Sci-Fi Review: Stars Wars Episode 1: The Phantom Menace (1999, directed by George Lucas)


Star_Wars_Phantom_Menace_posterA long time ago in a galaxy far, far away…

The time was May of 1999.  The place was a movie theater in Baltimore, Maryland.  The theater was packed with people waiting to see the most anticipated film of their lifetime.  The film was The Phantom Menace, the first prequel to the original Star Wars trilogy.  For two years, the people in the audience had followed every detail of the film’s production.  Some of them had gone to showings of Meet Joe Black and Wing Commander, just so they could see the first trailers for the film.

Sitting out in that audience was one 16 year-old boy who, a few nights earlier, had been standing outside a Target at midnight so that he could be one of the first to buy Phantom Menace merchandise.  He bought two Jar Jar Binks action figures because, even before Phantom Menace opened, he suspected Jar Jar would be the most controversial character.

When the lights went down, the audience cheered.  At the start of every trailer, someone in the dark theater shouted, “I bent my Wookie!”  The audience laughed the first two times.  By the fifth time, there were only a few pity titters.

Finally, it was time!  The first few notes of John Williams’s Star Wars theme echoed through the theater.  Again, the audience cheered as the familiar title crawl appeared on-screen.

The 16 year-old read the opening crawl and he started to get worried.  What was all this talk about taxation?  Trade routes?  Trade Federation?  Blockades?  It seemed more appropriate for Star Trek or even Dune.  Except for the mention of Jedis at the end of the crawl, it did not sound much like Star Wars.

Things started to look up as soon as Liam Neeson and Ewan McGregor made their first appearance as Qui-Gon and Obi-Wan.  Obi-Wan’s first line was, “I have a bad feeling about this.”  A few people in the audience clapped.  “I bent my Wookie!” a familiar voice shouted.  Nobody laughed.

When a hologram of Darth Sidious appeared and told the Trade Federation goons to kill Qui-Gon and Obi-Wan, everyone in the audience knew that Darth Sidious was Palaptine, the future Emperor, and the excitement was palpable.  When Qui-Gon and Obi-Wan fought off the battle droids and escaped to the besieged planet of Naboo, the audience started to relax.  Maybe this wouldn’t be as bad as the critics were saying.

Then Qui-Gon and Obi-Wan met Jar Jar Binks and the whole movie went to shit.

In the months leading up to the release of The Phantom Menace, everyone had heard about Jar Jar Binks and how he was a totally computer-generated character.  Jar Jar Binks was the future of movie technology and, from the minute he first appeared, the future was fucking terrifying.  Jar Jar was a Gungun, an amphibious creature who was characterized as being clumsy and cowardly.  He shrieked in a high-pitched voice and spoke in an indescribable dialect.  As much as the audience tried, there was no way to avoid or ignore Jar Jar Binks.  He was not in the entire movie but he was at the center of every scene in which he did appear.

As Jar Jar led Obi-Wan and Qui-Gon to the underwater city of the Gunguns, a voice in the dark theater shouted out, “I bent my Wookie!”

“Shut the fuck up!” the 16 year-old snapped back.

The 16 year-old was not sure if anyone heard him but the voice was silent for the rest of the movie.

Sorry, Ralph.

Sorry, Ralph.

No sooner had the audience recovered from their introduction to Jar Jar then they met young Anakin Skywalker.  Anakin’s story was the whole reason that The Phantom Menace had been made.  The audience knew that the prequels would show how Anakin Skywalker would grow up to the greatest and most evil badass in the universe, Darth Vader.  But in Phantom Menace, he was just a 9 year-old slave on the planet of Tatooine, conceived by immaculate conception.  Even before Phantom Menace was released, the word was out that Jake Lloyd, the child cast as young Anakin, was not exactly the best actor in the world.  But even though they had been forewarned, the audience was not prepared for just how terrible little Jake Lloyd was in the role.  There was no darkness to Jake Lloyd’s cutesy performance.  There was no sadness or toughness.  Jake Lloyd came across like the type of hyperactive child who would end up in the ensemble of a Christmas play, breaking character and waving to his parents during the Crucifixion.  Not only could the audience not see him growing up to be Darth Vader but they could not imagine him as a slave living on an inhospitable desert planet.

Qui-Gon, Obi-Wan, Jar Jar, Queen Padme (Keira Knightley), and Padme’s handmaid, Amidala (Natalie Portman) were stranded on Tatooine when they first met Anakin.  Qui-Gon felt that Anakin was “the chosen one,” who would bring balance to the force.  It was hard for the audience to believe him when they heard Anakin shout, “Yippe!”

For that 16 year-old who had stayed up past midnight to buy two Jar Jar Binks action figures, that “yippe” was the final straw.  He had watched the original Star Wars trilogy on VHS tapes.  He had gone to the re-releases.  He loved Star Wars and he wanted to love The Phantom Menace.  Instead, he felt so let down by the film that he could barely look at the screen.

The 16 year-old wondered why C3PO and R2D2 were in the film.  Phantom Menace revealed that they were built by the future Darth Vader.  R2D2 would even help Anakin in the film’s final battle.  It made no sense.  The 16 year-old wondered if anyone else in the audience was as confused as he was.  He wondered why, if he could see that this made no sense, George Lucas could not understand the same thing.

Anakin won a pod race and was allowed to leave Tatooine.  The film’s action was moved to the Coruscant, a planet that was covered with one huge city.  Samuel L. Jackson appeared as Mace Windu and, when he stared out at the audience, he seemed to be saying, “I fucking dare you to yell anything about bending your motherfucking Wookie!”  There were scenes set in the galactic senate, presumably to appease everyone who wanted a meticulously detailed portrait of how a galactic Republic would be governed.  Padme turned out to be a fake and Amidala was revealed as the real queen.  There was a final battle between the forces of the Republic and the Trade Federation.  Qui-Gon was killed in a duel with the evil Darth Maul (Ray Park) but Obi-Wan promised to train Anakin in the ways of the Jedi.  Palpatine promised that he would be watching Anakin’s development.

And, of course, there was this:

For many in the audience who truly loved the original trilogy and who had spent the past two years scouring every corner of the Internet in search of news about The Phantom Menace, the midi-chlorians was the point that they give up on the movie.  The Force added a hint of mysticism to the original trilogy.  Because it was so mysterious and its origins so deliberately obscure, fans of Star Wars could imagine that The Force was inside of them as well as Luke and Darth Vader.  “May the force be with you,” was more than just a catch phrase to those fans.  It was a reminder that, even in a galaxy far far away, there was still mystery and faith.  When Qui-Gon talked about midi-chlorians, fans realized that not only did they understand the appeal of Star Wars better than George Lucas but George Lucas did not even care why they loved his film.  For those fans, the midi-chlorians not only ruined The Phantom Menace but cheapened the original trilogy as well.  The Force was no longer special or mystical.  Anakin might as well have just been bitten by a radioactive spider.

For the 16 year-old, it was somehow even worse that, before asking about the Force, Anakin apologized to Qui-Gon for causing so much trouble.  Sitting out in the theater, he knew that the boy who would grow up to be Darth Vader would never yell “yippie!” and he would never apologize for causing any trouble.

At the end of the movie, the audience did not know how to react.  The 16 year-old talked to his friends as they filed out of the theater.  Everyone was in a state of denial.  They knew that they had seen something very disappointing but, after all the excitement leading up to the release of The Phantom Menace, they did not want to admit how disappointed they really were with the actual movie.  They talked about what did work.  They talked about the pod race, which had been fun.  They talked about the exciting light saber duel between Qui-Gon, Obi-Wan, and Darth Maul.  Being teenage boys, they also talked about Natalie Portman and Keira Knightley.

Natalie Portman and Keira Knightley

They tried not to talk about Jar Jar Binks, beyond agreeing that he sucked.  They tried not to talk about Jake Lloyd as Anakin.  It was too painful to know that Star Wars had been reduced to Jar Jar Binks and Jake Lloyd.  They did make fun of the “I bent my Wookie” guy.  In the face of grave disillusionment, it was all that the 16 year-old and his friends could do.

Today, enough time has passed that it is easier to laugh about Jar Jar Binks and The Phantom Menace.  Though the initial trauma may have faded into memory, it all came rushing back to me as soon as Lisa asked me if I would be willing to review The Phantom Menace for this site.  I cautiously agreed and hoped that, since I already knew what I was getting myself into, The Phantom Menace would not be as disappointing the second time around.

It was a strange experience rewatching The Phantom Menace.  While I remembered how bad the movie was, I’d forgotten how equally boring it was.  Jar Jar Binks was even more annoying than I remembered and Jake Lloyd was even worse.  Of the film’s best scenes, the pod race went on too long and the duel with Darth Maul was too short.  For such a badass villain, Darth Maul was underused for much of the film, as if George Lucas did not understand that the kids he claimed to have made the film for would be far more interested in the dynamic Darth Maul than the histrionic Jar Jar Binks.

Emphasizing Jar Jar Binks over Darth Maul made as much sense as emphasizing the Ewoks at the expense of Boba Fett.

Emphasizing Jar Jar Binks over Darth Maul made as much sense as emphasizing the Ewoks at the expense of Boba Fett.

Worst of all, the entire movie felt even more pointless the second time around.  When the prequels were first released, George Lucas always said that all three of them should be viewed in the context of the larger story that they were telling.  But what do we really learn from The Phantom Menace or any of the prequels?  Did anyone really want to know about how trade was regulated before the Empire?  Did we really need to know the exact details of how Anakin became a Jedi?  Watching The Phantom Menace, the answer is no.

I was especially surprised by how bad the CGI looked.  When The Phantom Menace was first released, the CGI was often the only thing that was critically praised.  Critics may have hated Jar Jar Binks as a character but they all agreed that it was impressive that a major character had been created by a computer.  It is easy to forget just how big a deal was made about The Phantom Menace‘s special effects.  At the time, we had yet to take it for granted that an entire movie could be made on a computer.

But seen today, the CGI not only seems cartoonish but, like the midi-chlorians, it feels like a betrayal of everything that made the original Star Wars special.  The universe of New Hope and Empire Strikes Back felt lived in.  It was imperfect and real.  It was a universe where even the most fearsome storm trooper could accidentally bump his head on a doorway.

But the CGI-created universe of The Phantom Menace was too slick and too perfect.  There was no chance for spontaneity or anything unexpected.  The universe of the original Star Wars trilogy was one in which you could imagine living but the universe of The Phantom Menace seemed only to exist in the computers at Lucasfilm.  With The Phantom Menace, George Lucas seemed to be reminding those who loved his films that the Star Wars universe belonged to him and him alone.  Our imagination was no longer necessary.

As for that 16 year-old who first saw The Phantom Menace in that Baltimore theater, I still have those Jar Jar Binks action figures.  I keep one of them on my desk at work and I enjoy the strange looks that it gets.  If you push down its arms, Jar Jar sticks out his tongue.

It just seems appropriate.

Scenes I Love: Star Wars – A New Hope (Part 2)


Binary Sunset

It is Star Wars month as we move closer and closer to the release of the latest film in the Star Wars franchise. I chose a few weeks back a favorite scene from the very first Star Wars which came out in 1977. This favorite scene is the first of three that make up the three specific scenes I love from Star Wars: A New Hope.

This second favorite scene also shows up in the early part of the film. The first scene I chose showed the wow factor of the space battle and capture of the Rebel Alliance frigate and the introduction of one of filmdom’s greatest and most iconic villains in Darth Vader. This latest chosen scene introduces us to his polar opposite in the young Luke Skywalker on the planet Tatooine.

It’s a scene that focuses on the hope and dreams of a young man stuck in a place he knows he doesn’t belong. He believes that he’s meant to be doing something more important and we find out later on in the film that his feeling is correct. It helps that the scene was helped by the score of one John Williams whose musical track playing in the background — aptly titled “Binary Sunset” — gives it a sense of longing and a promise of a better future.

Scenes I Love: Star Wars – A New Hope (Part 1)


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Today marks 30 more days before the release of the next chapter in the Star Wars saga. It’s been almost a dozen years since the prequels finally ended and the fandom was split between those who railed against it and those of the younger generation whose first entry into the Star Wars universe were the prequels instead of the original trilogy.

For those who grew up watching the original trilogy over and over throughout the years, the prospect of the franchise returning to it’s adventure roots instead of delving into the soap operatic backstory that made up the prequels was enough to create the massive swell of hype and anticipation for a film unheard of even in these current era of superhero tentpole blockbusters and massive sequels.

Star Wars: A New Hope was my gateway to the fandom and no scene helped usher me into becoming a devoted fan than the very first few minutes of the film as we see the message crawl to start then the massive bulk of the Imperial Star Destroyer chasing down a fleeing ship of much smaller size. Yet, the scene doesn’t end there. No, it continues inside where we finally get our first introduction to one of film’s most iconic villains to ever grace the silver screen.

The Imperial Star Destroyer opening was the hook and Darth Vader pulled one in.

Japanese Trailer of Star Wars: The Force Awakens Even Better


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Just a couple weeks ago saw the release of the first and last official trailer for Star Wars: The Force Awakens. It was teasers before that one. The official trailer was suppose to keep the Star Wars fandom sated until December 18 (or earlier for those willing to brave the early advance screenings before midnight). It pushed all the right buttons to keep the fandom happy and wanting more.

Out of the blue, this morning saw Disney release without any fanfare a new trailer but one cut and edited for the Japanese market. It’s a trailer that includes scenes and images already seen in the previous official trailer and two earlier teasers, but also happened to include newer scenes (that still doesn’t spoil what the film will be all about) involving BB-8, Kylo Ren and more Princess Leia and Chewie.

So, it would seem that when Disney said that the trailer released a couple weeks ago would be the one and only trailer for the film it would seem they meant it would be the only domestic trailer. Sneaky, sneaky there Disney.

Plus, I rather prefer the Japanese trailer. Once again proves the Japanese gets the cool things.

Star Wars: The Force Awakens Breaks The Internet


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It’s not hyperbole when I say that Star Wars: The Force Awakens broke the internet tonight. Fandango announced pre-sale of tickets early by accident which caused the massive Star Wars fandom to rush on-line to be able to buy tickets before they ran out for the early showing on December 17, 2015. Well, this hasn’t gone down well with many who thought the pre-sale orders were going to go up after the trailer debuts during halftime of Monday Night Football.

I was one such out-of-luck individuals, but I remembered my days of youth when pre-ordering tickets to such event films meant going to the theater itself and buying them in person. This I did and I’m blessed to have gotten all the tickets I need.

Thus, despite Star Wars: The Force Awakens breaking the internet it would seem doing things the old-school way still rewards those who still thinks in analog and not just digital.

Now, let’s watch the latest trailer for Star Wars: The Force Awakens over and over before it premieres on December 18, 2015.

Val’s Movie Roundup #1


I wanted to write about two gems today, but I don’t feel well. Today is as good a day as any to start this series of posts. I watch a lot of movies and I just can’t write full posts about each and every one. Instead, I am going to do little roundups like this from time to time. Here we go.

Talking Skateboard

The Skateboard Kid (1993) – When I was a kid, a piece of wood on wheels could make you cool. Studios knew this, so many stupid skateboarding movies were made. This was one of them. But this one has a twist. Ready for this? The skateboard talks! And it flies! To make matters worse, Dom DeLuise voices the skateboard. Stay away! Watch the Francis movies instead.

Another Talking Skateboard

The Skateboard Kid II (1995) – What do you do when a bad movie about a talking flying skateboard comes out? Make a sequel of course! But this one has two things different about it. One, the skateboard becomes possessed by Turhan Bey. Don’t recognize the name? He actually dated Lana Turner back in the day. Also, the movie was executively produced by Jim Wynorski. He made Chopping Mall back in the 80’s and the softcore porn film Sexually Bugged! in 2014. Haven’t seen the first one yet, but the second one stinks to high heaven. No wonder he directed it under the name Sam Pepperman. This Skateboard Kid is actually better than the first if you can believe that.

Time Barbarians

Time Barbarians (1990) – The movie starts in olden times. There’s a stupid warrior, a stupid amulet, stupid bad guys, and it takes an hour or so for all three to wind up in Los Angeles. It’s like waiting for Godzilla to appear in the 2014 version. Once they get there it gets as dumb as you think. He not only can block bullets with his sword, but bullets fired from an automatic weapon. That’s some fine work! Can you believe this actually came out before The Beastmaster did the same thing with it’s sequel?

Howard The Duck

Howard The Duck (1986) – Yeah, I finally watched this movie. I don’t know why it has the reputation it does. Maybe people were not familiar with what a bad movie truly was at the time or they made the mistake of worshipping a director. I’m leaning more towards the second since you see people spend years trying to find ways to defend bad movies made by otherwise good directors. It’s not good, but it’s stupid campy fun. Harmless. The major issue with the film is that they tried to make it like E.T. in that it’s almost all about getting Howard back home. I think audiences would have preferred more of the wisecracking fun and much less of the child friendly material. Still, I enjoyed it more than Iron Man 2 & 3 so it’s a better Marvel movie than those and they have received praise.

Star Wars: The Force Awakens A Fandom Into A Frenzy


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I was at work when this trailer dropped and I can honestly say that I couldn’t wait to go on break so I could watch it and allow myself to react in an honest and proper way. To say that I lost my ever-loving mind once the trailer began playing would be an understatement.

Star Wars: The Force Awakens looks to return to it’s proper space opera roots. Roots as in the first trilogy instead of the much-maligned (deservedly so) prequel trilogy which would end up marking George Lucas’ final work on the franchise he created in 1977. Walt Disney Studios has bought all that is Star Wars and the industry which sprung from it’s creation and are now master of all.

J.J. Abrams now has the tough task of pulling back in the fans that felt disappointed at how the last three films in the franchise turned out. From what this teaser trailer has shown he seems to have come up with a new entry in the franchise that may just delight fans old and new.

Oh yeah, Chewie is back alive and well. No more of that dropping a moon on his head crap.

Star Wars: The Force Awakens set to give the world a fine Christmas 2015.

Back to School #13: American Graffiti (dir by George Lucas)


Well, this is certainly intimidating.  I know I’ve said this many time before but it deserves to be repeated: it’s often a hundred times more difficult to review a great film than it is to review a merely mediocre one.  When a film fails, it’s usually easy to say why.  The acting was bad.  The directing was uninspired.  The plot didn’t make any sense.  Or maybe the film has been so overpraised that you, as a reviewer, are almost obligated to be tougher on it than you would be with any other film.  However, it’s never as easy to put into words just what exactlyit is that makes a movie great.

Take the 1973 Best Picture nominee American Graffiti for instance.  I could tell you that this is a very well-acted film and that it features an ensemble of very likable performers, many of whom subsequently went on to become stars and celebrated character actors.  Then again, you can say the same thing about countless other films.

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I could say that director George Lucas does such a good job putting this film together that it’s hard to believe that he’s the same man who would later be responsible for all three of the Star Wars prequels.  Then again, I could also say the same thing about how odd it is that the same man who directed the entertaining Final Destination 5 was also responsible for the far less enthralling Into The Storm.

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I could tell you that the film serves as a valuable time capsule in that not only does it feature a loving recreation of small town America in the early 60s but that it’s also a chance to see what Richard Dreyfuss, Ron Howard, and Charles Martin Smith all looked like when they still had hair.  But then again, I also praised The Young Graduates for being a time capsule as well.

MelsGraffiti

Let’s face it — it’s difficult to define the intangible qualities that make a film great.  Often times, it’s a case of simply knowing it when you see it.  I’ve seen American Graffiti a few times.  The last time I saw it was at a special Sunday showing at the Alamo Drafthouse.  And, on that early Sunday afternoon, the theater was packed with people who had paid for the chance to see the 40 year-old film on the big screen.  I’m 28 years old and it’s significant that, while the majority of the audience was older than me, there were quite a few people who were younger.  American Graffiti is one of those films that obviously spoke to audiences when it was first released and continues to speak to audiences today.

As I mentioned in my review of Rebel Without A Cause, films about teens tend to age quickly and, often times, one generation’s masterpiece will turn out to be a later generation’s joke.  When a film like Rebel or American Graffiti survives the test of time, it’s because the film has managed to capture a universal truth about what it means to be young and to have your entire life ahead of you.

American Graffiti takes place over the course of one long night in Modesto, California in 1962.  The film follows several different characters, the majority of whom have just graduated from high school.  What these characters all have in common is that one phase of their life has ended and a new one is about to begin.  Over the course of that one night, all of them are forced to say goodbye to their past identities and, in some instances, are forced to face their future.

Curt and the Pharoahs

For instance, there’s Curt (an amazingly young Richard Dreyfuss), a neurotic intellectual who spends the night trying to decide whether or not he actually wants to leave for college in the morning.  Complicating Curt’s decision is a mysterious blonde who mouths “I love you” at him before driving away.  While searching for her, Curt finds himself unwillingly recruited into the Pharoahs, a somewhat ludicrous small town gang that’s led by Joe (played, in hilariously clueless fashion, by Bo Hopkins.)  Curt, incidentally, is my favorite character in the film.  He’s just adorable, which admittedly is not a reaction that one often has to Richard Dreyfuss.

(Curt is also featured in one of my favorite scenes, in which he smokes a cigarette with a lecherous teacher named Mr. Wolf.)

Cindy Williams, Ron Howard, and Charles Martin Smith

Curt’s sister (Cindy Williams) is dating Steve Bolander (Ron Howard).  Steve is the former class president and, unlike Curt, he’s very excited about leaving home.  Ron Howard gives such a likable performance that it actually takes a few viewing to realize just how big of a jerk Steve really is.

Terry and Debbie

 

And then there Terry (Charles Martin Smith) who wears big glasses and has bad skin.  Terry gets to spend the night driving around in Steve’s car and manages to pick up a girl named Debbie (Candy Clark).  For Terry, this is his night to actually be somebody and what makes it all the more poignant is just how obvious it is that Terry will probably never get another chance.  Though he may not realize it, those of us watching understand that this is literally going to the be the best night of Terry’s life.

(Incidentally, much like Ron Howard, Charles Martin Smith would go on to become a film director and gave the world the amazingly sweet Dolphin Tale.)

John Milner

And finally, there’s John Milner (Paul Le Mat).  John is a little older than the other main characters.  He spends most of his time in his car, driving around and getting challenged to race.  He’s the epitome of late 50s/early 60s cool, with an attitude and a look that he obviously borrowed from James Dean and Marlon Brando.  Over the course of the night, he is forced to deal with a bratty 13 year-old stowaway (MacKenzie Phillips) and a mysterious challenger named Bob Falfa (played by a youngish Harrison Ford, who wears a cowboy hat and speaks with a country twang).

Harrison Ford in American Graffiti

The film follows these characters through the night and then, at the end of it, we get the famous epilogue where we discover that all of the male characters have pretty much ended up exactly how we thought they would.  In some cases, that’s a good thing.  And in other cases, it’s not.  It’s a good ending that’s kept from being great by the fact that none of the film’s female characters rate so much as even a mention.

So, what else can be said about American Graffiti?

It’s a great film.

Isn’t that enough?

American Graffiti

6 More Films From 2012: 4:44: Last Day On Earth, First Position, Flight, The Paperboy, Red Tails, and The Trouble With Bliss


Continuing my desperate attempt to review all of the 2012 films that I’ve seen but haven’t gotten around to reviewing yet, here’s six more reviews.

1) 4:44: Last Day On Earth (dir. by Abel Ferrara)

Whether it’s because of the Mayan calendar or the fact the Obama got reelected, people seem to be obsessed with the end of the world right now and it’s been the subject of several recent films.  4:44: Last Day On Earth is one of the more low-key entries in this genre.

Willem DaFoe plays a New York-based actor who deals with the impending end of the world by meditating in his loft, having sex with his much younger girlfriend, and having awkward conversations on Skype with his daughter.  As opposed to the characters in several other end of the world films, DaFoe doesn’t use the situation as an excuse to go on a quest for true love.  Unlike 2012, there’s no talk of escaping the apocalypse.  Instead, the world is ending and DaFoe has no choice but to accept it.  From a cinematic point of view, DaFoe’s passivity can be frustrating (4:44 is a film that’s willing to be boring to make its point) but, at the same time, it does force a viewer like me to wonder how she would handle the end of the world in a way that a film like Seeking A Friend For The End Of The World does not.

One interesting thing that distinguishes 4:44 from other end-of-the-world films is that, in 4:44, the world ends specifically because of the actions of mankind.  Whereas films like Melancholia and Seeking A Friend For The End Of The World presented a random apocalypse, 4:44 presents the apocalypse as the fitting punishment for the sins of humanity.  While I could have done without the scenes of DaFoe listening to Al Gore droning on and on about global warming (because, seriously, Gore always sounds like the creepy community college professor who you know is having an affair with one of his students), this still adds an interesting element to the film.

4:44 requires a bit of tolerance and a lot of patience but it’s still a film that’s worthy of being seen.

2) First Position (dir. by Bess Kargman)

First Position is a documentary about ballet so, of course, you know that I loved it.  The film follows six young dancers as they prepare for the Youth American Grand Prix in New York City and it brought back a lot of memories (both good and bad) for me.  First Position captures both the beauty and the pain of both dance and life.

3) Flight (dir. by Robert Zemeckis)

In Flight, Denzel Washington plays a cocky and talented pilot who is also an alcoholic and a drug addict.  In a truly harrowing sequence, the plane that Washington is piloting goes into a nosedive over Atlanta.  After Washington manages to crash-land the plane with only a few fatalities, he finds himself hailed as both a hero and also under investigation.  Working with a union rep (Bruce Greenwood) and a slick attorney (Don Cheadle), Washington tries to cover up his mistakes while, at the same time, romancing a recovering heroin addict (Kelly Reilly).

Flight has a brilliant opening and a strong ending.  Unfortunately, the middle of the film tends to drag.  Flight also suffers from the fact that cinematic addicts are always more fun to watch when they’re under the influence as opposed to when they’re getting sober.  On the plus side, the film itself is well-acted and the cast is always fun to watch even when the rest of the film is getting bogged down.  Washington is brilliant in the lead role and John Goodman has a great cameo as the world’s most helpful drug dealer.

4) The Paperboy (dir by Lee Daniels)

In 1960s Florida, Hillary Van Wetter (an amazingly sleazy John Cusack) is on death row for the murder of a small town sheriff.  His girlfriend, the flamboyant Charlotte Bess (Nicole Kidman), convinces reporter Ward Jansen (Matthew McConaughey) to return to his hometown and investigate the case against Van Wetter.  With the help of his younger brother (Zac Efron) and an arrogant colleague (David Oyelowo), Ward works to get Van Wetter off of death row but it becomes obvious that all of the film’s characters are hiding secrets of their own.

The Paperboy has a few isolated moments where it achieves a certain pulp poetry but, for the most part, Lee Daniels’ follow-up to his Academy Award-winning Precious is a total and complete mess.  Unfortunately, it’s not even all that interesting of a mess.  Nicole Kidman’s vampish performance and her white trash femme fatale outfits are definitely the film’s highlight.  As for Zac Efron, he’s not much of an actor but he’s pipin’, boilin’ hot.  It’s just  too bad the character that he’s playing isn’t that interesting.

In the end, The Paperboy showcases everything that didn’t work about Precious and nothing that did.

5) Red Tails (dir. by Anthony Hemingway)

Red Tails was one of the first “major” releases of 2012 and it’s also one of the most forgettable.  The film, which was executive produced and reportedly co-directed by George Lucas, is based on the story of the Tuskegee Airmen, a group of African-Americans who served in the U.S. Air Force during World War II and who had to not only fight Nazis abroad but racial discrimination at home.  There’s undoubtedly an inspiring story to be told here but Red Tails is such a predictable and corny film that it feels as if Lucas and Hemingway essentially wasted the real life story of the Tuskegee Airmen on a painfully generic movie.

6) The Trouble With Bliss (dir. by Michael Knowles)

Morris Bliss (played by Michael C. Hall) is the type of guy who always seems to show up in quirky independent films.  He has no job, he has no money, and he lives in a tiny apartment with his father (Peter Fonda).  Since there’s nothing more attractive than a middle-aged guy with no future, he finds himself being pursued by an 18 year-old (Brie Larson), who also happens to be the daughter of a former high school classmate, and his married neighbor (played by Lucy Liu).

I have a weakness for quirky indie films but the nonstop quirkiness of The Trouble of With Bliss feels less like narrative imagination and more like total desperation.  Michael C. Hall’s a likable actor but he essentially turns Morris Bliss into Dexter Morgan and, as a result, I kept expected for the trouble with Bliss to turn out to be that he had about a few dozen bodies hidden away in a closet somewhere.

Now that would have been a quirky film!

Quick Review: Star Wars – Episode I: The Phantom Menace 3D


 

This isn’t so much a review of The Phantom Menace, as it’s one about the 3D aspect of it. I can’t imagine there isn’t a single person who doesn’t know what The Phantom Menace was about.

Historically, Unless it happens to be a cartoon, I really don’t do very well when it comes to 3D films. The effect for me tends to wear off really quick. The only real movie exception for me lately was last year’s Drive Angry 3D and Hugo (which to talk about in full requires it’s own review). The tail end of 2011 saw some of cinema’s Old Schoolers jump into the 3D scene, with Steven Spielberg’s The Adventures of Tintin adding to the lot. So really, it was just a matter of time before George Lucas would blow the dust off his legacy and take all six of the Star Wars films into the 3-Dimensional arena.

I grew up on Star Wars, like many kids born early enough to have seen the Originals. I remember the lines, the scenes, all of that. With the release of the Prequels, I took my little brother on Midnight premieres for all three of them. Those are by far the biggest and best memories of the series, the sharing of those “wow” moments either with my family or with friends growing up. Of all of the films, The Empire Strikes Back remains my favorite (as it is for a number of people).

So, here I was, back for The Phantom Menace on 3D. You’d think that Lucasfilm and ILM would go to some great lengths to make sure that the effects were great, and I have to admit that there were really only a few key scenes in the movie where the 3D really shined – The Opening Credits, the Podrace and one of the fight sequences. Still, for me the ability to see the 3D faded within 15 minutes, so I was pretty much left with watching a film I wasn’t particularly fond of, save for the key scenes.

That isn’t to say that The Phantom Menace is a dreadful film, Jar Jar and all. The movie was made with kids in mind, and watching it from that position, the story does make some kind of sense. Ideally, 3D really isn’t a compelling reason to have the Star Wars films return to the cinema, yet at the same time, that they’re there may actually warrant a theatre visit if you like watching them. If any film is going to use the 3D well, it’ll probably be one of the Originals. What the film does excel at is it’s use of sound. Ben Burtt is always great when it comes to sound cues and The Phantom Menace is easily a good example of this. Lightsabers hum, sparks are loud and it flows well.

Back in 1999, George Lucas it was necessary to give us a reason why Darth Vader became the man he was, and decided to create the first installment of Star Wars films that would focus on Anakin Skywalker’s rise and eventual fall. Sitting in the theatre and hearing the Fox fanfare go up, one can’t help but smile as the “A Long Time Ago…” phrase appears. Of course, that quickly fades as the cast actually starts talking. Man, the Phantom Menace was a hot mess, but a beautiful mess at that.

The Podracing scene was just as fun as it always was, and the Darth Maul Double Bladed Lightsaber reveal is just as hair raising, but watching it, I had moments where (just as I did on the first run), I wondered how much better it could be if Lucas didn’t hold on so tightly to his creation. Star Wars overall is an awesome concept, but there are just so many better writers and filmmakers out there. The material feels a little wasted, just a little.

If anything, The Phantom Menace does work as something to bring the kids to see, but if you already have the movie on video, it’s not completely required.