Insomnia File #60: Project Kill (dir by William Girdler)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have always hopped on Tubi and watched the 1976 “thriller,” Project Kill!

In Project Kill, Leslie Nielsen stars as John Trevor, an intelligence agent who has spent six years training a group of men who are regularly given injections of a super soldier serum.  As the film begins, Trevor confesses to his second-in-command, Lassiter (Gary Lockwood), that he worries that the men are actually being used as assassins and that the serum is being used as a mind-control drug.  Yikes!

When Trevor flees from his secret government base and heads to the Philippines, Lassiter is assigned to track him down and bring him back before he can reveal any government secrets.  A crime boss named Alok Lee (Vic Diaz) wants to track down Trevor and learn his mind-control techniques.  Trevor, meanwhile, would rather just spend all of his time in bed with Lee Su (Nancy Kwan).  Unfortunately, because Trevor took a few doses of the serum himself, he soon finds himself losing control and becoming more and more violent.  Lassiter comes to realize that he may not be able to bring back Trevor alive.

Sounds really exciting, doesn’t it?

Well, not quite.  I mean, don’t get me wrong.  There are plenty of fight scenes and there’s a car chase and the film ends with Trevor and Lassiter having a confrontation on a loading dock that’s about as exciting as a fight between two middle-aged, obviously out-of-shape men could be.  Leslie Nielsen’s stunt double puts on a gray hairpiece and shows off some rudimentary karate moves.  To give credit where credit is due, the end of the movie features nearly perfect use of slo mo of doom.

(What is slo mo of doom?  It’s when the action starts moving in slow motion because someone is about to enter a world of pain.  Slo Mo of doom works best when it involves a roundhouse kick and someone yelling, “Noooooooooooooooo!”  Admittedly, that doesn’t happen in Project: Kill but still, the movie’s slo mo of doom works well.)

Unfortunately, in between the occasional action sequences, there are endless shots of people just wandering around.  The film features so much padding that one almost gets the feeling that the film itself was made up on the spot and director William Girdler’s one direction was, “Keep walking until we get enough footage to push this out to 90 minutes.”  As for the plot, I was never quite sure what John Trevor was trying to accomplish in the Philippines.

That said, I think most people are probably going to watch this movie specifically because it was one of the movies that Leslie Nielsen made before he became a beloved comedic icon.  This film is from the era when Leslie Nielsen was a dramatic actor.  The serious intentions don’t matter though.  Nielsen essentially gives the same performance that he gave in The Naked Gun films and it’s impossible not to laugh with him, regardless of how many people he kills.  Nielsen plays the role with a straight face, which, of course, was his comedic trademark.  Even when he faces off against Lassiter, you expect him to say, “Good luck.  We’re all counting on you.”

Project Kill is one of those films where the unintentional laughs save the film.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster
  58. The Haunting of Helen Walker
  59. True Spirit

Retro Television Reviews: Hang Time 4.25 “Christmas In New York” and 4.26 “Waiting For Mary Beth”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000.  The entire show is currently streaming on YouTube!

The fourth season finally comes to a close!  Seriously, things have been moving so slowly for the Tornadoes that I feel like I’ve spent that last several years trapped in this season.

Episode 4.25 “Christmas In New York”

(Dir by Patrick Maloney, Originally aired on December 5th, 1998)

The team is in New York City, celebrating Christmas away from home.  Kristy, who is not actually on the team, is with them and feeling homesick.  Instead of telling her, “Well, go home since you’re not actually on the team,” Silk and Michael promise Kristy that they’re going to have a “real Indiana Christmas” right there in New York.

(So, I guess everyone’s parents are okay with their children celebrating the holidays in New York.  Seriously, this whole New York plotline doesn’t make a single bit of sense.  If I was the state of Indiana, I would be offended by how eager Hang Time was to find any excuse to get away from me.)

Kristy comes up with the idea of the team celebrating Christmas by doing “Secret Santa.”  Everyone thinks that this is a great idea, except for Mary Beth who points out that Secret Santa means that everyone will only get one gift.  “Everyone’s stressing about what to get everyone!” Hammer says, as if somehow mandating that everyone can only buy one gift will make it even less stressful to try to find the perfect one.  I’m on Mary Beth’s side here.  Add to that, Secret Santa comes with a limit on how much can be spent on each person.  Each gift has to cost under $10.  What the Hell!?  Seriously, I’d rather cancel Christmas than accept a gift that cost under $10.

If Kristy is missing her family, Rico is dreading meeting his.  As Rico explains it, his grandfather, Sonny, is a former stand-up comedian who always goes out of his way to embarrass Rico.  After meeting Rico and the rest of the team, Sonny decides to move into the hotel and stay with them.  Sonny explains that Rico doesn’t want his grandson spending his Christmas without his family.  And really, Sonny’s right.  SERIOUSLY, WHY ARE THEY IN NEW YORK ON CHRISTMAS!?

Anyway, Secret Santa goes awry when Julie and Mary Beth sneak into the boys’s hotel room and discovers that Michael and Hammer bought them cheap scarves.  Mary Beth is so offended that she declares that they’re going to have to buy really cheap gifts for the boys.

“How do I do that?” Mary Beth asks Julie.

“Are you saying I’m cheap!?”  Julie yells.

Oh, Julie, everyone knows you’re cheap.

Of course, what they don’t know is that, while Julie and Mary Beth are sneaking around the hotel room, Michael and Hammer are buying expensive gifts at Tiffany’s.

Meanwhile, Rico lies to his grandfather to keep him from coming to the Christmas Party.  This leads to Coach K. suddenly declaring himself to be the Ghost of Christmas Future and showing Rico that his future is going to feature his grandchildren abandoning him for the holidays.  Rico learns the true meaning of Christmas and he spends the holiday with his grandfather after all.  The rest of the team spends the holidays without their families but no one cares because they’re all a bunch of heathens, I guess.  I don’t know.  As I said before, this whole New York thing is way too weird.

This was dumb.  Let’s move on.

Episode 4.26 “Waiting For Mary Beth”

(Dir by Patrick Maloney, Originally aired on December 5th, 1998)

After a long season that featured a new coach, three new players, and trips to Texas and New York, the fourth season of Hang Time comes to a close with …. a clip show.

The Tornadoes are celebrating New Years Eve in New York City because why would they want to spend any of their holidays with their friends and family back in Indiana.  The entire team is gathered at a fancy restaurant overlooking Times Square.  But where’s Mary Beth!?  Mary Beth, it turns out, is refusing to leave her room because her appointment with a world famous hair stylist did not go well.  Luckily, everyone has a memory to share that provides Mary Beth with the courage to celebrate the New Year.

Eh.  It’s a clip show.  Clip shows are the worst of the worst.

Next week, Season 5 begins!

Monday Live Tweet Alert: Join Us For Project Kill and Dead Again!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1976’s Project Kill I picked it so you know it’ll be good.

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1991’s Dead Again!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Project Kill on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Dead Again, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

 

Music Video of the Day: No Good by Annie Hardy (2023, dir by ????)


Here’s your reminder that if you haven’t seen Dascham (which stars Annie Hardy, the artist responsible for today’s music video of the day), it was one of my favorite films of last year and I think it’s destined to be watched by future students of history as they study the cultural and psychological impact of the COVID lockdowns.

Enjoy!

Lisa Marie’s Week In Review: 5/29/23 — 6/4/23


Another week comes to an end!  Welcome to summer, my most dreaded season of the year.  Seriously, I’m not a fan of the heat.  Oh well, I’ll survive!

These upcoming weeks are going to be about trying to get caught up with the potential Emmy nominees.  I’m going to finish up Marvelous Mrs. Maisel and A Small Light this week and then move onto the other shows that I need to see.  Suggestions are welcome!

Here’s what I watched, read, and listened to this week!

Films I Watched:

  1. A Tattered Web (1971)
  2. Berlin Express (1948)
  3. Bloodbath at the House of Death (1984)
  4. Crackerjack 2: Hostage Train (1997)
  5. Don’t Bother To Knock (1952)
  6. Dr. Cook’s Garden (1971)
  7. In Search of America (1971)
  8. Niagara (1953)
  9. The Oak Room (2020)
  10. The Old Way (2023)
  11. Online (2013)
  12. Reality (2023)
  13. Robocop (1987)
  14. Top Gun: Maverick (2022)
  15. What She Doesn’t Know (1992)

Televisions Shows I Watched:

  1. Bar Rescue
  2. Beavis and Butt-Head
  3. Dirty Pair Flash
  4. Fantasy Island
  5. Hang Time
  6. The Marvelous Mrs. Maisel
  7. Miami Vice
  8. New Wave Theatre
  9. Night Music
  10. A Small Light

Books I Read:

  1. The Secret Plot to Make Ted Kennedy President: Inside the Real Watergate Conspiracy (2008) by Geoff Shepard

Music To Which I Listened:

  1. Adi Ulmansky
  2. Annie Hardy
  3. Bee Gees
  4. Britney Spears
  5. Carly Rae Jepsen
  6. The Chemical Brothers
  7. Dido
  8. Dua Lipa
  9. Emma Pollock
  10. Fatboy Slim
  11. Flyte
  12. Jan Hammer
  13. Glenn Frye
  14. Gwen Stefani
  15. Jake Epstein
  16. Jennifer Lopez
  17. Kid Rock
  18. Lionrock
  19. Muse
  20. Nancy Sinatra
  21. Public Service Broadcasting
  22. Saint Motel
  23. Swedish House Mafia
  24. Taylor Swift
  25. Yvonne Elliman

Live Tweets:

  1. Crackerjack 2
  2. Top Gun: Maverick
  3. Robocop
  4. The Oak Room

News From Last Week:

  1. Vanishing Point Star Barry Newman Dies At 92
  2. Actor Sergio Calderon Dies At 77
  3. Box Office: ‘Spider-Man: Across the Spider-Verse’ Slingshots to Huge $120.5 Million Debut
  4. WGA, SAG-AFTRA Say DGA Deal Won’t Change Their Contract Goals

Links From Last Week:

  1. Happy 93rd Birthday Clint Eastwood! His Triple Play Of Classic Films – In One Year!
  2. Tater’s Week in Review 6/3/23

Links From The Site:

  1. Leonard reviewed Spider-Man: Across the Spider Verse!
  2. Jeff shared a music video from Sammy Hagar!
  3. Erin shared Four Flags, The Dark Corners of the Night, The Love Camp, Galaxy Science Fiction, Build Us A Dam, Village of Despair, and Hell’s Angels!
  4. I reviewed Hang Time, Fantasy Island, The Love Boat, City Guys, The Master, and Welcome Back Kotter!
  5. I reviewed Online and What She Doesn’t Know!
  6. I shared music videos from Emma Pollock, Jennifer Lopez, Dido, Dua Lipa, Gwen Stefani, and Bee Gees!
  7. I shared my week in television!
  8. I shared my May Oscar Predictions!
  9. I shared a scene from Dirty Harry!
  10. I paid tribute to Howard Hawks!

More From Us:

  1. At Days Without Incident, Leonard shared a piece of music from Top Gun: Maverick!
  2. At her photography site, Erin shared Flag, Rainy Patio, I’m Going To Drive Straight Into That Wall, Monster Tree, Red Vase, A Leaf on a Beautiful Day, and Spotlights!
  3. At my music site, I shared songs from Captain America, Jake Epstein, Nancy Sinatra, Swedish House Mafia, Lionrock, Taylor Swift, and Carly Rae Jepsen!

Want to see what I did last week?  Click here!

Retro Television Reviews: What She Doesn’t Know (dir by Kevin James Dobson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1992’s What She Doesn’t Know!  It  can be viewed on YouTube!

Molly Kilcolin (Valerie Bertinelli) has graduated from law school!

In fact, she’s not only graduated from law school but she’s graduated from Harvard Law School, the most prestigious and most expensive law school out there.  And she’s graduated at the top of her class.  She’s the one who gets to give the speech at graduation, where she says that everything she knows about justice she learned from her father.

It’s really quite an accomplishment when you consider that Molly isn’t even from a rich family.  She’s from a family of blue collar, New York City cops.  Her father, Jack Kilcoin (George Dzundza), certainly never had a chance to go to Harvard.  How did Molly even afford to go to Harvard?  Apparently, her tuition was paid out of a trust fund that her aunt set up for her when she was a child.  Seriously, that must have been a helluva trust fund because Harvard is not cheap or easy to get into.

Unfortunately, Molly disappoints her father when she tells him that she will not be accepting a job with a high class law firm but instead, she plans to work for the District Attorney’s office.  Her fellow prosecutors are skeptical of her as well.  Why does she want to go from Harvard to making next to no money in the trenches?  Someone asks her if she has political ambitions but no, Molly just wants to do the right thing.  She grew up in the neighborhood, don’t you know.  She knows the people who are getting caught up in the Mafia’s schemes.

After Molly convinces a young mobster named Joey Mastinelli (Peter Dobson) to testify against his boss, she is shocked to discover that over half of the NYPD is on the Mob’s payroll.  She is even more shocked to discover that her father is one of those dirty cops.  For years, her father has been taking bribes and hiding the money away in Molly’s trust fund.  Molly’s Harvard education was paid for by the Mafia!

As you can probably guess, family dinners are about to get awkward!

I usually enjoy films like What She Doesn’t Know because I’m always interested in the Mafia and there was a time when I briefly thought it might be fun to grow up and go to law school.  I don’t know if I would have wanted to become a prosecutor, of course.  Unlike Molly, I probably would have taken that ritzy law firm offer.  The idea behind What She Doesn’t Know had potential but it was let down by the execution.  Valerie Bertinelli tries hard but she’s just not convincing as a tough-as-nails Harvard grad.  George Dzundza is a bit more believable as an aging New York cop but he’s still a bit on the dull side.  (It would have been nice if this film could have been made a few years later, with Mira and Paul Sorvino in the lead roles.)

The film’s biggest flaw is that it portrays Molly as being so totally clueless about her father’s activities that it makes her seem to be impossibly naïve.  I mean, did she never wonder how she could possibly afford to go to Harvard?

Seriously, Harvard’s expensive!

June Positivity: Online (dir by Kevan Otto)


The 2013 film, Online, opens with a bunch of male co-workers going out for pizza.  They’re celebrating the promotion of John Wild (Morgan Ayers), who has gone from being a preacher’s kid to being the youngest executive at their company.  Before they dig into the pizza, one of the older men says a quick blessing over it….

Yes, it’s one of those films!

John has a well-paying job, a big house, and a beautiful and supportive wife named Mary (Kelsey Sanders).  For most people, that would probably be enough to be happy for at least a few years but not for John!  John finds himself thinking about his high school girlfriend, Adrianna (Esseri Holmes).  John was in love with Adrianna, or at least he thought he was.  But then, one day, she told him that her father’s company was forcing them to relocate to France.  Both John and Adrianna were heart-broken.

(My family moved around a lot when I was growing up.  Whenever my Dad got a new job, we moved to a new town and often a new state.  Personally, I would happily trade that month in Tulsa for a few years in France.)

Despite the fact that he’s happily married and he knows that he shouldn’t, John decides to look Adrianna up online.  He uses a site called SocialFriends.com because everyone knows better than to run the risk of getting sued by Facebook.  (My favorite Facebook’s substitute was Degrassi‘s Facerange.)  It turns out that Adrianna has not only returned to America but she also lives nearby!

Unfortunately, Adrianna is married now.  Even more unfortunately, her husband is a French cosmetics heir named Pierre (Byron Herlong).  Pierre spends all of his time complaining about Americans being materialistic and arrogant.  Adrianna replies that, if it wasn’t for those “arrogant Americans,” he would “be speaking German right now.”  Boom!  You tell him, girl!  Pierre doesn’t have a snarky reply for that!

John reaches out to Adrianna.  They have dinner at a fancy restaurant.  They talk.  They catch up on old times.  They eventually share one kiss.  Of course, John doesn’t bother to tell his wife about any of this and instead, he just tells a lot of lies about having to work late.  However, Mary’s not dumb.  She knows that there is something her husband isn’t telling her, especially after the credit card bill comes in and she discovers how much he’s been spending on dinner.  Mary’s mother, who has never gotten over being cheated on by her own husband, hires a private detective to follow John around.

John’s mistake, one of his co-workers explains, wasn’t just that he reached out to Adrianna and then lied to his wife about it.  John’s mistake is that he allowed himself to dine alone with another woman to begin with!

Online is one of those low-budget indie films that really makes you appreciate directors and editors who know how to keep the action moving at a steady pace because the film was filled with so many slow spots that it was next to impossible for me to really focus on it.  My mind kept wandering as I watched the film.  I also got a bit annoyed that, while John was given a chance at redemption, Adrianna was not.  If John was portrayed as being someone who, in the midst of a mid-like crisis, made a mistake than Adrianna was essentially portrayed as just being a brazen homewrecker.  That said, the film did feature Pierre being put in his place and I appreciated that.  Arrogant Americans for the win!

Lisa Marie’s Week In Television: 5/28/23 — 6/3/23


Bar Rescue (Paramount Network)

On Friday, I watched the episode that was shot in my hometown and, once again, I was disappointed to see how boring my town looks on film.  Jon Taffer transformed the bar into a taco place.  The owners abandoned the concept as soon as Taffer left.  They subsequently went out of business.

Barry (Sunday Night, HBO)

To be honest, I was happy that at least two characters in Barry managed to get a happy ending.  I was expecting everyone to be dead by the end of the show but Sally survived and appears to have found some peace.  And Fuches seems to have survived as well.  Interestingly enough, Sally and Fuches were the only two characters who, in the end, chose to come clean about who they were and what they had done.  Barry was killed by his acting mentor, losing his chance at redemption.  NoHo Hank died while still in denial about killing Christobal.  And Cusineau ended up doing life in prison and being portrayed as being not only a villain but also as being British in the inevitable movie version of Barry’s life.  Barry was a great and often unsettling show.

Beavis and Butt-Head (Paramount Plus)

Young Beavis trained for combat!  Old Beavis …. well, old Beavis and Butt-Head are depressing no matter what they do.  This week, they tried to get vasectomies because they thought that would make them more appealing to soccer moms.  It’s always kind of depressing when a Young Beavis and Butt-Head vignette is followed by one that shows what type of life they have waiting for them.

Dirty Pair Flash (YouTube)

I watched an episode of this anime on Saturday morning.  I had no idea what was going on but there were a lot of monsters and a lot of things blowing up.  It was fun!

Fantasy Island (Tubi)

I wrote about Fantasy Island here!

Hang Time (YouTube)

On Monday, I finally finished binging Hang Time.  I’ve written up all my reviews and they’ll be dropping on weekly basis through September.  Read my latest review here!

The Marvelous Mrs. Maisel (Prime)

I watched the first episode of the final season on Saturday morning.  I look forward to binging the rest of the season over the upcoming week.  I’ll share my thoughts once I’ve finished watching.

The Master (Tubi)

I wrote about The Master here!

Miami Vice (Tubi)

This week, I watched the first sixteen episodes of this classic 80s cop show.  My reviews will start dropping in September.  For now, I’ll just say that I’m enjoying the show.

New Wave Theatre (YouTube)

I watched an episode of this 80s cable access show on Saturday morning.  It was a Christmas episode.  It was a bit bizarre.  I did enjoy some of the bands that played.

Night Music (YouTube)

I watched an episode of this 90s talk-and-music show on Friday night.  The music was great and, for the most part, the bands and musicians were all previously unknown to me.  It was educational in the best way.

A Small Light (Hulu)

I watched the first episode of this miniseries on Thursday.  I’m going to watch the rest of the episodes over this upcoming week so I’ll save my thoughts until after I’ve experienced the entire show.

Welcome Back, Kotter (Tubi)

I am now watching this 70s sitcom for Retro Television Reviews!  Read my thoughts on the first two episodes here!

Yellowjackets (Sunday Night, Showtime)

The second season is over and I’m still sorting out how I feel about it.  I enjoyed the first few episodes but then I found myself gradually growing more annoyed with the show and the characters.  The inconsistent pacing particularly got on my nerves.  Killing off Natalie, the character to whom I most related, is definitely not going to make me remember this season fondly.  I’m at the point now that whenever Lotte pops up, whether it’s the past or the present version of the character, I want to throw something at the screen.  Still, it’s an intriguing premise and, as frustrated as I get with the show, it’s worth watching for the cast alone.