satire released during the Great Depression.

(To be honest, you would think that the Great Depression would have made people better appreciate anything that made fun of the incompetence of government but maybe people were in too bad of a mood to see the joke.  Who knows?  1933 was a strange year.)

Of course, today, Duck Soup is justifiably viewed as being a classic comedy.  It’s certainly my favorite Marx Brothers film.  In the classic scene below, Harpo pretends to be Groucho’s reflection in a shattered mirror.  It’s a marvelous piece of physical humor so enjoy it!

(And the next time you see a film bragging about their Rotten Tomatoes score, consider that if Rotten Tomatoes had existed in 1933, it would have gotten a “rotten” rating.  The truth of the matter is that most critics are as clueless as Rufus T. Firefly looking into a broken mirror.)