Originally, we thought True Story was going to be released in December of 2014 so that it could possibly score Oscar nods for both Jonah Hill and my beloved James Franco. However, the release was subsequently moved back to April of 2015.
Often times, it’s not a good sign when a release date is moved back but I still have high hopes for True Story. The film’s plot — its true story — is a fascinating one. Plus, it’s Jonah Hill and James Franco!
So right now, we’re in the middle of Oscar season and everyone’s wondering what will be nominated for best film of 2014?
What better time, then, to take a look at a trailer for a film that might be promoted for best film of 2015? The Walk is directed by Robert Zemeckis and it features Joseph Gordon-Levitt up way high in the sky.
I’m terrified of heights so I have to admit that this trailer totally freaks me out. However, I’ll still probably see the movie because it’s Joseph Gordon-Levitt after all.
It’s scheduled to come out in October of 2015, shortly before the start of Oscar season.
Here’s one final bit of late Oscar news. 83 countries submitted films to be considered for the Best Foreign Language Film Oscar. Earlier last week, the Academy announced the 9 semi-finalists!
To the shock of many, Two Days One Night was not a semi-finalist! That’s surprising, considering that Marion Cotillard’s performance has been receiving a lot of Oscar season attention. If anything, the snubbing of Two Days One Night would indicate that Jennifer Aniston probably had a better chance of being the fifth Best Actress nominee than Cotillard.
The Canadian film Mommy was also not on the list of semi-finalists, which surprised many. However, this does mean that Sasha Stone will now have something else to complain about over on Awards Daily.
And finally, the Palme d’Or winner Winter’s Sleep did not make the top 9 either.
Somehow, I missed this one in my previous awards roundup. Way back on December 18th, the Utah Film Critics announced their picks for the best of 2014. Here’s what won!
Best Picture
“Birdman”
(Runner-up: “The Imitation Game”)
Best Director
Alejandro González Iñárritu, “Birdman”
(Runner-up: Jonathan Glazer, “Under the Skin”)
Best Actor
Michael Keaton, “Birdman”
(Runner-up: TIE – Benedict Cumberbatch, “The Imitation Game” and Ralph Fiennes, “The Grand Budapest Hotel”
Best Actress
Rosamund Pike, “Gone Girl”
(Runner-up: Marion Cotillard, “Two Days, One Night”)
Best Supporting Actor
J.K. Simmons, “Whiplash”
(Runner-up: Edward Norton, “Birdman”)
Best Supporting Actress
Jessica Chastain, “A Most Violent Year”
(Runner-up: Tilda Swinton, “Snowpiercer”)
Best Adapted Screenplay
(TIE) “Inherent Vice” and “Snowpiercer”
Best Original Screenplay
“Birdman”
(Runner-up: “Nightcrawler”)
Best Cinematography
“Nightcrawler”
(Runner-up: “Under the Skin”)
Best Animated Feature
“The LEGO Movie”
(Runner-up: “The Boxtrolls”)
Best Non-English Feature
“We Are the Best!”
(Runner-up: “Two Days, One Night”)
Best Documentary Feature
“CITIZENFOUR”
(Runner-up: “The Overnighters”)
Gone Girl, which — with the exception of Rosamund Pike’s performance — has not quite been the precursor powerhouse that some were expecting it to be, was named best picture by the Nevada Film Critics!
(I’m actually enjoying the precursors this year. They’re spreading the wealth around, as opposed to every critics group moving in lockstep and slavishly honoring only one film, like they did with The Social Network.)
Check out the rest of their winners below!
Best Film
Gone Girl
Best Director
Dan Gilroy (Nightcrawler)
Best Actor
Jake Gyllenhaal (Nightcrawler)
Best Actress
Rosamund Pike (Gone Girl)
Best Supporting Actor
J. K. Simmons (Whiplash)
Best Supporting Actress
Patricia Arquette (Boyhood)
Jessica Chastain (A Most Violent Year)
Best Screenplay
Dan Gilroy (Nightcrawler)
Best Cinematography
Hoyte van Hoytema (Interstellar)
Best Production Design
Adam Stockhausen (The Grand Budapest Hotel)
The Oscar precursor race — which started out with Boyhood and Birdman basically winning everything — has gotten a little bit more interesting over the past week or so. Other movies have been picking up awards. For instance, Wes Anderson’s The Grand Budapest Hotel!
On December 22nd, the Southeastern Film Critics named their picks for the best of 2014. And here are the winners!
Top Ten
1. The Grand Budapest Hotel
2. Boyhood
3. Birdman or (the Unexpected Virtue of Ignorance)
4. Whiplash
5. The Imitation Game
6. Gone Girl
7. Snowpiercer
8. Nightcrawler
9. Foxcatcher
10. The Theory of Everything
Best Actor
1. Michael Keaton, Birdman or (the Unexpected Virtue of Ignorance)
2. Eddie Redmayne, The Theory of Everything
Best Actress
1. Julianne Moore, Still Alice
2. Reese Witherspoon, Wild
Best Supporting Actor
1. J.K. Simmons, Whiplash
2. Edward Norton, Birdman or (the Unexpected Virtue of Ignorance)
Best Supporting Actress
1. Patricia Arquette, Boyhood
2. Tilda Swinton, Snowpiercer
Best Ensemble
1. The Grand Budapest Hotel
2. Birdman or (the Unexpected Virtue of Ignorance)
Best Director
1. Richard Linklater, Boyhood
2. Wes Anderson, The Grand Budapest Hotel
Best Original Screenplay
1. The Grand Budapest Hotel: Wes Anderson and Hugo Guinness
2. Birdman or (the Unexpected Virtue of Ignorance): Alejandro González Iñárritu, Nicolas Giacobone, Alexander Dinelaris, Armando Bo
Best Adapted Screenplay
1. Gone Girl: Gillian Flynn
2. Wild: Nick Hornby
Best Documentary
1. Life Itself
2. CitizenFour
Best Foreign Language Film
1. Force Majeure
2. Ida
Best Animated Film
1. The Lego Movie
2. Big Hero 6
Best Cinematography
1. Birdman or (the Unexpected Virtue of Ignorance): Emmanuel Lubezki
2. The Grand Budapest Hotel: Robert Yeoman
The Gene Wyatt Award for the Film that Best Evokes the Spirit of the South 1. Selma
You can sometimes find the strangest stuff of Netflix. And, if you’re like me and you try to review every single thing that you see, you can end up reviewing the strange stuff that you end up watching on Netflix.
For example: Rumors of Wars.
According to the imdb, Rumors of Wars had a theatrical release in May of this year but I had never heard of it until I happened to come across it on Netflix. Earlier this week, I did a search on “2014 films,” and my natural hope was that the search would return results like The Grand Budapest Hotel and maybe a James Franco film or two.
Instead, I got Rumors of Wars.
Rumors of Wars is one of the many dystopian films that have come out this year. For whatever reason, a lot of filmmakers have shared this vision of the future this year and none of them seem to be very optimistic.
In Rumors of Wars, the future is represented by bombed out cities, black-clad soldiers, and frightened refugees being rounded up and shot. The soldiers work for a man named Zurn and they’re quick to say that their mission is to “unify the world in peace and harmony.” When one refugee is spotted to be wearing a cross, a soldier sneers, “The only thing this symbolizes is your primitive thinking!” Another refugee, when confronted by the approaching soldiers, says, “Time to join the one world government!”
Can you guess where this is going?
While the rest of the soldiers are busy burning books and watching a hologram of a blonde with big boobs telling them to keep fighting for the glory of Zurn, Shaw (Ben Davies) secretly reads a diary that he came across during an earlier refugee roundup.
The diary was written, in the days before the one world government, by a college student named Roxy (Jennifer Cooper). Roxy writes about how, following a series of terrorist attacks that the film suggests were all “false flag” operations, the government decrees that everyone should have a microchip inserted into their hand. The microchip will allow the government to both regulate what people eat and keep track of all of America’s gun owners. However, since the microchip also allows people to get discounts on otherwise expensive commodities like food and gasoline, the populace willingly gives up their freedom.
The microchips, incidentally, are made by the Zurn Corporation. And who is in charge of the Zurn Corporation? Mr. Zurn, of course!
And, of course, Mr. Zurn is played by Eric Roberts.
Now, Eric Roberts is only on-screen for about two minutes but he makes the best of those two minutes. Seriously, Roberts gives a performance that is so manic and so over-the-top and so extremely weird that it might be the best performance of his career. Certainly, it livens up the movie.
(Of course, it helps that Roberts spends the length of his screen time telling a weird story about picking up a calf.)
Anyway, the film alternates between Roxy in the near future and Shaw in the far future and, for an independent, low-budget, right-wing, evangelical movie, it’s actually surprisingly competent. This is nothing like Left Behind. Rumors of Wars can actually pass for a real movie.
Now, I know what you’re asking — just how preachy does this movie get? By the standards of the genre, it’s actually less preachy than most but still preachy enough that it’ll probably annoy militant nonbelievers. (As for us casual skeptics, it all depends on just how casual you really are.) In my case, I was able to tolerate the film’s preachy moments because I appreciated all of the anti-government propaganda and the over-the-top atmosphere of paranoia.
So, that was the latest strange thing that I saw on Netflix. Rumors of Wars. Was it great? No. But it wasn’t terrible and that’s probably the biggest shock of all.
When I was younger, my family used to frequently visit relatives in Arkansas. (Except, of course, when we were actually living in Arkansas but that’s another story…) Any time that we were driving to Arkansas for a visit, we would always stop at this little park in Oklahoma. We’d eat lunch and then I’d run into the rest stop and I’d look at this big aquarium that was full of gold fish. And then after looking at the aquarium, I’d run over to the corner where they had all of the latest wanted posters and I’d look at who the FBI was searching for that year.
What always fascinated me was that, while there were always new faces posted in that corner, there were also posters that stayed up there for years. And, in my own weird little way, seeing those posters became something of a ritual that I always looked forward to. What fascinated me was reading about how each of these dangerous fugitives could be identified. One guy, for instance, was described as being a fancy dresser and a big tipper and, since I had heard horror stories about being a waitress from several of my relatives, I wondered how bad the guy could be if he was a big tipper. I was always interested to see who was thought to be in Mexico and who may have escaped up to Canada and I’ll admit that there was a part of me that always wondered if maybe they could be in Oklahoma, eating at that very park!
From the first time I saw James J. Bulger’s poster in the corner, it made an impression on me. First off, there was his picture, which made him look like an assistant principal. Then there was his long list of aliases. (Even back then, I was obsessed with lists and names.)
And finally, there were all of his identifying details.
For instance, the poster told me that he was fluent in several languages. The poster said that he had recently been sighted in Europe, which I often fantasized about visiting. It said that he was traveling with his girlfriend and that both of them loved animals….
Loved animals!?
I loved animals!
And, of course, then I would notice that this cultured and multilingual animal lover was wanted for 19 counts of murder, drug trafficking, extortion, and a whole lot of other things. The list of crimes told me that this James “Whitey” Bulger was not a good man but the identifying traits suggested something else.
(Another reason that Whitey made an impression on me is that he looked a lot less scary than Osama Bin Laden, who — the last few times we stopped at that rest stop — had invaded the corner…)
So, that was my first impression of Whitey Bulger.
My second impression came about a few years later when I read that the demonic gangster played by Jack Nicholson in The Departed was reportedly based on Bulger. I’m not sure if the real life Bulger used to carry around someone else’s severed hand but still…
And finally, my third impression came from the documentary that I watched last night on Netflix, Whitey: The United States of America vs. James J. Bulger. After spending 12 years in that corner, Bulger was eventually arrested in Florida and returned to his hometown of Boston, where he was put on trial for all of the crimes that had been listed at the top of that wanted poster. Veteran documentarian Joe Berlinger was in Boston for the trial, interviewing Bulger’s defense attorneys, a guy who calmly talked about a number of murders that he committed with Bulger, and the relatives of several of Bulger’s victims. Bulger himself even got a few words in, calling up his defense attorneys from jail and doing his best to present himself as being a gangster with a code of honor.
Indeed, from the start of the trial, Bulger’s main concern seems to be with convincing people that he had a code of honor. He has no hesitation about admitting to being guilty of most of the charges against him. What upsets him is that people are saying that he was a FBI informant and that’s why, for so long, he was able to avoid going to jail despite committing crimes in broad daylight. Bulger’s argument is that the Boston FBI fabricated evidence of him being an informant in order to cover up the fact that he was paying all of them off.
(Bulger also suggests that he was given blanket immunity by a special prosecutor in return for saving the prosecutor’s life.)
It’s an interesting suggestion. (Since the FBI refused to interviewed for the documentary, we only get Bulger’s side of the story.) However, regardless of whether or not you believe Bulger’s claims, the documentary makes clear that — whether they were on his payroll or using him as an informant — the FBI essentially allowed Bulger to spend several years doing anything and killing anyone that he wanted. By the end of the film, you can understand why the families of Bulger’s victims are often just as angry at law enforcement as they are at Bulger.
Whitey is a good documentary and it’s currently available on Netflix. If you’re into true crime, like I am, you’ll enjoy it. At the very least, I’m thankful that this documentary shined a little bit of light on that corner.
There’s a moment in the documentary Under the Electric Sky that moved me beyond belief.
For the first 90 minutes of the film, we’ve followed different people as they experience the 2013 Electric Daisy Carnival. Some of them are sweet, some of them are oafish, some of them are people that I would want to hang out with, and some of them I definitely would go out of my way to avoid. The one thing that they have in common is that they love EDM and that love has brought them to Las Vegas.
One of the more likable of them is a young, wheelchair bound man named Jose. Up until this point, we’ve seen Jose wheeling his way through the crowd, having a good time but still frustrated by the fact that he can’t see the stage from his wheelchair. And then, while Hardwell is performing on stage, a group of strangers lift up Jose’s wheelchair, literally holding him on their shoulders so that he can see the stage.
And you know what? I fully realize that this could have been arranged beforehand. I understand that someone involved in production could have asked those people to lift up Jose because he or she knew it would make a perfect film moment. But I don’t care. It’s such a wonderful moment and it perfectly encapsulated everything that I love about the EDM scene. It’s a moment that brought tears to my eyes when I saw it and it’s still bringing tears to my eyes as I write about it.
As far as the rest of Under the Electric Sky is concerned, if you’re into EDM, you’ll enjoy it. And if you’re one of those people who doesn’t get EDM — well, sucks to be you, doesn’t it?
Admittedly, the film was produced by the same people who put on the EDC and, at its weakest, it felt like a mix between an infomercial and an A&E reality show. But at its frequent best — like in the moment described above and in the brief moments where artists like Avicii, Armin Van Buuren, and Above & Beyond open up to the camera — it’s a wonderful and heartfelt tribute to one of the most loving and misunderstood subcultures in the world. At it’s best, Under the Electric Sky is a blast of pure musical joy and, with the world the way it is right now, we could all use a little joy.
Under the Electric Sky is currently available on Netflix and yes, I recommend it.