Scenes I Love: Gladiator


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“ROMA VICTOR!”

While Lisa Marie watches Ben-Hur on TCM I decided to revisit one of my favorite films to start of the new millenium. This was a film that helped resurrect sword and sandals epic that had burnt out during the late 60’s. From the late 50’s and throughout most of the 1960’s we had such classic epics as Spartacus, Quo Vadis and Ben-Hur. Then we have the Italian-produced peplum films which ranged from memorable to awful.

In 2000, Ridley Scott released the film that would finally win Russell Crowe an Oscar for Best Actor (one he should’ve won for The Insider in the previous year). Gladiator was a return to the old-school epic-scale filmmaking that we hadn’t seen in decades and audiences ate it all up as it won in the box-office and charmed critics.

I wasn’t sure about Gladiator leading up to it’s release, but I was always up for some hacking and slashing in my entertainment. What changed my mind from just being interested to buying fully into the film was when I first saw it and the opening scene which I dub the Battle of Germania. This opening sequence appealed to my sense of adventure as a viewer and also as a student of history (especially military history). While the scene itself wasn’t as accurate as I would’ve liked it got enough of how the Roman Legions fought as an army correct that I was able to forgive Sir Ridley for some dramatic flourishes that wasn’t historically accurate.

In this scene we see the Legions form up in square ranks with their recognizable scutum (Roman shield) into their typical shield wall formation. There are also the auxiliries acting as long-range support such as archers, catapults and ballista (though the last two were rarely, if ever used outside of sieges). Then there were the Roman cavalry led by Maximus himself (a unit seen less as an elite formation as we see later in the Medieval era). Scott was able to combine all these elements and create a scene that probably was as close as we’d get to seeing how war was waged between the Roman Empire and the so-called barbarian hordes of Germania.

I think this scene would’ve been perfect if the Roman Legion formations remained cohesive and just meat-grinded their enemy in front instead of breaking apart and turning the fight into a free-for-all. Other than that misstep this scene was what I loved about Gladiator.

Scenes That I Love: Anita Ekberg and Marcello Mastroianni In The Trevi Fountain


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Anita Ekberg, RIP

This famous and iconic scene is taken from Federico Fellini’s 1960 film, La Dolce Vita.  The film follows tabloid journalist Marcello (Marcello Mastroianni) over the course of 7 days and 7 nights.  He spends the 2nd day pursuing a famous actress named Sylvia (Anita Ekberg).  As the day comes to an end, he finds Anita wading into the Trevi Fountain.

As famous and celebrated as this scene is, it’s often forgotten that it ultimately ends with Sylvia being slapped by her loutish boyfriend, Robert (Lex Barker).  That slap is not included in the video below but that’s okay.  For today, at least, let’s allow Sylvia her happiness.

Scenes I Love: The Shining (HAPPY NEW YEAR)


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HAPPY NEW YEAR!

What better way to end 2014 than through one of my favorite scenes from Kubrick’s film adaptation of The Shining.

For those who have watched the film they understand the impact of this scene. For those still needing to see this classic piece of horror filmmaking then what better way to open up the new year than making a resolution to finally sit down and watch The Shining.

Scenes I Love: Penny Dreadful


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2014 has been a very good year in the realm of great television. We have the perennial stand-outs like Breaking Bad, Mad Men, Game of Thrones, Justified and The Americans. Some shows that have been brought down a peg or two in seasons past made a resurgence in quality and consistency with The Walking Dead and Sons of Anarchy.

Yet, it is with the new kid on the block that I pick my latest “Scenes I Love” and probably the most memorable scene on TV all year. The scene I speak of is the “seance” scene of the second episode of Showtime’s gothic horror series Penny Dreadful. This scene wasn’t even the big reveal in the episode but it ultimately set the tone for what’s to come for the rest of the series’ inaugural season.

The scene focuses on Eva Green’s character, Vanessa Ives, as she attends and participates in a seance held by Madame Kali in the home of renowned Egyptologist Ferdinand Lyle. It’s a powerful performance from Eva Green who has become an actor with a penchant for pulling off bravura performances in the small and big screen.

Green’s Ives has several more performances such as these during the rest of the season, but they all didn’t come with that first shock and awe this scene gave the episode and the series. It’s actually a shame that Green’s work on Penny Dreadful hasn’t garnered as much, if any, year end accolades. Her work as Vanessa Ives was that good.

Scenes I Love: An Officer and a Gentleman


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The latest “Scenes I Love” comes courtesy of An Officer and a Gentleman.

This ending sequence to the film has become an iconic scene when one talks about some of the best romantic scenes in film. The film itself was your modern take on the age-old two people from the wrong-sides of the track falling for each other.

The ending scene made the film memorable in the end. It helped that the song written and composed for the film, “Up Where We Belong,” and sung as a duet by Joe Cocker and Jennifer Warnes became as big of a hit as the film itself.

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You know that a scene has become a cultural mainstay when The Simpsons did a parody of it which ended up being just as memorable as the original.

Up Where We Belong

Who knows what tomorrow brings
in a world few hearts survive
All I know is the way I feel
when it’s real I keep it alive the road is long
There are mountains in our way
but we climb the stairway every day

Love lifts us up where we belong
where the eagles cry on a mountain high
love lifts us up where we belong
far from the world below up where the clear winds blow

Some hang on to used to be
live their lives looking behind
All we have is here and now
all our lives out there to find
The road is long and there are moutains in our way
but we climb the stairway every day

Love lifts us up where we belong
where the eagles cry on a mountain high
love lifts us up where we belong
far from the world we know
where the clear wind blows

Time goes by no time cry
life’s you and I alive

Love lifts us up where we belong
where the eagles cry on a mountain high
love lifts us up where we belong
far from the world we know
where the clear winds blow

Love lifts us up where we belong
far from the world we know
where the clear winds blow

Love lifts us up where we belong
where the eagles cry on a mountain high

Scenes I Love: American Psycho


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Last week I put up as one of the entries for the 27 Days of Old School the classic song by Huey Lewis and the News. That song is “Hip to be Square” and I wrote how that song has become famous as not just being part of a great album of the 80’s, but due to the fact that it became the soundtrack to one of the best scenes from Marry Harron’s American Psycho.

Patrick Bateman’s personal take on “Hip to be Square” resonates not just as a description of the song but of the 1980’s as well.

“Do you like Huey Lewis & The News? Their early work was a little too ‘new-wave’ for my taste, but when Sports came out in ’83, I think they really came into their own – both commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He’s been compared to Elvis Costello, but I think Huey has a far more bitter, cynical sense of humour. In ’87, Huey released this, Fore, their most accomplished album. I think their undisputed masterpiece is ‘Hip To Be Square’, a song so catchy most people probably don’t listen to the lyrics – but they should! Because it’s not just about the pleasures of conformity, and the importance of trends, it’s also a personal statement about the band itself! Hey Paul!”

Horror Scene I Love: Halloween (1978)


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It’s difficult to try and celebrate Halloween without at least remembering the classic John Carpenter film of the same name which help give birth to the slasher horror genre. Halloween has become a staple in my horror watching lists. It joins such other classic horror as the Romero’s Night of the Living Dead, Hooper’s Texas Chainsaw Massacre and Craven’s The Serpent and The Rainbow.

Filmed on a tiny budget of $325,000 and released in 1978, Halloween would introduce to the film world one of it’s most iconic horror figures in the Michale Myers. The film’s opening would become famous in it’s own right as it didn’t just give us a look into Michael Myers backstory, but make the film audience become almost active participant in the murder that introduced us to our killer.

This extended introduction scene let’s the audience see through Michael Myers’ eyes as he stalks through the house towards his sister’s room where he commits his first murder. This point of view through the eye holes of Michael’s mask would be repeated several times throughout the film.

Horror Scenes I Love: The Serpent and The Rainbow


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“I want to hear you scream.” — Dargent Peytraud

All I can say about this scene is that I guarantee every guy who watches this will want to cross their legs tight. They may just scream as well just as a reflex action to what happens in the end.

Yet, as one watches this torture scene of the main lead in the film the audience never really sees anything. Everything’s implied and we see signs of what’s about to happen throughout the segment.

The Serpent and The Rainbow continues to be one of my favorite horror films and one of my favorite Wes Craven offerings.

Horror Scenes I Love: Daybreakers


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I know some people like and even love the vampire film Daybreakers when it arrived in theaters in early 2010. I’m not one of those who love Daybreakers as my review can attest, but I did like some of the ideas brought up by The Spierig Brothers who wrote and directed the film. One could say that I begrudgingly like the film despite its many flaws.

One of the things I did like about this film was how unabashed it was in keeping the whole affair a rated-R affair. Unlike most vampire films which have come out the last decade or so this one doesn’t shy from the grue that others have. Daybreakers was definitely not of the Twilight branch of the vampiric subgenre.

My favorite scene in the film happens pretty much around the end of it. It saved the film from becoming a total dull, boring affair into one worthy of being talked about if just for this one scene. One could come into the film just at this scene alone and forget that they’re watching a vampire film but a zombie one instead. The gore was just so over-the-top and it’s staging so well-done that I couldn’t stop from having a silly grin of enjoyment from escaping.