One of the things I’ve always loved about early Black Sabbath is just how unpredictable their music could be, especially when you venture beyond the songs everyone already knows. Wicked World, from their 1970 self-titled debut album Black Sabbath, captures the band developing the chemistry that would eventually make them legendary. There’s something infectious about the song’s bluesy, jazz-influenced rhythm, with Geezer Butler’s bass dancing around Bill Ward’s swinging percussion while Tony Iommi’s guitar adds just the right amount of grit and aggression. Personally, I’ve always enjoyed the song’s raw energy and shifting rhythms, which keep things interesting without sacrificing its underlying groove. There’s an unpolished charm to the recording that captures a young band whose musical instincts were already remarkably sharp.

Lyrically, Wicked World is an early example of Black Sabbath tackling social issues rather than relying on the occult imagery that would become associated with their reputation. Ozzy Osbourne sings about inequality, war, hypocrisy, and humanity’s indifference toward the suffering of others. There’s a cynical, world-weary quality to the lyrics, but their straightforwardness makes them effective. Ozzy isn’t delivering some elaborate philosophical statement; he’s simply pointing out how messed up the world can be. I’ve always appreciated that beneath Black Sabbath’s dark imagery and ominous atmosphere was a surprisingly grounded sense of social awareness. More than half a century later, I find it both fascinating and depressing how relevant these observations remain. That same working-class frustration would become central to songs like War Pigs and Children of the Grave.

However, the real attraction for me is Tony Iommi’s terrific guitar solo, which deserves far more recognition than it receives. We’re so accustomed to celebrating Iommi as the godfather of heavy metal riffing that it’s easy to overlook just how expressive and accomplished his lead playing could be. Rather than simply unleashing a barrage of distorted notes, he moves between blues-inspired phrases, expressive bends, and bursts of rapid-fire picking with remarkable fluidity. I particularly love the jazzy looseness of his playing during the quieter instrumental breakdown, when the music briefly pulls back before building momentum again. Butler and Ward provide the perfect rhythmic foundation, allowing Iommi’s guitar to take center stage without losing the song’s groove. It’s one of those solos that doesn’t need unnecessary flash to leave an impression, and I could happily listen to Iommi stretch out for several more minutes.

Wicked World stands out because of the personality and musicianship behind its performance. Ward’s restless drumming, Butler’s adventurous bass lines, Ozzy’s cynical delivery, and Iommi’s expressive guitar work come together beautifully. I love the crushing heaviness of Iron Man, the ominous atmosphere of Black Sabbath, and the aggression of War Pigs, but there’s something especially satisfying about hearing the band approach a song with this kind of rhythmic energy. While Wicked World might never enjoy the recognition of those classics, I consider it one of the overlooked highlights of their debut. It’s a reminder that Black Sabbath’s greatness extended well beyond their legendary riffs, and frankly, Iommi’s guitar solo alone is reason enough for me to keep coming back.

Wicked World

The world today is such a wicked place
Fighting going on between the human race
People go to work just to earn their bread
While people just across the sea are counting their dead

A politician’s job, they say is very high
For he has to choose who’s gotta go and die
They can put a man on the Moon quite easy
While people here on Earth are dying of old diseases

[guitar solo @2:55]

A woman goes to work every day after day
She just goes to work just to earn her pay
Child sitting crying by a life that’s harder
He doesn’t even know who is his father

Great Guitar Solos Series

• Master of Puppets (by Metallica)
• Free Bird (by Lynyrd Skynyrd)
• Hotel California (by The Eagles)
• Stairway to Heaven (by Led Zeppelin)
• Texas Flood (by Stevie Ray Vaughan)
• Comfortably Numb (by Pink Floyd)
• Powerslave (by Iron Maiden)
• Fade to Black (by Metallica)
• Bohemian Rhapsody (by Queen)
• Sweet Child o’ Mine (Guns N’ Roses)
• Mr. Crowley (by Ozzy Osbourne)
• Rainbow in the Dark (by Dio)
• Róisín Dubh (by Thin Lizzy)
• Rock You Like A Hurricane (by Scorpions)
• Whipping Post (by Allman Brothers Band)
• Carry On Wayward Son (by Kansas)
• War Pigs (by Black Sabbath)
• Since I’ve Been Loving You (by Led Zeppelin)
• Satch Boogie (by Joe Satriani)
• Rambin’ Man (by The Allman Brothers Band)
• Sympathy for the Devil (by The Rolling Stones)
• Little Wing (by Jimi Hendrix)
• While My Guitar Gently Weeps (by the Beatles)
• The Rocker (by Thin Lizzy)
• Bulls on Parade (by Rage Against the Machine)
• Eruption (by Van Halen)
• Killer Queen (by Queen)
• Something (by The Beatles)
• Maggot Brain (by Funkadelic)
• Cliffs of Dover (by Eric Johnson)
• Black Magic Woman (by Carlos Santana)
• Layla (by Derek & The Dominoes)
• Dazed and Confused (by Led Zeppelin)
• Blue Sky (by The Allman Brothers Band)
• Southern Man (by Neil Young)
• Know Your Enemy (by Rage Against the Machine)
• Highway Star (by Deep Purple)
• Sharp Dressed Man (by ZZ Top)
• Black Hole Sun (by Soundgarden)
• Aqualung (by Jethro Tull)
• Scuttle Buttin’ (by Stevie Ray Vaughan)
• All Along the Watchtower (by Jimi Hendrix)
• Paranoid (by Black Sabbath)
• Any Way You Want It (by Journey)
• Light My Fire (by The Doors)
• Falling In Love (Is Hard on the Knees) (by Aerosmith)
• Simple Man (by Lynyrd Skynyrd)
• Into the Storm (by Blind Guardian)
• Jessica (by The Allman Brothers Band)
• Dreams (by Van Halen)
• Like A Stone (Audioslave)
• Dead Skin Mask (Slayer)