4 Shots From 4 Films: Special J. Lee Thompson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

112 years ago today, the director J. Lee Thompson was born in Bristol, England.  Thompson started his career making social realist films before he moved into making genre pictures.  He was nominated for Best Director for his work on 1961’s The Guns of Navarone.  That said, during his lifetime, Thompson was never exactly a critical favorite.  When they were first released, critics were dismissive of his entries in the original Planet of the Apes franchise and they were downright hostile to his work with Charles Bronson.  However, all of those films were better appreciated by audiences and they remain cult classics to this day.  Conquest of the Planet of the Apes, with its themes of protest and revolution, has especially been the subject of much recent critical reevaluation.  Thompson may have been a genre director but that didn’t mean that his film were devoid of subtext.  If anything, Thompson was a master of sneaking subversive themes into the least likely of works.

Thompson was a filmmaker who knew how to tell a story and who always did the best with whatever he had to work with.  To be honest, many aspiring and working directors could learn a lot from spending a weekend watching some of Thompson’s films.

In honor of the man and his legacy, here are….

4 Shots From 4 J. Lee Thompson Films

Cape Fear (1962, dir by J. Lee Thompson, DP: Sam Leavitt)

Conquest of the Planet of the Apes (1972, dir by J. Lee Thompson, DP: Bruce Surtees)

Happy Birthday To Me (1981, dir by J. Lee Thompson, DP: Miklos Lente)

10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)

Lisa Marie’s Oscar Predictions For July


As you look over my latest Oscar predictions, you may notice that I’ve dropped two films that I originally had listed as major contenders.  Disclosure Day opened to mixed reviews and it really seems to have vanished from the cultural conversation in the wake of the release of The OdysseyDigger has not opened yet but I just get the feeling that this is going to be another pretentious Alejandro Iñárritu film.  Whenever anyone mentions the previous victory of Birdman, it always seems to be done with a slight bit of embarrassment.  I think Iñárritu’s time as an Oscar favorite might be over.

These predictions below are based on what’s been released, what will be playing at the major festivals, which trailers generated excitement (hello I Play Rocky!), which films are most likely to appeal to the Academy’s political biases (hello Ink and The Social Reckoning) and, as always, a lot of wishful thinking on my part.  (Hello I Play Rocky again!)

To see how my thinking has or has not evolved, check out my picks for March, April, May, and June!

Best Picture

The Adventures of Cliff Booth

Being Heumann

The Debut

Dune: Part Three

Fjord

Ink

The Odyssey

Project Hail Mary

The Social Reckoning

Wild Horse Nine

Best Director

David Fincher for The Adventures of Cliff Booth

Phil Lord and Christopher Miller for Project Hail Mary

Cristian Mungiu for Fjord

Christopher Nolan for The Odyssey

Denis Villeneuve for Dune: Part Three

Best Actor

David Corenswet in Mr. Irrelevant

Ryan Gosling in Project Hail Mary

Anthony Ippolito in I Play Rockly

John Malkovich in Wild Horses

Robert Pattinson in Primetime

Best Actress

Ellen Burstyn in Place To Be

Sandra Huller in Fatherland

Ruth Madeley in Being Heumann

Julianne Moore in The Debut

Renate Reinsve in Fjord

Best Supporting Actor

Steve Buscemi in Wild Horse Nine

Matt Dillon in I Play Rocky

Paul Giamatti in The Debut

Guy Pearce in Ink

Jeremy Strong in The Social Reckoning

Best Supporting Actress

Pamela Anderson in Place To Be

Anne Hathaway in The Odyssey

Samantha Morton in The Odyssey

Parker Posey in Wild Hose Nine

AnnaSophia Robb in I Play Rocky

Brad reviews 90210 SHARK ATTACK (2014)!


There are bad movies, there are worse movies, and then there are the worst possible movies. 90210 SHARK ATTACK just may be the worst of the worst.

I’m not going to spend a lot of time on the plot, but it revolves around a group of horny college students who are spending the weekend in a beautiful mansion in Beverly Hills. They’re there for an Oceanic Anthropology class, where they’ll be working on special projects under the supervision of their scheming professor, Pamela Vantzen (Donna Wilkes). Unknown to the rest of the students, Alyssa (Stephanie Shemanski) is in possession of a cursed shark tooth necklace, and when she gets excited, bad things tend to happen.  

I knew I was in trouble when the movie opened on a Beverly Hills trolley car with Christmas decorations on it, signs like “Deck the Hills” and various artwork of Christmas presents. The movie is set during the summer. I also kept wondering how they would encounter sharks since the mansion they’re staying in is “miles away from the ocean,” but it turns out that the filmmakers didn’t care about this issue, so I soon stopped worrying about it myself. What this movie does have is a loop of stock footage that includes Beverly Hills, CGI sharks, a beach, and an aquarium that it cuts back to time after time. Between the extensive credit sequences and the stock footage, I would guess the actual actors are not on the screen more than 45 minutes of the entire 75-minute runtime.   

It doesn’t get much better when the actors are on the screen. I watched this because Donna Wilkes is in it. I had recently watched her in JAWS 2, and I remember her back in the ‘80’s in the enjoyable, low-budget exploitation film ANGEL (“High School Honor Student by Day. Hollywood Hooker by Night”). She doesn’t have anything to work with here, and neither do the other actors. The characters and dialogue are as ridiculous as you would expect, but in a boring way, not a fun way. So much time is spent watching them walk from room to room, or across the yard, or taking a shower, or gallivanting in the pool. I couldn’t even enjoy the shower scenes, because they only focused on the men!

When it’s all said and done, there’s very little time left for the sharks. And based on our movie, that’s not a big issue. Our CGI shark gets less than 30 seconds for the entire film. This part is sad, because the one thing that I did find ridiculously fun in a “wtf” kind of way is when the demonic ghost-shark first appears at about the 47-minute mark.

At the end of the day, I blame director David DeCoteau for this mess. I’ve been watching some of his “Wrong” series of Lifetime TV movies with the #MondayMania live tweet group. Those movies aren’t high art, but they are fun, campy thrillers, so I know he can make an enjoyable film. At the end of the day, I didn’t expect something great, but I did expect him to try to entertain us. Apparently, that was too much to ask!  

Live Tweet Alert: Join #FridayNightFlix for Kickboxer 2!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  Kickboxer 2!

If you want to join us this Friday, just hop onto twitter, find Kickboxer 2 on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

Song of the Day: Deep Down by Ennio Morricone


Danger: Diabolik (1968)

Since today is Mario Bava’s birthday, it only seems appropriate that today’s song of the day should come from one of his films.

From Ennio Morricone’s score to Mario Bava’s 1968 film Danger: Diabolik, here is Deep Down!

 

Scenes That I Love: The Opening of Mario Bava’s Black Sunday


Since today is the birthday of the great Mario Bava, today’s scene that I love comes from one of Bava’s best films.  Here is the wonderfully atmospheric and ominous opening of 1960’s Black Sunday:

4 Shots From 4 Films: Special Mario Bava Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

112 years ago today, the most important Italian filmmaker of all time was born.  Today is Mario Bava’s birthday!  And, as we often do here at the Shattered Lens, it’s time to celebrate with…

4 Shots From 4 Mario Bava Films

Black Sunday (1960, dir by Mario Bava)

Kill, Baby, Kill (1966, dir by Mario Bava)

Lisa and the Devil (1972, dir by Mario Bava)

Shock (1977, dir by Mario Bava)

Retro Television Review: Alexander The Great (dir by Phil Karlson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  This Thursdays, I will be reviewing Alexander The Great, which was filmed in 1963 but didn’t air on CBS until 1968.  The show can be found on YouTube!

This week, we take a look at William Shatner and Adam West in Alexander The Great, a pilot that never became a series.

Episode 1.1 “Alexander The Great”

(Dir by Phil Karlson, originally aired on January 26th, 1968)

Greek leader Alexander the Great (a very blonde William Shatner) is determined to defeat the forces of King Darius and conquer all of Persia.  But, before he can fight his latest battle, he has to rescue his kidnapped best friend Cleander (Adam West), calm the nerves of his mentor Antigonus (Joseph Cotten), and deal with two insubordinate generals (John Cassavetes and Simon Oakland).  Only then will Alexander be ready to defeat the fearsome, beheading-obsessed Persian general, Memmon (Cliff Osmond, wearing a truly horrifying wig and fake beard).

This hour-long episode features a lot of talking, a lot of scheming, and one good battle scene.  Unfortunately, that good battle scenes becomes a lot less impressive once you discover that it was lifted from the 1959 film, The Giant of Marathon.  As for the scheming, it’s not really a surprise when the generals plays by Cassavetes and Oakland reveal that they’re planning on assassinating Alexander during the battle.  Both characters are so obviously villainous that their very presence amongst the ranks will lead most viewers to doubt whether Alexander is truly the tactical genius that everyone seems to think he is.

For most viewers, the main appeal of Alexander the Great will be the chance to see William Shatner and Adam West playing best friends.  This pilot was made before Shatner was cast as Captain Kirk and West as Batman.  While West gives a relatively sober performance as Cleander, Shatner shows that he had all of his famous acting tics long before he boarded the Enterprise.  Shatner delivers every line as if he’s expecting to be handed an Emmy at any moment.  The halting cadence is present.  The overly dramatic punctuation is present.  The habit of telegraphing every line and emotion by moving his head is present.  This is the type of performance that feels more like William Shatner imitating himself than actually trying to play a character.  Today, we’re all used to William Shatner poking fun at his reputation so it’s always a bit jarring to watch something like Alexander the Great and see just how seriously Shatner used to take himself.

Alexander the Great ends with Alexander achieving victory over both Memmon and his own duplicitous generals.  He buries Antigonous, who was earlier murdered by the mutineers.  And then, with a big smile on his face, Alexander hopes on his horse and rides off with Cleander and his surviving generals.  Watching Shatner riding his horse, it becomes obvious that, had this pilot become a show, it would have been a western that just happened to take place in ancient Greece and which featured togas and mini-skirts instead of chaps and hats.

This pilot was shot in 1963 but it was rejected by the network and shelved.  In 1968, when West was Batman and Shatner was Kirk, the pilot was taken out of storage and aired as an episode of an anthology show.  Needless to say, it didn’t lead to a series.  Adam West later poked fun at the pilot in his autobiography, saying that it was the greatest waste of an hour ever made.  I think West was a bit too hard on the pilot.  It’s not terrible as much as it’s just bland.  No production featuring not only Shatner and West but also Joseph Cotten, Simon Oakland, and John Cassavetes has a right to be this mild.

One does wonder how, if the pilot had become a series, it would have deal with Alexander eventually drinking himself to death.  Imagine what Shatner and West could have done with that!

Brad’s “Hero of the Day” – Chief Martin Brody (JAWS)


When I think of my favorite movie heroes, it seems that I’ll often lean towards men who may not appear that heroic on the surface but always seem to find the courage to do what needs to be done. Now don’t get me wrong, I love larger-than-life characters like John McClane, John Rambo, and Indiana Jones, but my ideal hero isn’t like those guys. My favorite heroes are normal guys, that is, until fate forces them to be more. A perfect example is Chief Martin Brody from JAWS.

Brody isn’t fearless. In fact, one of the first things we learn about him is that he’s afraid of the water. He’s a former New York City police officer who moved his family to the quiet island of Amity, only to find himself facing an absolute nightmare. While so many movie heroes run toward danger because they know they can handle it, Brody runs toward danger despite believing he can’t. 

What makes him heroic isn’t supersized strength or expert fighting ability. It’s his sense of responsibility. Brody is always trying to do the right thing. He wants to close the beaches, but politics and the tourist money get in the way. Even after he’s pressured into backing down, he doesn’t stop trying to protect the people on the beach. And when the time comes, he gets on board the Orca with Quint and Hooper to go hunt a great white shark, even though that’s the last place on Earth he wants to be. His courage isn’t the absence of fear. Rather, it’s choosing to take action even though he is afraid.

Of course, it doesn’t hurt that Brody is played by one of my all-time favorite actors, Roy Scheider, a man who has his own section in my massive physical media collection. Scheider deserves a tremendous amount of credit for making Brody feel so real. He doesn’t play Brody as tough. His facial expressions, body language, and nervous energy portray a man who is terrified. In other words, he represents how we might feel if we were in that position. Scheider’s performance reminds us that ordinary people are capable of extraordinary courage when others are counting on them.

That’s why Martin Brody is one of my favorite movie heroes. He doesn’t have superpowers, military training, or funny catch phrases, even if his “You’re gonna need a bigger boat” has become one of the most famous quotes in cinematic history. And he doesn’t stop being afraid, either. He’s just a decent man who keeps doing the right thing, even when he’s scared. That’s the kind of hero I can relate to.

Hero of the Day

Join #TubiThursday For Best Of The Best!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for Best Of The Best, starring Eric Roberts!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!