Horror On TV: One Step Beyond 1. 16 “The Burning Girl” (dir by John Newland)


When I first started searching YouTube for episodes to use in this feature, I came across quite a few episodes of an old black-and-white TV show called One Step Beyond.  Running for three seasons (from 1959 to 1961), One Step Beyond was hosted by John Newland.  Every week, Newland would tell the audience about some sort of possible paranormal phenomena.  Then, a dramatization of a “real” event would be shown and occasionally, the show would end with Newland interviewing the real people whose story we had just watched.

To me, that all sounds like a lot of fun.

The 16th episode of One Step Beyond was called The Burning Girl and it dealt with a teenage girl who, whenever she got upset, could apparently cause fires to spontaneously erupt.  It was written by Catherine Turney and directed by John Newland himself.

It was originally broadcast on May 5th, 1959 — presumably long before Stephen King even had the idea to write about a girl named Carrie.

Game Review: The Cave (2020, Neil Aitkin)


The Cave is an entrant in the 2020 Interactive Fiction Competition.  All the of the entries can be played here.

You are an adventurer who wakes up to discover that you are surrounded by darkness.  You’re alone and you’re in a cave.  Can you figure out how to get out?

Like many Interactive Fiction games, The Cave is made up of separate rooms, each one of which has its own unique challenges and rewards.  What sets The Cave apart from other games is that, each time you play, the cave is randomly respawned.  Just because a room is nearby the first time you play, that doesn’t mean that it will still be there the next time you play.  As a result, no matter how many times you play, you’ll always have a different experience.

With each puzzle you solve, you gain knowledge and attributes.  You can’t die in The Cave.  The game is not designed to trick you into losing.  Instead, the goal is to see what type of person (or character) you’ve become once you finally manage to make your way out of the cage.  Will you be clever mage who emerges from the cave with several different spells or will you be the type of fighter who just keeps smashing away until you finally broken free?  Play the game to find out.  As the game puts it, “Who are you really in the dark?”

The Cave can be played here.

Horror Scenes That I Love: The Birds Show Up For School


This is from Alfred Hitchcock’s 1963 masterpiece, The Birds.

This is how you edit a scary scene!

It’s interesting to consider that The Birds was apparently not a big hit with critics when it was first released in 1963.  Much like Kubrick’s The Shining, it’s gone on to become one of the definitive horror films of all time.  It’s certainly one of the most influential.

4 Shots From 4 Alfred Hitchcock Films: The Lodger, Psycho, The Birds, Frenzy


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This month, we’ve been using 4 Shots From 4 Films to honor some of our favorite filmmakers!  Today, we pay tribute to the one and only Alfred Hitchcock!

4 Shots From 4 Alfred Hitchcock Films

The Lodger (1926, dir by Alfred Hitchcock)

Psycho (1960, dir by Alfred Hitchcock)

The Birds (1963, dir by Alfred Hitchcock)

Frenzy (1972, dir by Alfred Hitchcock)

Horror on the Lens: The Incredible Melting Man (dir by William Sachs)


Today’s horror on the lens is a science fiction/horror film from 1977!

In The Incredible Melting Man, the first manned spaceflight to Saturn does not go well.  Three astronauts went up but only one came down.  And that one astronaut is both kinda crazy and melting!  Seriously, it’s a big mess.

Apparently, one of the victims of the incredible melting man is played by director Jonathan Demme.  See if you can spot him!  It’ll be fun.

Enjoy!

Witchcraft XII: In The Lair of The Serpent (2002, directed by Brad Sykes)


Warlock-turned-attorney-turned investigator Will Spanner returns in this, the 12th Witchcraft film.

Now blandly played by a comedian named Chip James, Will may be back but the rest of the usual suspects are missing and, in fact, aren’t even mentioned in this film.  No Lutz.  No Garner.  No Kelli, despite the fact that Witchcraft XI ended with Will and Kelli finally getting engaged.  There’s was a two year gap between this film and the previous Witchcraft film and I guess a lot of could have happened during that time period.  In this Witchcraft, Will doesn’t say anything about being married and he ends up having sex with another woman so I’m going to guess that things didn’t work out with Will and Kelli.  Maybe Kelli finally got tired of every warlock on the west coast trying to abduct her during ever lunar eclipse.

Like so many of the Witchcraft films, In The Lair of the Serpent opens with someone picking up a beautiful woman outside of a nightclub.  This time, it’s Jeff Lawton (Bruce Blauer) who picks up Tisa (Monika Wild).  Tisa is a part of a cult of women who worship an ancient snake goddess.  Tisa and her fellow snake worshippers spend their time picking up men, seducing them, and then sacrificing them as a part of a complex ritual designed to bring the snake goddess into the world.  It’s good to see that Satan is not the only deity who demands that his followers engage in overly complex rituals before he’ll even think of meeting with them.

Jeff Lawton’s sister, Cindy (Janet Keijser), turns to Will to help solve the mystery of Jeff’s murder.  (Conveniently, Will is an old family friend.)  Since the last time we saw Will, he had apparently moved his legal practice to Seattle.  He returns to Long Beach for Jeff’s funeral and, convinced that the police don’t understand what they’re dealing with, he helps Cindy to investigate her brother’s death.  Will also hooks up with Cindy, a move that leaves those of us who have actually watched the other films in this stupid franchise wondering whether or not Kelly is up in Seattle, waiting for her husband to come back home.  It all leads to the usual magical battle between Will and the coven.

The special effects aren’t terrible, which is a step up from the previous Witchcraft films, and Janet Keijser is actually pretty good as Cindy.  Even the supernatural killer looks like a genuine otherworldly creature instead of someone wearing a rubber mask.  By the admittedly low standards of this franchise, Witchcraft XII almost feels like a real movie.  Almost!

By the time this one came around, the Witchcraft series was no longer as popular as it once was.  Softcore direct-to-video thrillers became less of a big deal as more and more people gained access to the Internet, which is a roundabout way of saying that Witchcraft‘s target audience no longer had to go the video store if they wanted to see a topless actress.  They could just search the web.  It would be six years before there was another chapter in the life of Will Spanner.