Horror On The Lens: The Dead Don’t Die (dir by Curtis Harrington)


For today’s horror on the lens, we have a 1975 made-for-television movie called The Dead Don’t Die!

The Dead Don’t Die takes place in Chicago during the 1930s.  George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit.  Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own.  This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!

Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery.  Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell.  (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)

And you can watch it below!

Enjoy!

Music Video of the Day: Burn by Nine Inch Nails (1994, dir by Hank Corwin and Trent Reznor)


I like Burn, even though it’s not exactly subtle song.  I mean, Trent Reznor has never exactly been the most low-key of songwriters but Burn is a bit heavy-handed by even his standards.  That said, it’s got a good beat and you can dance to it and it’s fun to music to play while you’re setting a fire or trying to freak out a boomer.

The video was apparently included on a special VHS tape of Natural Born Killers.  And now it’s on YouTube so watch it while you can because I have a feeling this video will probably get yanked down for copyright reasons in another month or so.  Stuff like that just makes me want to burn it all down.  The video pretty much follows the Natural Born Killers aesthetic.  It’s a type of style that’s good for music videos but a bit much for a 2 hour-plus film.  Natural Born Killers is one of those films that I always get bored with before it ends but the soundtrack’s pretty good.

Enjoy!

Horror on TV: Baywatch Nights 2.20 “Hot Winds” (dir by Parker Stevenson)


On tonight’s episode of Baywatch Nights, the wind is making people in California go insane!  Could it because the wind is hot and annoying?  Or is it that there’s a Satanist doing something evil out in the desert?

Don’t worry, California!  David Hasselhoff and Angie Harmon are on the case!

This episode originally aired on May 3rd, 1997.

Horror Scenes That I Love: Tor Johnson vs Richard Carlson in Behind Locked Doors


Since today is Tor Johnson’s birthday, I wanted to share a scene from Plan 9 From Outer Space or Bride of the Monster or even the Beast of Yucca Flats.

Unfortunately, YouTube would not cooperate.  I found a lot of tribute videos that people had done.  I found several videos of Tor playing Lobo with silly music playing in the background.  There were a lot of weird Tor/Bela tribute videos.  (Apparently, there’s a very active community of Lobo/Varnoff shippers, which was not something that I really needed to know.)  Anyway, try as I did, I couldn’t find any decent videos of just Tor walking into a wall or rising from the dead of reaching for the bunny in Beast of Yucca Flats.

However, I did find this clip from a film in which Tor Johnson appeared in 1948.  Apparently, Behind Locked Doors was noir about a detective who goes undercover at a sanitarium.  One of the other patients at the sanitarium?  TOR JOHNSON!

So, enjoy this chance to see Tor Johnson in a scene not directed by Ed Wood or Coleman Francis.  (The scene was directed by Budd Boetticher, who has a far different critical reputation that both Misters Wood and Francis.)

4 Shots From 4 Films: Special Tor Johnson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is Tor Johnson’s birthday so it just seems appropriate to present….

4 Shots From 4 Tor Johnson Films

Bride of The Monster (1955, dir by Ed Wood)

Plan 9 from Outer Space (1959, dir by Ed Wood)

Night of the Ghouls (1960, dir by Ed Wood)

The Beast from Yucca Flats (1961, dir by Coleman Francis)

Horror On The Lens: Invasion of the Saucer Men (dir by Edward Cahn)


Invasion of The Saucer Men

The poster above pretty much epitomizes everything that I love about old B-movies.  Between the aliens and the poster’s promise that we’re being given the chance to “SEE (the) night the world nearly ended…!,” it’s hard to resist the temptation to give Invasion of the Saucer Men a chance.

First released in 1957, Invasion of the Saucer Men is, in many ways, a standard alien invasion film.  Aliens land in a small town and cause a lot of inconvenience for a bunch of all-American teenagers who are just looking for a place to make out.  What sets Invasion of the Saucer Men apart is that it’s meant to intentionally humorous and the aliens totally kick ass.

So, here is today’s edition of Horror On The Lens: Invasion of the Saucer Men!

Horror on TV: Baywatch Nights 2.19 “The Eighth Seal” (dir by Jon Cassar)


NM

Tonight’s episode of Baywatch Nights, The Eighth Seal, was originally broadcast on April 26th, 1997 and it features David Hasselhoff getting possessed.

You really haven’t lived until you’ve seen David Hasselhoff play possessed.

Enjoy!

Witchcraft IX: Bitter Harvest (1997, directed Michael Paul Girard)


Will Spanner (played, for a second time, by David Byrnes) returns in Witchcraft IX!

Will is still the son of a warlock, he’s still dead, and his girlfriend is still named Kelli (she’s played, this time, by Leah Kourtne Ballantine) but otherwise, the continuity of the entire franchise gets seriously twisted in Witchcraft IXWitchcraft VII ended up with Will dead and everyone knowing that Will was dead.  This was followed by Witchcraft VIII, which was a stand-alone film about a different warlock.  Witchcraft IX then begins with no one knowing that Will is dead and an imposter Will living with Kelli and regularly choking her during sex.  Will’s ghost roams the city, trying to get anyone to listen to him.  Though Will was clean-shaven when he died, ghost Will has a beard.

While Will is trying to find someone who can hear him, Detective Lutz (Stephanie Beaton) and Garner (Mikul Robins) are investigating yet another series of ritualistic homicides.  This time, the homicides are connected to an Egyptian cult as opposed to a Satanic one.  Usually, Lutz and Garner would turn to Will for help but, because imposter Will is a jerk, they don’t want anything more to do with him.  Of course, in Witchcraft VII, Lutz and Garner saw Will die but apparently, they’ve forgotten about that and think that he’s still alive.  See how confusing this is?

Will finally does find someone who can hear his voice.  She’s a prostitute named Sheila (Landon Hall) and soon, Will is using her to deliver messages to Lutz, Garner, and Kelli.  He even enters her body at one point.  Witchcraft IX is basically a softcore version of Ghost, with an Egyptian cult thrown in for good measure.

Whatever other flaws they may have had, the previous Witchcraft films all did try to maintain a recognizable continuity.  That’s what made them stand out when compared to other direct-to-video franchises.  Even though the actors changed, Will always remained the same character with the same problems.  In Witchcraft IX, all of that continuity gets tossed out the window.  The one emotionally effective moment of the entire franchise, Will dying and being mourned by everyone who cared for him, is retconned into nothing.

Witchcraft IX suffers from its low budget and its impossible to follow plot but Landon Hall and Stephanie Beaton are surprisingly good as Sheila and Lutz and David Byrnes is a passable hero.  Though Will does come back to life at the end of this one, he would still be absent in the next film.  In Witchcraft X, Detective Lutz would finally get a story all of her own.