Late Night Retro Television Review: Hunter 2.6 “Rape and Revenge: Part 1”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week’s episode is a difficult one.

Episode 2.6 “Rape and Revenge: Part 1”

(Dir by Gary Winter, originally aired on November 2nd, 1985)

I nearly didn’t watch this episode.

When I saw the title of this episode and then read the plot description on the IMDb, my first instinct was to try to find an excuse to get out of having to watch and review it.  The plot description read: McCall is raped by a visiting diplomat and her colleague’s hands are tied when he claims diplomatic immunity.  Nearly every episode of Hunter so far has featured McCall getting into some sort of trouble.  She’s been kidnapped countless times.  She’s been shot at least three times.  She’s been in more than a few fights.  In the past, that didn’t bother me because no one is going to mistake Hunter for a realistic show.  But when I read what was going to happen to her in this week’s episode, I immediately imagined that the show would handle it in the worst and most insensitive way possible.

Still, I watched the episode because I’m a completist.  And you know what?  I was wrong.

This episode opens with Hunter and McCall investigating the discovery of a dead woman at the Curaguayan Consulate in Los Angeles.  (Curaguaya is a fictional country in South America.)  One of the consuls, Raoul Marino (Richard Yniguez), immediately starts hitting on McCall, despite the fact that she’s conducting a police investigation.  Later, Raoul sends three different flower deliveries to McCall’s house.  When Raoul then shows up at McCall’s house, she tells him to leave.  He rapes her and then flees.  McCall calls Hunter, who rushes over to her house and then takes her to the hospital.

Because he has diplomatic immunity, Raoul thinks that he can get away with rape.  He also thinks that he can get away with shooting Hunter in the shoulder when the latter confronts him.   And it turns out that Raoul is correct.  With both McCall and Hunter temporarily out of action, he boards a plane to Curaguaya and returns home.

To the show’s credit, it handles McCall’s rape sensitively.  Stepfanie Kramer gives a strong performance as McCall.  The scenes at the hospital, where the still bruised McCall is examined by doctors and investigators, capture the fact that the trauma of being raped doesn’t just end with the act.  My fear was that this episode would have McCall magically recover at the end of the hour.  It didn’t.  Instead, we watch as McCall goes through therapy and as she slowly reaches the point where she feels that she can return to work.  But even when she does return, the pain and the trauma are still there.  This episode doesn’t simplify rape or use it as just another melodramatic plot twist.  For that, it deserves a lot of credit.

(My only real issue that, during a recovery montage, the scenes of McCall in therapy are mixed with scenes of Hunter recovering from being shot in the shoulder.  I feel like McCall deserved to have that montage to herself.)

This is a two-part episode.  The first hour ended with McCall realizing that Hunter had traveled down to San Pablo, Curaguay to get revenge on Raoul.  (Hunter previously told McCall that he was taking a few days off to go fishing.)  McCall then made a reservation on the next flight to San Pablo.  The story concludes next week!

Late Night Retro Television Review: Hunter 1.15 “The Beach Boy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, someone is killing criminals in Los Angeles and, for once, it’s not Rick Hunter!

Episode 1,15 “The Beach Boy”

(Dir by Richard Colla, originally aired on April 6th, 1985)

A Hawaiian drug lord is angered when five Los Angeles drug dealers decide to stop dealing his product.  So, he sends his main assassin — Wes “Beach Boy” Kapano (Brett Clark) — to L.A. to kill all five of them.  Hunter and McCall find themselves in the strange position of providing productive custody to the dealers while trying to stop Kapano.

This was a typical “chase-em-and-shoot-em” episode of Hunter.  Dee Dee even managed to get shot for the second time this season.  (And, once again, it didn’t seem to actually hurt her.  “I’m fine!”)  For the first season, at least, Hunter kept things simple.  In between the flirtatious Hunter/McCall banter, there would be at least one car chase and three shootings.

What sets this episode apart is that Hunter and McCall are protecting drug dealers.  While McCall makes it clear that she doesn’t actually care what happens to the dealers, Hunter’s feelings are a bit more ambivalent.  He’s been chasing the dealers for so long that he’s developed a grudging affection for them.  When one of them is killed while helping the police, Hunter’s actually upset about it.

The other thing that sets this episode apart was Brett Clark’s intimidating turn as the assassin.  The Beach Boy, as he’s called, doesn’t waste too much time with conversations.  He doesn’t brag about how clever he is or go to a lot of trouble trying to fool anyone.  Instead, he just shows up and starts firing.  He wears a bulletproof vest, as well.  McCall shoots him twice and he barely flinches.  He’s a scary dude!

That said, Hunter still manages to kill him.  How many people have been killed by Rick Hunter so far?  I’ve lost track.  Most officers are suspended after a shooting so that the shooting board can rule whether or not it was justified.  Hunter is always back on the streets within an hour of killing someone.  Considering how quick he is with a gun, I probably wouldn’t want to tell him he was suspended either.

Much like Hunter and McCall, this episode was brutal and efficient.