Review: The Walking Dead S3E09 “The Suicide King”


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“You came through like always.” — Hershel Green

[some spoilers within]

It’s been months of waiting since the exciting mid-season finale of The Walking Dead‘s third season. This season has been quite a revelation in that it put some of the lost faith fans of the show had after the very uneven 2nd season under the split caretakers of Frank Darabont (fired after the first half of season 2) and Glen Mazzara (took over after Darabont’s departure). Under Mazzara’s guidance as the show’s showrunner the show has done a great job at fixing some of the major issues the show had been criticized about throughout season 2.

Season 3 has been faster-paced and didn’t rely too much on the use of exposition info-dumps to explain what was going on in the show. The action during the first half of season 3 wasn’t just for the thrill that fans wanted more of, but also allowed the show to show rather than tell the episodes. This was something that had been a major problem under Darabont’s guidance. Mazzara realized the problems and did some major course-correcting on the show’s narrative that even major detractors of the series had to concede that the show had breathed new life to what had become something that stagnated.

The Walking Dead broke for it’s mid-season winter hiatus with the excellent “Made to Suffer” episode. With two months of waiting to go through some things occurred behind-the-scenes on the show that could affect the series going forward with the second half of season 3 and the show’s future, in general. First, AMC announced that a fourth season of the show was being greenlit (worst kept secret), but the second news was more of a downer as the network announced that showrunner Glen Mazzara was leaving the show. Rumors as to why he was leaving has been flying since the announcement with creative differences between Mazzara and the show’s executive producer and comic book creator Robert Kirkman. We may never know the full details on what occurred behind-the-scenes, but it looks like The Walking Dead as a series may go through another course-correction that may help of hurt the show. Time will tell and hopefully incoming showrunner Scott Gimple (also one of the series’ veteran writers) will keep the show going on the positive end of the ledger.

“The Suicide Kings” marks the second half of season 3 and we pick up pretty much where the mid-season left-off with the Governor pitting the Dixon brothers against each other to appease the Woodbury mob who has just been violently woken up from their “idyllic” existence inside the walls of the town. The scene itself was milked for tension as we’re not sure (once the deathmatch began) whether Merle was actually going to kill Daryl in order to prove his loyalty to the Governor. Fortunately, this doesn’t last too long as the two brothers soon fight back-to-back against the Woodbury guards leading shackled walkers towards them. But it was the timely intervention of Team Rick and his well-trained “commandos” who finally broke the Dixon brothers out of the precarious situation and also shatter whatever illusion of safety the Woodbury residents had been holding onto even after the initial raid by Team Rick.

The  bulk of the episode showed the two opposing groups having to deal with the effects of the raid and rescue by Rick’s group against the Governor and the town of Woodbury.

For a cold opening this one is pretty up there in setting the tone for a show’s return. We see how much Rick values Daryl as a member of his group that he would be willing to return to a place that hates him right now in order to rescue his right-hand man. It also helped showed how much the events that took place prior to this episode was affecting the Governor. With tear gas spreading and chaos reigning he calmly walks through it all with no care as to the safety of the people he declared himself as their protector or even as to his own safety. We see in these early moments a man who has lost everything he has cared about and just want blood from those he blames for his loss. The Governor during the rest of the episode looks to be setting himself up for a war and one he intends to win. He’s not out to rule over a grateful flock. In fact, he seems relieved to not having to pretend to be a benevolent leader anymore.

Rick, on the other hand, continues to crack under the weight of leadership. His decision concerning the Dixon brothers has begun to cause dissension amongst his own people not to mention that whatever psychological toll the death of Lori during the first half of the season really has gone away but has gotten worst. Andrew Lincoln’s performance as he becomes unhinged at the end of the episode was quite telling as it helps the viewers look at him less and less as a badass leader, but one with concern that he might be as big a danger to the group as the Governor. Even his own son Carl looks to be setting himself as a better leader of the group than his own father. Carl still mourns and worries about what he had to do to Lori, but at the same time we can see that he’s able to move on from such a traumatic event to help protect the group.

Will Carl be able to go against Rick when the time comes and a decision has to be made as to who should lead the group? We shall see if the writers will explore this aspect of the father-son dynamic as the season rolls onto it’s season finale.

As for the rest of the cast we get to know a bit more of Tyrese and his people. One, Tyrese seems like a genuinely good person just looking for a safe place for his sister Sasha and the rest of what had been a group of 25 people. Two, we learn that Allen and his son Ben of Team Tyrese are setting themselves up for a rude awakening if they think Carl and Carol will be easy to overpower for their guns thus take over the prison for themselves. If these two only knew what Carl has had to do since the end of season 2 they’d be backing away in fear of the original Lil’ Asskicker.

There’s also the interesting subplot developing between Glenn and Maggie. The two lovebirds look to be going through a personal crisis since their escape from Woodbury and the attentions of the Governor. Where Maggie seems to be holding up quite well considering the near-rape she had to go through with the Governor, Glenn on the other hand looks to be playing up the role of the furious significant other who wants revenge on the Governor and Woodbury for what they put his lover through. Maggie, as we can see from her reaction to Glenn’s behavior throughout the episode is none too grateful for being treated like she’s helpless. It looks like there’s some interesting times in store for the show’s resident couple.

“The Suicide Kings” is an apt title for tonight’s episode as we see the opposing kings of the show looking like they’re heading down a path of suicide to punish those they think has caused them heartache and loss but also to finally end the suffering they’re going through. The Governor wants war while Rick just wants and end to everything as a way to get away from the demons and heartache he’s currently going through this season. Time to see which king will finally get their wish by season’s end.

Notes

  • Tonight’s episode was written by series regular Evan Reilly and directed by newcomer Lesli Linka Glatter.
  • While he comes off as quite the mad scientist during the early episode of the season it looks like Milton (played by Dallas Roberts) doesn’t seem to be quite sure of the Governor as a leader to follow especially during the “fight club” sequence in the beginning of the episode.
  • Nice to see Merle being Merle (funny and great performance by Michael Rooker) by rewarding Rick and his group rescuing him from Woodbury by mouthing off. Seeing Rick pistolwhip Merle then seeing the look of silent thanks from Daryl was a great moment. Daryl may be sticking with Merle because of their shared blood, but Daryl understands how much more of a big brother Rick has been to him. This makes his reluctant choice to side with Merle in the end to be so bittersweet. Daryl knows his true place is with Rick, but blood calls much stronger.
  • Glenn, Glenn, Glenn….why are you being such a dumbass. Just goes to show that when it comes to man trying to stand up for their woman (or man) sometimes they let their balls do the thinking instead of their brain.
  • When it looked like Carol was about to revert back to being useless, catatonic Carol when she found out about Daryl’s decision to leave the group she surprised me (and probably many) by taking things in stride after having a cry over the initial news. I do hope that the season continues to explore the unique relationship and bond which seem to have grown between Carol and fan-favorite Daryl Dixon.
  • Chandler Riggs continues to improve as an actor this season though at times hints pop up just how much of a newbie he is to the craft. Yet, when it comes to being the silent, badass type he does seem to pull off the type well.
  • When Rick was holding baby Judith in his arms once he got back to the prison there was a moment, just moment, when the look on his face made it seem like he didn’t like what he was seeing when looking down at her and wanted to bash her wee baby head against the wall. Maybe he thought he saw some Shane in her or maybe he thought it would be better off if she never grew up in a world as uncaring and horrific as the world this show has created.
  • Andrea is a character that seems like the writers continually on the cusp of finding the role for, but always comes off as unforgivably stupid or just irritatingly cocksure of herself despite always making the worst decisions each and every time she’s confronted by hard choices. Maybe it’s not the character but the actor Laurie Holden’s performance that’s hampering what should’ve been one of the show’s bedrock, badass characters. Instead, it looks like she’s just a character that’s now on borrowed time with the show’s writers just looking to find a way to give her the proper exit.
  • Rick, my man, looks to be unraveling before our eyes, not to mention in front of the rest of the group, with his hallucination of what could only be Lori’s ghost in the end of the episode as he’s contemplating the decision to whether let Tyrese and his people stay or leave.
  • Zombie Kill Count of tonight’s episode: 13 seen (possibly 8 more off-screen)

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”
  7. Episode 7: “When the Dead Come Knocking”
  8. Episode 8: Made to Suffer

What Lisa Marie and the Snarkalecs Watched Last Night #69: Heebie Jeebies (dir by Thomas L. Callaway)


Last night, the Snarkalecs and I watched the world premiere SyFy movie Heebie Jeebies!  And wow — was it ever bad!

Seriously, how bad was Heebie Jeebies?  It’s so bad that I couldn’t even find a trailer for it on YouTube.  It’s as if the universe is trying to convince us that this film does not actually exist.  However, we know what we saw last night.

(As proof, here’s a picture of Michael Badalucco, whose over-the-top  performance as the gold-obsessed Billy Butler was one of the more commented upon aspects of the film.)

Why Were We Watching It?

That’s a question that many of us asked last night.

What Was It About?

Usually, low-budget monster movies on SyFy are a lot of fun but that’s because most low-budget monster movies on SyFy are made by the Asylum.  Unfortunately, Heebie Jeebies was not an Asylum film.

Instead, it’s a film about this monster that comes out of a mine and wanders around attacking people and eating gold.  You read that correctly.  This monster kills people and then eats their gold.   Will the town of Golderton survive?

What Worked?

Nothing.

What Did Not Work?

Everything.

“Oh my God!  Just like me!” Moments

I found myself relating to poor Veronica (Evie Thompson), the younger sister of a character that I named Deputy Dumbass (Robert Belushi).  All Veronica wanted to do was go out and have sex with her boyfriend but instead, she had to spend her entire night listening to her brother talk about how it wasn’t safe to go out just because of a little old monster that happened to be killing people.  Even worse, once she finally did what I would have done and sneaked out of the house, she and her boyfriend (who was kinda fugly, to be honest) ended up getting held hostage by two ex-convicts.

Lessons Learned

Only the Asylum should be allowed to make low-budget monster movies.

Hottie of the Day: Simone Simons


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I’ve always wanted to profile a singer for latest “Hottie of the Day” but wasn’t willing to settle for the pop diva of the moment. Then it hit me. Metal is not all about angry frontmen. There’s some very fine ladies who front metal bands of all kinds. One of them is the latest “Hottie of the Day” in the form of the lovely Simone Simons.

Simone Simons is the frontwoman for the symphonic metal band Epica. This lovely redhead is a Dutch mezzo-soprano whose vocal range will surprise the uninitiated to the metal scene for being quite vast. She can sing circles around any of the pop divas doing shows during Super Bowl halftimes and whatnots. Some singers like to bale themselves with an alternate persona named Sasha Fierce, but they have nothing on the level of fierceness that Simone can bring to her performances on stage in addition to more subdued and emotional introspection.

Simone Simons is definitely a worthy and lovely addition.

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PAST HOTTIES

What Lisa and Evelyn Watched Last Night #68: California Dreams S3E17 “Tiffani’s Gold” (dir by Patrick Maloney)


On Wednesday night, my BFF Evelyn and I watched (via YouTube) an episode of the 90s sitcom California Dreams.  The name of this episode was Tiffani’s Gold and, needless to say, it’s a very special episode.

Why Were We Watching It?

As I wrote back in December, I was introduced to this show over Christmas by my sister Megan.  Ever since then, I’ll be regularly watching old episodes of California Dreams on YouTube.  I’ve seen the members of the Dreams deal with racism, eating disorders, gang violence, body issues, and environmental panic.  When I discovered that the episode Tiffani’s Gold dealt with drug abuse — well, how couldn’t I watch?

As for Evelyn, she insists that I make clear that the only reason she was watching it was because I insisted.

What Was It About?

Tiffani is stressed about making the national volleyball team so she starts taking steroids.  Tiffani makes the team but she also starts to snap at people, beat up her friends, and smash plates at the local hang-out.

Meanwhile, in a totally unrelated subplot, Mark, Sly, and Tony compete for the title of Mr. Stud and Jake continues to insist on wearing a heavy leather jacket to the beach.

What Worked?

As well-intentioned as it most certainly was, this episode had a definite Reefer Madness type of appeal to it.  California Dreams, much like my beloved Degrassi, presents us with a world where not only can the worst happen but the worst will end up happening within the next 10 minutes.  Seriously, how can you not be impressed by the fact that, after a week of taking steroids, Tiffani is literally picking Sly up and throwing him against a locker?

That said, I could relate to Tiffani’s anger in several scenes.  Seriously, sometimes, a girl just needs to be left alone!

Evelyn says the main thing that worked about this episode is that the California Dreams never actually performed.

What Did Not Work?

Evelyn and I totally disagreed with the results of the Mr. Stud contest.  Seriously, Mark looked good in that tuxedo and I didn’t believe Jake for a second when he claimed to have gotten choked up at the movies.  (Oh, and by the way, it’s okay for a guy to cry but he should never sob.  That’s the important thing.)

“OH MY GOD!  Just like me!” Moments

I have now been told, by five different people, that the character of Lorena reminds them of me and since two of these people were my sister and BFF, I’ll take their word for it.  Still, I have a hard time imagining that Lorena would ever have been a fan of Italian horror.

Lessons Learned

Well, duh!  Don’t do steroids!  Though, actually, it seems like the steroids accomplished their purpose.  I mean, Tiffani did make the national team and all.  In fact, it seems like Tiffani’s main problem is that people put too much pressure on her so I guess the real lesson here is that you shouldn’t put too much pressure on your friends when they’re using steroids.

Trailer: Fast and Furious 6 (Extended First Look)


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During this year’s Super Bowl XLVII one of the films whose trailers were premiered was the latest and upcoming entry to the Fast and the Furious series. Since that day a new and much more extended look and version of that trailer has been released by Universal Pictures for everyone to look over.

When I say extended first look I mean extended. This trailer is over 3 minutes long and pretty much acts like a major sizzle reel that’s usually reserved for special screenings at conventions or trade shows. I was mistaken from the earlier post when I said the film has an M-1 tank in it to ramp up the epicness. It looks more like the newest French main battle tank, the Leclerc. I shall keep my opinion about the French Leclerc to myself….

Now, enjoy the extended first look of Fast and Furious 6.

Guilty Pleasure No. 3: Every Rose Has Its Thorns


Time for a new guilty pleasure and this time around we hit the music scene with a song that everyone seems to make fun of but whcih they also secretly love to sing-a-long to.

“Every Rose Has Its Thorns” by the hair metal group Poison has to be the cheesiest of all power ballad that came out during the 80’s hair metal era. The group were so intent on making it stand out from the rest of their hair metal brethren’s own power ballads that they decided to go all acoustic guitar to start things to give it that extra deep thoughts-theme. I will admit that I listened to this song like it was going out of style when it first came out.

What can I say? I was a sophomore in high school and the hormones were kicking in hard.

For someone whose own love of metal ranges from thrash, speed, power, Viking to black it’s such a rose amongst the bramble that this hair metal power ballad will still get me to sing along to this day. Though I usually try to make sure I’m alone….XD

Every Rose Has Its Thorns

We both lie silently still
in the dead of the night
Although we both lie close together
We feel miles apart inside

Was it something I said or something I did
Did my words not come out right
Though I tried not to hurt you
Though I tried
But I guess that’s why they say

Chorus:
Every rose has its thorn
Just like every night has its dawn
Just like every cowboy sings his sad, sad song
Every rose has its thorn

Yeah it does

I listen to her favorite song
playing on the radio
Hear the DJ say loves a game of easy come and
easy go
But I wonder does he know
Has he ever felt like this
And I know that you’d be here right now
If I could have let you know somehow
I guess

Chorus

Though it’s been a while now
I can still feel so much pain
Like the knife that cuts you the wound heals
but the scar, that scar remains

Solo

I know I could have saved our love that night
If I’d known what to say
Instead of makin’ love
We both made our separate ways

But now I hear you found somebody new
and that I never meant that much to you
To hear that tears me up inside
And to see you cuts me like a knife
I guess

Chorus

Song of the Day: These Dreams (by Heart)


The latest “Song of the Day” comes courtesy of one of my favorite bands of the 80’s. It’s the sister rock duo Heart, Nancy and Ann Wilson, and their chart-topping power ballad from their self-titled album released in 1985. The song itself was released in 1986 and soon rose up the charts in both Billboard’s Mainstream, Rock, Pop and Adult Contemporary Charts. The song I speak of is “These Dreams”.

I was 13 when I first heard this song and saw the video make it’s rounds on MTV (yes, MTV used to show music videos, shocking isn’t it). I wasn’t sheltered muscially enough not to have been introduced to female rockers (Jett, Benatar, Slick being some of the ones I listened to courtesy of my Dad and older cousins), but with “These Dreams” I was finally introduced to the pioneers who gave young girls someone to look up to and dream of becoming rock stars as well. Heart, by the time I discovered them in 1986, were more in tune with that eras soft rock and adult contemporary sound. It was later on when I listened to their earlier albums that I finally heard them as hard rock musicians.

“These Dreams” was a favorite power ballad growing up and it rivals Led Zeppelin’s own fantasy-themed power ballad, “Stairway to Heaven”, as a power ballad I listen to constantly. It also had a music video that was so very 80’s MTV with both Wilson sisters sporting the overly teased, big hair that was glam/hair metal of the day. It didn’t matter since both then and now I still carry quite the crush and torch for Nancy Wilson. She, as Wayne and Garth would say, is a babe then and now.

Now, just sit back, relax and listen to one of my favorite songs of my youth.

These Dreams

Spare a little candle
Save some light for me
Figures up ahead
Moving in the trees
White skin in linen
Perfume on my wrist
And the full moon that hangs over
These dreams in the mist

These dreams go on when I close my eyes
Every second of the night I live another life
These dreams that sleep when it’s cold outside
Every moment I’m awake the further I’m away

Is it cloak n dagger
Could it be spring or fall
I walk without a cut
Through a stained glass wall
Weaker in my eyesight
The candle in my grip
And words that have no form
Are falling from my lips

These dreams go on when I close my eyes
Every second of the night I live another life
These dreams that sleep when it’s cold outside
Every moment I’m awake the further I’m away

There’s something out there
I can’t resist
I need to hide away from the pain
There’s something out there
I can’t resist

The sweetest song is silence
That I’ve ever heard
Funny how your feet
In dreams never touch the earth
In a wood full of princes
Freedom is a kiss
But the prince hides his face
From dreams in the mist

These dreams go on when I close my eyes
Every second of the night I live another life
These dreams that sleep when it’s cold outside
Every moment I’m awake the further I’m away

These dreams go on when I close my eyes
Every second of the night I live another life
These dreams that sleep when it’s cold outside
Every moment I’m awake the further I’m away

Trailer: Big Ass Spider


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How can you not be excited about a film called Big Ass Spider?  The film, from director Mike Mendez, will be playing at the South By Southwest Film Festival and, to judge from the trailer, it looks like it’s going to be a lot of fun.  You have to love any film that features Greg Grunberg saying, “This is a big ass spider.”

Lisa Reviews The Oscar Winners: Disraeli (dir by Alfred E. Green)


One reason that I love February is because it’s during this month that TCM broadcasts 31 Days of Oscar.  Over the course of this month, TCM is devoting itself to showing Oscar-nominated films.  While this means that they are showing a lot of my favorite films, it also means that they’re showing some obscure films that I might otherwise never have had a chance to see.

Disraeli is one of those previously obscure films.  Released in 1929, Disraeli was an early sound film that starred a distinguished stage actor named George Arliss. Recreating a role that he had previously played on stage and in a silent film, Arliss was the first British actor to ever win the Academy Award for Best Actor.  Disraeli itself picked up a nomination for best picture but lost to All Quiet On The Western Front.

Disraeli tells the story of British Prime Minister Benjamin Disraeli (played, in a likable if overly theatrical performance, by Arliss).  Disraeli was the first (and, to date, only) person of Jewish descent to serve as prime minister.  A favorite of Queen Victoria, Disraeli held the office of prime minister several times during the late 19th century and remains one of the most influential leaders in British history.

Reflecting the fact that it was initially made at a time when its title character was still a well-known historical figure, Disraeli spends next to no time explaining how Benjamin Disraeli reached the office of prime minister or why he believed the things that he believed.  Indeed, the film tells us remarkably little about just what exactly Disraeli, as leader, did believe in.  Instead, it takes for granted that the audience will know who Benjamin Disraeli was and why he was important.  The film, focuses on one aspect of Disraeli’s career — his efforts to purchase the Suez Canal and allow Victoria to add “Empress of India” to her list of titles.  Along the way, he finds the time to encourage a tepid romance between his aide (Anthony Bushnell) and the young Lady Clarissa (played by Joan Bennett, who — nearly 50 years later — would play the sinister Madam Blanc in Dario Argento”s Suspiria).  While this approach may have worked for audiences in 1929, modern viewers will probably wonder just what exactly everyone’s going on about.

If you didn’t know that Disraeli was based on a stage play, you would be able to guess it from watching the movie.  It’s not just that this is an extremely talky film.  It’s also a very stagey film, a reminder that the initial introduction of sound resulted in American cinema taking a step back artistically.  Whereas silent films were free to experiment both visually and narratively, a film like Disraeli had to be shot in order to accommodate the limitations of the early sound era.  As a result, the camera rarely moves and scenes are made up of static shots of groups of people standing close together and delivering lengthy passages of exposition.  While this may not have been an issue for audiences who were still amazed by the very existence of talking pictures, modern audiences will probably find the film to be pretty dull.

Disraeli is a difficult film to recommend for a modern audience but it is interesting to watch from a historical point of view.   As I watched Disraeli, I was reminded of a current Oscar contender.  Much like Lincoln, Disraeli attempts to humanize a famous politician and is structured around the lead performance of an acclaimed British thespian.  Much like Disraeli, Lincoln is a fictionalized account of how a powerful and controversial leader manipulated a reluctant government into making history.  That Lincoln deals with the struggle to end American slavery while Disraeli celebrates British imperialism says a lot about the difference between 1929 and 2013.

Trailer: Olympus Has Fallen


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I’ve always wondered why Gerard Butler hasn’t been tapped to be an action hero star since his turn as Leonidas in 300. He definitely has the looks and physicality to pull off such films and do so without being snarky about it. He has instead been stuck doing romantic comedies and the brooding anti-hero roles. This pattern may just change depending on how well his next film does.

Olympus Has Fallen is the next film from Antoine Fuqua (Training Day, King Arthur, Shooter) and looks like a new take on the Die Hard template of “one against many” that’s worked well with some films and turned out bad with others. This time around the film looks to be “Die Hard in the White House” type of story with Gerard Butler in the role of Bruce Willis. Though from some of the dialogue shown in the trailer it also sounds like a version of Under Siege (one of the better Die Hard clones)

The White House used as a setting for a siege has rarely been used (though the tv series 24 did it in it’s later seasons). The trailer show’s a bit of back story to Butler’s Secret Service character and what brings him back to the fold after a tragedy in his professional past puts him on ice.

Olympus Has Fallen is set for a March 22, 2013 release date.