I’ve not been buying that many games this year, but this is one little title from EA’s BioWare I know I must have and play before year’s end. That title is the third game in their fantasy rpg series Dragon Age.
Dragon Age: Inquisitor will mark the arrival of BioWare onto the nextgen platforms (Xbox One, PS4) and looks to combine what was good with the first two titles in the series while trimming off what went wrong with those two.
The game already looks gorgeous from just clips and gameplay videos shown leading up to this release. If the title looks to expand on the world-building that has been laid down by the first two titles in the series then I should expect to be playing this game for at least a minimum of 80 hours, if not more.
Now, I just need to decide on race and class for my character.
“Say after me It’s no better to be safe than sorry”
The 1980’s was a decade of excess in every sense of the word, but it was also the decade that gave birth to so many one-hit wonders. One such wonder was a song that I never failed not to like no matter that I grew older. Even now I would sing-along to this song whenever I come across it on-line or I find a mixtape of it.
“Take On Me” by the Norwegian synthpop band A-ha was a simple enough song, but when heard by way of it’s groundbreaking music video which combined live-action scenes with rotoscoped pencil sketching of the video it became an instant classic. The video was just like most music videos of the 1980’s in that it tried to wrap a story around the song though most of the time I had no idea what was going on.
Despite the video making little sense I still consider it a nostalgic favorite of mine from the days when MTV actually played music videos.
“Everything now just consumes you.” — Carol Peletier
[spoilers]
This latest season of The Walking Dead has been focusing a lot on the theme of guilt and rebirth. With the former we find each episode exploring each character dealing with the many dark deeds they’ve had to do in order to have survived this far into the zombie apocalypse. We also see the season show how through the crucible of the past two years since the world fell into ruin those who have survived this far have been reborn through the very tragedies and sins they’ve had to commit and experience.
“Consumed” starts off with a cold opening that takes us all the way back to season 4 when Rick exiles Carol from the group after having learned that it was her who killed Karen and another and burned their bodies in the prison during the virus outbreak. It’s an emotional sequence as we see her go through so many emotions from breaking down on the side of the road to getting back to survival mode then finally seeing the aftermath of the Governor’s final assault on the prison.
This episode might have been about Carol and Daryl, but in the end it was a further continuation of exploring Carol’s growth from the mousy, battered wife and mother from season 1 through most of 3 and into the badass survivor we saw emerge from the start of season 4. It’s an interesting journey for a character that had been criminally-underwritten and underused by the series’ previous two showrunners (Frank Darabont and Glen Mazzara) who has now found a rebirth under current showrunner Scott M. Gimple.
Yes, we’ll continue to see that theme of rebirth throughout this season and tonight’s episode showed how this new dead world brought out the best in some while many have succumbed to their basest instinct. It’s difficult to say that for someone like Carol who has admitted to premeditated murder and killed a young girl. In the old world and how things were then one would call Carol a monster, but this new world has put out new rules and one such change has been was whether those still left would be willing to sacrifice something of their own humanity in order to survive. Then that brings up the next question of whether those who could make that sacrifice be able to hold onto what’s left of their humanity and moral compass to evade becoming the very monsters they’re slaying.
Carol goes through such a rebirth tonight as we see her internal war to continue being that lone wolf survivor (even with Daryl now by her side). All the dark things she has done since season 4 has been to keep the hell she knows she’s destined for kept at bay for as long as she could. We see her make on the fly decisions that even Daryl blinks at like trying to kill the fleeing Noah who had stolen their weapons.
Was she really trying to shoot him in the leg or was she being pragmatic and trying to kill the scared, young man who they thought was another survivor who couldn’t be trusted? By the end of the episode we see that Daryl a sort of Jiminy Cricket to Carol. Always trying to get her to talk about what had happened since the prison. He has seen the changes in her and he understands what sort of things she has had to do to last this long, but he also wants to make sure she doesn’t fall off that precipice that will forever change her and not for the better.
It was a tough episode to sit through in that the decision to intersperse scenes from the past season dealing with Carol’s shift into survivor mode at times seemed awkward in how they appeared. Last week’s flashbacks with Abraham was better handled yet for all the awkwardness with tonight’s flashbacks it didn’t minimize the message that tonight’s episode was telling. Carol that we knew from the first three seasons of the show has died. She’s gone through the worst crucible of fire one has had to go through. She’s lost her own daughter Sophia and two adopted ones in Lizzie and Mika and yet she has come through that consuming flame not as ashes, but something reborn that’s both mother and warrior.
Yes, this new world has been consuming everyone who’re left since the apocalypse began. It’s not just the zombies but other survivors as well both literally and figuratively. But as we’ve seen throughout this season, while Carol, Rick and those in their group have had to do dark and awful things to survive since their old world ended they’ve avoided being consumed by their very choices and have kept a tight hold on what keeps them human.
Carol and the others might be more willing to kill now than they have in the past, but they also believe that it’s still not too late for them to save those who need saving. Shane never learned that lesson and looked like he never would have. The Governor might’ve been doing things to save people but in the end he was consumed by the power of his position. Gareth started of as saving people, but was corrupted by tragedy and got lost in the wilderness. Even Joe from last season, as well adapted as he and his group was to the zombie apocalypse, took the wrong lessons from this new world and instead took advantage of the weak.
Time will tell if tonight’s episode was a sign of the show and it’s writers building up Carol only to sacrifice her to save the rest of the people she has adopted as her new family. I wouldn’t be surprised if they did, but it would be a waste of a great character that looks to have more growing to do for seasons to come if allowed to live.
Notes
“Consumed” was written by Matt Negrete and directed by Seith Mann.
Fire became a running theme throughout the episode both as a symbol of destruction and one of rebirth.
Seeing Atlanta again since season 1 was a nice change of pace from the rural and woodland settings since season 2.
We saw glimpses of places from season 1 like the train tracks and the abandoned tank in the intersection where Rick had to shelter from a herd of zombies.
The city itself seemed to have very little zombies, or at least not too concentrated, which is a nice reference back to the end of season 2 where we found out that the herd that attacked Hershel’s farm came from those who left Atlanta following the sounds and racket made by Rick and his people after they left the city.
Scene of the building skywalk bridge was similar to a scene out of novel of the series, The Walking Dead: Rise of the Governor.
Tonight’s guests on the Talking Dead are CM Punk, Yvette Nicole Brown (Community) and, Noah from the show, Tyler James Williams.
“Gimme all your lovin’ All your hugs and kisses too, Gimme all your lovin’ Don’t let up until we’re through.”
I didn’t know what blues and blues rock was when I first heard it on the radio and then watched it on MTV. I did know that they had a real unique sound that was very much like rock, but also had a sort of country vibe to it.
One of the first bands of blues rock that I really ended up being a fan of was ZZ Top and it was mainly due to their three videos for three singles off of their Eliminator album. The first one that I saw was for the track “Gimme All Your Lovin’“.
The video itself was just very cool. It had everything a young boy was curious about. Cars, girls and rock and roll. Well, mostly it was the girls and the video to this song introduced the “Three ZZ Girls”.
It was much, much later in high school that I went back to listening to ZZ Top and their songs and realize that they were pretty much singing about sex, sex and more sex to the tune of Texas boogie blues. I ended up loving the band even more then.
“Taking More Than Her Share Had Me Fighting For Air She Told Me To Come But I Was Already There”
You shook me all night long! Yes, on the KTSL charts at No. 15 is just one of the greatest rock songs ever. Hyperbole and all that, but this song is just awesome times awesome equals awesome.
AC/DC’s “You Shook Me All Night Long” first appeared in their mega-blockbuster album in 1980, Back In Black. It wasn’t until 1986 when it was re-released as part of their Who Made Who album. It was during it’s re-release that I first heard and first saw the new video that accompanied the song. I think every teenage boy ended up glued to their TV’s whenever this video came on. They probably ended up taping the video for further repeat viewing.
As is their style, the song was just full of double entendres and the video itself just played up on the song’s lyrics. This video and song was just hard rock at it’s most 1980’s excess and debauchery and it was great.
I didn’t hear #14 the year it came out in 1983. I wasn’t too much into heavy metal at that age (still just 10). Now, once I got into high school and expanded my circle of friends (still not much but did include a couple who were into metal) I was finally introduced to heavy metal.
One of the first songs I really got into was Iron Maiden’s “The Trooper” from their Piece of Mind album. Even from the first time hearing the song I had an idea what the song about. I was already a huge hoarder of all things military history in my teen years and I knew the song was about the Charge of the Light Brigade during the Crimean War.
What I didn’t realize at that time was that the song itself was using a famous poem about said charge. So, in addition to getting me into heavy metal (which waxed and waned in the years since until meeting necromoonyeti online), I ended up learning about Tennyson and his poem about that fateful charge of British Light Cavalry against a well-defended and heavily-armed Russian artillery battery.
Also, seeing the cover for “The Trooper” with Eddie in full light cavalry regalia waving a cavalry saber and a bloodied, tattered Union Jack just hit me right in my wheelhouse.
Early last year I posted one of my favorite songs from my youth and it was by the band Heart. That song was “These Dreams” and still continues to be a favorite of mine to this day. My second favorite from this band is their power ballad from their 1987 album Bad Animals.
“Alone” is actually an even better song but “These Dreams” was just the song that first introduced me to the Wilson Sisters, Ann and Nancy. Where the earlier song was more folksy in it execution with “Alone” we get a full out power ballad that includes Nancy doing a guitar solo near the end. Ann Wilson crushes this song and just reinforces the fact that she remains one of the best, if not the best, female rock vocalist to ever belt out a song.
Oh, I still have a major crush on Nancy Wilson right up to this day. She’s definitely the first lady of rock.
“I know you mean well. You want to protect the world, but you don’t want it to change. There’s only one path to peace…your extinction.” — Ultron
Marvel has released a new extended version of the teaser trailer they released a couple weeks ago. While it’s pretty much similar to the first teaser trailer this extended version has a new intro with Ultron in his initial form confronting the partying Avengers in Avengers Tower. The voice-over by James Spader as Ultron also sounds much different in this trailer than the first. We also get more lingering shots of all the Avengers from Iron Man all the way to Hawkeye rather than the rapid-fire cuts we saw in the first teaser.
May 2015 cannot come soon enough.
Avengers: Age of Ultron is set for a May 1, 2015 release date in North America.
“All alone silence fills my room But in a memory, I hear you calling me”
Hitting the KTSL charts at No. 12 is the 1990 ballad from the Latin freestyle girl group Sweet Sensation.
“If Wishes Came True” makes this list because it is such an earnest love song that we don’t get much of anyway. This was a song made in a much simpler and less cynical age. While some of its continuing appeal seems to be based on the feeling of nostalgia it brings up for those who grew up during the time this song was released it doesn’t change the fact that it’s an uplifting and hopeful song.
The lyrics are sugary-sweet to the point of causing cavities, but they’re easy to sing-along to and, in the end, there’s nothing wrong with reminiscing about one’s memories.
Ridley Scott has been hit-or-miss (mostly misses) of late and response to the trailers and news about Exodus: Gods and Kings doesn’t seem to be helping.
Yet, despite all the indifference to Scott’s upcoming Biblical epic (and calls of whitewashing) I am quite intrigued about this take on the Book of Exodus. Will it have the pageantry of Demille’s The Ten Commandments (both of them)? Or will it be another CGI-overload? Or will it be a piece of entertaining pulp a la Gladiator? I guess we will find out this Holiday season.
Exodus: Gods and Kings is set for a December 12, 2014 release date.
Through the Shattered Lens 