Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!
The 100th episode of Miami Vice finds Crockett and Tubbs pursuing separate stories.
Episode 5.10 “To Have And To Hold”
(Dir by Eugene Corr, originally aired on February 10th, 1989)
When Sonny learns that his now-teenage son (Clayton Barclay Jones) is acting out at school, he hops on a plane and flies to wherever it is that his ex-wife (Belinda Montgomery) and her new husband (Parris Buckner) are supposed to be living now. Sonny discovers that his ex-wife is pregnant and that his son is having a hard time adjusting to the idea of being an older brother. He also doesn’t get along with his stepfather. Sonny and his son watch the original, Boris Karloff-starring Frankenstein in a movie theater and have a discussion about family.
(Sonny’s son says that he relates to the Monster because the Monster doesn’t mean to kill people but he does. Today, that would probably lead to the kid getting suspended from school and sent to a boot camp. In 1989, though, that just meant the kid was feeling misunderstood.)
With Crockett gone, it falls to Tubbs — using his “Cooper” persona and his fake Jamaican accent — to investigate who is responsible for killing a just-married drug kingpin. Tubbs meets the kingpin’s ruthless son (Miguel Ferrer, looking intense) and he also falls in love with the kingpin’s widow (Elpidia Carrillo). Tubbs is in love and thinking of leaving Vice? Needless to say, the widow is dead by the end of the episode.
This episode concludes with Tubbs and Crockett fishing on Crockett’s boat. They’re both feeling disillusioned. Crockett is still in love with his ex-wife. Tubbs is realizing that he’ll probably never find happiness as long as he’s working undercover in Miami. It’s a bit of a bittersweet ending. Neither Crockett nor Tubbs seems to be particularly happy. Miami Vice was always at its best when it ended on a down note.
This episode managed to give Crockett and Tubbs an equal amount of screentime and both Don Johnson and Philip Michael Thomas gave good performances. Unfortunately, the divided format of the episode meant that both stories ended up feeling a bit rushed and incomplete. The ending was effective and Miguel Ferrer gave a typically strong performance but otherwise, this was a pretty uneven episode.






