October Positivity: The Trial (dir by Gary Wheeler)


In 2010’s The Trial, Matthew Modine stars as Mac.

Mac is a Southern lawyer, even though it’s been a while since he practiced.  After his wife and children were killed in a car accident, Mac decided to retire from practicing law but he never surrendered his license.  A judge (Rance Howard) reaches out to him, asking him to serve as a public defender for Pete Thomason (Randy Wayne), a young man who has been accused of murdering his girlfriend.  The evidence is stacked against Pete and there are plenty of wealthy people who, for various reasons, want Pete to quickly be convicted.  Mac takes the case because he can tell that Pete is being railroaded.  When he discovers that Pete will possibly be facing the death penalty if he’s convicted, the case becomes very personal for Mac.

The prosecuting attorney (Bob Gunton) has managed to find a doctor (Brett Rice) who is willing to testify that Pete is a sociopath.  (The doctor has a reputation for finding just about anyone on trial to be a sociopath.)  Mac finds a doctor of his own, Dr. Anne Wilkes (Clare Carey), his testifies that Pete is nowhere near being a sociopath.  The problem is that Pete has no memory of what happened the night of the murder.  Mac may believe that Pete is innocent but can he convince the jury when the evidence all seems to suggest otherwise?

Like The List, The Trial was based on a novel by Robert Whitlow and it was directed by Gary Wheeler.  I was pretty hard on The List in last night’s review but I actually rather enjoyed The Trial, which was a solid and well-made legal thriller.  (The film’s status as a faith-based film largely comes from a scene in which Mac quotes the Book of Provers in regards to how, during a trial, it’s easy to believe the first person who speaks but it’s equally important to listen to how the accused replies.)  I enjoyed the twists and turns of the plot and the film’s ending worked well.  Though the film had a a made-for-television feel to it (despite having been a theatrical release), it still held and rewarded my interest.

It helped that the cast was well-selected and everyone gave good performances.  Matthew Modine, in particular, gave a strong performance as Mac, playing him not as being a saint but instead as being someone who was just determined to give his client the defense he deserved and to ultimately do the right thing.  Robert Forster played Mac’s brother-in-law and lead investigator and he brought his own brand of world-weary determination to the part.  Nobody plays a smug prosecutor as well as Bob Gunton, though it should be noted that the character himself never became a caricature.  Rance Howard was the ideal judge, tough but fair.  Randy Wayne was sympathetic as the confused Pete.  The cast really brought the film’s world to life.

I always enjoy a good legal thriller and The Trial was certainly that.

October Positivity: The List (dir by Gary Wheeler)


2007’s The List opens during the dying days of the American Civil War.

A group of wealthy plantation owners form a secret society.  They pool together their fortunes and they each sign onto a list.  Over the years, whenever a member of the Society passes away, their eldest male descendant replaces them on the List and also has access to the fortune that that the Society secretly holds.

In 2007, directionless attorney Renny Jacobsen (Chuck Carrington) is shocked when his father dies and leaves him next to no money.  As Renny tells us over and over again, he really could have used some of his father’s fortune.  However, his father does leave him a key the leads to Renny uncovering a tape that explains everything that he needs to know about the Society.  All Renny has to do is sign his name to the List.

The Society is now run by Desmond Larochette (Malcolm McDowell) and we know that he’s evil because his name is Desmond Larochette and he’s played by Malcolm McDowell.  Larochette seems to be more than happy to allow Renny to join the Society but he’s not quite as happy that another member of the group died and only left behind a female heir, Jo Johnston (Hilarie Burton).  The members of the Society are faced with quite a quandary.  Should they allow a woman to join their society?  And, if not, what should they do now that she know about the Society’s existence?

When Jo goes to the mansion for the Society’s meeting, she spots a portrait of a gray-haired gentleman and asks who he is.  Gus Eicholtz (Pat Hingle) explains that the painting is of John C. Calhoun, who served as Vice President under Andrew Jackson.  “He looks angry,” Jo says and honestly, that was a piece of historical and artistic criticism that was so simple-minded that Jo really should have been disqualified from joining the Society at that very moment.

First off, how are you going to join a Southern secret society if you don’t know how John C. Calhoun is?  Secondly, the portrait in question is actually a pretty famous one.  George Alexander Haley painted it while Calhoun was Secretary of State.  Even if you don’t know who John C. Calhoun is, chances are that you’ve seen the painting.  Finally, there’s the claim that “He looks angry.”  The painting was completed in 1845.  Everyone looked angry in 1840s!  Even the noted bon vivant Henry Clay looked angry in his 1848 State Department portrait.  (And Clay actually had his picture taken for his official portrait.  Imagine how furious he would look if someone had painted him?)

Anyway, Renny joins the society but Jo does not,  But then Renny discovers that it’s not as easy to get his hands on the money as he thought and he spends the entire movie complaining about it.  That’s pretty much it.  There is some suggestion that Desmond might have demonic powers, but it’s not really explored.  Another heir dies mysteriously and it seems like Jo is being targeted as well.  Again, it’s not really clear why.  In the end, Renny puts God before the money but it kind of comes out of nowhere.  It’s a muddled story and, by the end of the film, it’s still a struggle to figure out what it all meant.  At the very least, Malcolm McDowell seemed to be having fun, playing an evil character and speaking in an almost indecipherable accent.

Retro Television Review: Homicide: Life On The Street 3.14 “Dead End”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the elusive Glenn Holton is captured but is really the shooter?  Read on and find out!

Episode 3.13 “Dead End”

(Dir by Whitney Ransick, originally aired on February 3rd, 1995)

There’s a truly remarkable moment in this week’s episode of Homicide.

Glenn Holton (Steve Hofvendahl) has finally been arrested and is sitting in the Box.  Holton is the pedophile who is suspected of murdering a child.  Last week, Felton, Bolander, and Howard were all shot while trying to serve a warrant for his arrest.  Bayliss and Pembleton are interviewing him, attempting to get him to confess to shooting the detectives.

At first, Holton is adamant that he did not shoot anyone.  But as Pembleton and Bayliss shout at him and tell him about all the things that are going to happen to him as a sex offender in prison, Holton’s demeanor starts to change.  He becomes desperate and confused and suddenly, he confesses to shooting the detectives.  The only problem is that the story Holton comes up with doesn’t match the facts of the case.  He claims that he shot the detectives on the roof of his apartment building.  He claims they were coming at him.  When asked what type of gun he used, Holton says it was just some gun that he bought on the street.  The more Holton talks, the more obvious it becomes that, while he did murder the child, he didn’t shoot the detectives.

It’s an interesting scene because it shows just how easy it could be to get a false confession out of a suspect.  It’s left ambiguous as to whether or not Holton was lying because he preferred to be sent to prison for shooting a cop instead of killing a kid or if maybe Holton actually had deluded himself into thinking he was the shooter.  If Bayliss and Pembleton hadn’t asked him follow-up questions about the shooting, Holton probably would have been charged with the shooting.  He did, after all, confess.

Holton’s going to jail for murder but the shooter is still out there.  Who fired the gun?  I suspect I know, just because next week’s episode features a special guest star.  But we’ll talk about that next week!

The interrogation scene was the highlight of this week’s episode.  Still, I enjoyed the scenes of Munch working with Bolander’s ex-partner Mitch and struggling to hide his jealousy.  (Bolander is always complaining that Mitch was a far better partner than Munch.)  I was a bit less interested in this week’s Russert plot.  Megan was told to investigate whether or not Giardello was at fault for the detectives going to the wrong apartment.  She discovered Giardello did approve and initial the warrant without double-checking the address.  Giardello  was prepared to take the blame but Russet instead lied and claimed that, because of budget cuts, she and Giardello were both often rushed into signing things without getting a chance to fully examine them.  I’m not sure that’s a particularly good excuse but it worked.

At the hospital, Howard woke up from her coma.  Bolander is still in his coma and was not present during this episode.  (From what I’ve read, Ned Beatty was apparently not happy with the whole shooting storyling, feeling that it went against the realism that was supposed to be Homicide’s calling card.)  Lewis and Felton had a heart-to-heart about what it’s like to lose one’s partner.  It was an effective scene, even if Felton has become a bit of a one-note character.

This was a good episode and a marked improvement on last week.  I look forward to seeing how things conclude (or if they even do conclude) in the next episode.

The Eric Roberts Collection: The Perfect Summer (dir by Gary Wheeler)


It’s the perfect summer …. or is it?

In this 2013 film, teenage Jake (Adam Horner) moves to California with his mother, Alyssa (Sydney Penny).  They move in with Jake’s grandfather, surf shop owner Lou Reynolds (Eric Roberts).  At first, Jake is miserable.  He misses his friends.  He doesn’t know what to make of the California lifestyle.  He has a crush on Kayla (Katie Garfield) but he feels insecure because he can’t surf and, when he does buy a surfboard, it’s promptly broken in half by the local surf bullies.

(Is there really such a thing as surf bullies?  I’ve never lived on the beach so I really haven’t had much experience with surfers.  The ones that I met in Hawaii and Galveston all seemed pretty cool, though.  But, in the movies, they’re all like, “Can’t surf our beach, brah.”  A part of me suspects that movies should not be used as a guide for real life.)

It’s a good thing that Lou just happens to be a legendary surfer!  While Alyssa pursues a romance with Marcos (Louis Mandylor), Lou tries to teach his grandson how to surf.  It’s not always easy.  Jake gets frustrated easily and he doesn’t quite understand the zen philosophy behind surfing.  But, with Lou’s help, Jake gets the hang of it and soon, Jake is ready to enter the big surging competition!

If this all sounds familiar, that’s because you’ve already seen a hundred films like this.  Think of The Karate Kid, but with surfing and Eric Roberts as the mentor.  It’s all very predictable but the beach is pretty.  The ocean is majestic.  My favorite American Idol also-ran, Jason Castro, shows up for a few minutes.  And Eric Roberts actually gets a fairly substantial role and a chance to show what a good actor he can actually be!  There’s absolutely nothing surprising about the film  but, for what it is, The Perfect Summer works.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Blood Red (1989)
  4. The Ambulance (1990)
  5. The Lost Capone (1990)
  6. Love, Cheat, & Steal (1993)
  7. Voyage (1993)
  8. Love Is A Gun (1994)
  9. Sensation (1994)
  10. Dark Angel (1996)
  11. Doctor Who (1996)
  12. Most Wanted (1997)
  13. Mercy Streets (2000)
  14. Raptor (2001)
  15. Wolves of Wall Street (2002)
  16. Mr. Brightside (2004)
  17. Six: The Mark Unleased (2004)
  18. Hey You (2006)
  19. Amazing Racer (2009)
  20. In The Blink of an Eye (2009)
  21. Bed & Breakfast (2010)
  22. Enemies Among Us (2010)
  23. The Expendables (2010) 
  24. Sharktopus (2010)
  25. Beyond The Trophy (2012)
  26. The Dead Want Women (2012)
  27. Deadline (2012)
  28. The Mark (2012)
  29. Miss Atomic Bomb (2012)
  30. Bonnie And Clyde: Justified (2013)
  31. Lovelace (2013)
  32. The Mark: Redemption (2013)
  33. Self-Storage (2013)
  34. A Talking Cat!?! (2013)
  35. This Is Our Time (2013)
  36. Inherent Vice (2014)
  37. Road to the Open (2014)
  38. Rumors of War (2014)
  39. Amityville Death House (2015)
  40. Deadly Sanctuary (2015)
  41. A Fatal Obsession (2015)
  42. Las Vegas Story (2015)
  43. Stalked By My Doctor (2015)
  44. Enemy Within (2016)
  45. Joker’s Poltergeist (2016)
  46. Prayer Never Fails (2016)
  47. Stalked By My Doctor: The Return (2016)
  48. The Wrong Roommate (2016)
  49. Dark Image (2017)
  50. Black Wake (2018)
  51. Frank and Ava (2018)
  52. Stalked By My Doctor: Patient’s Revenge (2018)
  53. Clinton Island (2019)
  54. Monster Island (2019)
  55. The Reliant (2019)
  56. The Savant (2019)
  57. Seven Deadly Sins (2019)
  58. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  59. The Wrong Mommy (2019)
  60. Exodus of a Prodigal Son (2020)
  61. Free Lunch Express (2020)
  62. Her Deadly Groom (2020)
  63. Top Gunner (2020)
  64. Deadly Nightshade (2021)
  65. The Elevator (2021)
  66. Just What The Doctor Ordered (2021)
  67. Killer Advice (2021)
  68. Night Night (2021)
  69. The Poltergeist Diaries (2021)
  70. The Rebels of PT-218 (2021)
  71. A Town Called Parable (2021)
  72. Bleach (2022)
  73. My Dinner With Eric (2022)
  74. D.C. Down (2023)
  75. Aftermath (2024)
  76. Devil’s Knight (2024)
  77. The Wrong Life Coach (2024)
  78. When It Rains In L.A. (2025

Here Are The 2020 North Carolina Film Critics Nominations!


The regional film critics continue to chime in with their picks for the best of 2020.  Below, you’ll find the nomination of the North Carolina Film Critics.  The winners will be announced on January 3rd, 2021.  That sounds like a long wait but actually, it’s just means that the winners will be announced on Sunday.

Anyway, here’s the nominations.  You’ll notice that there’s no nominations for Small Axe, so I guess that moment has passed now that Amazon has made it clear that they’re still going for Emmys as opposed to Oscars for Steve McQueen’s five films.  That’s kind of a shame since the whole Small Axe thing was at least providing some suspense as far as these awards go.

BEST NARRATIVE FILM
Da 5 Bloods
Minari
Nomadland
Promising Young Woman
The Trial Of The Chicago 7

BEST DOCUMENTARY FILM
All In: The Fight for Democracy
Boys State
David Byrne’s American Utopia
Dick Johnson Is Dead
Time

BEST ANIMATED FILM
The Croods: A New Age
Onward
Over The Moon
Soul
Wolfwalkers

BEST FOREIGN LANGUAGE FILM
Another Round
Bacurau
Beanpole
La llorona
Night of Kings

BEST DIRECTOR
Emerald Fennel – Promising Young Woman
David Fincher – Mank
Regina King – One Night In Miami…
Spike Lee – Da 5 Bloods
Chloé Zhao – Nomadland

BEST CINEMATOGRAPHY
Hoyte Van Hoytema – Tenet
Erik Messerschmidt – Mank
Joshua James Richards – Nomadland
Newton Thomas Sigel – Da 5 Bloods
Dariusz Wolski – News of the World

BEST ACTOR
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Steven Yeun – Minari

BEST ACTRESS
Jessie Buckley – I’m Thinking Of Ending Things
Viola Davis – Ma Rainey’s Black Bottom
Frances McDormand – Nomadland
Elisabeth Moss – The Invisible Man
Carey Mulligan – Promising Young Woman

BEST SUPPORTING ACTOR
Chadwick Boseman – Da 5 Bloods
Sacha Baron Cohen – The Trial Of The Chicago 7
Bill Murray – On the Rocks
Paul Raci – Sound of Metal
David Strathairn – Nomadland

BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm
Toni Colette – I’m Thinking Of Ending Things
Olivia Colman – The Father
Amanda Seyfried – Mank
Youn Yuh-jung – Minari

BEST ORIGINAL SCREENPLAY
Da 5 Bloods – Danny Bilson, Paul De Meo, Kevin Willmott & Spike Lee
Mank – Jack Fincher
Minari – Lee Isaac Chung
Promising Young Woman – Emerald Fennell
The Trial Of The Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY
First Cow – Jon Raymond & Kelly Reichardt
I’m Thinking Of Ending Things – Charlie Kaufman
Ma Rainey’s Black Bottom – Ruben Santiago-Hudson
Nomadland – Chloé Zhao
One Night In Miami… – Kemp Powers

BEST SPECIAL EFFECTS
The Invisible Man
The Midnight Sky
Mulan
Tenet
Wonder Woman 1984

BEST MUSIC
Da 5 Bloods
Mank
Minari
Soul
Tenet

KEN HANKE MEMORIAL TAR HEEL AWARD
This award recognizes a film, artists, or performer with a special connection to North Carolina. In 2017, the Tar Heel Award was dedicated to longtime North Carolina film critic Ken Hanke.

The Dancin’ Bulldogs – Film
Will Patton (Minari) – Performer
Gary Wheeler – Producer/Industry Professional

BEST RESTORATION
To honor the special role that streaming has played in 2020 due to the global pandemic, the NCFCA added a category to this year’s awards: Best Restoration. This intends to acknowledge the cultural significance of the film in addition to the quality of the restoration.

Beau Travail (The Criterion Collection)
The Lord of the Rings Trilogy (Warner Bros.)
Mädchen in Uniform (Kino Lorber)
Native Son (Kino Lorber)
Roman Holiday (Paramount Home Entertainment)