Hi, everyone! Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania! Join us for 2016’s Wrong Swipe!
You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
Today’s scene that I love comes to use from Andy Warhol’s 1965 film, Vinyl!
In this scene below, Gerard Malanga and Edie Sedgwick dance to Nowhere to Run by Martha and The Vandellas. Malanga is playing an out-of-control juvenile delinquent. Edie is playing …. well, Edie is basically playing herself. No one smoked a cigarette with as much style as Edie Sedgwick.
4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!
83 years ago today, Edie Sedgwick was born in Santa Barbara, California.
While at a party in 1970, Edie ran into a palm reader who grabbed her hand and then stepped away, shocked at just how short her lifeline was. “It’s okay,” Edie sweetly told him, “I know.” One year later Edie Sedgwick would pass away, with the cause of death officially being an overdose of barbiturates. She only lived 27 years but, for a brief few years, she was one of the most famous women in America. She was a model and an actress and, in her way, a revolutionary. She died before she had a chance to play the roles that she truly deserved. Instead, we have only a few films that she made with Andy Warhol and a lot of speculation about what could have been.
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be Kid Cannabis!
If you want to join this watch party, just hop onto Mastodon, pull up Kid Cannabis on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!
The frontier town of Pecos, Texas is without a marshal and Martin Conroy (Walter Reed) and his men are taking advantage of the situation by forcing people to sell their land for next to nothing. A railroad’s coming and Conroy is looking to make a killing. When landowner Bailey (John Hamilton) is targeted by Conroy, ranch hands Tim Holt (played by Tim Holt) and Rafferty (Richard Martin) are determined to stop him. Federal marshal Terry Moran is summoned to the town to enforce the law. Everyone is shocked when Moran’s daughter — also named Terry (Linda Douglas) — shows up and declares herself the new marshal. “We don’t need no petticoat marshal!” the townspeople cry.
This is a by-the-book B-western, one of many that Tim Holt and Richard Martin made over the years. In this one, neither Holt not Martin seems to be too invested in the familiar story. (Holt was maybe wondering how he went from The Magnificent Ambersons and Treasure of the Sierra Madre to this.) The only really interesting thing about this one is that the marshal is a woman but the movie doesn’t really do anything with the idea. Tim Holt was the star here and no petticoat marshal was going to upstage him.
The thing that I find interesting about these B-westerns is how often the villain was someone looking to get rich by selling ill-gotten land to the railroad companies. B-westerns always presented the railroads as being both the best and the worst thing about the west. The railroads bring and connect civilization but they also attract villains like Martin Conroy. In the American westerns, it was always made clear that the railroad company was as disgusted by men like Conroy as the townspeople. However, in the spaghetti westerns that would come out in the 60s, it was always clear that the railroad didn’t care how they got their land as long as they got it.
This was Tim Holt’s second-to-last movie as a B-western star. After his career ended in Hollywood, Holt relocated to Oklahoma and eventually became the manager of radio station. He died in 1973.
The film RISEN opens up just after Jesus Christ is crucified, but before he actually dies. Badass Roman soldier Clavius (Joseph Fiennes) has been put in charge of making sure that Jesus dies and that his followers don’t try to steal his body and claim that he’s “risen” from the dead. Clavius sees Jesus (played by Cliff Curtis) die with his own eyes and allows the Jewish aristocrat Joseph of Arimathea to take the body and place him in his own tomb. Clavius oversees the sealing of the tomb and posts two soldiers on guard. That night the tomb is mysteriously opened, the guards are nowhere to be found, and the rumors begin to circulate that Jesus has risen from the dead. Roman political leader Pilate (Peter Firth) is not happy about all of this disruption in his area, especially with Tiberius Caesar scheduled to visit, so he orders Clavius and his right hand man Lucius (Tom Felton) to find Jesus’ body at all costs.
I’m writing this review a couple of weeks after Easter 2026, and RISEN takes place in the aftermath of Easter Sunday and the 40 days that Jesus spent appearing to his disciples and preparing them to carry his message to the masses. RISEN is an interesting take on the story as it focuses on Clavius, turning him into a detective trying to solve the mystery of Jesus’ missing body. We get to see him interrogate the disciples he can get his hands on, bribe various people for information and even beat information out of people when necessary. No matter what he tries, he keeps running into dead ends.
I’ll give Director Kevin Reynolds (ROBIN HOOD: PRINCE OF THIEVES, THE COUNT OF MONTE CRISTO) some credit for his solid direction of RISEN. His PG-13 rated film made my toes curl up and made me hold my nose multiple times, whether it be the somewhat graphic breaking of the legs of the men being crucified or the times spent with rotting, decaying bodies and the flies and imagined smells that go with them. The film didn’t skimp on these scenes, and it was pretty sickening. But then there is a blunt, powerful scene where Clavius is suddenly forced to deal with things that he can’t reconcile in his own mind. The scene I’m referencing made me feel a sense of awe and wonder and somehow caught me by surprise even in a faith-based film. There aren’t many miracles shown in the film, but those we see are truly heartwarming. RISEN forced strong feelings out of me both physically and emotionally, creating a more powerful experience than I was expecting.
The acting in RISEN is very good. Joseph Fiennes is downright excellent as Clavius. His performance as the tough, weary, cynical soldier is balanced perfectly as his complete disbelief turns into something different based on the events he witnesses throughout the story. The emotional conflict we see in his eyes when he first sees the resurrected Jesus is incredible work. Peter Firth is solid as the politically powerful, but seriously insecure Pilate, who worries more about public perception than the truth. And I’ve always liked the actor Cliff Curtis, who plays Jesus here. He portrays a strong sense of peace and love that is immediately believable and very effective. (On a personal note, Curtis’ scene in the Denzel Washington, Oscar winner TRAINING DAY has always been one of my favorite moments in cinema.)
Overall, I highly recommend RISEN. The film features an incredible lead performance from Fiennes, and the detective story angle brings something distinct and interesting to the table. Due to personal convictions, Christians will find the story the most powerful, but this is a movie that can reach a much wider audience than you might expect.
Today, we wish a happy birthday to actor Hayden Christensen.
This scene that I love comes from the 2003 film Shattered Glass, in which Christensen played real-life journalist and fabulist Stephen Glass. In this wonderfully-acted scene, Glass’s (fake) reporting falls apart as Chuck Lane (Peter Sarsgaard) walks through Glass’s claims.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Happy birthday, James Franco, wherever you are!
4 Shots From 4 James Franco Films
The Broken Tower (2011, dir by James Franco)
Child of God (2013, dir by James Franco)
The Sound and The Fury (2014, dir by James Franco)
Alone In The Neon Jungle takes place in a Pittsburgh police precinct that is supposedly so crime-ridden that it is called The Sewer. After two cops are arrested while committing a burglary, the Chief of Police (Danny Aiello) sends tough Captain Jane Hamilton (Suzanne Pleshette) to take over the precinct. Her mission? To enforce discipline and root out police corruption!
There’s a lot of corruption to root out. Crime boss Nahid (Tony Shalhoub) has half the precinct on his payroll and corrupt cops like Brad Stafowski (Jon Polito) are quick to to drag new transfers, like Todd Hansen (Jon Tennery), into the rackets. Along with enforcing the dress code and cleaning up the streets, Jane also has to figure out who is responsible for the murder of one of her sergeants.
This made for TV movie was probably meant to be a pilot for a weekly television series. It just has the sort of feel to it. It features just about every cop cliche imaginable, from the weary detective who comes to respect the new boss to the crime lord who claims to be a respectable businessman. The main problem is that the precinct never seems as bad as its described. For a place called The Sewer, the streets are surprisingly clean. The majority of the crimes committed seem to be burglary and prostitution. If you’re a cop and that’s all you have to deal with in a big city like Pittsburgh, count yourself lucky. The precinct never lives up to the title “Neon Jungle” and no one’s ever alone in it.
Suzanne Pleshette does a good enough job in the lead role. By this point in her career, Pleshette’s voice was as deep as the voice of the toughest patrolman around. It worked for her.
In 2013’s Hansel & Gretel: Warriors of Witchcraft, Ella (Fivel Stewart) and Jonah (Booboo Stewart) are twins who are sent to an exclusive private school. The private school is so exclusive that many of the students are the descendants of former students. If you don’t have the right lineage, you’re not attending this school.
Ella and Jonah soon discover that this isn’t your everyday private school. Instead, the student body is made up of witches and wizards and so are the majority of the teachers. Ella and Jonah also discover that they are being targeted. Can they defeat the other witches and wizards and will their school ever beat Hogwarts at Quidditch?
Now, technically, Hogwarts is never mentioned in this film and no one ever plays Quidditch but it doesn’t take a genius to figure out which insanely popular series of books and films inspired Hansel & Gretel: Warriors of Witchcraft. There are a few references to witches in the woods and children being eaten but this film definitely has more in common with the works of J.K. Rowling than the work of the Brothers Grimm. It’s a fairly silly film but it’s enjoyable enough, if you’re a fan of director David DeCoteau’s unique aesthetic. That means plenty of cheap special effects, a few names in the cast, one scene of gratuitous shirtlessness for Booboo Stewart, and an open-ended conclusion, just in case someone was willing to pay for a sequel.
Eric Roberts plays Mr. Sebastian. He’s the kind-hearted headmaster at the school. He doesn’t appear in many scenes but, as always, it’s nice to see Eric Roberts playing a nice guy for once. At one point, Mr. Sebastian explains what is going on at the school and it doesn’t make the least bit of sense but I guess that’s magic for you.
Previous Eric Roberts Films That We Have Reviewed: