What Lisa Watched Last Night #193: House of Darkness: New Blood (dir by Patrick DeLuca)


Last night, I watched the latest Lifetime Movie Network premiere, House of Darkness: New Blood!

Why Was I Watching It?

The main reason I was watching it was because it was on Lifetime.

That said, I was also intrigued by the fact that Lifetime was premiering a horror film.  In the past, horror has been one of the few genres that Lifetime has usually avoided.  It’s only been rather recently that Lifetime started to show movies that could even be considered a part of the horror genre and, as a horror aficionado, I’m curious to see what this development will lead to.

Of course, another big reason why I was watching it was because it’s been raining nonstop since Thursday so, for once, I actually spent a Friday night at home.  There’s nothing like watching a horror movie while surrounded by rain, thunder, and lightning!

What Was It About?

Judd (Liam McNeill) has asked Brooke (Kate Stone) to marry him!  Yay!

There’s only a few problems.  For one, Brooke’s creepy son, Dylan (Jake T. Getman), doesn’t seem to like Judd that much.  Secondly, Brooke has yet to meet Judd’s mother, Elaine (Hilary Momberger-Powers).  Elaine, it turns out, lives in a big house out in the country, a house that’s full of secrets and — you guessed it — darkness!  When Judd takes Brooke and Dylan out to the house, Elaine doesn’t seem to be happy to see any of them.  Judd says that it’s just a symptom of Elaine’s dementia but is that all there is to it?

Soon, Brooke is hearing weird noises, seeing dark shadows, and having terrible nightmares.  Judd says that it’s probably just a side effect of the sleep aid that she’s taking but Brooke isn’t too sure.  Is it all in Brooke’s head or has she truly discovered …. A HOUSE OF DARKNESS!?

What Worked?

There were a few effectively creepy moments.  The house was big and spooky and full of ominous atmosphere and Hilary Momberger-Powers did a good job as Elaine.  She kept you guessing and off-balance.

What Did Not Work?

House of Darkness ran into the same problem that’s haunted a lot of made-for-TV horror films.  It’s difficult to maintain suspense when you the story has to come to a stop every 15-to-20 minutes for a commercial break.  Every time that I found myself starting to get invested in the storyline, it was suddenly time for that Humira commercial where that guy meets his girlfriend’s parents for the first time.

The fact that it was on television also meant that the horror often had to be a bit low-key.  There was one hanging scene that was effectively horrific but otherwise, the film often felt a bit too restrained to be fully effective.

“Oh my God!  Just like me!” Moments

I know that it’s usually said that people are stupid for not just leaving an obviously haunted house but, to be honest, I’d probably stay even longer than Brooke did.  I mean, it’s not every day you get to deal with the paranormal.

Lessons Learned

Always check the lights before moving into a new house.

2016 in Review: The Best of Lifetime


Today, I continue my look back at the year 2016 with the best of Lifetime!  Below, you’ll find my nominations for the best Lifetime films and performances of 2016!  Winners are starred and listed in bold!

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Best Picture
Bad Sister, produced by Robert Ballo, Timothy O. Johnson, Rukmani Jones, Ken Sanders
The Cheerleader Murders, produced by Sharon Bordas, Arthur Edmonds III, Hannah Pillemer, Fernando Szew, Jennifer Westin
Girl in the Box, produced by Stephen Kemp, Charles Tremayne, Thomas Vencelides
Inspired to Kill, produced by Johnson Chan, Michael Fiefer, Douglas Howell, Stephanie Rennie, Vincet Reppert, Nathan Schwab, Tammana Shah, Shawn Tira
Manson’s Lost Girls, produced by Nancy Bennett, Kyle A. Clark, Lawrence Ducceschi, Joan Harrison, Jonathan Koch, Stephen Kronish, Steven Michaels, Lina Wong
Mommy’s Little Girl, produced by Tom Berry, Steve Boisvert, Neil Bregman, Cinthia Burke, Christine Conradt, Curtis Crawford, Pierre David, Donald M. Osborne, Andrew E. Pecs
*A Mother’s Escape, produced by Sharon Bordas, Lori Bell Leahy, Michael Leahy, Kristofer McNeeley, Fernando Szew
My Sweet Audrina, produced by Dan Angel, David Calvert-Jones, Harvey Kahn, Kane Lee, Tom Mazza, Mike Rohl, Jane Startz
The Night Stalker, produced by Matthew R. Brady, Patrick G. Ingram, Michel Rangel, Alisa Tager
The Wrong Car, produced by Mark Donadio, Miriam Marcus, Molly Martin, Michael O’Neil

Best Director
Doug Campbell for Bad Sister
Megan Griffiths for The Night Stalker
*Blair Hayes for A Mother’s Escape
David Jackson for The Cheerleader Murders
Leslie Libman for Manson’s Lost Girls
Mike Rohl for My Sweet Audrina

Best Actress
*Tara Buck in A Mother’s Escape
India Eisley in My Sweet Audrina
MacKenzie Mauzy in Manson’s Lost Girls
Alyshia Ochse in Bad Sister
Karissa Lee Staples in Inspired To Kill
Addison Timlin in Girl in the Box

Best Actor
Zane Holtz in Girl in the Box
Lou Diamond Phillips in The Night Stalker
*Eric Roberts in Stalked By My Doctor: The Return
Antonio Sabato, Jr in Inspired To Kill
Jason-Shane Scott in The Wrong Roommate
Jeff Ward in Manson’s Lost Girls

Best Supporting Actress
*Toni Atkins in My Sweet Audrina
Eden Brolin in Manson’s Lost Girls
Zoe De Grande Maison in Pregnant at 17
Beth Grant in A Mother’s Escape
Ryan Newman in Bad Sister
Zelda Williams in Girl in the Box

Best Supporting Actor
Blake Berris in Wrong Swipe
Rogan Christopher in Pregnant at 17
*Rhett Kidd in The Wrong Car
Christian Madsen in Manson’s Lost Girls
William McNamara in The Wrong Roommate
James Tupper in My Sweet Audrina

Best Screenplay
Bad Sister, Barbara Kymlicka
*The Cheerleader Murders, Matt Young
Girl in the Box, Stephen Kemp
Mommy’s Little Girl, Christine Conradt
A Mother’s Escape, Mike Bencivenga, Blair Hayes, Kristofer McNeeley
My Sweet Audrina, Scarlett Lacey

Best Cinematography
The Cheerleader Murders, Denis Maloney
Mommy’s Little Girl, Bill St. John
*A Mother’s Escape, Samuel Calvin
My Sweet Audrina, James Liston
The Night Stalker, Quyen Tran
The Wrong Car, Terrence Hayes

Best Costuming
Girl in the Box, Barb Cardoso, Tania Pedro
Manson’s Lost Girls, Dorothy Amos
*My Sweet Audrina, Farnaz Khaki-Sadigh
The Night Stalker, Rebecca Luke
The Red Dress, Sophie Pace
Toni Braxton: Unbreak My Heart, Mary McLeod

Best Editing
The Cheerleader Murders, Eric Potter
Girl in the Box, Julian Hart
Manson’s Lost Girls, Josh Hegard
*A Mother’s Escape, Travis Graalman
My Sweet Audrina, Charles Robichaud
The Night Stalker, Celia Beasley

Best Makeup and Hairstyling
Girl in the Box, Claudia Breckenridge, Jen Fisher, Oriana Rossi, Alex Rotundo, Collette Tolen
Killing Mommy, Cinthia Burke, Christie Capustinsky, Kevin Crawley, Kirsten Fairfield, Margaret Harding-Crawley, Corey J. Stone
*Manson’s Lost Girls, Jenni Brown Greenberg, Randi Mavestrand, Kelly Muldoon, Natalie Thimm
A Mother’s Escape, Jenny Hausam, Toni Mario
My Sweet Audrina, Alannah Bilodeau
Toni Braxton: Unbreak My Heart, Tara Hadden-Watts, Alexandra Holmes

Best Original Score
911 Nightmare, David Findlay
*The Cheerleader Murders, Cladue Foisy
Inspired To Kill, Brandon Jarrett
A Mother’s Escape, Todd Haberman
My Sweet Audrina, Graeme Coleman
The Wrong Car, Ed Grenga

Best Production Design
Bad Sister, Lia Burton, Danielle Lee
Girl in the Box, Andrew Berry, Jere Sallee
*Manson’s Lost Girls, Cynthia E. Hill, Linda Spheeris
A Mother’s Escape, Zackary Steven Graham
My Sweet Audrina, Tink, Janessa Hitsman
Toni Braxton: Unbreak My Heart, James Robbins, Courtney Stockstad, Amanda Christmas

Best Sound
*Center Stage: On Pointe
The Cheerleader Murders
Honeymoon from Hell
I Have Your Children
Inspired to Kill
Toni Braxton: Unreak My Heart

Best Visual Effects
Final Destiny
*Flashback
House of Darkness
The Inherited
Little Girl’s Secret
The Watcher

Congratulations to all the nominees and thank you for keeping us entertained in 2016!

Want to see my picks for the best of Lifetime in 2015?  Click here!

And if you want to see my picks from 2014, click here!

Tomorrow, I’ll continue my look back at 2016 with the 16 worst films of the year!

Previous Entries In The Best of 2016:

  1. TFG’s 2016 Comics Year In Review : Top Tens, Worsts, And Everything In Between
  2. Anime of the Year: 2016
  3. 25 Best, Worst, and Gems I Saw In 2016
  4. 2016 in Review: The Best of SyFy

Cleaning Out The DVR, Again #18: House of Darkness (dir by Patrick DeLuca)


(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June.  She’s trying to get it all done by July 10th!  Will she make it!?  Keep visiting the site to find out!)

HouseofDarkness

The 18th film on the DVR was the Lifetime original movie, House of Darkness.  

House of Darkness is a film that asks a question that I’m sure we have all asked ourselves at least once: “What if Lifetime made a horror film?  What would that be like?”

Well, apparently, it would be like every single horror film that you’ve ever seen.  There is not a single cliché that does not show up in House of Darkness.  It starts out with the promise that we are about see a true story and hey, maybe it was!  After all, the film reminded me of a lot of other horrors film — Amityville, Paranormal Activity, and others — that were supposedly based on true stories.

Kelly (Sara Fletcher) and Brian (Gunner Wright) are a married couple but they are also a Lifetime couple, which means that their marriage is in trouble!  Brian is a carpenter who has a difficult time opening up emotionally.  Kelly is a massage therapist, which Brian appears to think is the equivalent of working in a brothel.  How bad is their marriage?  When Brian sees Kelly wearing sexy lingerie in an effort to liven things up, he responds by going out to the garage.

Fortunately, Brian and Kelly have been seeing a marriage counselor.  The counselor suggests that they both start keeping a video diary, which allows the film to occasionally so some found footage shots.  (That’s the Paranormal Activity influence.)  If the video diaries don’t help, maybe moving to a new house in San Francisco will do the trick!

And you know what?  It’s a great house but the owners didn’t want much money for it.  It’s almost as if they were trying to get rid of the house.  I wonder what that could mean!

Anyway, Kelly and Brian’s daughter is soon wandering around, speaking in a demonic voice while giving everyone Hillary Clinton-style death glares, and encouraging her friends to wander into the basement.  Meanwhile, Brian is acting even weirder and suddenly, it’s like he can’t go anywhere without bringing an axe with him!

And then there’s the neighbors.  A sexy woman and a superhot man occasionally appear standing in front of the house across the road.  The woman smiles at Brian, tempting him to … to do what?  I guess that the idea here is to encourage Brian to start doing his Jack Nicholson impersonation but I wasn’t sure.  I suspect, to a certain extent, that the ghosts and the evil spirits and whatever the Hell is in the house don’t really have any goals beyond doing the usual horror stuff.  They probably said, “Look!  A stationary camera!  Let’s go knock shit around!”

Anyway, House of Darkness is pretty much just a festival of nonstop clichés and scenes lifted from other horror films.  It’s never really scary, largely because it’s a made-for-TV movie and, since it’s Lifetime, you know that it’s not going to be disturbing or graphic like The Walking Dead or Game of Thrones.  Without any intentional humor or unexpected scares, House of Darkness is largely forgettable.