Horror Film Review: Black Friday (dir by Casey Tebo)


Black Friday! It’s an unofficial holiday, or at least it was until the COVID lockdowns screwed up everyone’s spending priorities. After spending Thanksgiving with family, eating turkey, and maybe watching a football game or two, people gather outside of their favorite stores and wait for the doors to open. When those doors open, the crowd rushes into the store with the energy of a riot. Getting in the store first presumably means that you’ll be the first to clear all of the marked-down merchandise off of the shelves. It’s your chance to get a good start on shopping for Christmas. If anyone gets in your way, knock them down. If anyone tries to grab what you’re trying to grab, beat them over the head with Junior’s future Christmas gift. Black Friday is a time when you have to be ruthless. Sure, you could just do all of your shopping online, but then you have to hope that your gifts actually arrive on time and without anyone else opening them. My sisters and I used to love Black Friday, though it’s been a while since we’ve participated. To be honest, I imagine it’s one of those traditions that will soon end. New generations will never know the joy of fighting over a silverware set.

That said, as much as customers love Black Friday and as much as business executives enjoy the extra money, I imagine it really has to suck for the poor people who actually work at the stores. I mean, you’re basically giving up your holiday weekend so that you can deal with a bunch of entitled jerks who think that the world is going to end unless they get the perfect gift, and they’re willing to get into a fight and potentially damage merchandise to do it. It has to suck, cleaning and straightening up after a human tornado has torn through your store. That’s why my sisters and I always went out of our way to not make too much of a mess and to pick up after ourselves on Black Friday.

That said, I don’t think that there’s much that we could have done to help out the crew in 2021’s Black Friday. The employees of We Love Toys already know that, as a toy store, they’re going to get hit hard. What they don’t expect is that a virus is going to break out and it’s going to turn the shoppers and anyone bitten by a shopper into the equivalent of a bloodthirsty zombie. The employees soon find themselves trapped in their store, forced to use toys as weaponry. Fortunately, their manager is played by Bruce Campbell, but Bruce isn’t playing Ash Williams here. Instead, he’s just playing a store manager who made the mistake of opening the doors on Black Friday.

Black Friday is occasionally amusing. I liked the fact that it was occasionally difficult to tell the difference between the infected lunatics and the crazed shoppers. I imagine the film itself would be a bit of wish-fulfillment for anyone who has ever worked in a store on Black Friday. It’s not a classic by any means. Some of the characters are a bit underwritten. But it does have Bruce Campbell, and you can’t go wrong there!

Anyway, this Black Friday, remember to be polite to the people who are just trying to collect a paycheck. They deserve to enjoy their holiday too.

Review: Super 8 (dir. by J.J. Abrams)


The 1980’s was a special time in my life. It was another phase in my development in loving film. That decade saw many films starring kids and teens in coming-of-age tales both comedic, thrilling, dramatic and poignant. While there were many filmmakers who delved into this genre it was Steve Spielberg who mined it to great effect culminating in his classic boy-meets-alien film, E.T.: The Extra-Terrestrial. It’s been almost 30 years since the release of that film and now comes a filmmaker who seem to have grown up idolizing and loving Spielberg films of that era. The year is now 2011 and J.J. Abrams is that filmmaker who dared to pay homage to those very same coming-of-age Spielberg films of the 80’s with his very own simply titled Super 8.

From the very moment the film begins there’s a sense of wonderment as we, the audience, meet young kids who become the central characters of Super 8. The film takes place in the early days of 1979 in the town of Lillian, Ohio as Joe Lamb (Joel Courtney) tries to cope with the death of his mother. His friends keep him busy and dwelling on this tragedy through the Super 8 film they’re making in their spare time after school. These early scenes we begin to see the dynamics of the group as Joe acts as the calming influence on the group’s filmmaker, Charles (Riley Griffiths), the neurotic actor in Martin (Gabriel Basso) and the group’s stuntman/special effects tech in Carey (Ryan Lee). They all meet up at an old train depot where they plan to shoot scenes for their Super 8 zombie film. Into this eclectic group of kids comes in Alice (Elle Fanning) to play the wife to Martin’s detective character in their film.

It’s the scenes between the kids which lifts Super 8 from just being a nostalgic film to one that’s charming and magical. These scenes captures the creativity and youthful energy kids have always had no matter the era and place. These kids don’t act like stereotypes of what Hollywood thinks kids in films should act. There’s still little of the cynical teen dialogue that films nowadays give kids to say to make them seem more mature and worldly. There’s a sense of innocence in how these kids interact with each other. Some have called these scenes as being too on-the-nose nostalgic of Spielberg films of the 80’s. What some might call nostalgic I prefer to call as timeless. I still remember myself behaving with my childhood friends the way these kids did in this film

If Super 8 had just been about these group of kids trying to finish their Super 8 zombie film I conjunction with the dysfunction in the two main leads in Joe and Alice’s home life then Abrams film would’ve been the instant classic some have dubbed it. There’s only one problem with this and that’s the last half hour of the film and the scenes leading up to that involving the train derailment and the arrival of the U.S. Air Force to clean things up. The film begins to take on a split personality as these new elements get introduce to what has been a great coming-of-age story.

It’s these new elements and the final half hour which shows Abrams trying to combine a sweet story of kids and their lives growing up in small-town with an otherworldy and conspiracy tale that seem to come out of left field. By the time the final act of Super 8 arrives it becomes a different film altogether and the transition doesn’t work as well as the filmmakers might have hoped it would. Sure, this final reel has the thrills, explosions and danger, but the tonal shift in the story became so jarring that I had wished that Abrams just made two films instead of one. One film being the coming-of-age story and the other a thrilling sci-fi film.

Despite this I still enjoyed the film and I definitely loved the first two-thirds. The performances by Joel Courtney and Elle Fanning as Joe and Alice became the focal point for the story’s emotional foundation. Elle Fanning’s performance as Alice was one of the best things about Super 8. She nails every scene where she has to show extreme ranges of emotions but at the same time not try to oversell them. There’s a scene in the middle of the film where she begins to recount a personal detail as Joe sits behind her listening. Emotions begin to overwhelm her, but as kids moving towards teenhood are wont to do she tries to hold back the tears just waiting to flow freely and the sobs wanting to escapes. I wouldn’t be surprised if this scene alone had more than a couple people in the audience remembering similar events in their lives and just sobbing along with Alice.

Super 8 has been advertised as this mysterious film that may or may not have aliens but does pay homage to Spielberg and kid films of the 80’s. Abrams’ film definitely delivers on the thrills in the end, but it could’ve been so much more if it just stayed on course with just being about the kids and their magical time together making an amateur Super 8 zombie film in 1979. That would’ve been a film that deserved labels of instant classic.

All in all, Super 8 comes across as one of the more entertaining and magical films of the summer of 2011 if not the entire year. Make sure to stick around as the end credits roll to see the fruits of the kids labor titled simply as “The Case”.

Super 8 (Super Bowl TV Spot)


I’ve always looked at all J.J. Abrams productions with some guarded optimism since so many people seem to hype his stuff. I liked his reboot of Star Trek, but was very so-so on his Mission Impossible 3. I will admit that he does have a good batting average when it comes to tv and now film. His latest film is Super 8.

This Super Bowl tv spot shows more than the teaser trailer with the train wreck and the steel door being pounded at. The film looks to be set sometime around the 1950’s if the set is to be believed. Some have reacted to info leaked about this film as Abrams’ homage on a certain family-friendly Spielberg alien film from the early 80’s.

Super 8 looks like the one film this summer that the less I know about it the better I’ll enjoy it when it finally comes out on June 10, 2011.