6 Trailers For Halloween, Part 3

Posted on October 31, 2013 by Lisa Marie Bowman

Hi there and welcome to the 3rd and final part of this special Halloween edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!

For this final edition, we take a look at horror films that were nominated for Oscars. Because of their Oscar pedigree, these films are rarely referred to as being exploitation films. However, have no doubt — at heart, these films all belong in the grindhouse.

1) The Exorcist (1973)

Among other nominations, The Exorcist was the first horror film to ever receive a nomination for best picture of the year. The Exorcist, however, lost the Oscar to The Sting.

2) Jaws (1975)

Jaws was nominated for best picture in 1975 but lost to One Flew Over The Cuckoo’s Nest.

3) The Silence of the Lambs (1991)

The Silence of the Lambs was the first horror movie to win best picture.

4) The Sixth Sense (1999)

The Sixth Sense was nominated for best picture but lost to American Beauty.

5) Rosemary’s Baby (1968)

Ruth Gordon won the Oscar for best supporting actress for her performance in this film.

6) Shadow of the Vampire (2000)

Willem DaFoe was nominated for best supporting actor but lost to Benicio Del Toro in Traffic.

What do you think, Trailer Kitties?

The Oscar Season Begins With The Gotham Nominations!

Posted on October 24, 2013 by Lisa Marie Bowman

Can you guess what my favorite time of year is?

If you guessed November, you’re right! My birthday is on November 9th, our own Dazzling Erin’s birthday is on November 24th, and then Arleigh’s birthday is on November 27th! November is a big month here at the Shattered Lens.

My second favorite time of year? October, of course! How can you go wrong with so much horror?

And then, of course, my third favorite time of year is December because that’s when I get most of my presents.

Along with being my favorite three months of the year, another thing that all three of those months have in common is that they comprise what is known as Oscar Season. Oscar Season is the period of time when the majority of the Best Picture contenders are released and all of the critic groups give out their awards in the hope of influencing the Academy’s nominations. I love movies and I love awards so how can I not love Oscar Season?

Well, I’m happy to say that Oscar Season officially began earlier today when the nominations for the 23rd annual Gotham Independent Film Awards were announced. The Gotham nominations aren’t exactly the best precursor of what’s going to be nominated in January but, nonetheless, they usually manage to include at least a few legitimate contenders.

This year, for example, Oscar front-runner 12 Years A Slave managed to collect the most Gotham nominations. Personally, I’m just happy to see that my favorite film of 2013, Upstream Color, collected two nominations.

The Gothams will be awarded on December 2nd.

Here are the nominations:

Best Feature

12 Years a Slave

Steve McQueen, director; Brad Pitt, Dede Gardner, Jeremy Kleiner, Bill Pohlad, Steve McQueen, Arnon Milchan, Anthony Katagas, producers. (Fox Searchlight Pictures)

Ain’t Them Bodies Saints

David Lowery, director; Tony Halbrooks, James M. Johnston, Jay Van Hoy, Lars Knudsen, Amy Kaufman, Cassian Elwes, producers (IFC Films)

Before Midnight

Richard Linklater, director; Richard Linklater, Christos V. Konstantakopoulos, Sara Woodhatch, producers (Sony Pictures Classics)

Inside Llewyn Davis

Joel Coen and Ethan Coen, directors; Scott Rudin, Joel Coen, Ethan Coen, producers (CBS Films)

Upstream Color

Shane Carruth, director; Shane Carruth, Casey Gooden, Ben LeClair, producers. (erbp)

Best Documentary

The Act of Killing

Joshua Oppenheimer, director; Signe Byrge, Joshua Oppenheimer, producers (Drafthouse Films)

The Crash Reel

Lucy Walker, director; Julian Cautherly, Lucy Walker, producers (HBO Documentary Films)

First Cousin Once Removed

Alan Berliner, director and producer (HBO Documentary Films)

Let the Fire Burn

Jason Osder, director and producer (Zeitgeist Films)

Our Nixon

Penny Lane, director; Brian L. Frye, Penny Lane, producers (Cinedigm and CNN Films)

Bingham Ray Breakthrough Director Award

Ryan Coogler for Fruitvale Station (The Weinstein Company)

Adam Leon for Gimme the Loot (Sundance Selects)

Alexandre Moors for Blue Caprice (Sundance Selects)

Stacie Passon for Concussion (RADiUS-TWC)

Amy Seimetz for Sun Don’t Shine (Factory 25)

Best Actor

Chiwetel Ejiofor in 12 Years a Slave (Fox Searchlight Pictures)

Oscar Isaac in Inside Llewyn Davis (CBS Films)

Matthew McConaughey in Dallas Buyers Club (Focus Features)

Robert Redford in All Is Lost (Lionsgate and Roadside Attractions)

Isaiah Washington in Blue Caprice (Sundance Selects)

Best Actress

Cate Blanchett in Blue Jasmine (Sony Pictures Classics)

Scarlett Johansson in Don Jon (Relativity Media)

Brie Larson in Short Term 12 (Cinedigm)

Amy Seimetz in Upstream Color (erbp)

Shailene Woodley in The Spectacular Now (A24)

Breakthrough Actor

Dane DeHaan in Kill Your Darlings (Sony Pictures Classics)

Kathryn Hahn in Afternoon Delight (The Film Arcade and Cinedigm)

Michael B. Jordan in Fruitvale Station (The Weinstein Company)

Lupita Nyong’o in 12 Years a Slave (Fox Searchlight Pictures)

Robin Weigert in Concussion (RADiUS-TWC)

Let’s Second Guess The Academy: 1987 Best Picture

Posted on September 2, 2013 by Lisa Marie Bowman

It’s time for another edition of Let’s Second Guess the Academy! This time, we’re taking a second look at the race for Best Picture of 1987.

Can you remember which film won Best Picture for 1987? Don’t feel bad if you can’t because Bernardo Bertolucci’s The Last Emperor is one of the lesser known Oscar winners. The film’s relative obscurity leads to one natural question: was it truly the best film released in 1987?

Or should the Oscar have gone to one of the other films nominated — Broadcast News, Hope and Glory, Fatal Attraction, or Moonstruck?

Let your voice be heard by voting below!

After voting for which nominated film you think should have won, give some thought to some of the 1987 films that were not nominated. Was Moonstruck truly a better film than Near Dark or Full Metal jacket? Ask yourself what would have happened if The Last Emperor hadn’t been released in the United States or what if Fatal Attraction hadn’t been a huge box office smash. What if none of the five best picture nominees had been eligible to be nominated in 1987? Which five films would you have nominated in their place?

Let us know by voting below. As always, you can vote for up to five alternative nominees and write-ins are accepted!

Happy voting!

Let’s Second Guess The Academy: Best Picture 1993

Posted on August 26, 2013 by Lisa Marie Bowman

Occasionally, I like to do a little thing that I call “Let’s second guess the Academy.” This is when we look at the films that have won Academy Awards in the past and we ask ourselves, “Should that film have won?”

For this latest edition of Let’s Second Guess the Academy, let’s take a look at 1993. The 1993 Academy Awards were dominated by Schindler’s List. Steven Spielberg’s powerful Holocaust drama won both best picture and best director. It remains the film by which all other Holocaust dramas are judged.

But did Schindler’s List deserve to win? Or would you have preferred to see one of the other four nominees win the title of Best Picture of 1993? Let us know by voting below!

Now, here comes the fun part. Let’s say that Spielberg never got around to directing Schindler’s List. And maybe The Piano never played in the states and The Fugitive bombed at the box office. Let’s say that none of the five best picture nominees had been eligible to be nominated in 1993. Which five films would you have nominated in their place?

Below, you can vote for up to five alternative nominees.

Finally! Some Oscar news…

Posted on August 2, 2013 by Lisa Marie Bowman

If you’ve been reading this site for the past few years then you know that my favorite time of the year is Oscar season. I love the Oscars.

Unlike a lot of online film commentators, I don’t them all that seriously. Again, if you’ve been reading this site for a while, then you know exactly how I feel about a certain self-important (and self-described) awards diva who is fond of saying things like, “I know the game because I am the game.” You’ll never find me descending to that type of smugness. I’m a fan, not a wannabe insider.

The Oscars are a big, tacky spectacle and that’s why I like them. I let others worry about the political significance of why certain films win or lose. I let others deal in the dreary outrage over the fact that The King’s Speech beat The Social Network.

I just sit back and enjoy the silliness of it all.

So, as you can imagine, I’m excited because today saw that start of Oscar season! The Academy has announced who will host the ceremony in 2014 and the winner is…

Not Seth McFarlane!

Seriously, I get the feeling that’s it’s going to be a very long time before Seth is invited back to the Oscars.

I’m not a huge Seth McFarlane fan but I have to admit that I wasn’t as outraged by his Oscar hosting performance as some people were. Yes, the majority of his jokes were lame and borderline offensive. Yes, there was an undercurrent of misogyny to a lot of what he said and did.

But misogyny is pretty much the fuel that keeps Seth McFarlane’s career alive and that should have been obvious to anyone who has seen anything that McFarlane has ever been involved with. You have to wonder just what exactly the show’s producers were expecting when they picked McFarlane in the first place.

Regardless, after all the criticism that McFarlane generated, the show’s producers have decided to go in the exact opposite direction with next year’s host….

….Ellen Degeneres!

She’s an almost painfully predictable choice but, with the exception of that season she spent on American Idol, I like Ellen so I can’t complain about her getting to host the Oscars for the second time.

That said, I still think they should have given James Franco another shot…

Let’s Second Guess The Academy: Best Picture 1986

Posted on June 4, 2013 by Lisa Marie Bowman

Dean Stockwell in Blue Velvet

Last week, we considered whether or not Out of Africa deserved the title of best picture of 1985. As of this writing, the votes would seem to indicate that most of you feel that it did not.

For this week, let’s jump ahead one year to 1986. According to the Academy, the five best films of the year were:

1) Children of a Lesser God, an adaptation of play about an angry deaf girl and the teacher who falls in love with her,

2) Hannah and Her Sisters, a Woody Allen film about three sisters and the neurotic people they know,

3) The Mission, a film about Jesuit missionaries in South America that also won the Palme d’Or at Cannes,

4) Room With A View, James Ivory’s super romantic adaptation of E.M. Forster’s novel,

and finally, the winner,

5) Platoon, Oliver Stone’s autobiographical film about the Viet Nam war.

Unlike Out of Africa, Platoon has remained a fairly respected winner. Still, was Platoon actually the best film of 1986? If I had been a member of the Academy back in 1986, I would have been torn between A Room With A View and Hannah and Her Sisters with my final vote going to Room With A View. How about you?

Now, here comes the fun part. Let’s say that Platoon turned out to be a disaster. Let’s say that Room With A View never made it over to American theaters and maybe Woody Allen decided to retire early. Let’s say that none of the best picture nominees had been eligible to be nominated. Which five films would have nominated in their place?

You can vote for up to five films and yes, write-ins are accepted!

(I voted for Blue Velvet, Ferris Bueller’s Day Off, Pretty In Pink, Betty Blue, and Something Wild.)

Let’s Second Guess The Academy: Best Picture 1985

Posted on May 27, 2013 by Lisa Marie Bowman

Jonathan Pryce in Brazil

Last week, we reconsidered whether or not The Hurt Locker deserved the title of Best Picture of 2009.

This week, let’s go back to the year of my birth, 1985. According to the Motion Picture Academy, the five best films of the year were:

1) Steven Spielberg’s controversial adaptation of Alice Walker’s The Color Purple,

2) Witness, a film about a tough cop (Harrison Ford) who hides out with the Amish,

3) Kiss of the Spider Woman, one of the first independent films to ever be nominated for best picture,

4) Prizzi’s Honor, a darker than dark Mafia comedy from John Huston that starred Jack Nicholson,

and finally,

5) Out of the Africa, the film that was eventually named best picture of 1985.

Despite its victory at the Oscars, Out of Africa hasn’t aged well. If any year seems to be worthy of a little second guessing, it would certainly be 1985. If you were a member of the Academy in 1985, which nominee would you have voted for? Personally, I would have voted for Witness. How about you?

Now, here comes the fun part. Let’s say that Out of Africa wasn’t released in 1985. Let’s say that Steven Spielberg never made The Color of Purple and that Jack Nicholson refused to star in Prizzi’s Honor. Let’s say that none of the five nominated film had been eligible in 1985. Which films would you have nominated in their place?

You can vote for five of the film listed below and yes, we do accept write-ins!

(Incidentally, I voted for Brazil, The Breakfast Club, To Live and Die In L.A., The Purple Rose of Cairo, and Insignificance.)

Blue Is The Warmest Colour and Bruce Dern Win At Cannes

Posted on May 26, 2013 by Lisa Marie Bowman

Bruce Dern in Nebraksa

Here are the official winners at the 2013 Cannes Film Festival:

Palme d’Or – Blue Is the Warmest Colour by Abdellatif Kechiche
Honorary Palme d’Or – Adèle Exarchopoulos and Léa Seydoux for Blue Is the Warmest Colour
Grand Prix – Inside Llewyn Davis by Joel & Ethan Coen
Best Director – Amat Escalante for Heli
Best Screenplay – Jia Zhangke for A Touch of Sin
Best Actress – Bérénice Bejo for The Past
Best Actor – Bruce Dern for Nebraska
Jury Prize – Like Father, Like Son by Hirokazu Koreeda

Both The Tree of Life and Amour were nominated for best picture after winning the Palme d’Or and, in fact, it could be argued that neither one of those films would have had the momentum necessary to score an Oscar nod if they hadn’t first won at Cannes. It’ll be interesting to see if this trend will continue with Blue Is The Warmest Colour.

As for Bruce Dern — a Hollywood veteran who has appeared in a lot of iconic films but who has never won an Oscar — I have a feeling that he’ll be winning a lot of other awards before the Oscar season has ended.

Let’s Second Guess The Academy: Best Picture 2009

Posted on May 17, 2013 by Lisa Marie Bowman

Back in 2011, I experimented with something that I like to call “Let’s second guess the Academy.” Basically, we take a look at past Oscar contestants and we ask ourselves if 1) the Academy made the right choice and 2) what else would we have nominated if we had all the power. It was always a lot of fun (and occasionally surprising) to see which films ended up getting the most love in hindsight.

So, I figured why not revive the tradition by considering the race for best picture of 2009. This was the first contest, since the 1943, to feature 10 nominees. At the time, most critics felt that the race was between Avatar and The Hurt Locker. Personally, as happy as I was to see a woman finally win best director, I thought The Hurt Locker was overrated and I hated Avatar. Which of the 10 nominated films would I have voted for? Well, as much as I loved both District 9 and A Serious Man, I would have voted for An Education. How about you?

Now, here comes the fun part. Let’s say that James Cameron never made Avatar. Let’s say that An Education never made it over from the UK. And maybe The Hurt Locker never got a distributor and just remained an independent film that occasionally popped up on the program at various film festivals. In other words, let’s say that none of the 10 best picture nominees for 2009 had been available to be nominated. Which ten films would have nominated in their place?

You can vote for up to 10 of the films listed below and yes, we do accept write-ins!

Personally, I voted for: Adventureland, The Girlfriend Experience, Moon, (500) Days of Summer, The Informant!, Bright Star, Where The Wild Things Are, The Fantastic Mr. Fox, The Bad Lieutenant: Port of Call New Orleans, and Me And Orson Welles.

Happy voting!

What Lisa Watched Last Night #72: The 85th Annual Academy Awards

Posted on February 25, 2013 by Lisa Marie Bowman

Last night, I had a little party. Me, my boyfriend, my sister, my best friend, and my 7,000 followers on twitter got together to watch the 85th Annual Academy Awards.

Why Were We Watching It?

If you love movies then the Oscars are like the Super Bowl. Seriously, how could I not watch it?

What Was It About?

It was about the best of times and the worst of times. It was about self-promotion, self-congratulation, and Michelle Obama. It was about whether or not Seth McFarlane would self-destruct. It was about rooting for the underdog and checking out who was wearing what. It was the Oscars and, for 210 minutes, the nation sat entranced.

What Worked?

Brave won the Oscar for Best Animated Feature Film! Seriously, that one award pretty much made the entire night for me. Actually, there were a lot of good winners last night: Ang Lee for Best Director, Christoph Waltz for Best Supporting Actor, Paperman for Best Animated Short Film, and Jennifer Lawrence for Best Actress. I was especially happy to see both Lawrence and Anne Hathaway win because, for whatever reason, these two actresses have recently had to deal with some of the most petty criticism that I’ve ever seen.

I also appreciated the fact that Quentin Tarantino, upon winning Best Original Screenplay, managed to spend his entire speech basically patting himself on the back while pretending to thank his cast. It may not be remembered as the most classy speech in the history of the Oscars but it definitely served to remind us of why we love Quentin.

As host, Seth McFarlane was such a mixed bag that I’ve included him under both things that worked and things that didn’t work. McFarlane started out surprisingly strong. Unlike a lot of female critics, I wasn’t offended by The Boob Song and I thought it was actually a pretty clever parody of McFarlane’s public image. (The joke was clearly meant to be on McFarlane and not the actresses mentioned in the song.) Unfortunately, as the show went on, McFarlane occasionally seemed to be determined to live up to that parody.

Oddly enough, I really enjoyed Lincoln when I saw it but yet I still found myself happy to see it lose in so many categories. I think it’s probably because Lincoln was so aggressively hyped and so many self-important Oscar pundits (like Sasha Stone) declared that Lincoln was the best film of the year before they had even seen it. It was hard not to resent the condescending tone that was taken by many of Lincoln‘s online supporters. Plus, it’s always fun to root for the underdog. It’s hard not to suspect that if Ben Affleck had actually been nominated for Best Director then Steven Spielberg and his film might have actually won big last night. But by snubbing Affleck, the Academy cast Steven Spielberg and Lincoln in the role of Goliath.

On one final petty note, I was happy to see Jennifer Lawrence win because I know her victory probably annoyed the editors of Awards Daily.

What Did Not Work?

I could have done without Michelle Obama showing up to present Best Picture. Yes, I know that Hollywood loves the Obamas but seriously, it felt rather Orwellian to have the First Lady suddenly pop up on TV and tell us why movies are so important. The fact that she appeared with a few random soldiers behind her just added to the creepy vibe.

The much hyped Bond tribute turned out to be a bit of a bust, didn’t it?

The audience, which never seemed to be that excited about the prospect of Seth McFarlane in the first place, seemed to turn more and more against him as the show progressed. As a result, once the Oscars hit the 120 minute mark, Seth started to come across as being a bit desperate to get a reaction — any reaction — from the audience.

Daniel Day-Lewis gave a good acceptance speech and all but surely I’m not the only viewer who was curious to hear what Joaquin Phoenix would have said if he had won.

In the end, the show just felt a little bit too bland for my tastes. Unlike last year, there was nothing truly unexpected. There were no hints of eccentricity. No one showed up wearing anything awful. Nobody made a fool of themselves while accepting their Oscar. In short, the show was just forgettable.

“Oh my God! Just like me!” Moments

When Jennifer Lawrence fell on the way to accept her award, that was definitely an “Oh my God! Just like me!” moment. Seriously, I loved her dress but, from the minute I saw it, I knew she was going to have a hard time getting up to the podium.

Lessons Learned

Award shows are a lot more fun when things go wrong.