Horror On the Lens: Phantom From Space (dir by W. Lee Wilder)


Today’s horror film is one that we haven’t shown on the Lens before!  That’s right, it’s a premiere!  Yay!

First released in 1953, Phantom From Space is about an invisible alien who wears a diving helmet.  It’s a film that alternates between being extremely silly and occasionally effective, with the emphasis very much on “occasionally.”  Even though the alien causes some mayhem, it’s still definitely a more sympathetic character than some of the humans that it runs into.  This film is very much of the “humans screw everything up” genre of sci-fi films.  Phantom From Space was also directed by Billy Wilder’s brother!  I should, however, admit that there’s absolutely nothing about this film that will remind you of The Apartment, Double Indemnity, or the Lost Weekend.

(Well, I guess you could argue that they all are in black-and-white so there is that….)

Anyway, I watched this with my friends in the Late Night Movie Gang on Saturday and we enjoyed it.  Maybe you will too.  It’s a film that definitely rewards a certain attitude of snarkiness.  It’s only 72 minutes long so give it a try.

Enjoy!

AMV of the Day: Madness (Various)


To help to continue to promote the holiday spirit, here’s an AMV of the Day.

Anime: shingeki no kyojin, bakemonogatari, high school of the dead, mirai nikki, another, dance in the vampire bund, deadman wonderland, kara no kyoukai, psycho pass, hellsing ultimate, shiki, tasogare otome x amnesia, tokyo ghoul, ghost hunt, umineko no naku koro, Shinsekai Yori

Song: Madness by Ruelle

Creator: miyumiyu TV

(As always, please consider subscribing to this creator’s YouTube channel!)

Past AMVs of the Day

Horror on TV: One Step Beyond 2.25 “The Haunting” (dir by John Newland)


On tonight’s episode of One Step Beyond, a man suspects that his best friend is having an affair with his fiancee.  What better way to take care of the problem than by leaving his friend to die on the side of a mountain?

It seems like the perfect crime and the man might get away with it …. but only if he can do something about the ghost who seems to be stalking him in the days leading up to his wedding!

As always, this is supposedly based on a true story.

This episode originally aired on March 1st, 1960.

Enjoy!

The TSL’s Horror Grindhouse: Hack-O-Lantern (dir by Jag Mundhra)


Note that actor Hy Pyke’s name is misspelled on the cover of this Blu-ray.

Sometimes, you just see a film that simply cannot be reviewed in any conventional use of the term and that’s definitely the case with the 1988 slasher/Satanist/rock musical Hack-O-Lantern.

On Friday, I watched Hack-O-Lantern on Shudder.  It was broadcast as a part of Joe Bob Brigg’s Last Drive-In Halloween special.  I watched the film in a bizarre sort of daze, trying to figure out just what the Hell was actually going on.  It’s a film that apparently has a plot but good luck figuring out what exactly that plot is.  I do know that that the film is supposed to be taking place on Halloween night but, in the world of Hack-O-Lantern, Halloween is apparently a time when people get together and dance in a gym or something.  Seriously, it’s a weird movie.

As far as I can tell, the film is about Tommy (Gregory Scott Cummings), who I guess is like the local trouble maker or something.  He spends all of his time listening to heavy metal music and having these elaborate fantasies in which the members of a band rip off his head.  Or, at least, I assume they were meant to be fantasies.  Tommy’s brother, meanwhile, is a local cop and his mother is crazy and overprotective …. I think.  As I said, the film’s plot was not always easy to follow and it actually took me a while to figure out that the earnest and innocent-looking cop was also Tommy’s brother.  To be honest, I’m not really sure that words alone can express just how incoherent the plot of Hack-O-Lantern is.  I could tell you that the film appears to have been edited with a chainsaw but even that would not begin to capture just how difficult it is to understand why one scene follows another in this film.

Anyway, Tommy’s Grandpa (Hy Pyke) might seem like he’s a fun-loving old man but actually, he’s in charge of the local Satanic cult.  He wants to bring Tommy into the cult but apparently, Tommy might be ambivalent or Tommy might just not know that the cult exists.  It’s really hard to figure out what exactly is going on inside of Tommy’s head, beyond the fact that it involves a heavy metal band beheading him.  Grandpa’s plot to turn Tommy into a Satanist somehow leads to several murders at the Halloween dance.  The murderer wears a devil’s mask and kills people in a variety of bloody ways.  If you like cheap but effective gore effects, you’ll get something out of this film.  The scene with shovel is especially nasty.

It’s a bit of a strange Halloween dance, to be honest.  For one thing, there’s a stripper who shows up for no particular reason and who appears to be like 70 years old.  There’s also a stand-up comedian who pops up out of literally nowhere and does this long routine that has nothing to do with Satanism, Halloween, or people getting killed with shovels.  Why is the comedian there?  Why does the film spend so much time on him?  Where does he disappear to after he tells his bizarrely long joke?  These are the type of questions that you’re forced to ponder while trying to figure out what the Hell’s going on in Hack-O-Lantern.

The thing is that, as easy as it is to criticize a film like Hack-O-Lantern, there really is no other film like it.  Sure, there are other slasher films.  There are other films about Satanists.  There are even other films that feature a random stand-up comedian and a lot of gratuitous nudity.  But there are few films that mix all of those elements together quite as incoherently as Hack-O-Lantern.  As such, Hack-O-Lantern is an oddly fascinating film.  You watch the film and you wonder, “How the Hell did this happen?”  And for that reason, it’s worth tracking down and watching.

Do I recommend Hack-O-Lantern?

Hell yeah, I do.

Witchcraft 16: Hollywood Coven (2016, directed by David Palmieri)


The Witchcraft series comes to an end (?), with this the 16th installment in the bizarrely long-lived franchise.

This one is weird, though.  All of the actors from the previous three installments return.  (The final three films were, more or less, shot simultaneously.)  They’re still playing people named Will Spanner, Lucy Lutz, Rose, Sharon, Samuel, and Garner.  But they’re no longer witches and warlocks.  Instead, they are all actors and production associates who are working on the latest Crystal Force movie.  Crystal Force is a long running series of low budget, softcore films about a warlock.  So, basically, this is a film about the making of a Witchcraft movie but, in this universe, Witchcraft is known as Crystal Force.  Got it?  It turns out that the director of this latest Crystal Force film is a Satanist and he needs to complete one of those overly complicated rituals that are so popular in the Witchcraft films (and apparently the Crystal Force films as well).

Once you get beyond the film-within-a-film aspect, it’s a pretty standard Witchcraft plot but the plot really isn’t important.  Instead, Witchcraft 16 is more of a meta commentary on both the Witchcraft franchise and low budget movie making in general.  When the cast gets together, they talk about the indignities of low-budget horror filmmaking and the fact that no one’s career has been made by appearing in a Crystal Force movie.  (When they say that, you can’t help but wonder what has happened to all the other actors who have played Will Spanner over the years.  Hopefully, they didn’t suffer the same fate as some of the actors in Crystal Force.)  This film is really an elaborate in-joke for people who have a nostalgic attachment to the other films in the series.  Witchcraft 16 is not a film that’s meant to be taken seriously.  It’s also not terrible, which is maybe the best thing that you can say about a Witchcraft film.  It looks and sounds cheap but Berna Roberts does what she can with the role of Lutz and the meta joke works a lot better than I think anyone would expect it to.  It’s actually a clever way to to acknowledge that the Witchcraft movies are never going to be critically acclaimed but that they did have a good run and there are certain people who will have fond memories of checking them out from Blockbuster.

Will Spanner gets zapped out of existence during Witchcraft 16 so I guess the franchise has finally come to an end.  Of course, who knows?  There are still warlocks and witches out there so it could be that the world is going to need Will Spanner again someday.  He already came back from the dead once so who knows what the future might hold.

 

Horror Scenes That I Love: The Hypnosis Scene From Sisters


In this seriously creepy scene from the 1972 film Sisters, a reporter (Jennifer Salt) is hypnotized and made to believe that she was once a conjoined twin, attached to a psychotic model (played by Margot Kidder).  The scene was directed by Brian De Palma.

Enjoy!