Late Night Retro Television Reviews: CHiPs 5.27 “Force Seven”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, the fifth season comes to an end.

Episode 5.27 “Force Seven”

(Dir by Leslie H. Martinson, originally aired on May 23rd, 1982)

When evil rich guy Nakura (John Rhys-Davies) steals a short-range missile from a military convoy,  he informs the Mayor of Los Angeles that he will fire that missile at the city unless he’s paid a healthy ransom.  The Mayor wants to send in the SWAT Team but one-eyed Lt. John Legarre (an eyepatch wearing Fred Dryer — yes, the star of Hunter) objects.  Guns won’t do the job, Legarre explains.  Why not send in Force Seven?

Led by Legarre, Force Seven is a secret division of the LAPD.  Including Legarre, there’s only four of them.  (So, why aren’t they Force Four?)  Sly (Tony Longo — hey, Mad Dog from 1st & Ten) is tough and strong and also a ventriloquist.  Cindy (Dona Kei Benz) is small but fast and doesn’t have a sense of humor.  Rick Nichols (Tom Reilly) is a rebel cop who does things …. HIS WAY!  What do they all have in common?  They all know karate!

This doesn’t sound like an episode of CHiPs, does it?

Well, technically, it’s not.  It’s a backdoor pilot.  Ponch and Baker appear at the start of the episode, arresting an engineer who is carrying the schematics for the stolen missile.  And they also appear at the very end of the episode, in which Getraer asks them if they remember that engineer they pulled over.  However, neither Ponch nor Baker interact with anyone from Force Seven.  I get the feeling that the Force Seven pilot was shot and then someone decided, “Why don’t we add Erik Estrada and Larry Wilcox and disguise this as an episode of CHiPs?”

Imagine if you were a CHiPs fan in 1982.  It’s the night of the season finale.  You turn on the TV because you want to watch motorcycle chases and car crashes.  Instead, you find yourself watching Fred Dryer wearing an eye patch and Tony Longo using a puppet to discuss elements of Eastern philosophy.  That’s one reason why backdoor pilots have never made sense to me.  They always seem like they would have just ticked off anyone who was watching.

Force Seven did not become a show.  From watching this episode, I think it probably would have been enjoyably dumb if it had led to a series.  As I already mentioned, Fred Dryer wears an eye patch.  Tony Longo is made up to look like Sylvester Stallone.  (His character is even named Sly!)  There’s something kind of amusing about two guys who are so big that they could obviously just take anyone out with one punch instead choosing to drag out every fight with karate.

(Amusingly enough, in Force Seven, the mayor of Los Angeles was played by former real-life mayor Sam Yorty, who ran for President in 1972.  The police commissioner was played by Ed Davis, the real life former chief of the LAPD who was serving in the California State Senate at the time and who later ran for the U.S. Senate in 1986.)

It is a little sad that this was Larry Wilcox’s final episode of CHiPs.  Fed up with Estrada getting all of the good storylines, Wilcox did not return for Season 6.  (His replacement would be played by Force Seven‘s Tom Reilly, though as a different character.)  For the first two seasons, Wilcox was the main character while Erik Estrada was the comedic sidekick.  However, by the time season 5 rolled around, it was clear that the producers were far more interested in Estrada than Wilcox.  As an actor, Wilcox wasn’t a showy as Estrada but he was more believable a cop.  In his final episode, Wilcox gets not a grand goodbye but instead appears only in two brief scenes.

Next week, we’ll start the sixth and final season!

Brad reviews OUT FOR JUSTICE (1991), starring Steven Seagal!


17 year-old Brad Crain was at the movie theater in April of 1991 to see Steven Seagal’s latest action film, OUT FOR JUSTICE! Seagal’s career had shot out of a cannon with his first three films being the highly successful movies ABOVE THE LAW (1988), HARD TO KILL (1990), and MARKED FOR DEATH (1990). As a guy who loved action movies, Seagal (with his pony tail) was a cool new action star, and I was down for it.

Steven Seagal plays Detective Gino Felino, a Brooklyn cop called into duty when a guy who grew up with him in their neighborhood, mob enforcer Richie Madano (William Forsythe), goes completely off the rails. Hooked on drugs and looking to settle some personal scores, Richie murders Gino’s partner, and begins turning their neighborhood into a war zone, even pulling a woman out of her car and blowing her away in broad daylight over a simple traffic incident. Convinced that Richie will not leave the neighborhood he grew up in, Gino talks Captain Ronnie Danziger (Jerry Orbach) into letting him have an unmarked police car, a shotgun, and his approval to engage in a manhunt for the drugged out psycho. From that point forward, Gino shakes down Richie’s family members and associates to try to find out where he is. As bodies and broken bones pile up, Gino is determined to do whatever it takes to bring Richie to justice!

I’ll just say up front that OUT FOR JUSTICE is my personal favorite Steven Seagal film. It’s not the crowd pleaser or the box office champ that the next year’s UNDER SIEGE (1992) would be, and film critics largely blew it off when it first hit cinemas, but it does feature the star at his most charismatic, something that would all but disappear after the mid-90’s. I love the way Seagal plays Gino. Sure he’s tough, but he talks more, he laughs more, and it feels like he’s actually enjoying himself. His Gino isn’t just a badass cop, he’s a neighborhood guy, a former street punk who grew up and made something positive out of himself. Seagal’s performance here truly works, and he plays the role with so much confidence that it’s a shame that he didn’t remain this engaged in future performances.

OUT FOR JUSTICE is a badass action film. After it opens with Richie’s horrific murders, it then follows Gino’s hunt for the killer into smoky bars filled with wannabe tough guys who know more than they’re letting on. They get their asses handed to them. It follows Gino as Richie’s goons attack him at various places, from meat shops to apartment buildings, and he dispatches them with calm precision, but often in gruesome ways. I still wince when I see the results of meat cleaver fights and close quarter shotgun blasts. OUT FOR JUSTICE is a throwback to an era when action films featured men with integrity who kick ass and take names. While the movie does have some melodrama and humor, at the end of the day, this is tough-guy cinema done right. 

I did want to shout out a few other things about OUT FOR JUSTICE that helps put it over the top for me. William Forsythe is incredible as Richie Madano. He’s sweaty, twitchy, cruel, and completely unhinged. He makes you believe that he’s literally capable of doing anything, and it seems like his goons may be following more out of fear than anything else. His Richie is a man who doesn’t expect that he’ll be alive that much longer, so he’s willing to cross every line that may have once mattered in his life. Director John Flynn captures the urgency of the film’s action very well, and we can feel the tension as Gino tries to locate the crazy Richie as quickly as possible before more innocent people are killed. He isn’t afraid to show the brutality of the violence as part of Gino’s quest, either. This shouldn’t be surprising when you recognize that Flynn directed the revenge classic ROLLING THUNDER (1977) about fifteen years earlier. The one last thing I wanted to point out about OUT FOR JUSTICE is that it was written by R. Lance Hill, who wrote the brutal Charles Bronson hitman film THE EVIL THAT MEN DO (1984). These are talented guys who know how to tell tough stories about even tougher men who are willing to do what it takes to get justice when no one else can. 

At the end of the day, Steven Seagal would go on to make a lot more movies, but I don’t think he ever quite recaptured the balance of charisma and toughness that he shows here. And OUT FOR JUSTICE is a badass action movie that doesn’t really care what movie critics think, either. Buoyed by Seagal’s performance, the film’s action is angry, focused, unapologetic, and still hits hard over thirty years after it was originally released.