Film Review: Can’t Stop The Music (dir by Nancy Walker)

Posted on June 22, 2026 by Lisa Marie Bowman

1980’s Can’t Stop The Music opens with Jack Morrell (young Steve Guttenberg) working in a record store. However, he’s got bigger plans that just standing behind a cash register. He quits his job and then roller skates around New York with a big goofy grin on his face. Everyone he passes is charmed. And why not? New Yorkers are famous for their good-humor and polite manners.

Jack is a songwriter but he doesn’t have the voice necessary to sell his songs. His platonic roommate, former supermodel Sam Simpson (Valerie Perrine), decides that what Jack needs is a band to sing his lyrics. Luckily, Sam knows a singer named Felipe Rose. He spends all of his time dressed like an Indian brave. There’s no specific reason given for his costume choice, it’s just something that he does. Sam and Jack are also able to recruit a construction worker (David Hodo), a “leatherman” (Glenn Hughes), a cowboy (Randy Jones), a G.I. (Alex Briley), and a singing cop (Ray Simpson). The name of the band? The Village People!

Yes, Can’t Stop The Music is fictionalized story of how The Village People came together. It was directed by TV actress Nancy Walker. It was a major studio production, one that was expected to build on the popularity of disco and bring in a lot of money. Unfortunately, it was released at the same moment that disco stopped being trendy. Can’t Stop The Music has a reputation for being bad and campy. Both of those things are true but I should point out that it’s also a remarkably boring film. The movie is full of characters who are constantly coming and going. Sam has a large collection of friends and former co-workers, all of whom just tend to randomly pop up. Most of them don’t really add much to the overall plot and, indeed, it’s hard not to resent being expected to keep track of all of them when there’s really no reason for many of them to be in the film. A pre-transition Caitlyn Jenner plays Ron White, a lawyer who is mugged while delivering a cake and who ends up as Sam’s boyfriend. As much as I made fun of Jenner as a performer while reviewing CHiPs, Jenner is even worse in You Can’t Stop The Music. In fact, Jenner’s performance is one of the worst that I have ever seen. If Ron angry? Is Ron sad? Is Ron in love? Is Ron an alien from outer space? You never really can tell, largely because Caitlyn Jenner’s performance is so inept. It’s not so much that Jenner can’t show emotion and one gets the feeling that Jenner isn’t even sure what emotion is.

As for the Village People themselves …. well, this film leaves little doubt that none of them were professional actors. Felipe Rose probably comes the closest to giving a credible performance but, as individuals, the members of the Village People aren’t that interesting and it takes forever for them to actually become a group. Even after they become a group, they still can’t generate enough on-screen charisma to really hold our attention. Who knew the Village People were so boring?

The majority of the film plays coy as far as the subtext of the Village People’s song are concerned. Steve Guttenberg’s character is definitely gay-coded without the film actually coming out and saying so.. The construction worker gets a fantasy in which he imagines being lusted after by several female groupies. The first few performances of the Village People are rather bland and it’s almost as if the film is trying to avoid the fact that the Village People’s songs and the personas of the performers all paid tribute to gay culture in the 1970s. But then the film hits the YMCA production number and suddenly, the Village People are frolicking with half-naked, muscular men while joyfully singing about everything that’s available at the YMCA. For that brief moment, the film embraces the campiness of the Village People and this major studio production actually becomes a bit subversive. It’s also one of the few moments in the film in which anyone seems to be genuinely happy. The Village People seem to be having fun. Unfortunately, the YMCA sequence is the exception instead of the rule.

Can’t Stop The Music‘s sin isn’t that it’s boring as much as it’s just bland. It’s an incredibly blah film. No film about New York in the 70s has any right to be so forgettable.

Late Night Retro Television Review: CHiPs 5.11 “Concours d’Elegance”

Posted on March 2, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, we say goodbye to a member of the highway patrol. Excuse while I wipe the tears away from my myopic eyes.

Episode 5.11 “Concours d’Elegance”

(Dir by John Patterson, originally aired on December 13th, 1981)

This is it. This the final episode to feature the character of Steve McLeish.

Played by a pre-transition Caitlyn Jenner, Steve was introduced as a replacement for Ponch while Erik Estrada was recovering from a stunt gone wrong. Once Ponch rejoined the series, there really wasn’t much for Steve to do but he still stuck around for a few episodes. He only appears for a few minutes in this episode. He arrests some joyriding teens who are constantly trying to get older people to buy them liquor. Maybe they should have asked Steve. He always seemed like was eager to please.

(I should mention that both of the “teens” appear to be in their 30s.)

I’m going to miss Steve, largely because Jenner’s bland performance was so bad that it actually became rather fascinating to watch. In this episode, he continues to deliver his lines with a puppy-dog earnestness that can’t disguise his total inability to show any emotion beyond wide-eyed wonderment.

As for this episode, it featured Baker and Ponch getting involved with a rich family. While matriarch Hannah Chadway (Claudette Nevins) tries to see Baker up with her niece, sleazy Anthony Chadway (Gary Graham) is illegally selling cars and using the family’s charity as a front. At one point, Hannah offers Baker a private security job. Baker turns her down. Couldn’t he have at least put in a word for his friend Steve? Ponch and Baker eventually take it upon themselves to tell Hannah that she needs to get her spoiled family under control. Hannah realizes they’re right. Personally, I would have told Ponch and Baker that it was really none of their business but that’s just me.

This episode feature two slow motion crashes, both of which are so severe that everyone involved should have been killed. (One accidents features not one but two cars flying through a trailer as it explodes.) Oddly, no one is seriously injured. I’m getting the feeling that CHiPs may not have always been a realistic show.

Late Night Retro Television Review: CHiPs 5.10 “Fast Money”

Posted on February 23, 2026 by Lisa Marie Bowman

This week, Ponch is back!

Episode 5.10 “Fast Money”

(Dir by Leslie H. Martinson, originally aired on December 5th, 1981)

This is getting weird.

After being either absent or only appearing in one or two scenes over the past few episodes, Ponch returns this week. He’s once again on active duty, patrolling the California highways with Baker. As much as I notice and joke about the obvious disdain that Erik Estrada and Larry Wilcox held for each other, they do make a surprisingly good team. They just seem to belong together. If I’ve learned anything over the past few weeks, it’s that Larry Wilcox needed Estrada’s flamboyance and that Erik Estrada needed Wilcox’s cool professionalism. They balanced each other out.

With Ponch (and Estrada) back, there’s really no reason for Steve McLeish to stick around. And yet, during this episode — there he was!

He didn’t really have anything to do. Ponch and Baker were after some van-driving engineers who were using a hydraulic lift to hijack other cars. When they figured out which company had developed the hydraulics being used in the crime wave, Steve called the company’s chairman. (Steve says the chairman of the board is an old friend and no one acts surprise. I’m guessing maybe that was an inside joke or some sort of reference to the Olympics.) Later, Steve showed them a mansion that was fixing up so he could flip it. The scenes felt awkward and not just because of the Caitlyn Jenner’s total lack of acting ability. There really wasn’t any reason for them to be in the episode. There was no reason for Steve to be around. Ponch and Baker should have been out there, taking down those nerdy engineers and warning people about the dangers of technology. Instead, they were having to make time to hang out with Steve.

As I watched this episode, it occurred to me that maybe Caitlyn Jenner just refused to go home. Maybe Jenner showed up on set and wouldn’t leave until the writers wrote Steve a few scenes. That theory is really the only one that makes sense.

Anyway, this episode had a few good car crashes. The hydraulic lift was incredibly silly and so was Harlan’s suggestion that they could catch the thieves by tricking them into trying to lift a car that was weighted down with rocks. There was also a big subplot that was centered around Ponch trying to get the shower fixed in his apartment. I always like it whenever the show finds an excuse to show us either Ponch or Jon’s apartment. The wood paneling and the shag carpeting amuses me. They should have called this show Disco Cops.

According to the imdb, next week will be Jenner’s final episode. So, we’ll see how the saga of Steve McLeish comes to an end. I think he’s going to get arrested for taking payoffs from the mob. We’ll see if I’m right!

Late Night Retro Television Review: CHiPs 5.9 “Finders Keepers”

Posted on February 16, 2026 by Lisa Marie Bowman

This week is just a mess.

Episode 5.9 “Finders Keepers”

(Dir by John Peyser, originally aired on November 29th, 1981)

Oh, it’s a Steve McLeish episode!

These episodes are fun because they were so obviously written and re-written to try to cover up the fact that Caitlyn Jenner was a terrible actor. In this episode, we learn that Steve is into rare flowers and that he drives a pretty snazzy convertible. And yet, despite these character details, Steve still doesn’t really have a personality beyond being kind of twitchy and always hesitating before delivering his lines. Jenner seemed to be made out of charisma anti-matter and it’s bizarre to see a public figure with absolutely zero screen presence.

This episode is a mess. Two teens steal a car and come into possession of some stolen money. Steve searches for the stolen car. An eccentric bounty hunter (Noble Willingham) drives from Texas to California in a pink Cadillac and gets in everyone’s way as he chases a fugitive. Oscar nominee Amy Madigan appears as a country singer who would really like to get it on with Baker but Baker always ends up running late. Ponch makes three brief appearances in this episode. It’s explained that he’s preparing to testify in a huge trial and that’s why Baker and Steve are temporary partners. None of the storylines really feel complete or connected. One gets the feeling that three different scripts were just randomly crammed together.

This episode had two effective car crashes and it was somewhat amusing to watch as Baker always showed up just a minute or two after Amy Madigan stopped singing. That said, this episode didn’t add up to much. The only thing that really made it watchable was Jenner’s bizarre performance.

There’s a part of me that kind of hopes that Ponch never comes back! Of course, if that happened, it would no longer be….

Late Night Retro Television Review: CHiPs 5.8 “Diamond In The Rough”

Posted on February 9, 2026 by Lisa Marie Bowman

Who will be Jon’s partner this week? Read on to find out.

Episode 5.8 “Diamond in the Rough”

(Dir by Leslie H. Martinson, originally aired on November 22nd, 1981)

Erik Estrada is not in this episode which means that a pre-transition Caitlyn Jenner is back as Officer Steve McLeish. Yay! Jenner is just as off-putting and unconvincing as the last time that he appeared on this show. Unfortunately, it appears that the show’s producers picked up on the fact that he wasn’t a particularly good (or even appealing) actor and, as a result, neither Jon nor Steve do much in this episode. It’s almost as if the show’s producer didn’t realize that Jenner’s inability to show emotion or deliver his lines without smiling like a goofball was the most entertaining thing about the episodes without Estrada.

Instead, the episode is split between a veteran thief (Henry Jones) plotting his next robbery and an angry kid named Pat (Nicky Katt, in one of his first roles) who stays with the Getraers while his mother is recovering after a car accident. As the car accident was caused by the thief’s car, Pat is in a position where he can identify the thief. But first, Pat has to stop getting angry at everyone.

This episode didn’t add up too much. The whole thing felt a bit half-baked and one gets the feeling that the script was hastily thrown together so that it wouldn’t require Estrada (who was recovering from a stunt-gone-wrong at the time) while, at the same time, it also wouldn’t require Jenner to do much more other than stand around and direct traffic. Robert Pine gets to do a bit more than usual, which is good because he was the best actor on the show. But still, on the whole, this just didn’t feel like a proper episode of CHiPs.

One final note: Nicky Katt was really good as Pat. Most child actors tend to go overboard and come across as being cutesy. Katt, on the other hand, seemed to be sincerely angry in the role of Pat. Your heart really broke for him. Even as a child actor, Katt was a smart and intuitive actor. He is definitely missed.

Late Night Retro Television Review: CHiPs 5.4 “The Killer Indy”

Posted on January 12, 2026 by Lisa Marie Bowman

This week, Baker has a new partner!

Episode 5.4 “The Killer Indy”

(Dir by Leslie H. Martinson, originally aired on October 25th, 1981)

When a group of bikers start holding illegal street races, Getraer wants it stopped before someone is seriously hurt! Jon Baker and his partner Steve McLeish decide to end the races by any means necessary, especially since Steve’s brothers are involved….

Wait, who?

Played by a pre-transition Caitlyn Jenner, Steve McLeish serves as Baker’s partner in this episode. We don’t really get much of an introduction as to who Steve is or why he’s even riding with Baker. Everyone just acts as if Steve has always been there. Ponch is not even mentioned and it’s difficult not to notice that Larry Wilcox seems a bit more cheerful than usual in this episode. For once, he’s the one who gets to do all of the cool stuff while everyone else watches.

This was the first of several episodes that Erik Estrada missed during the fifth season, the result of being injured during a stunt gone wrong. Jenner, who was then best-known as an Olympian, was brought in to play Steve McLeish. Judging from this episode, Jenner was a remarkably bad actor. Compared to everyone else in the episode, Jenner comes across as being awkward and stiff. Like many nonprofessional actors, it’s obvious that Jenner was not sure what do when not delivering dialogue. Jenner stands there, hands awkwardly positioned and occasionally trying to react to the other actors. It’s really almost painful to watch.

It’s obvious that this episode was written with Ponch in mind. Like Ponch, Steve has two brothers and used to be a motorcycle-racing delinquent when he was younger. His older brother (who is played by the legendary character actor Robert F. Lyons) is named Toro, which might make sense if he was Ponch’s brother but, as it is, you really do have to wonder about the parents who would name one son Toro and the other sons Steve and Ted. Ted, incidentally, is played by Kevyn Major Howard. Howard, Lyons and Jenner have next to no features in common, leading one to wonder how they could possibly all be members of the same family?

There was some good motorcycle chase action in this episode. There was also so much dialogue about the importance of wearing a helmet that, as soon as the gang’s leader announced he didn’t need a helmet, the most viewers had to know that he was doomed to ultimately be thrown from his motorcycle and crash headfirst into the pavement. “He hit his head,” Getraer says and that’s the last we hear about the guy.

As for this episodes comedic subplot, Grossman begged his fellow patrol people to join him and his nieces at the waterpark. While Baker, Steve, and everyone else took care of his nieces, Grossman hung out with his two bikini-clad neighbors. Grossman winked at the camera as the CHiPs theme music started to play.

And so, it’s another day in L.A….

Grambling’s White Tiger (1981, directed by Georg Stanford Brown)

Posted on January 6, 2020 by Jedadiah Leland

The year is 1968 and Jim Gregory (played by Caitlyn Jenner, back when she was still credited as Bruce) is a hotshot high school quarterback who has just been offered a scholarship to play at Grambling University. With their star quarterback in his final year, Grambling needs a good backup. Meanwhile, Jim dreams of playing in the NFL and is excited to play for a program that’s known for producing professional football players. Grambling’s legendary head coach, Eddie Robinson (Harry Belafonte), is eager for Jim to join the team.

The only problem is that Grambling is a historically black college and Jim Gregory is very much white. In fact, Jim will not only be the first white player to ever join the Grambling Tigers but he will also be the only white student enrolled at the school. From the minute that Jim arrives on campus, he discovers that he’s not wanted. The rest of the team sees him as an interloper and they resent that he took a scholarship that could have gone to a black player. Meanwhile, the local whites distrust Jim because he’s a student at a black college.

Based on a true story, this is a football film that doesn’t feature much football. Jim doesn’t get to play in a game until the very end of the season and, even then, he’s only on the field for a few minutes. He doesn’t win the game or even lead a scoring drive. Instead of focusing on the usual sports movie clichés, Grambling’s White Tiger instead explores Jim experiencing, for the first time, what it’s like to be a minority. Jim eventually wins over his teammates through his hard work but he still remains an outsider for the entire film. When he goes into town, a saleswoman and her boss initially offer him a discount on a pair of boots until they discover that he plays football not for Louisiana Tech but instead for Grambling. When he first meets the parents of his new girlfriend, he’s told that an interracial relationship will never last and is advised to move on. When the funeral of Martin Luther King is broadcast on television, all Jim’s teammates walk out of the room one-by-one until Jim is left sitting alone.

In typical made-for-network-TV fashion, Grambling’s White Tiger explores important issues without delving into them too deeply. (For instance, the fact that Jim’s spot on the team is potentially coming at the expense of a black student is an intriguing issue that is mentioned at the start of the film but never really dwelled upon.) Harry Belafonte is perfect as the stern but compassionate Coach Robinson while LeVar Burton is likable as the only member of the team to initially welcome Jim. Jenner, however, is thoroughly miscast and several years too old to play a college freshman. As an actor, Jenner is stiff and awkward but the true story of Jim Gregory is interesting enough that the film will hold the attention of any football fans in the audience.