The Gatling Gun (1971, directed by Robert Gordon)


In the post-civil war west, two Calvary troopers steal a Gatling Gun, the weapon that was invented to be such a powerful instrument of death that people would stop fighting wars just to avoid finding themselves in front of its barrel.  (It didn’t work out that way, of course.)  With the help of a pacifist reverend named Harper (John Carradine), they smuggle the gun into Apache territory.  Rev. Harper thinks that the gun is going to be destroyed and, thus, another instrument death will be eliminated. from the world  Instead, the greedy troopers are planning on selling the gun to Apache Chief Two Knife (Carlos Rivas).  Two Knife has promised a fortune’s worth of gold to anyone who can deliver to him the deadliest weapon in the west.

Before the gun can be exchanged, the reverend, his daughter, and the two deserters are intercepted by a group of Calvary troops led by Lt. Wayne Malcolm (Guy Stockwell).  One of the deserters is killed while the other, Pvt. Sneed (Robert Fuller) is captured.

However, Chief Two Knife still wants what he calls “the king gun.”  Malcolm and his troops find themselves pinned down by the Apaches.  Can Malcolm, with the help of a rancher (Phil Harris), a scout (Woody Strode), and a cook (Pat Buttram), keep both the gun and the all important firing pin from falling into the hands of Two Knife?

The Gatling Gun is a low-budget western that would probably be today forgotten except that it has fallen into the public domain and has been included in several DVD box sets.  It has the flat, generic look of a Western television show and Guy Stockwell’s stiff performance may be believable for a 19th century Calvary captain but it’s still doesn’t exactly make for compelling viewing.  The main problem is that the most exciting and interesting part of the story, the two deserters stealing the gun and tricking the Reverend into helping them, occurs off-screen and the movie instead begins with Malcolm capturing Sneed.

Western fans will mostly want to watch this one to see John Carradine and Woody Strode, two very different actors who were both favorites of John Ford’s and who appeared in several other, better westerns.  (Strode and Carradine had both previously appeared in The Man Who Shot Liberty Valance, to name just one example.)  Carradine is typically theatrical, delivering his lines like the old Shakespearean that he was.  Strode, as usual, is stoic but his imposing screen presence makes him the most memorable of the film’s heroes.  Also keep an eye out for Patrick “son of John” Wayne, playing the rancher’s son.

Though The Gatling Gun has the look of a film that was shot on a studio backlot in Hollywood, it was actually filmed, on location, in New Mexico.  The state’s then-governor, David Cargo, has a small role as Corporal Benton and is listed in the credits as “Honorable Governor David Cargo.”  A look at his imdb page reveals that David Cargo appeared in four films while he was governor.  All of them were filmed in New Mexico so I guess casting the governor was a requirement for filming in that state.  When Cargo left office in 1971, his movie career ended.

Incident at Phantom Hill (1966, directed by Earl Bellamy)


During the final weeks of the Civil War, a group of Confederates, led by Joe Barlow (Dan Duryea,) hijacked a shipment of Union gold and buried it near Phantom Hill, Texas. Now that the war is over and Barlow is in custody, he makes an offer. He’ll lead the government to the gold in return for a pardon. Needing the money, the government agrees to Barlow’s conditions. A group of Cavalrymen, led by Matt Martin (Robert Fuller), are ordered to accompany Barlow to Phantom Hill and retrieve the gold. Because the gold itself is buried near Comanche territory, the men will be traveling undercover. If Martin and his men are captured or killed, the U.S. government will disavow any knowledge of the them. Cue the Mission Impossible theme.

It’s an eventful journey to Phantom Hill. When a local sheriff recognizes Barlow as a wanted criminal, Martin has to convince him not to kill Barlow. The sheriff agrees, on the condition that Martin and his men escort a prostitute named Memphis (Jocelyn Lane) out of town. When a group of outlaws discover that Martin and Barlow are heading for the gold, they take off after them. Meanwhile, Barlow has a few plans of his own.

Incident at Phantom Hill is a fast-moving B-western, the type that will be appreciated by fans of the genre. There are a few good shootouts. Jocelyn Lane is beautiful as Memphis, Robert Fuller is firm at Matt Martin, and Dan Duryea is dangerous as Joe Barlow. The outlaws are unusually cruel and the scene where the kill a comic relief character was probably shocking for 1966. The most interesting thing about the movie is its portrayal of Union officers working with former Confederates and the struggle to determine where everyone fits in now that the Civil War is over. Barlow is not to be trusted by the relationship between Memphis and Matt suggests that the country can come back together as long as everyone has a common enemy that needs to be defeated.

 

Disaster on the Coastliner (1980, directed by Richard C. Sarafian)


A completely computerized passenger train is traveling across the country, with the Vice President’s wife as one of the passengers.  When Jim Waterman (Paul L. Smith), a man who blames the railroad for the death of his family, manages to hijack the train he plans to ram into a locomotive until his demands a met.  He wants railroad president Estes Hill (Raymond Burr) to take responsibility for the crash that killed his wife and children.  With Waterman determined to crash the two trains, it falls to dispatchers Al Mitchell (Lloyd Bridges) and Roy Snyder (E.G. Marshall) to try to figure out a way to stop the collision.  Helping them out on the train is a con artist named Stuart Peters (William Shatner!) who may be wanted by the police but who is still willing to do whatever it takes to save his fellow passengers.

Disaster on the Coastliner is an above-average made-for-TV disaster movie.  Even though it was obviously made for a low-budget and that the majority of the money was probably spent on securing the B-list cast, there are enough shots of the train careening on the tracks to bring happiness to the hearts of most disaster movie fans.  The cast is full of the type of people who you would typically expect to find in a movie like this, people like Raymond Burr, Lloyd Bridges, and William Shatner.  Bridges, interestingly enough, gives the same performance here that he gave in Airplane! and when he starts ranting about how everything’s computerized, he sounds like he could be reciting dialogue from that film.  The only difference is that Airplane! was a comedy while Disaster On The Coastliner is meant to be a drama.  Raymond Burr also does a good job hamming it up as the president of the railroad.  He spends most of the movie sitting behind his desk and looking annoyed, which was pretty typical of Burr in the years after Perry Mason and Ironside. 

For a lot of people, the main appeal of this film will be seeing what William Shatner was doing in between Star Trek movies.  This is a typical early 80s Shatner performance, when he was still trying too hard to win that first Emmy but also when he had just starting to develop the self-awareness necessary to poke fun at his own image.  Shatner really digs into the role of a conman with a heart of gold.  He delivers his lines in his trademark overdramatic style but, in scenes like the one where he sheepishly discovers that a door that he’s been pounding on was unlocked all the time, Shatner actually seems to be in on the joke.  Shatner also did his own stunts in this film, including one where he had stand on top of a speeding train.  In his autobiography, Shatner wrote that he wasn’t even wearing a safety harness in the scene so give it up for Bill Shatner.  That took guts!

Fast-paced and agreeably unpretentious, Disaster On The Coastliner is an enjoyable runaway train movie.