Tracy Winters | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, a loft sees a lot of action!

Episode 2.17 “Interior Loft Later”

(Dir by Ken Wiederhorn, originally aired on February 4th, 1990)

The loft from last week’s episode returns!

The loft is now home to sculptor Alex McFain (Robert F. Lyons). Alex spends most of his time sitting and sleeping in a bath tub and complaining about the fact that his work doesn’t make him much money. When his wife, Fabina (Fabiana Udenio) accidentally kills one of Alex’s models, Alex comes up with a brilliant plan. He’ll fake his own death so his work will become valuable!

At first, the plan works. The only problem is that Alex can no longer leave the loft. With Fabina constantly going outside to sell his work, Alex starts to worry that she’s having an affair with another man. It tuns out that he’s half-right. Fabina is having an affair but it’s with another woman. Alex is shocked but he’s then killed by decorative sword that falls off of the ceiling. Now, his work will be really valuable!

Months later, Fabina’s former boy toy, Art (Dean Fortunato), shows up at the apartment and discovers that it is now occupied by Stacy (Leslie Bega) and Gina (Tory Polone). Art moves in with them and proceeds to seduce both of them. He tells one that he’s an environmental activist being pursued by a cartel of fishermen. He tells the other that he’s being chased by the mob. When Stacy and Gina compare notes, it’s bad news for both Art.

Freddy doesn’t do anything in either one of these stories, other than introduce them. Both stories follow the familiar pattern where anything overly dramatic that happens is ultimately revealed to be a dream. Neither story is all that interesting but Robert F. Lyons does his best to bring some life to his role of the sculptor pretending to be dead. As has so often been the case with the second season, this episode isn’t great or even memorable but it’s still a hundred times better than the majority of the first season.

This week, a husband and a wife live in a loft and obsess on sex and death.

Episode 2.16 “Interior Loft”

(Dir by Ken Wiederhorn, originally aired on January 28th, 1990)

Kim Lewis (Elizabeth Keifer) has quit her job so that she can work on her novel. Her husband, David (Kip Gilman), is a lazy grad student who doesn’t bring in much money to the household. David suggests that Kim could record a message for a sex line. Kim agrees but, when a serial killer becomes obsessed with the message, she finds herself being stalked. Fortunately, the killer dies before he can harm Kim. But Kim is so traumatized and mentally shaken by her stalker’s bloody death that David comes to worry that she might be plotting to become a killer herself. And, of course, she is.

There was nothing supernatural about this episode, other than Freddy popping up for the host segments. Apparently, even in his Hellish afterlife, Freddy tries to keep up with all the latest novels. This episode was instead an attempt at neo-noir and director Ken Weiderhorn manages to create an appropriately ominous atmosphere. Elizabeth Keifer gives a strong performance as Kim so it’s unfortunate that the rest of the cast isn’t as memorable. This was not a bad episode but it was hard not to feel that it could have been even better.

In the end, I appreciated the fact that this episode actually did have something on its mind. David fears that Kim is a potential killer because of the book that she writes. That’s something to which any creative person in the horror field can relate. Audiences often seem to assume that a morbid imagination is linked to a morbid personality whereas the opposite is often the case. I’ve been lucky enough to meet a few horror people. They’re nice!