Film Review: Cutthroat Island (dir by Renny Harlin)


Today is Talk Like A Pirate Day which, let’s just be honest, is an extremely stupid holiday that mainly exists to remind us that “doubloon” is a deeply silly word.

Doubloons were a currency that were popular in Europe and South America back in the 18th century and pirates were always looking for doubloons.  If you listen to enough pirate talk, you’ll quickly discover that there’s a lot different ways to say the word doubloon.  Some people put the emphasis on the fist syllable while others emphasize the second.  Some people say Due-bloon while others say Duh-bloon.  Either way, it’s impossible to listen to pirates talk about doubloons without thinking that they sound very, very silly.  The secret behind the success of The Pirates of the Caribbean franchise is an understanding that it’s impossible to take pirates seriously.

Unfortunately, I chose not to watch The Pirates of the Caribbean for Talk Like A Pirate Day.  Instead, I watched 1995’s Cutthroat Island.

Cutthroat Island is a story of pirates, a lost treasure, and one big sea battle that literally seems to go on and on.  There is occasional talk of doubloons, though not enough for my liking.  Instead, most of the film deals with the efforts of Morgan (Geena Davis) to find a hidden treasure before her uncle, Dawg (Frank Langella), discovers it.  Morgan has one-third of a map.  It was originally tattooed on her father’s head.  After he died, she scalped him and took over his boat.  She also purchased a swashbuckling slave named Shaw (Matthew Modine) because Shaw is capable of reading Latin, the language in which the map is written.  Needless to say, Shaw and Mogan fall in love while Dawg teams up with corrupt colonial officials to not only track down the treasure but to also capture his niece.

The film starts out as a romance with a dash of comedy before eventually transforming into a standard action movie.  That means that boats get blown up and there’s a lot of scenes of people fencing.  There’s also a lot of slow motion footage of bodies plunging into the ocean.  The climatic battle goes on forever and it actually features Morgan hissing, “Bad dawg!” at her uncle.

(Amazingly, “Bad Dawg” isn’t the worst of the dialogue to be heard in Cutthroat Island.  Morgan has a habit of saying stuff like, “I will maroon you on a rock the size of this table, instead of splattering your brains across my bulkhead” and “Since you lie so easily and since you are so shallow, I shall lie you in a shallow grave.”)

Throughout the film, there are hints of what Cutthroat Island could have been, if it hadn’t been such a by-the-numbers action flick.  The fact that it was Morgan who was continually rescuing Shaw was a nice change-of-pace from the usual damsel-in-distress clichés that one finds in most pirate movies.  When Morgan effortlessly breaks the neck of a soldier and sets free her crew, it’s a great moment, comparable to Angelina Jolie taking out Liev Schreiber in Salt or Milla Jovovich kicking zombie ass in a Resident Evil film.  Unfortunately, director Renny Harlin (who was married to star Geena Davis, at the time) is usually too concerned with getting to the next action set piece to truly take advantage of the film’s subversive potential.

Frank Langella is smart enough to bellow his way through his villainous role while Matthew Modine appears to be so amused by the film’s terrible dialogue that it’s impossible not to like him.  Geena Davis is convincing when she’s breaking necks and swinging swords but she delivers her dialogue like someone who has already figured out that the movie was a bad idea and resigned herself to the fact that her film career will never recover.  She doesn’t appear to be having any fun, which kind of defeats the purpose of being a pirate.

Cutthroat Island was a huge and notorious box office flop and it’s still considered to be one of the biggest financial disasters in film history.  Apparently, Hollywood was so traumatized that it would be another 8 years before there was another major pirate production.  That production, of course, was Pirates of the Caribbean, a film that captured the fun that was so lacking in Cutthroat Island.

Here’s The Trailer for Mary Poppins Returns!


Mary Poppins has returned…

And this time, she’s out for VENGEANCE!

No, not really.  Judging from the trailer that just dropped today, Mary Poppins Returns appears to be a throw back to the type of films that Disney was known for before they became associated with Star Wars and the MCU.  Emily Blunt takes over the role of Mary Poppins, who returns so that she can continue to raise the Banks children.

This is the type of film that’s either going to be amazingly charming or incredibly unbearable.  I’m going to hope for charming.  Director Rob Marshall has got an uneven record.  On the one hand, he did great work when he directed Chicago and Into the Woods.  On the other hand, he also directed Nine.

By the way, this is the only movie that Meryl Streep has got scheduled for release this year.  So, if she’s going to get her annual Oscar nomination, it will be for playing Topsy, who is described as being an “eccentric cousin.”  Aren’t all cousins eccentric?

Anyway, here’s the trailer!

Here’s The Trailer for The Ballad of Buster Scruggs!


Today, everyone else is talking about the fact that Henry Cavill will not be playing Superman in any future DC films but all I care about is the fact that the trailer for The Ballad of Buster Scruggs has been released!

This is the latest film from the Coen Brothers.  It’s a western.  Originally, it was going to be a miniseries but apparently, the Coens decided that it worked better as a movie so they edited the anthology together.  It’s six stories about death in the old west and it will soon be available on Netflix!

Here’s The Trailer For F–k You All: The Uwe Boll Story


Somewhere on this site, I once posted my opinion that Uwe Boll was the worst director of all time.

That, of course, was many years ago and I posted that before watching Ulli Lommel’s Zodiac movie.  At the time that I posted that, Boll was mostly known for directing movies that were based on a video games.  A little bit later, Boll would get political and direct films like Assault of Wall Street and that led to some critics saying that perhaps Boll wasn’t as bad as they thought he was.

Myself, I stand by my original claim.  Uwe Boll was the worst director of all time.  I say was because he’s apparently retired from filmmaking.  Before he retired — and this is actually really neat — he challenged some of his fiercest internet detractors to a boxing match.  Many of them accepted, not realizing that Boll was an accomplished boxer before he became a director.  Say what you will about Boll’s films but I imagine that, by literally beating the crap out of some of his critics, he got to live every director’s dream.

Anyway, there’s a documentary coming out about Uwe Boll.  It’s called Fuck You All: The Uwe Boll Story.  I may or I may not see it.  Here’s the trailer!

What Lisa Watched Last Night #194: Her Boyfriend’s Secret (dir by Lisa France)


Last night, I watched the latest Lifetime movie premiere, Her Boyfriend’s Secret!

Why Was I Watching It?

With a title like that, how couldn’t I watch it!?  Seriously, whenever one of my friends gets a new boyfriend, I immediately start digging up all of their secrets.  I’m like the sassy best friend in a Lifetime movie except for the fact that I don’t get murdered right before the fifth commercial break.

What Was It About?

Melissa (Kelly Sullivan) and Travis (Jordan James Smith) have both built successful careers as home renovators.  In fact, everyone assumes that they must be a couple!  But no, they’re just friends and business colleagues.

In fact, Melissa may have met the one.  His name is John Anderson (Mark Famiglietti) and he’s handsome and charming and he owns a really big house.  Of course, it does seem strange that John is constantly taking business trips.  He claims that he spends his time flying from London to Paris to Geneva but he’s always kind of vague about what he actually does in any of those cities.

And then there’s Carrie (Maiara Walsh), the woman who approaches Melissa one day and informs her that 1) John is actually named Phillip and 2) Phillip/John has a history of stalking his ex-girlfriends!

That’s a lot of secrets but, believe it or not, there’s even more yet to be discovered!

What Worked?

I really liked this one.  Not only was it well-acted but it featured some really nice houses!  As any longtime fan can tell you, a good Lifetime film also features a combination of big melodrama and big houses!  The film’s central mystery was intriguing and Mark Famiglietti brought a convincing mix of creepiness and charm to the role of John.

Though I won’t spoil the nature of her role, Anne Leighton also gave a very good performance.  She’s doesn’t have a lot of screen time but she makes the most of it.

This film also played with the standard Lifetime stalker formula by casting a guy as the nosy best friend.  That actually added a whole new dynamic to all of the expected scenes of Travis digging into John’s background.  Was Travis right to be concerned or was he motivated by something more than just friendship?  The film did a good job of keeping you guessing.

What Did Not Work?

It all worked.  This was an entertaining Lifetime melodrama.

“Oh my God!  Just like me!” Moments

Again, as with all Lifetime films, I related to all of the skeptical and nosy best friends.  If only people would listen to them for once!

Lessons Learned

Just because someone has a big house, that doesn’t necessarily mean you should trust him.

Film Review: Tremors: A Cold Day In Hell (dir by Don Michael Paul)


The Graboids are back!

For those who aren’t familiar with the term, the Graboids are the giant, ravenous sandworms that were first introduced in the 1990 film, Tremors.  Graboids are always on the hunt for food and, over the course of the original film, four sequels, and one prequel, they’ve attacked and devoured a countless number of communities, all while helping to spread all sorts of comedic mayhem.  For whatever reason, the mere presence of a Grabboid tends to lead to human beings getting very quippy.

This year, the Graboids return for a sixth time with Tremors: A Cold Day In Hell.  This time, the Graboids are up in Canada and they’re eating a bunch of scientists.  Normally, Canada would be too cold for a Graboid infestation but apparently, climate change has altered the rules of the game.  That’s one good thing about climate change.  It can be used to explain away just about anything.  Why does Northern Canada look so sunny and warm?  Climate change!  Why are the Graboids no longer limited to the desert?  Climate Change!

Anyway, this is pretty much a typical Tremors sequel.  A bunch of people end up getting trapped in one location and are then picked off by the Graboids.  There’s some sinister scientists and bio-weapon subplot but those are mostly afterthoughts.  The film promises Graboids and, eventually, it delivers them.  Especially when compared to some of the other films in the franchise, A Cold Day In Hell is rather slowly paced and the CGI isn’t always as convincing as you might want it to be.  On the one hand, the film delivers pretty much what you would expect it to deliver.  On the other hand, it’s also rather bland.

Oh well.  At least Burt Gummer is back!

As any fan of the franchise can tell you, the Graboids are pretty much secondary to the presence of Burt Gummer.  Brilliantly played by Michael Gross, Burt is the only character to have appeared in not only every Tremors film but also the TV series as well.  (Okay, technically, the fourth film featured Burt’s great-grandfather but Hiram Gummer might as well have been Burt Gummer.)  Burt is a heavily armed doomsday prepper who lives out in the middle of the desert and who hates the government.  Though the IRS may just view him as someone who refuses to pay his taxes, fans of the franchise know that Burt is the world’s greatest Graboid hunter.

What is Burt’s appeal?  Well, some of it has to do with the fact that Burt is always honest and consistent.  It’s been 28 years since Burt was first introduced and, in that time, he has always loved guns and hated the government.  He doesn’t hold back on his views and he makes absolutely no apologies and that’s exactly the type of guy who you want by your side when you’re dealing with a bunch of killer sandworms.

In the end, though, Burt’s greatest appeal is that he’s a thowback.  If Tremors had been produced in the 21st Century, there’s no way that a character like Burt would have survived the movie.  His anti-government stance would have been viewed as being unpatriotic during the Bush and Obama years and his love of guns would have gotten the movie picketed by Shannon Watts and denounced on twitter by the writers at Slate and Vox.  The AV Club would declare the character to be problematic and Michael Gross would have to go on Colbert and personally apologize to everyone who was hurt by his performance.  But since the first Tremors was made way back in the 90s, Burt is allowed to thrive in all of his anti-PC glory.  At a time in which monster movies are dominated by grimly-written heroes and overly rational scientists, Burt is a reminder that films like this should, at the very least, attempt to be fun.

As for Tremors: A Cold Day In Hell, it was released on Netflix earlier this year and it premiered on SyFy last night.  It’s forgettable but at least Burt’s back.

What Lisa Watched Last Night #193: House of Darkness: New Blood (dir by Patrick DeLuca)


Last night, I watched the latest Lifetime Movie Network premiere, House of Darkness: New Blood!

Why Was I Watching It?

The main reason I was watching it was because it was on Lifetime.

That said, I was also intrigued by the fact that Lifetime was premiering a horror film.  In the past, horror has been one of the few genres that Lifetime has usually avoided.  It’s only been rather recently that Lifetime started to show movies that could even be considered a part of the horror genre and, as a horror aficionado, I’m curious to see what this development will lead to.

Of course, another big reason why I was watching it was because it’s been raining nonstop since Thursday so, for once, I actually spent a Friday night at home.  There’s nothing like watching a horror movie while surrounded by rain, thunder, and lightning!

What Was It About?

Judd (Liam McNeill) has asked Brooke (Kate Stone) to marry him!  Yay!

There’s only a few problems.  For one, Brooke’s creepy son, Dylan (Jake T. Getman), doesn’t seem to like Judd that much.  Secondly, Brooke has yet to meet Judd’s mother, Elaine (Hilary Momberger-Powers).  Elaine, it turns out, lives in a big house out in the country, a house that’s full of secrets and — you guessed it — darkness!  When Judd takes Brooke and Dylan out to the house, Elaine doesn’t seem to be happy to see any of them.  Judd says that it’s just a symptom of Elaine’s dementia but is that all there is to it?

Soon, Brooke is hearing weird noises, seeing dark shadows, and having terrible nightmares.  Judd says that it’s probably just a side effect of the sleep aid that she’s taking but Brooke isn’t too sure.  Is it all in Brooke’s head or has she truly discovered …. A HOUSE OF DARKNESS!?

What Worked?

There were a few effectively creepy moments.  The house was big and spooky and full of ominous atmosphere and Hilary Momberger-Powers did a good job as Elaine.  She kept you guessing and off-balance.

What Did Not Work?

House of Darkness ran into the same problem that’s haunted a lot of made-for-TV horror films.  It’s difficult to maintain suspense when you the story has to come to a stop every 15-to-20 minutes for a commercial break.  Every time that I found myself starting to get invested in the storyline, it was suddenly time for that Humira commercial where that guy meets his girlfriend’s parents for the first time.

The fact that it was on television also meant that the horror often had to be a bit low-key.  There was one hanging scene that was effectively horrific but otherwise, the film often felt a bit too restrained to be fully effective.

“Oh my God!  Just like me!” Moments

I know that it’s usually said that people are stupid for not just leaving an obviously haunted house but, to be honest, I’d probably stay even longer than Brooke did.  I mean, it’s not every day you get to deal with the paranormal.

Lessons Learned

Always check the lights before moving into a new house.

Lisa’s Early Oscar Predictions for September


It’s that time again!

It’s time for my somewhat random Oscar predictions!

Judging from the reactions at Venice Film Festival, Bradley Cooper’s A Star is Born would appear to be the current Oscar front runner.  At the very least, it seems destined to be nominated.  Personally, I still wonder if a remake of A Star is Born is going to have enough political cachet in a year that, so far, has been dominated by Hollywood virtue signaling.

Anyway, it’s a bit of a cliché to say the Oscar race is wide open but, despite all of the buzz around A Star is Born, it still feels as if it is.  That said, it’s also becoming a bit more clear.  Former front runners like Mary, Queen of Scots have fallen off the radar.  It seems likely the Martin Scorsese’s The Irishman will not be released until next year.  There are rumors that Clint Eastwood’s The Mule might get a December qualifying run but, for now, those are just rumors.

Below are my predictions for this month.  The usual caveats about wishful thinking and wild guesses apply.  To be honest, we won’t know anything for sure until the critics and the guilds make their voices heard in December and January.

Be sure to check out my predictions for January, February, March, April, May, June, July, and August!

Best Picture

Beautiful Boy

BlackKklansman

Black Panther

Crazy Rich Asians

The Favourite

First Man

Green Book

If Beale Street Could Talk

Roma

A Star is Born

Best Director

Damien Chazelle for First Man

Jon M. Chu for Crazy Rich Asians

Bradley Cooper for A Star is Born

Alfonso Cuaron for Roma

Spike Lee for BlackKklansman

Best Actor

Steve Carell in Beautiful Boy

Bradley Cooper in A Star is Born

Ryan Gosling in First Man

Rami Malek in Bohemian Rhapsody

Robert Redford in Old Man and the Gun

Best Actress

Glenn Close in The Wife

Olivia Colman in The Favourite

Nicole Kidman in Destroyer

Melissa McCarthy in Can You Ever Forgive Me?

Julia Roberts in Ben Is Back

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Sam Elliott in A Star is Born

Ben Foster in Leave No Trace

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Regina King in If Beale Street Could Talk

Sissy Spacek in Old Man and the Gun

Rachel Weisz in The Favourite

Michelle Yeoh in Crazy Rich Asians

Barry and Oscar

What Lisa Watched Last Night #192: His Perfect Obsession (dir by Alexandre Carrière)


Last night, I watched the latest Lifetime premiere, His Perfect Obsession!

Why Was I Watching It?

Because it was on Lifetime, of course!

Plus, I was kinda hoping that it would be like a special Labor Day movie.  Since I’m still not sure what Labor Day is actually supposed to celebrate, I thought maybe His Perfect Obsession would provide some clues.  (Unfortunately, it did not.)

 What Was It About?

Bart (Brendan Murray) is an accountant with a problem.  He’s obsessed with both his client, Allison (Arianne Zucker), and her blind teenage daughter Abigail (Ali Skovbye).  However, Allison doesn’t want to date him and Abigail doesn’t really seem to like him that much either.  Even after Bart murders Allison’s creep of an ex, Allison still doesn’t want to go out with him.  She’d rather go out with a sleazy real estate agent.

What is a crazy sociopath like Bart to do?  He tries drinking at the local bar but the bartender keeps getting in his business.  He tries murdering his mother but that really doesn’t do much for him, either.  Finally, Bart remembers that he does have that remote cabin that hardly anyone knows about…

What Worked?

His Perfect Obsession was filmed in Canada and, visually, it made good use of the snowy landscape.  I especially liked a scene at the start of the film where Bart approached Abigail outside of her house and they had an awkward conversation while the frozen ground glowed in the night behind them.

The performances were all excellent.  Brendan Murray was wonderfully creepy as Bart and Arianne Zucker and Ali Skovbye were both perfectly cast as the mother and daughter.

A lot of us watching online especially liked the character of Ben (Scott Gibson), the world’s most heroic bartender.  If Captain America got a job working in a bar, he’d be a lot like Ben.

Finally, there was a character named Lance Lancaster (Seann Gallagher), who everyone liked because his name was Lance Lancaster.  That’s like one of the greatest names ever!

What Did Not Work?

In general, I’m not a fan of any movie where the final half of the film is taken up with scenes of people being held hostage.  A hostage situation always seems to stall whatever narrative momentum the film has been building up and that’s what happened with His Perfect Obsession.

The scene where Bart murders his mother was so drawn out that the scene itself almost became extremely unpleasant and rather icky to watch.  I know that might sound strange coming from a self-confessed horror fanatic like me but the scene was just way too sadistic for a Lifetime film.  As of late, Lifetime seems to be trying to be a bit more edgy as far as violence is concerned but that’s really not why people watch Lifetime.  Lifetime melodrama should be fun, not traumatic.

“Oh my God!  Just like me!” Moments

I’ve never actually worked with a professional accountant.  My sisters do my taxes for me and, when it comes to money, I find that it’s better to spend it now and hold off on worrying until later.  So, I really couldn’t relate to that part of the movie.

What I did relate to was the relationship between Allison and Abigail, which felt very real and was well-played by both actresses.  It reminded me of the type of relationship that I had with my mom.

Lessons Learned

Use TurboTax.

Cleaning Out The DVR: Deadly Shores (dir by Fred Olen Ray)


(I recorded Deadly Shores off of the Lifetime Movie Network on August 24th!)

Oh my God, isn’t life just perfect!?

That’s what Anna (Carly Schroeder) should be asking herself.  After a whirlwind courtship and engagement, Anna has just married Richard Palmer (Phillip P. Keene), a famous mystery novelist!  Not only is she a newlywed and it appears that she might soon also be newly rich.  Her parents died mysteriously years ago and she stands to come into a lot of money!

Of course, nothing is ever as perfect as it seems.  Her psychiatrist seems to be concerned about Anna acting too impulsively and he worries that she’s marrying Richard without even knowing him.  When Anna arrives at her new home, she is struck by how coldly she’s treated by the housekeeper.  Anna soon starts to feel that everyone is comparing her unfavorably to Richard’s previous wife, the one who died mysteriously at the lighthouse.   And when Anna discovers that Richard has apparently incorporated his first wife’s death into his latest book, she is not amused.  Even worse is how Richard reacts when Anna dares to wear a necklace that once belonged to dead wife.

And then there’s Beth (Kristin Minter), who seems friendly enough except that she’s awfully close to Richard.  Of course, their closeness could have something to do with the fact that she’s Richard’s mistress.  You know what they say: Just because you’re paranoid doesn’t mean that they’re not out to get you.

And, make no mistake about it, people are out to get Anna.  However, what no one realizes is that Anna has got secrets and shadows in her past as well…

With all of the gothic scenery and the insecure wife and the hostile housekeeper, I was expecting Deadly Shores to just be another version of Rebecca.  And, certainly, the first hour or so has much in common with that classic film.  However, in the best grindhouse tradition, there’s a big twist that occurs during the final seven minutes of the film, one that totally turns the entire movie upside down.  I won’t ruin the twist but I will say that it was a hugely satisfying one.  In the end, Deadly Shores reminded me of one of those strange movies that Joan Crawford and Olivia de Havilland would have made for William Castle or Robert Aldrich back in the 1960s.

Deadly Shores is one of the many movies to have been directed by the prolific Fred Olen Ray.  What his films often lack in budget, Ray makes up for in pure entertainment.  Ray does a pretty good job directing this one, playing up the ominous atmosphere and giving Carly Schroeder enough room to go enjoyably over-the-top in the role of Anna.

All in all, Deadly Shores is an entertaining Lifetime film and one to keep an eye out for.