4 Shots From 4 Films: Special Tod Browning Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today’s director is Tod Browning, who started his career during the silent era, ended it in the sound era, and was responsible for some of the most important horror and suspense films of both eras!

4 Shots From 4 Tod Browning Films

West of Zanzibar (1928, dir by Tod Browning, DP: Percy Hilburn)

Dracula (1931, Dir by Tod Browning, DP: Karl Freund)

Freaks (1932, dir by Tod Browning, DP: Merritt Gerstad)

Mark of the Vampire (1935, Dir by Tod Browning, DP: James Wong Howe)

4 Shots From 4 Horror Films: Special James Whale Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today’s director: James Whale!

4 Shots From 4 James Whale Films

Frankenstein (1931, dir by James Whale, DP: Arthur Edeson)

The Old Dark House (1932, dir by James Whale, DP: Arthur Edeson)

The Invisible Man (1933, dir by James Whale, DP: Arthur Edeson)

Bride of Frankenstein (1935, dir James Whale, DP: John J. Mescall)

4 Shots From 4 Horror Films: Special Terence Fisher Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today’s director: one of the masters of Hammer horror and the director who brought back to life both Dracula and Baron von Frankenstein, Terence Fisher!

4 Shots From 4 Terrence Fisher Films

The Curse of Frankenstein (1957, dir by Terence Fisher, DP: Jack Asher)

The Horror of Dracula (1958, dir by Terence Fisher, DP: Jack Asher)

The Mummy (1959, dir by Terence Fisher, DP: Jack Asher)

The Devil Rides Out (1968, dir by Terence Fisher)

 

 

4 Shots From 4 Films: Special Luigi Cozzi Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today the Shattered Lens honors the the underrated Italian filmmaker, Luigi Cozzi!

4 Shots From 4 Luigi Cozzi Films

The Killer Must Kill Again (1975, dir by Luigi Cozzi, DP: Riccardo Pallottini)

Starcrash (1978, dir by Luigi Cozzi, DP: Paul Beeson and Roberto D’Ettorre Piazzoli)

Contamination (1980, dir by Luigi Cozzi, DP: Giuseppe Pinori)

Paganini Horror (1989, dir by Luigi Cozzi, DP: Franco Lecca)

6 Shots From 6 Horror Films: The Special Lucio Fulci Edition!


6 Shots From 6 Films is just what it says it is, 6 shots from 6 of our favorite films. As opposed to the reviews and recaps that we usually post, 6 Shots From 6 Films is all about letting the visuals do the talking.

Today, the 2nd of October, the TSL honors of the greatest of all Italian horror directors, the one and only Lucio Fulci!

6 Shots From 6 Lucio Fulci Films

A Lizard In A Woman’s Skin (1971, dir by Lucio Fulci, DP: Luigi Kuveiller)

Zombi 2 (1979, dir. Lucio Fulci, DP: Sergio Salvati)

The Beyond (1981, dir by Lucio Fulci, DP: Sergio Salvati)

The House By The Cemetery (1981, dir by Lucio Fulci, DP: Sergio Salvati)

The New York Ripper (1982, dir by Lucio Fulci, DP: Luigi Kuveiller )

Murder Rock (1984, dir by Lucio Fulci, DP: Guiseppe Pinori)

4 Shots From 4 Films: Special Roger Corman Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, on the first day of Horrorthon, we remember the great film pioneer and director, Roger Corman!  It’s time for….

4 Shots From 4 Roger Corman Films

Not of this Earth (1957, dir by Roger Corman DP: John J. Mescall)

Pit and the Pendulum (1961, dir by Roger Corman, DP: Floyd Crosby)

X: The Man With The X-Ray Eyes (1963, dir by Roger Corman, DP: Floyd Crosby)

The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)

Lisa Marie’s Early Oscar Predictions For September


It’s that time of the month again!

It’s time for me to share my latest round of Oscar predictions.  Thanks to the summer festival season, the Oscar race is starting to become a bit clearer.  That said, there really don’t seem to be any overwhelming favorites right now.  There are contenders but there are no front runners.  So, I imagine we’ll see some surprise contenders emerge as the precursor season approaches.

You’ll notice that, unlike a lot of Oscar bloggers, I don’t have Gladiator II amongst my predictions.  That’s based on the fact that, every year, there’s a new Ridley Scott film that everyone predicts will be a contender and, with the exception of The Martian, it never happens.  The Academy just does not seem to have the burning desire to honor Ridley Scott that a lot of film bloggers do.  As well,  I’m just not convinced that a sequel starring an actor who has yet to prove he can shoulder the weight of a blockbuster is going to be the film that’s going to win Ridley Scott a Best Director statuette.  Remember that a few years ago, those same Oscar bloggers were insisting that Martin Scorsese’s Silence was going to be not only a contender but also the winner up until the end of November.

(For that matter, let’s not forget that Scorsese’s Killers of the Flower Moon was expected to be a winner as opposed to an also-ran.  Fact of the matter is that, as much as I hate to resort to that overused quote from William Goldman, no one knows anything.)

Do I really think that Pamela Anderson is going to receive a Best Actress nomination?  She’s receiving a lot of acclaim for her role in The Showgirl but, at the same time, she’s Pamela Anderson.  There’s maybe a 2% chance that she’ll get nominated but I always like to throw in a few candidates who go against the conventional wisdom.  So — what the Hell?  Why not?  Pamela Anderson for Best Actress!

Be sure to check out my predictions for April, May, June, July, and August!

Best Picture

Anora

The Apprentice

The Brutalist

A Complete Unknown

Dune Part Two

Emilia Perez

Maria

The Piano Lesson

Saturday Night

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Brady Corbett for The Brutalist

Jason Reitman for Saturday Night

Denis Villeneuve for Dune Part Two

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Demi Moore in The Substance

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice

Best Supporting Actress

Monica Barbaro in A Complete Unknown

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Felicity Jones in The Brutalist

Zoe Saldana in Emilia Perez

Happy Friday the 13th From The Shattered Lens


Happy Friday the 13th!

Today is the greatest Friday of the year because today is not only the 13th but it’s also only a month until October 13th!  Some people consider Friday the 13th to be unlucky but those people have obviously never been the only “good girl” at a weekend party up at Camp Crystal Lake.  Ask any of them and they can tell you just how lucky Friday the 13th can be.

To our readers who are currently struggling today, we make the following suggestion: Turn off twitter.  Turn off MSNBC.  Definitely turn off CNN.  Block ABC from your memory.  And why not just sit back and enjoy the antics of those fun-loving kids up at Camp Crystal Lake?

In fact, in case you need help picking which movie to watch, I hve reviewed every single Friday the 13th! here on the Shattered Lens!  I personally recommend that you watch parts 1, 2, and 4 but it’s totally up to you!  Here’s some links to my reviews:

Friday the 13th

Friday the 13th Part 2

Friday the 13th Part 3

Friday The 13th: The Final Chapter

Friday the 13th: A New Beginning

Friday the 13th: Jason Lives

Friday the 13th Part VII: A New Blood

Friday the 13th Part VIII: Jason Takes Manhattan

Jason Goes To Hell: The Final Friday

Jason X

Freddy vs Jason

Friday the 13th: The Pointless Remake

And then be sure to check out: 12 Thing You May Not Have Known About Friday the 13th and my review of Camp Crystal Lake Memories!

The world will still be here when you get back, we promise.

Happy Friday the 13th everyone!  Horrorthon ’24 is just a two weeks away!

4 Shots From 4 Films: Special Hal Ashby Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates what would have been the 95th birthday of Hal Ashby, one of the most important (and, sadly, one of the most overlooked) directors of the 1970s.  It’s time for….

4 Shots From 4 Hal Ashby Films

Harold and Maude (1971, dir by Hal Ashby, DP: John A. Alonzo)

The Last Detail (1973, dir by Hal Ashby, DP: Michael Chapman)

Bound for Glory (1976, dir by Hal Ashby, DP: Haskell Wexler)

Being There (1979, dir by Hal Ashby, DP: Caleb Deschanel)

Celebrate Labor Day With These 14 Films!


I have no idea what this day is supposed to celebrate but I hope everyone has a good one.

There doesn’t seem to be any agreed upon way to celebrate Labor Day.  A few people have the day off and they’re the reason why I decided to hold off on going up to Lake Texoma until this upcoming, holiday-free weekend.  Personally, I think the best way to celebrate any holiday is with a film festival so here are my suggestions for your Labor Day viewing:

  1. Red Menace (1949) — In this wonderfully atmospheric film noir, a former GI named Bill Jones (Robert Rockwell) finds himself seduced by the Communist Party.  After he witnesses the head of the party murder a man who questions the wisdom of Marx, Jones and his lover go on the run.
  2. Big Jim McClain (1951) — John Wayne takes on the commies!  And you better believe that no one is more determined to keep America and its workers safe from communist influence than the Duke!  This film features some lovely Hawaiian scenery and enough over-the-top propaganda to make any American proud.
  3. I Was A Communist For The FBI (1951) — Based (I imagine very loosely) on a true story, I Was A Communist For The FBI is about an agent who spent nine years undercover as a communist.  As a result, he lost his friends and almost his family but he also serves his country.  Featuring a scene where a strike turns violent, there’s nothing subtle about this film but, as with Big Jim McClain, that’s a large part of what makes the movie so watchable.
  4. On The Waterfront (1954) — Marlon Brando won his first Oscar for this film about union corruption.
  5. Dr. No (1962) — In his very first film outing, James Bond shows what a good job a true professional can do.
  6. The Godfather (1972) — “It’s strictly business.”
  7. Blue Collar (1978) — In this gritty film from Paul Schrader, three auto-workers (played by Yaphet Kotto, Harvey Keitel, and Richard Pryor) discover that their union is even more corrupt than management.  Consider this film to be an antidote to Norma Rae.
  8. F.I.S.T. (1978) — After the success of Rocky, Sylvester Stallone played a thinly-disguised version of Jimmy Hoffa in this epic historical film.  The film is poorly paced and doesn’t quite work but it’s interesting to see Stallone, post-Rocky, playing a character who isn’t necessarily all-that heroic.
  9. Convoy (1979) — The film celebrate the independent trucker, the hard-working driver who doesn’t want to be tied down by either the unions or the law.  Convoy is infamous for being an out-of-control production and yes, it is a bit self-indulgent.  But who cares?  When that convoy forms, you have to heartless not to cheer a little.
  10. Alien (1979) — One of the best films about how much it sucks to have to work for a living, Alien follows a group of blue-collar workers whose lives are deliberately put in danger by a big, faceless corporation.
  11. Last Exit to Brooklyn (1989) — A labor strike leaves a Brooklyn neighborhood reeling.  This film is not for the faint-hearted.
  12. Hoffa (1991) — Jack Nicholson stars as Jimmy Hoffa in this uneven but watchable film.  This movie is unabashedly pro-Hoffa and therefore, it provides an interesting contrast to films like F.I.S.T. and Blue Collar.
  13. Office Space (1999) — And don’t forget to sing along to the copier scene!
  14. The Irishman (2019) — Despite all the criticism that it received when it was first released, The Irishman is one of Martin Scorsese’s finest films.  It takes a while to get used to the de-aging but Al Pacino’s performance as Jimmy Hoffa was brilliant.  This film is one of the best looks at how the American labor movement lost its way.