Artwork of the Day: Guilty Bystander (by Mitchell Hooks)

Posted on May 24, 2026 by Dazzling Erin

by Mitchell Hooks

This is a great cover.

Artwork of the Day: The Bad Blonde (by Mitchell Hooks)

Posted on May 23, 2026 by Dazzling Erin

by Mitchell Hooks

This cover is from 1963.

Artwork of the Day: Walls Rise Up (by Mitchell Hooks)

Posted on July 10, 2025 by Dazzling Erin

by Mitchell Hooks

This down home cover is from 1953.

Celebrate Father’s Day With The Pulps!

Posted on June 15, 2025 by Dazzling Erin

Let’s celebrate Father’s Day with the help of the pulps!

Artist Unknown

by Carl Bobertz

by James Avati

by Mitchell Hooks

by Rafael DeSoto

by Sergio Leone

by Stanley Zuckerberg

by James Meese

Artwork of the Day: Swamp Sister (by Mitchell Hooks)

Posted on March 12, 2025 by Dazzling Erin

by Mitchell Hooks

This cover is from 1961. Walking barefoot in a swamp is not a good idea, no matter what Swamp Sister says.

Artwork of the Day: Naked Sinner (by Mitchell Hooks)

Posted on July 6, 2024 by Dazzling Erin

by Mitchell Hooks

This cover is from 1959.

Artwork of the Day: Walls Rise Up (by Mitchell Hooks)

Posted on July 16, 2023 by Dazzling Erin

by Mitchell Hooks

This cover is from 1953. Walls rise up but they get knocked down again.

Artwork of the Day: The Search (by Mitchell Hooks)

Posted on June 24, 2023 by Dazzling Erin

by Mitchell Hooks

Have you found what you’re looking for?

Artwork of the Day: The Devil’s Spawn (by Mitchell Hooks)

Posted on May 2, 2022 by Dazzling Erin

By Mitchell Hooks

One thing I’ve noticed about these old pulp covers is that red nail polish is somehow always linked to sin. This cover was done by Mitchell Hooks, whose work has been featured many times on the site and will probably be featured many more times in the future.

Artwork of the Day: The Wench is Dead (by Mitchell Hooks)

Posted on September 24, 2021 by Dazzling Erin

by Mitchell Hooks

This book was originally published in 1955 but I’m not sure which edition this cover was done for. The artwork was done by Mitchell Hooks, whose signature is visible on the left hand side of the cover.