October True Crime: The Stalking of Laurie Show (dir by Norma Bailey)


2000’s The Stalking of Laurie Show takes place in Pennsylvania, a wonderful state as long as you don’t count Philadelphia.  Even more specifically, the film takes place in Pennsylvania Dutch country.  An Amish man occasionally appears, sitting in his buggy when it moves down the road.  One character, a lunkhead named Butch (Rel Hunt), goes to an Amish coffeeshop while his girlfriend is committing a horrific murder.

The Amish don’t play a huge role in The Stalking of Laurie Show, which is ultimately a story of a murder amongst high school students.  Still, seeing them in the background is a reminder of a simpler life and also a reminder that not everyone is consumed by hate.  That’s a welcome reminder because this film, much like our present world, is full of irrational hate.

Michelle Lambert (Marnette Patterson) is, at least when the film starts, the queen of her high school.  Everyone wants to be her friend and everyone fears getting on her bad side.  She’s a master manipulator, someone who obviously feels that she has the right to take whatever she wants.  And yet, when we first meet her, it’s hard not to feel at least a little sympathy for her.  Her homelife isn’t the best.  She doesn’t get along with her father.  She’s very protective of her younger siblings.  Despite appearances, she’s not rich.  The only reasons she has expensive clothes and makeup is because she’s very good at shoplifting.  When I was a teenager, I was very good at shoplifting too so I could …. well, I don’t want to say that I related to her because there is a difference between pocketing purple eyeshadow and stealing an entire wardrobe.  As well, it soon becomes clear that Michelle has a mean streak that no amount of a bad family life could justify.

Michelle takes a new student, innocent Laurie Show (Jennifer Finnigan) under her wing and, for a while, she and Laurie are best friends.  But then, when Michelle’s lunkhead boyfriend Butch takes an interest in Laurie, things change.  Michelle is fiercely jealous of Butch and soon, Michelle and her friends are conspiring on ways to humiliate Laurie.  When Michelle gets pregnant, she drops out of school, moves into a trailer with Butch, and eventually alienates almost all of her friends after she attacks Laurie in a bowling alley parking lot.  Only Tabitha (Joanne Vannicola) remains loyal to Michelle.  Soon Tabitha and Michelle are plotting Laurie’s death….

Agck!  It’s a disturbing story, especially since it’s true.  Michelle and Tabitha murdered Laurie Snow in December of 1991, just five days before Christmas.  (There’s some debate as to whether or not Butch took part in the actual murder or not.)  Michelle is currently in prison while Tabitha, a juvenile at the time of the murder, was paroled in 2019.  Today, of course, Michelle and her friends would have hounded Laurie online, sending her anonymous messages, filming every fight between the two of them, and telling her to “kill yourself.”  Every time I read about a teenager who committed suicide due to cyberbullying, my immediate response is that they didn’t kill themselves.  They were murdered.  Anyone who would taunt a fragile person to the point of suicide is as guilty as if they pulled the trigger or tightened the noose themselves.  And don’t give me any of that, “They didn’t know it would happen” crap either.  In every case, they knew what they were doing.

As for the film itself, it’s definitely sensationalized.  Marnette Patterson fully embraces the melodrama as Michelle, at first playing her as just being a standard mean girl before then going totally over-the-top as Michelle’s grip on reality becomes more and more loose.  Jennifer Finnigan is sympathetic as Laurie and Jessica Greco gives a good performance as a friend of Laurie’s who is also drawn into Michelle’s crowd.  If the film wasn’t based on a true story, it would probably be a camp classic.  But since it is based on a true story, it works best as a plea for people to stop turning a blind eye to bullying.  That’s not a bad message.

4 Shots From 4 Horror Films: The 1980s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we begin the 80s!

4 Shots From 4 Horror Films

Friday the  13th (1980, dir by Sean S. Cunningham)

Friday the 13th (1980, dir by Sean S. Cunningham)

The Shining (1980, dir by Stanley Kubrick)

The Shining (1980, dir by Stanley Kubrick)

The Beyond (1981, dir by Lucio Fulci)

The Beyond (1981, dir by Lucio Fulci)

The Howling (1981, dir by Joe Dante)

The Howling (1981, dir by Joe Dante)

Horror On The Lens: The Creeping Terror (dir by Vic Savage)


Today, we have got a true classic.  First released in 1964, The Creeping Terror is the best film ever made about a carpet eating people.

This film is famous for its use of narration.  Apparently, the original soundtrack was lost and, after attempting to dub a few scenes, director Vic Savage instead just hired radio news reader Larry Burrell to tell people what was happening in each scene.  As well, Savage himself later vanished when the film’s investors came looking for their money.  No one is really sure what happened to Vic Savage, though there is some evidence that he subsequently died of liver failure in 1975.  I like to think that Vic Savage faked his dead and that he is still alive somewhere, probably in his 90s and drinking pina coladas on a beach.

Some consider this film to be one of the worst ever made.  I love it.

 

Music Video of the Day: The Valley by Bill Wyman and Terry Taylor (1985, dir by Michele Soavi)


Today’s music video of the day is for an instrumental piece that was composed by Bill Wyman and Terry Taylor for Dario Argento’s 1985 film, Phenomena.

Put together by Michele Soavi, this music video features not only scenes from the film but also clips of Dario Argento directing both Jennifer Connelly and Fiore Argento.  Soavi, of course, went on to have a directorial career of his own, directing four classic horror films before stepping away from feature films to take care of his ailing son.  Soavi has since returned to directing, though most of his subsequent work has been for Italian television.

Enjoy!

Horror On TV: Raggedy Ann and Raggedy Andy in The Pumpkin That Wouldn’t Smile (dir by Chuck Jones)


Awwww, that poor pumpkin!  Well, hopefully, he’s smiling now!

This animated special originally aired on Halloween night in 1979.  I would imagine that the crying pumpkin probably traumatized children across America.  Hopefully, all the kids were out trick or treating when this aired.  Myself, I remember that when I was a kid, I would help my mom carve a pumpkin every year.  And then I would get so depressed when we later had to throw it out.  Seriously, I would get really attached to those jack o’lanterns.

Anyway, this cartoon is before my time but I have a feeling that, if I had been around to watch it, I would have been depressed for a whole year afterwards.

Enjoy!

Doctor Who — Horror of Fang Rock (1977, directed by Paddy Russell)


The first serial of the 15th season of Doctor Who finally allowed viewers a glimpse of an alien race that they had previously only heard about.

The Rutans are the mortal enemies of the Sontarans.  Their war has gone on for centuries, with neither race getting the upper hand (or tentacle, as the case may be).  Nearly every episode in which the Sontarans appeared involved an attempt to turn Earth into an outpost against the Rutans.  In Horror of Fang Rock, a Rutan travels to Earth and tries to do the same thing against the Sontarans.  Luckily, the Doctor (Tom Baker) and Leela (Louise Jameson) are there to stop it but not before every other character in the serial has been killed.

Horror of Fang Rock takes place early in the 20th Century, at an isolated lighthouse on an island in the English channel.  Other than The Doctor, Leela, and the Rutan, the characters consist of two lighthouse keepers and the four survivors of a shipwreck.  They’re all noble English stereotypes, with names like Lord Palmerdale, Colonel Skinsale, and Adelaide Lessage and none of them survive the horror of Fang Rock.

When I first saw this serial as a kid, it actually left me feeling rather depressed.  It certainly didn’t seem like everyone deserved to die.  Even my mom, who rarely watched the show with my dad and me but who did sit through the first 25 minutes of Horror of Fang Rock before finding something better to do, was surprised when I told her that no one had survived.

When I recently rewatched this serial, I better appreciated just how efficiently Horror of Fang Rock is put together.  It mixes traditional gothic imagery (like the fog-covered island and the dark lighthouse) with aliens and it does a good job of it.  The Rutan itself turns out to be a glowing green mass.  It looks convincingly evil and extraterrestrial.  As soon as it appeared, I understood why the dull-witted Sontarans never seemed to be sure how to defeat the Rutans.  The Rutan was a creature totally unlike the usual humanoid aliens that populated Doctor Who.  It also made sense that only the Doctor and Leela would be able to survive a confrontation with the Rutan because the Rutan was so alien that rest of the inhabitants of the lighthouse had no idea how to respond to it.

At the end of this serial, the Doctor causes the Rutan mothership to explode.  Leela looks straight at the explosion and, as a result, her brown eye turn blue.  Louise Jameson’s eyes were always blue but they weren’t considered to be the right color for the savage character she was playing so, for her first few serial, she had to wear extremely uncomfortable contact lenses.  One of her conditions for returning for Season 15 was that she would no longer have to wear them.  The show’s producers gave in and that was the right decision.  By the time Horror of Fang Rock came along, Baker and Jameson had moved pass their initial awkwardness and were now a strong team.

holds up well as one of the few Doctor Who stories to actually be as scary as the show’s critics claimed.  Tom Baker and Louise Jameson are at their best and the Rutan proves to be the rare Doctor Who alien to live up to the hype.

Horror Scenes That I Love: Bela Lugosi in Dracula


Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

On this day, 143 years ago Bela Lugosi was born in what is now Romania.  Lugosi began his career in his native country, appearing on stage.  After serving as an infantryman in World War I, Lugosi moved into the movie industry and appeared in silent Hungarian films.  The young Lugosi was an activist, involved in labor issues and trying to unionize the Hungarian film industry.  When a new government came to power in Hungary in 1920, the politically-active Lugosi moved first to Germany and then eventually ended up in the United States.  After a period of working as a merchant seaman, Lugosi returned to acting.

He first played Dracula on stage in New York City.  In 1928, while touring in the role of Dracula, he moved out to California and quickly became a part of the Hollywood community.  When Universal produced a film adaptation of Dracula in 1931, Lugosi was the obvious choice for the lead role.  The film made Lugosi a star and it also typecast him.  Lugosi never stopped acting, though the films varied widely in quality.  By the end of his career, Lugosi was a member of the Ed Wood stock company.  Even appearing in something like Bride of the Monster, Lugosi still made an impression.

In the scene below, from 1931’s Dracula, Lugosi suggests that Edward van Sloan’s Van Helsing should perhaps leave the country.