What Lisa Watched Last Night #161: Under The Bed (dir by Daniel Myrick)


Last night, I watched the latest Lifetime premiere film, Under the Bed!

under-the-bed

Why Was I Watching It?

Well, there were a few reasons why I watched it.  First off, it was on Lifetime and, by this point, it’s kind of a tradition around these parts that I always live tweet every Lifetime premiere.  Secondly, I watched it so that I could write this review.  After all, it’s a new year and that means that it’s time for a new set of What Lisa Watched Last Night reviews!

Add to that, the film had the word “bed” in the title so I assumed there would be a lot of sex.

What Was It About?

It’s yet another Lifetime stalker film!  This one, which is apparently based on a true story, features Hannah New as Callie Monroe.  Callie’s an acclaimed journalist who has a beautiful home, a cute dog, and absolutely no love life.  She’s just broken up with her longtime boyfriend and its going to take more than winning a Pulitzer for her article about climbing Kilimanjaro to fill the void in her life!

What Callie doesn’t know is that there’s a man  (played by Pat Healy) living underneath her bed.  Seriously.  He’s broken into her apartment.  He’s put secret cameras all over the place.  And he is now literally living underneath her bed, from which he regularly sends her messages.

Say it with me now — Agck!

What Worked?

Under the Bed was directed by Daniel Myrick, who co-directed the original Blair Witch Project.  There were a few effectively creepy scenes in the movie.  I mean, just the idea of having a stranger living with you in your bedroom without your knowledge is creepy in and of itself.  You could probably argue that the success or failure of this film depended on whether or not it inspired you to look underneath your bed after watching it.  I know I did.

Hannah New gives a good and sympathetic performance as Callie and Pat Healy is appropriately frightening as her stalker.  Beverly D’Angelo also provides some good support as Callie’s mother.

What Did Not Work?

(Spoiler Alert)

Freddy the Dog dies.  Freddy is an adorable little dog that Callie owns.  Unlike his owner, Freddy understands that there’s a man living underneath the bed.  So, one day, the man puts Freddy in a bag and buries him alive.  And we see all of this happen and, quite frankly, it’s too much.  First off, there was no reason to kill Freddy.  Secondly, the burial scenes ends on a somewhat ambiguous note so you’re not really sure whether or not Freddy was fully buried or not.  I spent the entire final hour of the film waiting for Freddy to suddenly show up and it really depressed me when he didn’t.

There’s more to the thing with Freddy than just the fact that I don’t like scenes of animal cruelty.  The scene itself didn’t only feel unnecessary but it also felt incredibly mean-spirited as well.  If you want to kill the dog that badly, have him dragged off-screen and do the little whimper thing.  Instead, by having us watch as Freddy’s buried alive, it felt like the film was saying, “Look how edgy we are!  We killed the dog!”  It felt terribly out-of-place and it soured me on the entire film.

It also didn’t help that the stalker was so obvious about what he was doing that, pretty soon, you started to resent Callie for being so naive.  When Callie finally discovered her stalker and started to fight back, it never felt empowering.  Instead, I was just kinda like, “Well, it’s good that you’re finally aware of what’s going on in your apartment but this could have all been avoided if you had just happened to glance under your bed once or twice over the past week.”

“Oh my God!  Just like me!” Moments

In some ways, I could relate to Callie but — and this is the important thing — I know I don’t have to worry about anyone living underneath my bed because, between all of my scrapbooks and old magazines, there’s no room under there.

(That said, Doc Bowman does enjoy hanging out underneath my bed but I’m pretty sure he can be trusted.)

Lessons Learned

Be kind to animals, dammit.

2016 In Review: The Best of SyFy


Well, here we are!  We have reached the end of the first week of January, 2017 and that means that it is time for me to start listing my favorite movies, books, songs, and TV shows of the previous year!  Let’s start things off by taking a look at the best that the SyFy network had to offer in 2016!

Below, you will find my nominees for the best SyFy films and performances of the previous year.  The winners are listed in bold and starred.  As you’ll quickly notice, it was a good year for films about zombies, spiders, and sharks!

(Please note: When it comes to determining the nominees, I have used the credits for each film as listed on the Internet Movie Database.  If anyone feels that they have been miscredited, feel free to let me know and I’ll correct the mistake.  Thanks!)

nightbeforehalloween4

Best Picture

2 Lava 2 Lantula, produced by Neil Elman, Anthony Frankhauser, Lisa M. Hansen, Paul Hertzber

Atomic Shark, produced by Tanya Bellamy, Diane Boone, Matt Chiasson, Angela Meredith Furst, Griff Furst, Stephen Furst, M. Juan Gonzalez, Ross Herbert, Howie Klein, Som Kohanzadeh, Yoram Kohanzadeh, Isiah LaBorde, Kevin Lamb, Daniel March, Will Matherne, David Poughatsch, Lee C. Rogers, Miguel Sandoval, Arthur Scanlan, Ben Yimlimai

Dead 7, produced by Paul Bales, Nick Carter, David L. Garber, David Michael Latt, David Rimawi, Micho Rutare, Dylan Vox

Isle of the Dead, produced by Paul Bales, Lauren Elizabeth Hood, David Michael Latt, David Rimawi

*The Night Before Halloween, produced by Blake Corbet, Priscilla Galvez, Christina O’Shea-Daly, Marek Povisal, Lance Samuels, Mary Anne Waterhouse

Ozark Sharks, produced by Kenneth M. Badish, Sam Claitor, Eric Davies, Daniel Lewis, Jordan Lewis, Pierre-Andre Rochat, Tommy Talley

Best Director

Nick Lyons for Isle of the Dead

Nick Simon for 2 Lava 2 Lantula

Misty Talley for Ozark Sharks

*Sheldon Wilson for The Night Before Halloween

nick-carter

Best Actor

*Nick Carter in Dead 7

Steve Guttenberg in 2 Lava 2 Lantula

Justin Kelly in The Night Before Halloween

Michael Papajohn in Ozark Sharks

bailee

Best Actress

Jessica Blackmore in Dam Sharks

Laura Cayouette in Ozark Sharks

*Bailee Madison in The Night Before Halloween

Maryse Mizanin in Isle of the Dead

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Best Supporting Actor

Raymond J. Barry in Day of Reckoning

*D.C. Douglas in Isle of the Dead

Alex Harrouch in The Night Before Halloween

Thomas Francis Murphy in Ozark Sharks

ozark_sharks_2016_13_molly_woolf

Best Supporting Actress

*Allisyn Ashley Arm in Ozark Sharks

Barbara Crampton in Day of Reckoning

Kristina Hughes in Stakeland 2: The Stakelander

Kiana Madiera in The Night Before Halloween

2-lava-2-lantula

Best Screenplay

*2 Lava 2 Lantula, Neil Elman, Ashley O’Neil

Isle of the DeadJacob Cooney, Brandon Trenz

The Night Before HalloweenSheldon Wilson

Ozark Sharks, Marcy Holland, Greg Mitchell

Best Cinematography

Atomic Shark, Don E. FauntLeRoy

*The Night Before Halloween, Daniel Grant

Planet of the Sharks, Mark Atkins

Stakeland 2: The Stakelander, Matt Mitchell

Best Costumes

*Dead 7Sarah Sharp

Isle of the Dead, Cailan Calandro

Planet of the Sharks, Mary-Sue Morris

Stakeland 2: The Stakelander, Brenda Shenher

ozark-sharks

Best Editing

Atomic Shark, Stephen Pfeil

Isle of the Dead, Rob Pallatina

The Night Before Halloween

*Ozark SharksMisty Talley

Best Makeup

The Crooked Man, Laurie Hallack, Laura Morton, Hannah Schenck, Eric S. Wilson

*Isle of the Dead, Leslie Burdick, Dennis M. Chavez, Michael Robert Cypher, Lleva Radina

Sharknado 4Krystal Bagorio, Stacy Bisel, Haley Coats, Rebeca Ovadia, Magali Serrano, Melissa K. Webb

Stakeland 2: The Stakelander, Raven Dee, Jill Demaer, Lindi Edge, Pete Gerner, Nina McArthur, Brian Spears, Krista Stevenson

Best Score

*Dead 7Drew Lerdal, Bryan Shackle

Isle of the Dead, Chris Cano, Chris Ridenhour

Ozark SharksAndrew Morgan Smith

Sharknado 4Christopher Cano, Chris Ridenhour

getimage

Best Production Design

2 Lava 2 Lantula, Yana Veselova, Megan Sunzeri

Dead 7, Caitlin Langen, Mikki Mamaril

*Isle of the Dead, Kalise Wallace, Taylor Jean

Sharknado 4Kalise Wallace

Best Sound

Atomic Shark

Isle of the Dead

The Night Before Halloween

*Sharknado 4

2lava-2lantula

Best Visual Effects

Atomic Shark

*2 Lava 2 Lantula

The Night Before Halloween

Shadows of the Dead

 

Congratulations to all the nominees!  Thank you for keeping us entertained in 2016!

Want to see my picks for last year?  Click here!

Click here for my picks from 2014!

And here for my picks from 2013!

Tomorrow, we’ll take a look at the best from Lifetime!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016

 

Playing Catch-Up With The Films of 2016: Eye In The Sky (dir by Gavin Hood)


Eye in the Sky is many things.  It’s a tense and involving drama.  At times, it’s a satire of the bland and often cowardly bureaucracy that controls so much of the world.  Occasionally, it’s an angry polemic and a sad-eyed look at the state of the world today.  It’s a film about drone warfare, one that is remarkably honest about both the costs and the benefits of being able to randomly blow people up on the other side of the world.  It’s a film that will make you think and it will make you cry and it will even make you laugh in a resigned sort of way.

But, at heart, it’s ultimately the story of two houses in Nairobi, Kenya.

In the first house, terrorists are plotting their next attack.  The film leaves little doubt as to what they are planning.  Thanks to a miniature drone controlled by Jama Farah (played by Barkhad Abdi and it’s good to see him giving as good a performance here as he did in Captain Phillips), both American and British intelligence are aware of what’s happening in that house.  A British jihadist is planning her next attack.  Guns are being loaded.  Suicide vests are being prepared.  If nothings done to stop their plans, hundreds of people are going to die.

Sitting nearby is the other house.  And, in this other house, an apolitical Kenyan family is going about their day with zero knowledge of what’s happening just a few doors down.  11 year-old Alia Mo’Allim (Aisha Takow) twirls a hula hoop while her father watches.  Later, in the day, she’ll go out in her village and, while the local militia harasses anyone who doesn’t look right to them, Alia will attempt to sell bread.  She’ll set up her table directly outside of the first house.

And what no one in that village realizes is that an armed drone is hovering above them.  As they go about their day, they have no idea that there are men and women in America and Britain who are debating whether or not to blow them up.

Colonel Katherine Powell (a steely and totally convincing Helen Mirren) is determined to blow up that house and the terrorists within, even if it means blowing up Alia in the process.  However, before Powell can give the order, she has to get permission from Lt. Gen. Frank Benson (Alan Rickman, at his weary best) and Benson has to get permission from the government.  And the government is full of people who are eager to take credit for killing terrorists but who don’t want to be blamed for any of the inevitable collateral damage.  Everyone passes responsibility to someone else.

Powell may be the most determined of everyone to blow up that house but she is not the one who will actually be firing the missiles.  That responsibility falls on two Americans, Lt. Steve Watts (Aaron Paul) and Carrie Gershon (Phoebe Fox).  As the teorrists prepare and Alia tries to sell bread and the bureaucrats debate, Watts and Gershon are the only ones who seem to truly understand what’s about to happen.  If they fire the missiles, Alia will probably die.  If they don’t, hundreds of other definitely will.

It all makes for incredibly tense and thought-provoking film, one that is all the more effective because it actually allows both sides to make their case.  In Eye in the Sky, no one is presented as being perfect.  On the one hand, Powell may be willing to manipulate the data to get permission to fire that missile.  But, on the other, the film doesn’t deny that Powell is right when she says that if they don’t blow up the terrorists when they have a chance, hundreds of innocent people are going to die.  Towards the end of the film, Alan Rickman says, “Never tell a soldier that he doesn’t understand the cost of war,” and Eye in the Sky appears to understand that cost as well.  Nobody escapes this film untouched.

Well-acted and intelligently written and directed, Eye in the Sky was one of the most thought-provoking films of the previous year.  See it if you haven’t.

Playing Catch-Up With The Films of 2016: Alice Through The Looking Glass, Gods of Egypt, The Huntsman: Winter’s War, Me Before You, Mother’s Day, Risen


Here are six mini-reviews of six films that I saw in 2016!

Alice Through The Looking Glass (dir by James Bobin)

In a word — BORING!

Personally, I’ve always thought that, as a work of literature, Through The Looking Glass is actually superior to Alice’s Adventures in Wonderland.  That’s largely because Through The Looking Glass is a lot darker than Wonderland and the satire is a lot more fierce.  You wouldn’t know that from watching the latest film adaptation, though.  Alice Through The Looking Glass doesn’t really seem to care much about the source material.  Instead, it’s all about making money and if that means ignoring everything that made the story a classic and instead turning it into a rip-off of every other recent blockbuster, so be it.  At times, I wondered if I was watching a film based on Lewis Carroll or a film based on Suicide Squad.  Well, regardless, the whole enterprise is way too cynical to really enjoy.

(On the plus side, the CGI is fairly well-done.  If you listen, you’ll hear the voice of Alan Rickman.)

Gods of Egypt (dir by Alex Proyas)

I don’t even know where to begin when it comes to describing the plot of Gods of Egypt.  This was one of the most confusing films that I’ve ever seen but then again, I’m also not exactly an expert when it comes to Egyptian mythology.  As far as I could tell, it was about Egyptian Gods fighting some sort of war with each other but I was never quite sure who was who or why they were fighting or anything else.  My ADHD went crazy while I was watching Gods of Egypt.  There were so much plot and so many superfluous distractions that I couldn’t really concentrate on what the Hell was actually going on.

But you know what?  With all that in mind, Gods of Egypt is still not as bad as you’ve heard.  It’s a big and ludicrous film but ultimately, it’s so big and so ludicrous that it becomes oddly charming.  Director Alex Proyas had a definite vision in mind when he made this film and that alone makes Gods of Egypt better than some of the other films that I’m reviewing in this post.

Is Gods of Egypt so bad that its good?  I wouldn’t necessarily say that.  Instead, I would say that it’s so ludicrous that it’s unexpectedly watchable.

The Huntsman: Winter’s War (dir by Cedric Nicolas-Troyan)

Bleh.  Who cares?  I mean, I hate to put it like that but The Huntsman: Winter’s War felt pretty much like every other wannabe blockbuster that was released in April of last year.  Big battles, big cast, big visuals, big production but the movie itself was way too predictable to be interesting.

Did we really need a follow-up to Snow White and The Huntsman?  Judging by this film, we did not.

Me Before You (dir by Thea Sharrock)

Me Before You was assisted suicide propaganda, disguised as a Nicolas Sparks-style love story.  Emilia Clarke is hired to serve as a caregiver to a paralyzed and bitter former banker played by Sam Claflin.  At first they hate each other but then they love each other but it may be too late because Claflin is determined to end his life in Switzerland.  Trying to change his mind, Clarke tries to prove to him that it’s a big beautiful world out there.  Claflin appreciates the effort but it turns out that he really, really wants to die.  It helps, of course, that Switzerland is a really beautiful and romantic country.  I mean, if you’re going to end your life, Switzerland is the place to do it.  Take that, Sea of Trees.

Anyway, Me Before You makes its points with all the subtlety and nuance of a sledge-hammer that’s been borrowed from the Final Exit Network.  It doesn’t help that Clarke and Claflin have next to no chemistry.  Even without all the propaganda, Me Before You would have been forgettable.  The propaganda just pushes the movie over the line that separates mediocre from terrible.

Mother’s Day (dir by Garry Marshall)

Y’know, the only reason that I’ve put off writing about how much I hated this film is because Garry Marshall died shortly after it was released and I read so many tweets and interviews from people talking about what a nice and sincere guy he was that I actually started to feel guilty for hating his final movie.

But seriously, Mother’s Day was really bad.  This was the third of Marshall’s holiday films.  All three of them were ensemble pieces that ascribed a ludicrous amount of importance to one particular holiday.  None of them were any good, largely because they all felt like cynical cash-ins.  If you didn’t see Valentine’s Day, you hated love.  If you didn’t see New Year’s Eve, you didn’t care about the future of the world.  And if you didn’t see Mother’s Day … well, let’s just not go there, okay?

Mother’s Day takes place in Atlanta and it deals with a group of people who are all either mothers or dealing with a mother.  The ensemble is made up of familiar faces — Jennifer Aniston, Julia Roberts, Kate Hudson, and others! — but nobody really seems to be making much of an effort to act.  Instead, they simple show up, recite a few lines in whatever their trademark style may be, and then cash their paycheck.  The whole thing feels so incredibly manipulative and shallow and fake that it leaves you wondering if maybe all future holidays should be canceled.

I know Garry Marshall was a great guy but seriously, Mother’s Day is just the worst.

(For a far better movie about Mother’s Day, check out the 2010 film starring Rebecca De Mornay.)

Risen (dir by Kevin Reynolds)

As far as recent Biblical films go, Risen is not that bad.  It takes place shortly after the Crucifixion and stars Joseph Fiennes as a Roman centurion who is assigned to discover why the body of Jesus has disappeared from its tomb.  You can probably guess what happens next.  The film may be a little bit heavy-handed but the Roman Empire is convincingly recreated, Joseph Fiennes gives a pretty good performance, and Kevin Reynolds keeps the action moving quickly.  As a faith-based film that never becomes preachy, Risen is far superior to something like God’s Not Dead 2.

 

 

The North Carolina Film Critics Honor La La Land!


la-la-land

Okay, here’s one more precursor before I call it a night.  The North Carolina Film Critics have announced their picks for the best of 2016.  You can check out the nominees here and the winners below!

Best Narrative Film — La La Land

Best Documentary — OJ: Made in America

Best Animated Film — Zootopia

Best Foreign Language Film — The Handmaiden

Best Director — Damen Chazelle — La La Land

Best Special Effects — Doctor Strange

Best Actor — Casey Affleck, Manchester By The Sea

Best Supporting Actor — Jeff Bridges, Hell or High Water

Best Actress — Emma Stone, La La Land

Best Supporting Actress — Viola Davis, Fences

Best Original Screenplay — Taylor Sheridan, Hell or High Water

Best Adapted Screenplay — Eric Heisserer, Arrival

Ken Hanke Memorial Tarheel Award — Jeff Nichols

 

The North Texas Critics Association Names La La Land The Best of 2016!


la-la-land-full-poster-image-691x1024

I have to admit that I’m starting to reach the point that I always reach during Oscar season.  This is the point where I say, “How many different groups of critics are there!?”

Anyway, the North Texas Critics Association have announced their picks for the best of 2016!  There are my people (in that we all live in North Texas and probably make a lot of jokes about pasty yankee tourists coming down from the North and sweating like pigs) and they picked La La Land as the best of the year.  I’ll be seeing La La Land this weekend so I’ll let you know if they were right.

Best Film
1. La La Land
2. Manchester by the Sea
3. Moonlight
4. Hacksaw Ridge
5. Loving
6. Arrival
7. Captain Fantastic
8. Nocturnal Animals
9. Jackie
10. The Birth of a Nation

Best Director
1. Damien Chazelle (La La Land)
2. Barry Jenkins (Moonlight)
3. Mel Gibson (Hacksaw Ridge)
4. Denis Villeneuve (Arrival)
5. Kenneth Lonergan (Manchester by the Sea)

Best Actress
1. Natalie Portman (Jackie)
2. Emma Stone (La La Land)
3. Amy Adams (Arrival)
4. Emily Blunt (The Girl on the Train)
5. Ruth Negga (Loving)

Best Actor
1. Casey Affleck (Manchester by the Sea)
2. Ryan Gosling (La La Land)
3. Denzel Washington (Fences)
4. Andrew Garfield (Hacksaw Ridge)
5. Don Cheadle (Miles Ahead)

Best Supporting Actress
1. Michelle Williams (Manchester by the Sea)
2. Viola Davis (Fences)
3. Naomie Harris (Moonlight)
4. Octavia Spencer (Hidden Figures)
5. Janelle Monae (Hidden Figures)

Best Supporting Actor
1. Michael Shannon (Nocturnal Animals)
2. Mahershala Ali (Moonlight)
3. Dev Patel (Lion)
4. Jeff Bridges (Hell or High Water)
5. Lucas Hedges (Manchester by the Sea)

Best Cinematography
1. Linus Sandgren (La La Land)
2. James Laxton (Moonlight)
3. Simon Duggan (Hacksaw Ridge)
4.  Bradford Young (Arrival)
5. Stephane Fontaine (Jackie)

Best Animated Film
1. Zootopia
2. Kubo and the Two Strings
3. Sing

Best Documentary
1. Gleason
2. 13th
3. Tower
4. Wiener
5. The Eagle Huntress

Best Foreign Language Film
1. Elle
2. The Handmaiden
3. Hunt for the Wilderpeople
4. The Salesman

5.  Toni Erdmann

Here Are The 2016 Nominations From The Casting Society of America!


The Academy really should give out an Oscar for Best Casting.  But until they do, we’ll just have to be happy with the annual nominations from the Casting Society of America!

Here are the 2016 nominations.  (It’s interesting to note that this is the third guild to nominate Deadpool.  How many heads would explode is Deadpool somehow landed a best picture nomination?  That probably won’t happen but the wild speculation is the best part of Oscar season!)

BIG BUDGET – COMEDY

  • Deadpool”  Ronna Kress, Jennifer Page (Location Casting), Corinne Clark  (Location Casting)
  • “Hail, Caesar!”  Ellen Chenoweth, Susanne Scheel (Associate)
  • “La La Land”  Deborah Aquila, Tricia Wood
  • “Rules Don’t Apply”  David Rubin, Melissa Pryor (Associate)
  • “Whiskey Tango Foxtrot”  Bernard Telsey, Tiffany Little Canfield, Jo Edna Boldin (Location Casting), Conrad Woolfe (Associate), Marie A.K. McMaster (Associate)

BIG BUDGET – DRAMA

  • “Arrival”  Francine Maisler, Lucie Robitaille (Location Casting)
  • “Fantastic Beasts and Where to Find Them”   Fiona Weir, Jim Carnahan (Location Casting)
  • “Hidden Figures”  Victoria Thomas, Jackie Burch (Location Casting), Bonnie Grisan (Associate)
  • “Nocturnal Animals”  Francine Maisler
  • “The Girl on the Train”  Kerry Barden, Paul Schnee, Joey Montenarello (Associate), Adam Richards (Associate)

STUDIO OR INDEPENDENT – COMEDY

  • “20th Century Women”  Laura Rosenthal, Mark Bennett
  • “Bad Moms”  Cathy Sandrich Gelfond, Meagan Lewis (Location Casting)
  • “Café Society”  Juliet Taylor, Patricia DiCerto, Meghan Rafferty (Associate)
  • “Hell or High Water”  Richard Hicks, Jo Edna Boldin, Chris Redondo (Associate), Marie A.K. McMaster (Associate)
  • “The Edge of Seventeen”  Melissa Kostenbauder, Coreen Mayrs (Location Casting), Heike Brandstatter (Location Casting)

STUDIO OR INDEPENDENT – DRAMA

  • “Captain Fantastic”   Jeanne McCarthy, Angelique Midthunder (Location Casting), Amey Rene (Location Casting)
  • “Jackie”  Mary Vernieu, Lindsay Graham, Jessica Kelly (Location Casting)
  • “Lion”  Kirsty McGregor
  • “Loving”  Francine Maisler, Erica Arvold (Location Casting), Anne N. Chapman (Location Casting), Michelle Kelly (Associate)
  • “Manchester By the Sea”  Douglas Aibel, Carolyn Pickman (Location Casting), Henry Russell Bergstein (Associate)

LOW BUDGET – COMEDY OR DRAMA

  • “Christine”  Douglas Aibel, Stephanie Holbrook, Tracy Kilpatrick (Location Casting), Blair Foster (Associate)
  • “Goat”  Susan Shopmaker, D. Lynn Meyers (Location Casting)
  • “Hello, My Name is Doris”  Sunday Boling, Meg Morman
  • “Moonlight”  Yesi Ramirez
  • “White Girl”  Jessica Daniels

ANIMATION

  • “Finding Dory”  Kevin Reher, Natalie Lyon
  • “Moana”  Jamie Sparer Roberts, Rachel Sutton (Location Casting)
  • “The Jungle Book”  Sarah Halley Finn, Tamara Hunter (Associate)
  • “The Little Prince”  Sarah Halley Finn, Tamara Hunter (Associate)
  • “Zootopia”  Jamie Sparer Roberts

Here Are The ACE Eddie Nominations for 2016!


Deadpool_poster

The ACE awards are given out by the American Cinema Editors, in order to honor the best edited films of the year.  Since it’s rare that a film ever wins Best Picture without also getting, at the very least, a nomination for Best Editing, the Ace awards are kind of a big deal.

So, without any further ado, here are the ACE nominations!  Now, I’m only including the film nominations here.  If you want to see a full list of nominations (including the television nominations), check out this article at Awards Circuit.

BEST EDITED FEATURE FILM (DRAMATIC):

BEST EDITED FEATURE FILM (COMEDY):

BEST EDITED ANIMATED FEATURE FILM:

BEST EDITED DOCUMENTARY (FEATURE):

  • 13th
    Spencer Averick
  • Amanda Knox
    Matthew Hamachek
  • The Beatles: Eight Days a Week – The Touring Years
    Paul Crowder
  • O.J.: Made in America
    Bret Granato, Maya Mumma & Ben Sozanski
  • Weiner
    Eli B. Despres

Weiner_(film)

The Oklahoma Film Critics Circle Picks La La Land As the Best of 2016!


la-la-land
The Oklahoma Film Critics Circle has announced their picks for the best of 2016!
Best Picture
La La Land
Best Director
Damien Chazelle – La La Land
Runner Up: Barry Jenkins – Moonlight
Best Actor
Casey Affleck – Manchester By The Sea
Runner Up: Denzel Washington – Fences
Best Actress
Amy Adams – Arrival
Runner Up: Emma Stone – La La Land
Best Supporting Actor
Mahershala Ali – Moonlight
Runner Up: Michael Shannon – Nocturnal Animals
Best Supporting Actress
Michelle Williams – Manchester By The Sea
Runner Up: Viola Davis – Fences
Best Animated Film
Zootopia
Runner: Kubo & The Two Strings
Best Documentary
OJ: Made In America
Runner Up: Weiner
Best Foreign Film
The Handmaiden
Runner Up: Elle
Best Ensemble
Manchester By The Sea
Runner Up: Moonlight
Best First Feature
The Witch
Runner Up: The Edge Of Seventeen
Best Original Screenplay
Manchester By The Sea
Runner Up: Hell Or High Water
Best Adapted Screenplay
Arrival
Runner Up: Moonlight
Best Body of Work
Amy Adams
Runner Up: Michael Shannon
Top 10 Films
La La Land
Moonlight
Manchester By The Sea
OJ: Made In America
Arrival
Hell Or High Water
Jackie
Green Room
Kubo & The Two Strings
Sing Street

The Online Film Critics Society Declares Moonlight To Be The Best


moonlight

The Online Film Critics Society announced their picks for the best of 2016 yesterday!  You can check out the nominees here and the winners below!

Best Picture — Moonlight

Best Animated Feature — Kubo and the Two Strings

Best Director — Barry Jenkins, Moonlight

Best Actor — Casey Affleck, Manchester By The Sea

Best Actress — Natalie Portman, Jackie

Best Supporting Actor — Mahershala Ali, Moonlight

Best Supporting Actress — Naomie Harris, Moonlight

Best Original Screenplay — Hell or High Water, Taylor Sheridan

Best Adapted Screenplay — Arrival, Eric Heisserer

Best Editing — La La Land, Tom Cross

Best Cinematography — La La Land, Linus Sandgren

Best Film Not In The English Language — The Handmaiden

Best Documentary — OJ: Made in America