Of all the Marvel Comic book films coming out this summer it is the one not being made by Marvel themselves which seems to be getting the biggest amount of negative press and buzz from the fans. The last couple weeks has seen pictures from the set either leaked by accident or on purpose to gauge fan reaction. To say that reaction has been underwhelming would be an understatement.
The film is 20th Century Fox Studios latest film on the X-Men franchise. A franchise which is now batting 2-for-4. The first two films in the franchise were thought of as being very good to great and the last two seen as a major mess or just plain awful. Now the fifth film has just released it’s first official trailer and from the look of things it looks to be retconning all the vents which occurred in the first four films. The scenes used for the trailer looked very good and the looks of the many (people complaining about the amount of characters in the third Nolan/Batman film will be apoplectic once they see First Class) characters gives me some hope.
The film has Matthew Vaughn just fresh off of Kick-Ass and it will be up to him to create a gem out of the rough stone people seem to be judging the film at the moment. X-Men: First Class is set for a June 3, 2011 release.
The news about Clint Mansell being brought in to compose the score for the upcoming Mass Effect 3 rpg from BioWare has me listening through the score from the previous two games in the series. To continue the jonesing I’m getting from this news I’ve chosen track 25 from the Mass Effect 2 soundtrack to be the latest “Song of the Day”.
“Suicide Mission” comes into Mass Effect 2 around the beginning of the third and final act of the game when the player has gathered and assembled his team of rogues, assassins, berserkers and all sorts of undesirables to make that final jump through the Omega 4 Mass Relay. This track brings together the main theme from the very first game with the brass heavy and hopeful sound of track 5, “Normandy Reborn”, in the second game.
I sometimes just reload the save prior to the jump through the Omega 4 just so I can listen to this particular track of the soundtrack and see the visuals accompanying it. If I don’t feel like replaying that part of the game I’d just reload right before the end credits begins and just enjoy listening to it.
“Suicide Mission” just brings an epic sound to the game and anyone who has played it knows how it brings to rise goosebumps upon hearing it. For those who haven’t played the games this piece of music just brings to mind some of the best in epic, orchestral scores.
Some major news on the video game front was reported today. One of the most critically-acclaimed video game franchises of the last five years will have an award-winning music composer creating the score for it.
The game in question is the third (most likely final entry in the current trilogy) game in BioWare’s Mass Effect rpg franchise. The composer is one Clint Mansell. He is the same Clint Mansell who has created some of the most evocative film scores for the last decade and most of it for Darren Aronofsky’s films (Pi, Requiem for a Dream, The Fountain, The Wrestler, Black Swan).
Mass Effect 3 will be Mansell’s first foray into video game music composing. This is great news for fans of the franchise. It lends an even more cinematic flair to a series whose musical score were already great to begin with.
EA and BioWare are definitely pulling out all the stops to create a worthy finish to this trilogy. I already know that I will be getting the game and I will definitely be buying the soundtrack once it’s up for sale (I already own the first two that were composed by Jack Wall).
PS: Here’s two pieces of music so people understand why I thought the first two game had awesome scores and Mansell being brought in for the third means awesome just went up to 11.
1988 saw the release of Return of the Living Dead Part II. This film is a sort of sequel/reboot of the first film in that the story and even some of the characters bear too much of a similarity to the original film. Ken Weiderhorn both writes and directs this “sequel” and it shows. The film reuses alot of what made the first film a cult-classic amongst horror fans. Weiderhorn seems to be of the philosophy that if something ain’t broke then don’t fix it. What this does is make the film feel like a deja vu and maybe that was his intent since two of the main characters in the film say pretty much the same thing. Despite all this the film itself is pretty good and stays true to the original, albeit with abit more humor and better effects work.
Reprising similar roles they had in the first film are James Karen as Ed and Thom Mathews as Joey. Both work as in the post-burial industry and moonlight stealing valuables from the privates crypts and mausoleum in the cemetery they’re working in. Their characters act and almost have similar lines from Karen and Mathews’ characters of Frank and Freddy in the first film. Karen as Ed goes over-the-top once the 2-4-5 Trioxin gas is let loose and the dead bodies in the cemetery begin to come back to life seeking live brains. It’s these two characters who really keep the film from spiraling down to awful status. Even though their characters are similar to the original film, Karen and Mathews still bring a dose of great comedic timing and horror to the situation.
This time around the town has been safely evacuated by the military except for a few people who lived on the newly-built suburban housing area in the outskirt of town. It’s these survivors who must try and find a way to defeat the zombies and at the same time convince the military blockading the town that they’re not infected. There’s more action and comedy in this sequel. I think the comedy part of the film got way too much attention, but as I said earlier, Weiderhorn seems to think that if it worked in the original then it should work with more in this film. The effects work looks a bit better and probably due to an increase in the budget.
In the end, Return of the Living Dead Part II never brought anything new to the original it was following-up. The film pretty much reuses the same characters and situations. Weiderhorn does this to good effect and the finished product was an entertaining enough horror-comedy. Who knows how this sequel would’ve turned out if Russo had written it and O’Bannon back directing.
Return of the Living Dead has to go down as one of the funniest and inventive take on the zombie subgenre that began after the release of George A. Romero’s Night of the Living Dead. Due to a dispute between Romero and John Russo (co-producer of the original NOTLD), the sequels to Night of the Living Dead that were produced and directed by Romero dropped the “Living Dead” part in their titles. Russo retained the rights to create sequels using those words while Romero just kept the word “Dead” in the follow-up films to Night. It took Russo awhile, but he finally got to use those naming rights with 1985’s Return of the Living Dead.
Even though there were some acrimony between Romero and Russo, the screenplay for Return of the Living Dead makes several complimentary nods to Night of the Living Dead. The film’s premise was what if Romero’s first film was actually based on a true event and that the government and the military covered it up before people got a wind of it. The film takes that simple premise and creates an action-packed horror-comedy that still stands the test of time.
Unlike Romero’s films, Return of the Living Dead actually gives an explanation as to what causes the dead to return to life with a singular purpose of attacking the living. The cause of all this undead mayhem was due to a bioweapon nerve toxin called 2-4-5 Trioxin which was originally designed by the military to defoliate marijuana crops. To say that the side-effects of the gas had some interesting effects was an understatement. The zombies created by Trioxin do attack the living but they’re also much more livelier and smarter (retaining agility, strength and mental capacity of their previous life) than the traditional Romero-zombies. They also do not feed on just humans. They also feed on other animals. The last major difference between the Romero-zombies and the Trioxin-zombies was that the latter only wanted to feed on live brains to end the pain of being dead. These differences made for a much faster-paced horror movie. As much as I consider the Romero zombie films as the best out there, I hold a special place in my horror-fan heart for these Trioxin dudes.
The story by John Russo would be turned into a screenplay and directed by Dan O’Bannon also made Return of the Living Dead behave more as a horror-comedy than just a straight-up horror. The dialogue between the characters were full of great one-liners that would’ve sounded cheesy if not for the great and game performances from the cast. Clu Gulager as Burt Wilson (owner of the medical supplies warehouse where the lost canister of Trioxin was being stored in) did a great job being incredulous at the events happening around him. His back and forth with his friend Ernie (played with Peter Lorre eyes by Don Calfa), the local mortuary’s gun-toting mortician, keep the film lively and hilarious in-between scenes of horror.
The scene stealers in the film must go to a bumbling pair of Burt’s employees who inadvertently release the toxic and reanimating gas from the warehouse’s inventory of Trioxin canister. James Karen as the worldly and cynical Frank was a riot from start to end. His over-the-top performance had me in stitches. He played Frank with such a manic, panicky style that it was difficult not to get caught up in his hysterics. To balance out Frank’s Hardy with his more subdued, but no less panicked Laurel, was Thom Mathews as Freddy. Mathews would later appear in other horror movies in the decade and even reprise a similar role in this film’s sequel. His performance as the straight man to Karen’s fool was also very good. His slow decline into becoming one of the zombies after the initial inhalation of the Trioxin gas in the film’s introduction was funny and sad. Of all the zombies in the film he gets the brunt of the slapstick sequences, especially once he starts hunting his girlfriend for her brains. His professing of his love for her and at the same time wanting her to give up her brain was hilarious, if not creepy as well.
Another thing that Return of the Living Dead had that made it different from Romero’s zombie movies were the scenes of gratuitious nudity throughout the film. A majority of the nude scenes were courtesy of scream queen Linnea Quigley as the punk rock Trash whose morbid obsession with all things death made her an early victim for the zombies and later on as one of their leaders. I know that kids my age at that time replayed over and over the scene of her strip-tease down to nothing atop a graveyard headstone. Even now many fans of the film consider that sequence as one of their favorite.
Return of the Living Dead still counts as one of the best zombie movies out there and preceded the UK’s Shaun of the Dead by two decades as a great horror-comedy. There was a sequel a few years later to capitalize on the popularity of the first film. It tried to capture the hilarity and horror of the first one but did not measure up in the end.
The next hottie of the day comes from the Land of the Rising Sun. Like most hotties chosen from this region this one also happens to be one from the gravure model and idol scene. Kumada Yoko is our latest “Hottie of the Day”.
Ms. Kumada was born in Gifu City, Japan in 1982 which would make her, like fellow gravure model Hoshino Aki, a rarity in that she remains in the J-Idol world despite being much older than the usual models. This speaks to her longevity in the business which usually prefers that the models it hire for Idol projects and gravure photoshoots be between 17-23 years of age.
Yoko did start out much older than most of her peers as she studied to become a nurse once she was out of high school. She did try taio go into the entertainment business much earlier but was forbidden by her parents who disapproved of the profession. But while studying to be a nurse the urge to enter the business was still strong in Yoko and she finally followed her dream and hasn’t looked back.
While her early career was mostly gravure photoshoots and the Idol videos here and there, in time work came to her and she began to branch out to appearing on several TV shows and her share of live-action dramas. In the end, her love remains as a model and she continues to this day to pump out new photoshoot book collections and J-Idol videos.
As I type this, it is a little after midnight which means that technically, I did watch the Super Bowl Half-Time Show last night.
Why Was I Watching It?
To be honest, this was the first Super Bowl I’ve ever actually seen. I’m not totally sure but I think this was also the first time that I’ve ever actually seen an entire football game. I wasn’t planning on watching the Super Bowl. As a matter of fact, I had already turned down an invitation to go to a super bowl party at my sister Megan’s precisely because I had decided I had no interest in watching the game. I also turned down an invitation to go watch the game with Jeff’s family. Instead, I thought I’d simply take advantage of everyone else watching the game by spending all of Sunday on a nice, big shopping spree. However, about two hours into that spree, my asthma started to act up so I came home early, turned on the TV, and there was the game. So, I left the game on while I did some online shopping (I nearly bought this until I noticed that it cost $725!) and then once I got onto twitter, everyone was talking about the game so I continued to watch the game and I ended up having so much fun commenting on it that I ended up watching the entire thing. I do have to admit that I was, for the most part, completely and totally lost as to what was going on but no matter. I had fun.
Anyway, once I started kinda watching the game, I realized there was no way I couldn’t watch the Super Bowl Half-Time Show.
What’s It About?
Apparently, every year, some other band plays the Super Bowl during half-time. This year, the band turned out to be the Black-Eyed Peas. I have something of a girlcrush on Fergie. Or at least I did until I saw the half-time show.
What Worked?
Uhmm…maybe this would work better if we start with what didn’t work.
What Didn’t Work?
Pretty much the entire show. The Black Eyed Peas have been performing this exact same show for a few hundred years now and they could pretty much do it in their sleep which is what they appeared to be doing here.
However, just saying that the Black Eyed Peas looked bored — well, that doesn’t begin to explain why this show inspired thousands of people to stare at their TV and scream, “Turn it off, turn it off, turn it off!” like George C. Scott in Hardcore. It’s not just that the show was bad — it was that it was bad in so many different ways and, in each case, it stretched the boundaries of what had previously been considered to be a believable level of failure.
Hence, Will.i.am not only appeared to have been replaced by a robot but he appeared to have been replaced by a robot that was actually Cartman underneath a cardboard box. Fergie — who, in the past, I felt never got enough credit (her performance in Nine was one of the few exciting moments in that film) — was not only pitchy but actually sounded like she was auditioning for American Idol. The two other Black-Eyed Peas were — well, who really cares about them?
Then you had the dancers in the neon costumes who all looked like they had wandered off of the set of Tron. And, seriously, do we really want to be reminded of Tron at this point?
And then, just when you thought things couldn’t get any worse, Usher showed up. “Look,” I said to my cat, “Usher’s still alive.” “Meow,” the cat replied. Usher sang a few notes that pretty much evaporated in the stadium and then jumped in the air and did the splits. Which I guess would have been impressive except for the fact that he’s Usher and guys aren’t supposed to be able to do the splits like that.
I’m sure I could come up with a few more things that didn’t work but, quite frankly, I think my mind is repressing them right now.
What Worked?
Twitter. In the nearly two years that I’ve been on twitter, I have never seen everyone as united as they were in their general ridicule of the Super Bowl halftime show. So, in a strange way, the Black Eyed Peas brought the world together for about 15 minutes.
Here’s a few of my own tweets from the Half-Time Show:
Uhmm…is the half-time show a tribute to Tron? Where’s Jeff Bridges?
lol, Fergie couldn’t wait to get away from the rest of the Black Eyed Peas.
The Black-Eyed Peas are reminding me of that Stop Smoking Act from that episode of South Park.
The reason the crowd is cheering is b/c they can’t hear the Black Eyed Peas. That stadium is huge.
Oh good. I was just thinking that only Usher could save the half-time show.
And so, sadly, ends my girlcrush on Fergie.
Oh My God! Just Like Me! Moments
I can’t sing that well either.
Lessons Learned
The Black Eyed Peas are about to reach that point where they end up with a reality show on VH1.
The more I read about and see stuff on this fourth film on the Disney action-adventure franchise the more I’m really looking forward to Pirates of the Caribbean: On Stranger Tides.
This Super Bowl tv spot shows some new scenes that wasn’t in the official trailer released a little over a month ago. One thing I am glad to see is more Ian McShane as Blackbeard. I’m also glad that there’s still no Orlando Bloom and Keira Knightley to be seen in this film. Yes, I know that they declined to be in it (that or Bruckheimer finally got the hint that it was these two who bogged down the first two sequels).
In the end, this third sequel will live or die on the performance of Depp returning as Capt. Jack Sparrow. I’d bet on Captain Jack returning to his roguish self and making this fourth film a fun ride the way the first two sequels weren’t.
Pirates of the Caribbean: On Stranger Tides is set for a May 20, 2011 release.
The second Marvel Pictures superhero is plain and simply the awesome Asgard Thunder God himself. Thor is the Kenneth Branagh directed adaptation which will help tie-in with the rest of the Marvel Pictures produced superhero hero film of the last 3 years.
The Super Bowl tv spot shows new scenes in addition to those already shown in the official trailer released a couple months ago. This tv spot is all about Chris Hemsworth being Thor. There’s action sequences involving him battling Odin’s weapon of mass destruction in The Destroyer in what’s probably a town in New Mexico. We don’t see much of any of the other Asgardians like Loki, Sif, The Warriors Three and Heimdall.
Of all the superhero films Marvel has been working on since they decided to handle making films of their comic book properties this one has to be the wild-card of the bunch with the highest chance of failing. So far, the hype for the film has been even with many loving what they’ve seen, so far. Then there are those who seem to be hating what they’ve seen, so far. We’ll see on May 6, 2011 which side ends up being correct.
I’ve always looked at all J.J. Abrams productions with some guarded optimism since so many people seem to hype his stuff. I liked his reboot of Star Trek, but was very so-so on his Mission Impossible 3. I will admit that he does have a good batting average when it comes to tv and now film. His latest film is Super 8.
This Super Bowl tv spot shows more than the teaser trailer with the train wreck and the steel door being pounded at. The film looks to be set sometime around the 1950’s if the set is to be believed. Some have reacted to info leaked about this film as Abrams’ homage on a certain family-friendly Spielberg alien film from the early 80’s.
Super 8 looks like the one film this summer that the less I know about it the better I’ll enjoy it when it finally comes out on June 10, 2011.
Through the Shattered Lens 