Brad reviews REGARDING HENRY (1991), starring Harrison Ford!


I noticed that today is Harrison Ford’s 83rd birthday. Like most people born in the early 1970’s, I’m a big fan of Harrison Ford. My formative years included the Star Wars movies, the Indiana Jones movies, and many other great films like BLADE RUNNER (1982) and WITNESS (1984). He would go on to make more classics like THE FUGITIVE (1993) and AIR FORCE ONE (1997) as I got older and moved into adulthood, but one of my personal favorite films starring Harrison Ford is REGARDING HENRY (1991).

In REGARDING HENRY, Harrison Ford stars as Henry Turner, a ruthless bastard, who also happens to be a hugely successful and cutthroat attorney in New York City. This horrific approach to being a human being does seem to provide plenty of money for his wife Sarah (Annette Bening) and his daughter Rachel (Mikki Allen), but you don’t get the feeling there’s that much actual love being shared between the three. Then one night, after another successful day of sticking it to the masses, Henry’s world is turned upside down when he’s shot in the head at the corner convenience store by a guy sticking up the place (John Leguizamo). The bullet to the brain doesn’t kill Henry, but it does leave him with severe brain damage and extremely impaired motor skills. This turns out to be a nice turn of events for Henry, and his family, for several reasons. First, he meets Bradley (Bill Nunn), his physical therapist and all around nice guy, who really helps him get headed back in the right direction in health, and in life, again. Second, he begins to reconnect with his wife who likes this more thoughtful, caring and affectionate version of Henry that seems to be emerging. Finally, he starts to show his daughter some much needed love and attention, rather than just wanting to ship her off to boarding school as quickly as possible. Wouldn’t you know it though, just when things are going so perfect, the sweet, innocent Henry stumbles up some very uncomfortable truths about his former life. Will these revelations upend his new life, or will he be able to move forward with a fresh start and a household filled with love?!!

There are two main reasons that I love REGARDING HENRY. The first reason is undoubtedly the feel-good story at the heart of the film. This is J.J. Abrams second writing credit and his screenplay takes Henry from being an arrogant, selfish jerk who is only interested in his own glorification, to a sweet-natured man of integrity who elevates his wife and his daughter to the prominent positions they rightfully deserve. Is this transformation grounded in reality… no, but I love movies because I want to escape reality and live vicariously through the heroes on the screen. Henry may not be a hero in the same way as Superman, Charles Bronson, or Chow Yun-Fat, but he is someone that I can relate to. I want to be a better dad. I want to be a better husband. I want to be a man of principle and integrity in the workplace. I may not always be perfect, but watching Henry navigate his life and correct past wrongs is very satisfying and uplifting to see. I love the look in the eyes of his wife and daughter as they are so proud of him. I want my family to look at me in that same way. This movie just makes me feel good. When I want realism, I’ll go visit a shrink and watch documentaries about men and women dealing with traumatic brain injuries. 

The second reason I love REGARDING HENRY stems from the performances of several of the cast members. Harrison Ford is so good in the title role. His transformation from a cold hearted lawyer to a simple-minded family man is one of those things that could be really bad with the wrong actor, but I’ll gladly follow Ford through the process. He’s believable on both sides, and he has to be for the movie to work. Annette Bening is also great as his wife, Sarah. Her transformation isn’t a physical transformation, but an emotional transformation, and she’s just as convincing. The love she conveys toward Henry as he embraces his new life, followed by the way she plays the scenes when Henry uncovers some of the painful truths of their former life, are actually some of the strongest moments in the film. Finally, I want to give an extra shoutout to Bill Nunn as Bradley, possibly the greatest physical therapist on earth. If dictionaries had pictures, the word “likable” should have a picture of Bill Nunn from REGARDING HENRY. Nunn was a fine character actor, with many credits to his name, but I will never see him in a role that doesn’t take me back to his performance in this film. 

Overall, I highly recommend REGARDING HENRY to any person who enjoys a well-made and well-acted feel good story. It’s not the most realistic film in the world, but it’s one that I truly love. 

Cleaning Out The DVR: Consenting Adults (dir by Alan J. Pakula)


(Lisa is currently in the process of cleaning out her DVR!  It’s going to take a while because Lisa has over 200 things recorded.  However, one thing is for sure: it’s all getting erased on January 15th.  Will Lisa be able to watch everything before doomsday?  Keep checking here to find out!  She recorded the 1992 thriller, Consenting Adults, off of Cinemax on February 22nd!)

Consenting Adults is a rather silly film from 1992, one which starts out as a typical sex-and-sin-in-suburbia type of film and then turns into something else.  It was directed by the distinguished director, Alan J. Pakula and the cast features people who have been nominated for (and, in some cases, won) multiple Oscars, Tonys, and Emmys.  It also features the daughter of somewhat overrated playwright, Arthur Miller.

“Wow!,” you’re saying, “who exactly is in this film?”

Well, there’s Kevin Kline and Mary Elizabeth Mastrantonio.  They play a seemingly happy married couple.  They have a nice house in the suburbs.  Kevin Kline has a good job as a composer.  Mary Elizabeth Mastrantonio has really pretty hair.  It should be a perfect life but they’re both secretly bored with their safe marriage.

And then there’s Rebecca Miller.  She’s the wife of the new neighbor.  She does thing like sing and bathe in front of an open window, allowing Kline to peek in at her.  She’s also apparently murdered about halfway through the film.  As the result of a wife-swapping scheme that was suggested by his neighbor, Kevin Kline’s semen is found in her body.  Kline goes to jail for murder.  His wife divorces him and marries the neighbor.  Hmmm….does it sound like maybe someone set Kline up?

That’s what Forest Whitaker thinks!  Whitaker plays an insurance agent who is investigating Kline’s neighbor.  It seems that the neighbor has made most of his money through insurance fraud.  Whitaker looks incredibly young in Consenting Adults.  He’s probably the most likable person in the film.  He seems to be amused by it all.

“Hey,” you’re saying, “you keep mentioning this neighbor but you have yet to tell us who played him.  You just keep saying, ‘the neighbor,’ which seems kinda awkward…”

I’m getting to the neighbor!  The neighbor is the evil genius behind all of Kevin Kline’s misfortune.  He’s a totally and thoroughly evil suburbanite and, even when he’s pretending to be a good guy, he doesn’t make much of an effort to hide the fact that he’s not to be trusted.  In fact, you could argue that Kline and Mastrantonio both had to be complete idiots to trust this guy in the first place.  That’s kind of one of the problems with this movie.   Not only is the neighbor’s scheme ludicrously complicated but, in order for it to work, he had to find two of the stupidest people ever…

“We get it, Lisa,” you’re saying, “Just tell us who plays this super villain neighbor!”

Uhmmm… *whispers* Kevin Spacey.

When I saw Consenting Adults on my DVR and I also saw that it starred Kevin Spacey, I figured that I would watch it as a test.  After everything that’s come out about Kevin Spacey, is it still possible to watch him in a movie and forget about the fact that you’re watching Kevin Spacey?  Or does Spacey’s very presence now make it impossible to watch any of his previous films?  In the grand scheme of things, of course, that should be the least of our concerns when it comes to Kevin Spacey but still, regardless of who he may be as a human being, he has appeared in some very good movies.

Of course, I quickly learned that Consenting Adults is not one of those very good movies.  That was obvious from the very first scene, which featured Kevin Kline looking like a madman while composing some of the most maudlin and less interesting music that I’ve ever heard.  In fact, Consenting Adults turned out to one the silliest movies that I’ve ever seen.

As for Kevin Spacey, he is cast as a cold-hearted narcissist who hides his true self underneath a charming and witty facade.  I think a lot of people would watch this film and assume that Spacey is basically playing himself.  (I have to admit that was pretty much my reaction, despite the fact that I usually try to separate the art from the artist.)  Since Spacey’s playing a loathsome villain, his presence doesn’t make Consenting Adults any more or any less difficult to sit through.  If anything, you really can’t wait to see him get his comeuppance.

(So, I guess the real Spacey test will be whether or not I can still watch L.A. Confidential and Baby Driver.)

Anyway, Consenting Adults is occasionally entertaining in an over-the-top, WTF is going on sort of way.  Spacey’s scheme is just so out there and makes so little sense that you can’t help but be impressed that everyone making the film kept a straight face.  Otherwise, this is a truly forgettable movie.

The Alliance of Women Film Journalists Announced Their Picks For The Best of 2016!


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The Alliance of Women Film Journalists (of which I am not a member and what’s up with that!?) announced their picks for the best of 2016 earlier this week.

And here they are:

AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film
Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

Best Director
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
David Mackenzie – Hell or High Water
Denis Villeneuve – Arrival

Best Screenplay, Original
20th Century Women – Mike Mills
Hail Caesar – Joel Coen and Ethan Coen
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
Manchester by the Sea – Kenneth Lonergan

Best Screenplay, Adapted
Arrival – Eric Heisserer
Lion – Luke Davies
Love & Friendship – Whit Stillman
Moonlight – Barry Jenkins
Nocturnal Animals –Tom Ford

Best Documentary
13th – Ava DuVernay
Gleason – Clay Tweel
I Am Not Your Negro – Raoul Peck
OJ Made in America – Ezra Edelman
Weiner – Elyse Steinberg and Josh Kriegma

Best Animated Film
Finding Dory – Andrew Stanton andAngus MacLane
Kubo and the Two Strings- Travis Knight
Moana – Ron Clements, Don Hall, John Musker, Chris Williams
Zootopia – Byron Howard, Rich Moore, Jared Bush

Best Actress
Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

Best Actress in a Supporting Role
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea

Best Actor
Casey Affleck – Manchester By The Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Tom Hanks – Sully
Denzel Washington – Fences

Best Actor in a Supporting Role
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ben Foster – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals

Best Ensemble Cast – Casting Director
20th Century Women – Mark Bennett and Laura Rosenthal
Hail Caesar – Ellen Chenoweth
Hell or High Water – Jo Edna Boldin and Richard Hicks
Manchester by the Sea – Douglas Aibel
Moonlight – Yesi Ramirez

Best Cinematography
Arrival – Bradford Young
Hell or High Water – Giles Nuttgens
La La Land – Linus Sandgren
Manchester by The Sea – Jody Lee Lipes
Moonlight – James Laxton

Best Editing
Arrival – Joe Walker
I Am Not Your Negro — Alexandra Strauss
La La Land – Tom Cross
Manchester By The Sea – Jennifer Lame
Moonlight – Joi McMillon and Nat Sanders

Best Non-English-Language Film
Elle – Paul Verhoeven, France
Fire At Sea – Gianfranco Rossi, Italy
The Handmaiden – Chan-Wook Park, South Korea
Julieta – Pedro Almodovar. Spain
Toni Erdmann – Maren Ede, Germany

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only

Best Woman Director
Andrea Arnold – American Honey
Ava DuVernay -13TH
Rebecca Miller – Maggie’s Plan
Mira Nair – Queen of Katwe
Kelly Reichardt – Certain Women

Best Woman Screenwriter
Andrea Arnold – American Honey
Rebecca Miller – Maggie’s Plan
Kelly Reichardt – Certain Women
Lorene Scafaria – The Meddler
Laura Terruso – Hello, My Name is Doris

Best Animated Female
Dory in Finding Dory –Ellen DeGeneres
Judy in Zootopia – Ginnifer Goodwin
Moana in Moana – Auli’i Cravalho

Best Breakthrough Performance
Sasha Lane – American Honey
Janelle Monáe – Moonlight and Hidden Figures
Madina Nalwanga – Queen of Katwe
Ruth Negga – Loving

Outstanding Achievement by A Woman in The Film Industry
Ava DuVernay – For 13TH and raising awareness about the need for diversity and gender equality in Hollywood
Anne Hubbell and Amy Hobby for establishing Tangerine Entertainment’s Juice Fund to support female filmmakers
Mynette Louie, President of Gamechanger Films, which finances narrative films directed by women
April Reign for creating and mobilizing the #OscarsSoWhite campaign

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism
Annette Bening – 20th Century Women
Viola Davis – Fences
Sally Field – Hello, My Name is Doris
Isabelle Huppert – Elle and Things to Come
Helen Mirren – Eye in the Sky

Most Egregious Age Difference Between The Lead and The Love Interest Award
Dirty Grandpa – Robert De Niro (b. 1943) and Aubrey Plaza (b. 1984)
Independence Day: Resurgence – Charlotte Gainsbourg (b 1971) and Jeff Goldblum (b 1952)
Mechanic Resurrection – Jason Statham (b. 1967) and Jessica Aba (b. 1981)
Rules Don’t Apply – Warren Beatty (b. 1937) and Lily Collins (b. 1989)

Actress Most in Need Of A New Agent
Jennifer Aniston – Mother’s Day and Office Christmas Party
Melissa McCarthy – The Boss and Ghostbusters
Margot Robbie – Suicide Squad and Tarzan
Julia Roberts – Mother’s Day
Shailene Woodley – Divergent Series

Bravest Performance
Jessica Chastain – Miss Sloane
Naomie Harris – Moonlight
Isabelle Huppert – Elle
Sasha Lane – American Honey
Ruth Negga – Loving

Remake or Sequel That Shouldn’t have been Made
Ben-Hur
Ghostbusters
Independence Day: Resurgence
The Magnificent Seven
My Big Fat Greek Wedding 2

AWFJ Hall of Shame Award
Sharon Maguire and Renee Zellweger for Bridget Jones’s Baby
Nicholas Winding Refn and Elle Fanning for The Neon Demon
David Ayer and Margot Robbie for Suicide Squad
David E. Talbert and Mo’Nique for Almost Christmas