Insomnia Files #71 and #72: Dallas Cowboys Cheerleaders (dir by Bruce Bilson) and Dallas Cowboys Cheerleaders II (dir by Michael O’Herlihy)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have gone over to YouTube and watched 1979’s Dallas Cowboys Cheerleaders!  And then, if you were still having trouble getting to sleep, you could have followed it up with 1980’s Dallas Cowboys Cheerleaders II!  And then if you were somehow still not able to get any rest …. well, sorry.  There’s only two of them.  I guess you could watch that Making the Team show.  I don’t know.

Anyway, back to the movies!

The first Dallas Cowboys Cheerleaders stars Jane Seymour as a serious journalist who at first scoffs at the idea of going undercover as a Dallas Cowboys Cheerleader.  But her ex-boyfriend and editor (Bert Convy) insists that she take the assignment.  Jane goes undercover and even makes the squad!  (It’s never mentioned whether she has any sort of dance or cheerleading experience so I find it a bit odd that she actually made it onto a professional cheerleading squad but whatever….)  Seymour gets to know the other members of the Squad, including the Love Boat’s Lauren Tewes.  She comes to realize that she doesn’t want to write up a tabloid story about the cheerleaders.  These are “good, down home girls,” she tells Convy.  Convy doesn’t care.  He wants scandal!

He’s not going to get it, though.  The main message of this film is that the Dallas Cowboys Cheerleaders are basically saints with pom poms.  Sure, one of them has a loser ex-boyfriend.  And another one of them struggles a bit with the routines.  It’s not an easy job but, in the end, everyone does their bit to support the team!

It’s all pretty silly but I’m from Dallas and I’m surrounded by Cowboy fans who have been complaining nonstop about the team for as long as I can remember so I enjoyed watching a movie that portrayed the Cowboys organization as being the greatest group of people on the planet.  (No drug or gun problems here!)  It’s very much a film of the 70s, made for television and straddling the line between being exploitive and being wholesome.  Yes, the costumes are skimpy but no one smokes, drinks, or curses.  The film features soapy drama, actual Dallas locations, 70s fashion, a great disco soundtrack, and dorky Bert Convy as a womanizer.  Plus, like me, Jane Seymour has mismatched eyes.  How can you not love this film!?

As for the sequel, it ditches almost everyone from the first film.  Only Laraine Stephens, as the squad’s no-nonsense coach, returns.  She’s got a whole new squad to deal with and only a limited amount of time to perfect the cheer that will win the Cowboys the Super….sorry, I mean to say the playoff game.  Whenever anyone in the film says, “playoff game,” their lips read “Super Bowl,” so I guess there was some last-minute tinkering after shooting was completed.  The squad also has to get ready to tour with the USO and to perform at a children’s hospital.  (Ray Wise appears as a doctor at the children’s hospital.)  The Cheerleaders are not only going to bring peace to the world but they’re also going to give those children the inspiration they need to get better.  Yay!

This one isn’t as much fun, largely because Laraine Stephens’s character isn’t that much fun.  The first film featured the very British Jane Seymour in Texas, somehow becoming a member of an all-American football team’s cheerleading squad and it was impossible not to enjoy the implausibility of it all.  The second film is just Laraine Stephens getting mad at people for not having the routine down to perfection.  No thanks, movie, I’m done with dealing with demanding choreographers.  There’s a reason why I turned down all of those offers to join the cheer squad in high school.  (For the record, my sister was the greatest cheerleader our high school ever had or ever will have!  Erin watched the first movie with me a few weeks ago.  She said it was okay but she didn’t think Jane Seymour was a convincing cheerleader.)

According to what I’ve read online, the first Dallas Cowboy Cheerleaders film was a huge rating success.  The second film was less so, which I guess is why there was never a third.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster
  58. The Haunting of Helen Walker
  59. True Spirit
  60. Project Kill
  61. Replica
  62. Rollergator
  63. Hillbillys In A Haunted House
  64. Once Upon A Midnight Scary
  65. Girl Lost
  66. Ghosts Can’t Do It
  67. Heist
  68. Mind, Body & Soul
  69. Candy
  70. Shortcut to Happiness

Retro Television Review: The Love Boat 5.13 “Doc Take the Fifth/Safety Last/A Business Affair”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love, exciting and new….

Episode 5.13 “Doc Take the Fifth/Safety Last/A Business Affair”

(Dir by Bruce Bilson, originally aired on Jan. 2nd, 1982)

Returning from his vacation, Doc boards the boat with a young Russian blonde woman named Tania (Irena Ferris).  Oh, the crew says, Doc has a new girlfriend.

No, Doc has a new wife!  Doc and Tania met after Doc saw her performing as a member of a communist symphony during his vacation.  They struck up a conversation and, according to Doc, it was love at first sight,  After a whirlwind courtship, Doc and Tania got married, mere hours before heading to the boat.  It’s going to be a working honeymoon for Doc and he can’t wait to consummate the marriage.  The crew can’t wait for him to do it either.  (Seriously, they are oddly obsessed with Doc Bricker’s sex life.)  This is Doc’s fifth marriage and it’s going to last!

Except …. Tania doesn’t seem to want to consummate the marriage.  In fact, once the boat sets sail, Tania seems to be avoiding Doc.  Doc wonders if maybe Tania is just shy but seriously — refusing to have sex with your new husband on a luxury cruise ship?  No one’s that shy!  Then Doc spies Tania kissing another passenger.

“Adam,” the captain says, “you don’t know Tania that well.”

Indeed, Adam does not.  Eventually, Tania tells Doc Bricker the truth.  She married Adam so she could stay in the country with the true love of her life, political dissident Mikhail (Kai Wulff).  Tania says that she really, really likes Doc but she is not in love with him.  Both Tania and Mikhail apologize to Doc and tell him that Tania will get the marriage annulled and return to Russia.

Personally, I think Doc would have been justified in tossing them both overboard.  Instead, Doc asks Captain Stubing to call a friend at the State Department and arrange for Tania to get permanent refugee status in the United States.  Awwww, that was nice of Doc!

This storyline was depressing but, as I’ve said before, I always appreciate it when The Love Boat allows Doc Bricker to be something other than just a lech.  Bernie Kopell was so likable in the role that it was always nice when he got to play Doc as being a nice guy as opposed to a manipulative sex addict.  Kopell did an especially good job in this episode, especially at the end where he appears to be on the verge of tears as he watches Tania and Mikhail leave the boat.

As for the other two stories, neither one was particularly interesting.  A safety inspector (Don Adams) is so obsessed with safety that he nearly misses a chance for romance with Alice (Britt Ekland).  Luckily, Isaac is there to set him straight.  A business executive (Robert Fuller) is upset that everyone thinks he’s sleeping with his Vice President (Judy Norton).  But then he falls in love with her and sleeps with her for real so I guess the rumors were true!

Those stories were boring but Doc’s story redeemed this week’s cruise.  Poor Doc!  Maybe the sixth time will be the charm.

Retro Television Review: The Love Boat 5.11 “He’s My Brother/Zeke and Zelda/Teach Me Tonight”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

The Love Boat is back for a new year of reviews!

Episode 5.11 “He’s My Brother/Zeke and Zelda/Teach Me Tonight”

(Dir by Bruce Bilson, originally aired on December 5th, 1981)

This week, Doc Bricker’s brother boards the Love Boat and boy, does he turn out to be a jerk!  Fred Bricker (Jack Bannon) is bitter because their father paid for Doc to go to medical school while Fred had to stay behind on the farm.  Now, Fred is married to Nancy (Elaine Joyce) and worried about how he’s going to afford to send his own son to college.  Convinced that Doc is rich, Fred thinks that Doc should pay for his nephew’s college tuition.  Doc agrees.  Fred still acts like an ungrateful jackass but, when he learns that Doc has actually taken out a loan to pay the tuition, Fred realizes that Doc may not be rich but he is a good man.

The weird thing about this storyline is that Fred didn’t have enough money to send his kid to college but apparently, he did have enough money to take an expensive cruise on a luxury liner.  The other strange thing is that Fred didn’t know that Doc worked on the ship until he saw him in the lobby.  Fred just happened to buy a ticket for the same ship that his brother worked on.  Every episode of The Love Boat featured its share of implausible coincidences but this episode really pushes suspension of disbelief to its breaking point.  On a positive note, this story did allow us to see another side of Doc.  Bernie Kopell is always more believable when he gets to play Doc as being a nice guy as opposed to playing him as being an irredeemable lech.

Speaking of money, two old vaudevillians (played by Milton Berle and Martha Raye) haven’t had much of it ever since their style of performing went out of fashion.  Berle and Raye stowaway on the ship and then attempt to freeload their way through the cruise by pretending to be another set of passengers, Zeke and Zelda Van Buren (played by Herb Edelman and Elinor Donahue).  The captain is not amused when he finds out that someone is breaking the law on his boat but then Milton and Martha sing a duet of For Me And My Gal and all is forgiven.  The Captain arranges for them to get a job as entertainers on another ship.  I’ve noticed that the Captain never really seems to punish any of the many stowaways who have taken a trip on The Love Boat.  And you know what?  Good for him!  There’s a place for mercy in this cold world of ours.

Finally, romance novelist Michael Scott (Daryl Anderson) has a one night stand with teacher Emily Parker (Susan Richardson).  Michael — and yes, it’s impossible not to think of The Office whenever anyone mentions the character’s name — is stunned when Emily gets emotional after their night together.  “You’re acting like you’ve never done this before….” Michael says and, of course, it turns out that she hasn’t.  This was a pretty bleh storyline but it did lead to a funny scene where Michael attempts to have a conversation with Emily while two old ladies eavesdrop and freak out every time they hear the word “virgin.”

I enjoyed this cruise, mostly because it gave Bernie Kopell a chance to actually do some real acting for once.  I always like it when Doc turns out to be a nice guy.  Milton Berle and Martha Raye are, to put it lightly, an acquired taste but both of them give good performances in this episode and even manage to pull off their duet without making it too cringey.  As for the third storyline, it was defeated by the lack of chemistry between Daryl Anderson and Susan Richardson.  Still, two out of three is not bad.

Retro Television Reviews: Half Nelson Episodes 1 & 2 “The Pilot”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

The year was 1985 and actor/singer Joe Pesci was at an interesting place in his film career.

In 1980, Joe Pesci was nominated for Best Supporting Actor for his performance as Robert De Niro’s brother in Raging BullRaging Bull was Pesci’s second film and he earned critical acclaim for his performance as the second most angry member of the LaMotta family.  In the years immediately following his first Oscar nomination, Pesci went on to play character roles in a handful of other films, including Dear Mr. Wonderful, Easy Money, Once Upon A Time In America, and Eureka.  While no one could deny Pesci’s talent or his unique screen presence, it was also obvious that Hollywood wasn’t quite sure what to do with him.  While Pesci was apparently high on everyone’s list when it came to playing gangsters with hair-trigger tempers, no one was willing to give Pesci a starring role.

Fortunately, television always has room for an Oscar nominee and, in 1985, Half Nelson came calling.  Created by veteran television producers Glen A. Larson and Lou Shaw, Half Nelson was a detective show.  Joe Pesci starred as Rocky Nelson, a tough New York cop who relocated to Los Angeles to pursue his acting career.  While waiting for his big break, Rocky worked for Beverly Hills Security and lived in Dean Martin’s guest room.  And when I say that Rocky was living in Dean Martin’s guest house, what I mean is that Dean Martin actually appeared on the show, playing himself.

NBC liked the idea enough to air the pilot film and then schedule the show as a mid-season replacement.  Audiences were a bit less interested in the show and Half Nelson was canceled after only 8 weeks.  Pesci went on to win an Oscar for Goodfellas and he never starred in another television show.  Half Nelson would probably be forgotten if not for the fact that someone recently came across the opening credits on YouTube.  When shared on Twitter, this video went viral as “the most 80s thing” ever created.

After I watched that video, I knew I simply had to review Half Nelson as soon as I finished up The Brady Bunch Hour.  Fortunately, almost all of the episodes have been uploaded to YouTube so, for the next few weeks, I’ll be taking a look at Half Nelson, starring Joe Pesci!

Episodes 1 & 2 “The Pilot”

(Dir by Bruce Bilson, originally aired on March 24th, 1985)

Half Nelson begins in New York City, with NYPD’s finest, Detective Rocky Nelson (Joe Pesci), disguising himself as a waiter and sneaking into a mafia-owned restaurant.  After punching out two guards, Rocky enters a backroom and discovers a group of guys with a lot of heroin.  Rocky arrests them and becomes a hero.  As Rocky explains in a voice-over, it’s the biggest drug bust in history.  When Hollywood asks for the rights to the story, Rocky insists that he be allowed to audition for the lead role.  Rocky quits the NYPD and heads out to Los Angeles.  Rocky’s going to be a star!

And, at first, it seems like Rocky’s dream might actually come true.  The film’s director (played by the veteran TV character actor, George Wyner) watches Rocky’s audition and announces that Rocky has the screen presence and talent of Al Pacino.  Unfortunately, Rocky is also only 5’3.  “You’re too short to play Rocky Nelson,” the director explains.

“But I am Rocky Nelson!” Rocky exclaims.

Despite the fact that Rocky’s telling the truth, it doesn’t matter.  A tall British actor is cast in the film.  As a dejected Rocky leaves the audition, he’s approached by a security guard who offers Rocky a job with Beverly Hills Patrol, a private security firm.  Rocky’s skeptical until the security guard mentions that Rocky will get to live in Dean Martin’s guest house.

We jump forward six months.  Rocky is now a trusted employee of Beverly Hills Patrol.  When he’s not working as a bodyguard, he’s auditioning for roles.  At the office, his boss is Chester (Fred Williamson) and the office manager is Annie O’Hara (Victoria Jackson).  Chester is cool and all-business.  Annie is flighty and has an obvious crush on Rocky.  She also gives Rocky a pit bull named Hunk.  Hunk is very loyal but also very quick to attack anyone who isn’t Rocky.  I don’t know if a show could get away with a comic relief pit bull today but whatever.  Hunk is a cute dog with a ferocious bark.

In just six months, Rocky has become surprisingly well-known in L.A.  Some of that might be because he lives with Dean Martin.  Martin appears in three scenes of the pilot and, to be honest, he definitely looks and sounds a bit worse for wear.  Half Nelson was Dean’s final acting role.  (He died ten years after the show was canceled.)  But even though Dean was clearly not in the best shape when he appeared in the pilot, his natural charisma still shines through and there’s a lot of pleasure to be found in his scenes with Joe Pesci.  For one thing, Pesci himself seems to be genuinely excited about acting opposite Martin.

Along with becoming friends with Dean Martin, Rocky has also befriended Parsons (George Kennedy), a Los Angeles police chief who is eager for Rocky to quit the Beverly Hills Patrol and to join the LAPD.  Rocky turns down the offer, however.  Rocky is done with police work.  He’s going to be a star!

Of course, he’ll also find time to solve some crimes along the way.

For instance, in the pilot, Rocky investigates the death of his best friend and co-worker, Jerry (Nicholas Surovy).  Parsons insists that all the evidence shows that Jerry murdered his girlfriend, Monika (Morgan Brittany), and then shot himself.  However, Rocky doesn’t think Jerry would do something like that.  When Jerry’s father (veteran screen actor Rory Calhoun) asks Rocky to find the people who killed his son, Rocky doesn’t have to be asked twice.

It turns out that Jerry and Monika were taking money from a tabloid magazine publisher (Terry Kiser).  They had a video tape that would have been very embarrassing to some prominent Angelinos, including a businessman (Rod Taylor), a restauranter (Tony Curtis), a general (Mills Watson), an astronaut (Gary Lockwood), and a television executive (Bernie Kopell).  Rocky assumes that the people on the tape ordered the murders but then he learns that, while the general did send two government agents to find the tape, he also made clear that no one was supposed to be killed.  Instead, someone else who wanted the tapes committed the murders on his own.

Searching for the killer means that Rocky will have to assume many disguises and show off his acting skills.  As an actor, he’s able to wander into the local movie studio and not only raid their wardrobe department but also borrow their cars.  Over the course of the film, Rocky disguses himself as both a cowboy and a traffic cop.  He also drives a Ferrari, a Cadillac, a jeep, a motorcycle, and KITT, the talking car from Knight Rider.  (KITT, unfortunately, does not talk in Half Nelson.)  On the one hand, the use of disguises is a little bit silly because Joe Pesci is always going to be Joe Pesci regardless of what costume he is wearing.  The pilot’s silliest scene involves Rocky dressed up like a cop to confront two men who have been following him.  Somehow, they fail to pick up on the fact that the 5’3 cop with the New York accent is the same 5’3 New Yorker who they’ve been tailing for the last few days.  And yet, it’s one of those things that’s so ludicrous that you can’t help but think that the show was showing a bit of self-awareness and commenting on just how ludicrous most television shows tend to be.

Eventually, Rocky figures out that the killer is …. SPOILER ALERT …. Parsons!  That’s right.  The same police chief who kept offering Rocky a job with the LAPD turned out to be the murderer for whom Rocky was looking.  What’s interesting is that, after realizing that Parsons is the killers, Rocky doesn’t arrest Parsons or attack him or do any of the other things that a typical TV detective might.  And Parsons doesn’t try to flee or fight.  Instead, the two men take a leisurely drive and talk about life, morality, and regret.  Parsons talks about how he was once an honest cop but Los Angeles corrupted him.  Rocky expresses some sympathy and says that he hates that he discovered that Parsons was the murderer.  It’s a well-acted and surprisingly well-written scene.  When Rocky asks Parsons about the murders, Parsons replies, “I had to empty my gun, just to drown out their screams.”  (Yikes!)  Parsons lets Rocky out of the car and tells him, “Don’t let them get to you, kid.”  Parsons then drives the car over a cliff as Roberta and Chester (who have been tailing Parsons) run up to Rocky.

“Hard to believe that a man like that would kill himself!” Roberta says.

“That’s just the funeral,” Rocky replies as Parsons car explodes, “He died a long time ago.”

Wow, that’s dark!  Fortunately, the mood is lightened during the show’s final scene, in which Rocky’s pit bull attacks boxer Larry Holmes.

The pilot for Half Nelson was nicely done.  It set up the series and it gave us an introduction to the characters, which is exactly what a pilot is supposed to do.  The cast showed off their chemistry and the final scene between Parsons and Rocky indicated that the show had the potential to be something more than just another mid-80s detective show.  The pilot’s greatest strength, not surprisingly, was Joe Pesci.  Pesci has played so many mobsters and crooked lawyers that it’s easy to forget what a likable actor he can be.  The pilot featured Pesci at his most amiable and it also gave him a chance to show off his comedic timing.  All-in-all, the pilot was a success and I could understand why NBC would have ordered more episodes after watching it.

But what about the series?  Would the series live up to the promise of the pilot or would it just become another generic detective show?  We’ll find out over the next 8 weeks!

Retro Television Reviews: Gidget’s Summer Reunion (dir by Bruce Bilson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1985’s Gidget’s Summer Reunion!  It  can be viewed on Tubi!

Back in the 1970s, when the rest of the country was worrying about political corruption, inflation, and an out-of-touch president with an embarrassing family, Gidget, Jeff, and their friends were carefree California teenagers who spent all of their time either hanging out on the beach or running into the ocean with a surfboard.  It was a time when they had not a care in the world and, obviously, it couldn’t last forever.

Nearly 10 years later, Gidget (Caryn Richman) and Jeff (Dean Butler) are now married and their surfboards have been safely stored away in the garage.  Jeff works as an architect and it’s obvious that his new boss, Anne (Mary Frann), wants to make their professional relationship into something personal.  Gidget, meanwhile, owns her own travel agency and, apparently, it’s a success even though Gidget rarely seems to spend much time at the office.  Gidget is hyperactive and a bit self-absorbed and, as such, she usually only shows up at work long enough to tell her employees about her latest problems before then running out of the office in an impulsive attempt to fix everything.

What problems do Gidget and Jeff have?  Well, for one thing, they live in a giant house despite the fact that they’re nearly broke.  They’re both workaholics and, as a result, they don’t spend as much time together as they used to.  They got married and then they became strangers.  It’s been years since they last went down to the beach.  When Gidget’s niece, Kim (Allison Barron), wants to learn how to surf, it doesn’t even occur to her to ask her aunt or her uncle.  Instead, she ends up hanging out with a sleazy, beer-drinking surfer named Mickey (Vincent Van Patten).  

Fear not!  Gidget has a plan!  Jeff’s birthday is coming up and Gidget decides that it would be a great idea to use her travel agent powers to get the entire gang back together again.  She wants to bring all of the old surfers back to help celebrate Jeff’s big day.  The only problem is that the old gang isn’t entirely easy to find.  Plus, one of Gidget’s tour guides has to drop out of leading a tour in Hawaii.  Gidget is forced to go in his place.  Can she get back from Hawaii in time to save Jeff from Anne and  Kim from Mickey?  And even more importantly, will she ever be able to track down the old gang?  Will the movie end with a bunch of balding guys surfing while the Beach Boys play on the soundtrack?  Can you guess the answer?  

The best thing that can be said about Gidget’s Summer Reunion is that the beach looked nice and the Hawaii scenes reminded me of the wonderful summer that my family and I spent in Hawaii.  And the film is correct when it points out that adulthood is never as easy as we expected it to be when we were teenagers.  However, the film suffers from the fact that a lot of Gidget’s problems could have been solved by Gidget actually taking a few minutes to think before acting.  It’s one thing to be free-spirited and impulsive.  It’s another thing to totally lack common sense.  For instance, Gidget and Jeff’s old surfboards are stolen out of the back of Gidget’s convertible and, while you can certainly feel bad for Gidget’s loss, you do have to wonder what she was expecting when she basically just left them out in the open, where anyone could get their hands on them.  Jeff isn’t off the hook either, as it was pretty much obvious to everyone but him that Anne was trying to get him to cheat on his wife.  Gidget and Jeff are a cute couple but they don’t seem to have a brain cell between them.

Oh well.  At least the beach looked nice!