And here are the NAACP Image Award Nominations!


Dear White People

And continuing our awards wrap-up, here are the 2014 NAACP Image Award nominations!

(h/t to awardswatch)

MOTION PICTURE
Outstanding Motion Picture
• “Belle” (Fox Searchlight Pictures/ DJ Films)
• “Beyond The Lights” (Relativity Media)
• “Dear White People” (Lionsgate and Roadside Attractions)
• “Get On Up” (Universal Pictures)
• “Selma” (Paramount Pictures)

Outstanding Actor in a Motion Picture
• Chadwick Boseman – “Get On Up” (Universal Pictures)
• David Oyelowo – “Selma” (Paramount Pictures)
• Denzel Washington – “The Equalizer” (Columbia Pictures)
• Idris Elba – “No Good Deed” (Screen Gems)
• Nate Parker – “Beyond The Lights” (Relativity Media)

Outstanding Actress in a Motion Picture
• Gugu Mbatha-Raw – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Quvenzhané Wallis – “Annie” (Columbia Pictures)
• Taraji P. Henson – “No Good Deed” (Screen Gems)
• Tessa Thompson – “Dear White People” (Lionsgate and Roadside Attractions)
• Viola Davis – “The Disappearance of Eleanor Rigby” (The Weinstein Company)

Outstanding Supporting Actor in a Motion Picture
• André Holland – “Selma” (Paramount Pictures)
• Cedric the Entertainer – “Top Five” (Paramount Pictures)
• Common – “Selma” (Paramount Pictures)
• Danny Glover – “Beyond The Lights” (Relativity Media)
• Wendell Pierce – “Selma” (Paramount Pictures)

Outstanding Supporting Actress in a Motion Picture
• Carmen Ejogo – “Selma” (Paramount Pictures)
• Jill Scott – “Get On Up” (Universal Pictures)
• Octavia Spencer – “Get On Up” (Universal Pictures)
• Oprah Winfrey – “Selma” (Paramount Pictures)
• Viola Davis – “Get On Up” (Universal Pictures)

Outstanding Independent Motion Picture
• “Belle” (Fox Searchlight Pictures/ DJ Films)
• “Dear White People” (Lionsgate and Roadside Attractions)
• “Half of a Yellow Sun” (monterey media inc.)
• “JIMI: All Is By My Side” (XLrator Media)
• “Life of a King” (Animus Films/Serena Films)

Outstanding Writing in a Motion Picture
• Chris Rock – “Top Five” (Paramount Pictures)
• Justin Simien – “Dear White People” (Roadside Attractions and Lionsgate)
• Margaret Nagle – “The Good Lie” (Alcon Entertainment)
• Misan Sagay – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Richard Wenk – “The Equalizer” (Columbia Pictures)

Outstanding Directing in a Motion Picture
• Amma Asante – “Belle” (Fox Searchlight Pictures/ DJ Films)
• Antoine Fuqua – “The Equalizer” (Columbia Pictures)
• Ava DuVernay – “Selma” (Paramount Pictures)
• Gina Prince-Bythewood – “Beyond The Lights” (Relativity Media)
• John Ridley – “JIMI: All Is By My Side” (XLrator Media)

TELEVISION
Outstanding Comedy Series
• “Black-ish” (ABC)
• “House of Lies” (Showtime)
• “Key & Peele” (Comedy Central)
• “Orange is the New Black” (Netflix)
• “Real Husbands of Hollywood” (BET)

Outstanding Actor in a Comedy Series
• Andre Braugher – “Brooklyn Nine-Nine” (FOX)
• Anthony Anderson – “‘Black-ish” (ABC)
• Don Cheadle – “House of Lies” (Showtime)
• Keegan-Michael Key – “Key & Peele” (Comedy Central)
• Kevin Hart – “Real Husbands of Hollywood” (BET)

Outstanding Actress in a Comedy Series
• Mindy Kaling – “The Mindy Project” (FOX)
• Niecy Nash – “The Soul Man” (TV Land)
• Tracee Ellis Ross – “Black-ish” (ABC)
• Uzo Aduba – “Orange is the New Black” (Netflix)
• Wendy Raquel Robinson – “The Game” (BET)

Outstanding Supporting Actor in a Comedy Series
• Boris Kodjoe – “Real Husbands of Hollywood” (BET)
• Glynn Turman – “House of Lies” (Showtime)
• Laurence Fishburne – “Black-ish” (ABC)
• Marcus Scribner – “Black-ish” (ABC)
• Terry Crews – “Brooklyn Nine-Nine” (FOX)

Outstanding Supporting Actress in a Comedy Series
• Adrienne C. Moore – “Orange is the New Black” (Netflix)
• Laverne Cox – “Orange is the New Black” (Netflix)
• Lorraine Toussaint – “Orange is the New Black” (Netflix)
• Sofia Vergara – “Modern Family” (ABC)
• Yara Shahidi – “black-ish” (ABC)

Outstanding Drama Series
• “Being Mary Jane” (BET)
• “Grey’s Anatomy” (ABC)
• “House of Cards” (Netflix)
• “How to Get Away with Murder” (ABC)
• “Scandal” (ABC)

Outstanding Actor in a Drama Series
• LL Cool J – “NCIS: LA” (CBS)
• Omar Epps – “Resurrection” (ABC)
• Omari Hardwick – “Being Mary Jane” (BET)
• Shemar Moore – “Criminal Minds” (CBS)
• Taye Diggs – “Murder in the First” (TNT)

Outstanding Actress in a Drama Series
• Gabrielle Union – “Being Mary Jane” (BET)
• Kerry Washington – “Scandal” (ABC)
• Nicole Beharie – “Sleepy Hollow” (FOX)
• Octavia Spencer – “Red Band Society” (FOX)
• Viola Davis – “How to Get Away with Murder” (ABC)

Outstanding Supporting Actor in a Drama Series
• Alfred Enoch – “How to Get Away with Murder” (ABC)
• Courtney B. Vance – “Masters of Sex” (Showtime)
• Guillermo Diaz – “Scandal” (ABC)
• Jeffrey Wright – “Boardwalk Empire” (HBO)
• Joe Morton – “Scandal” (ABC)

Outstanding Supporting Actress in a Drama Series
• Aja Naomi King – “How to Get Away with Murder” (ABC)
• Alfre Woodard – “State of Affairs” (NBC)
• Chandra Wilson – “Grey’s Anatomy” (ABC)
• Jada Pinkett Smith – “Gotham” (FOX)
• Khandi Alexander – “Scandal” (ABC)

Outstanding Writing in a Comedy Series
• Aisha Muharrar – “Parks and Recreation” – Ann & Chris (NBC)
• Brigette Munoz-Liebowitz – “Brooklyn Nine-Nine” – Road Trip (FOX)
• Mindy Kaling – “The Mindy Project” – Danny and Mindy (FOX)
• Regina Hicks – “Instant Mom” – A Kids’s Choice (Nickelodeon and Nick@Nite)
• Sara Hess – “Orange is the New Black” – It Was the Change (Netflix)

Outstanding Writing in a Drama Series
• Erika Green Swafford – “How to Get Away with Murder” – Let’s Get To Scooping
(ABC)
• Mara Brock Akil – “Being Mary Jane” – Uber Love (BET)
• Warren Leight, Julie Martin – “Law & Order: SVU” – American Disgrace (NBC)
• Zahir McGhee – “Scandal” – Mama Said Knock You Out (ABC)
• Zoanne Clack – “Grey’s Anatomy” – You Be Illin’ (ABC)

Outstanding Television Movie, Mini-Series or Dramatic Special
• “A Day Late and a Dollar Short” (Lifetime Networks)
• “American Horror Story: Freak Show” (FX)
• “Drumline: A New Beat” (VH1)
• “The Gabby Douglas Story” (Lifetime Networks)
• “The Trip to Bountiful” (Lifetime Networks)

Outstanding Actor in a Television Movie, Mini-Series or Dramatic Special
• Blair Underwood – “The Trip to Bountiful” (Lifetime Networks)
• Charles S. Dutton – “Comeback Dad” (UP Entertainment)
• Larenz Tate – “Gun Hill” (BET)
• Mekhi Phifer – “A Day Late and a Dollar Short” (Lifetime Networks)
• Ving Rhames – “A Day Late and a Dollar Short” (Lifetime Networks)

Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special
• Angela Bassett – “American Horror Story: Freak Show” (FX)
• Cicely Tyson – “The Trip to Bountiful” (Lifetime Networks)
• Keke Palmer – “The Trip to Bountiful” (Lifetime Networks)
• Regina King – “The Gabby Douglas Story” (Lifetime Networks)
• Vanessa Williams – “The Trip to Bountiful” (Lifetime Networks)

Key & Peele

Terminator: Genisys (Official Trailer)


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I’m not sure if the 5th Terminator film is a prequel or a sequel. Time travel and paradoxes and all that jazz sure make it difficult to figure that out.

Now, what we do know is that Terminator: Genisys (whoever came up with that title should be shot) will take things even farther than the first film which is suppose to kickoff a divergent timeline that makes the first four films a moot point.

So, this means that Terminator: Genisys may be both prequel and sequel, but also a reset of the whole franchise. See what I mean about confusing.

Here’s to hoping that screenwriters Laeta Kalogridis and Patrick Lussier have a better handle on all this jumbled time travel and resetting stuff.

Terminator: Genisys is set for July 1, 2015 release date.

Lisa Marie Is Surprised by Final Destination 5 (dir by Steven Quale)


So, earlier today, I saw Final Destination 5 and guess what isn’t half as bad as you might think?

Now, I’m going to assume that if you’re reading this review, then you probably already know what this film is about.  Seriously, once a film has reached its fifth installment, you have absolutely no excuse for not knowing what’s going on.  Still, just in case you need to be reminded, here’s how this series works. All of the Final Destination films follow the same basic storyline: a group of attractive but generally anonymous people are gathered together for some everyday event like Nascar or a flight to France.  Suddenly, there’s some huge disaster that generally involves a lot of things exploding and people dying.  However, it turns out that the disaster we just saw was instead the main character’s vision of what’s going to happen.  That character freaks out which leads to him and a handful of other people avoiding the disaster.  However, by not dying, they’ve managed to tick off Death and soon, our survivors are dying in a variety of ludicrously convoluted ways, the key being that they’re dying in the order that they died in the original vision.  (Fortunately, Tony Todd shows up in each film and explains how it all works.)  Anyway, in each film, we learn of a different way to cheat death and each film ends with both the final survivors and the audience learning that actually you can’t cheat death.  In many ways, the Final Destination series is the perfect reflection of the 21st Century.  The same crap keeps happening and, in the end, we’re all doomed regardless.

Final Destination 5 sticks to established formula.  This time, the big disaster is a bridge collapse and the twist is that a survivor can fill death’s quota by killing someone else.  That’s kind of a neat idea and the film actually has a little bit of clever fun with that at the end.  Still, I wish the film had taken the whole idea to its logical, grindhouse extreme and just had all the survivors running around desperately looking for innocent people to murder.

There’s a lot of very legitimate criticisms that one can make about Final Destination 5.  Though the supporting cast is well-chosen (especially Miles Fisher — who could be Tom Cruise’s twin brother, seriously, David Koechner and Courtney B. Vance), the main character is played by Nicholas D’Agosto, who gives a performance that is so free of charisma that you have a hard time believing that he was ever alive to begin with.  Emma Bell plays D’Agosto’s girlfriend and it is seriously amazing to see how little chemistry the two of them have together.  (Then again, this also helps to make the film’s final twist entertaining as opposed to traumatic…)  As much as I love to see Tony Todd doing his Tony Todd thing, it’s hard not get impatient with the fact that these characters need to be told that they’re in a Final Destination film.

But let’s be honest — those criticisms may be valid but who cares?  This is a Final Destination film and if you’re not willing to consider it on the basis of what it is, then don’t waste your time watching it and bitching about how it’s not The Help.  Judged solely on that basis, Final Destination 5 is actually a return to form for the series.  The deaths are all nicely done and memorably grotesque and there’s a real nasty twist at the end of the film that basically serves as a reward for all the horror fans who have stuck with the series since the beginning.  I wish I could tell you what that twist was but seriously, it’s way too neat for me to spoil it.  I’ll just say that I squealed in delight when I saw it. 

Finally, this is a 3-D film that was actually made in real 3-D.  The 3-D was not tacked on as an afterthought and, as a result, this is rare film that actually uses the 3-D to make the movie better as opposed to just trendier.  This is a film where guts spill freely, eyeballs literally pop out of the screen, and it’s all just the perfect definition of good, stupid fun.

(That said, I do have to admit that this film was apparently made specifically to freak me out because, oh my God, it’s like they exploited every single fear that I have.  As Arleigh can tell you, I am terrified of two things — heights and drowning.  Which means that if you really want to see me scared, just get me thinking about the prospect of plunging several hundred feet into a large body of water.  Seriously, just typing that freaks me out.  So, of course, what does this film open with?  A freaking bridge collapsing.  And don’t even get me started on the laser eye surgery…agck!  I’ll just stay blind as a bat, thank you very much.)