4 Shots From 4 Horror Films: Special George Romero Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director is one of the most important names in the history of American horror cinema, George Romero!

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Day of the Dead (1985, dir by George Romero, DP: Michael Gornick)

Land of the Dead (2005, dir by George Romero, DP: Miroslaw Baszak)

Late Night Retro Television Reviews: Monsters 1.4 “The Vampire Hunter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991.  The entire show is streaming on Youtube.

This week, Monsters features a vampire!  Yay!  I usually love a good vampire story.

Episode 1.4 “The Vampire Hunter”

(Dir by Michael Gornick, originally aired on November 12th, 1988)

The fourth episode of Monsters opens in New England, towards the end of the 19th century.  Ernest Chariot (Robert Lansing) is a veteran vampire hunter who is planning on hanging up his crucifix and his stake so he can concentrate on flirting with the women who come to him searching for answers about the paranormal.  He even tells his young assistant, Jack (Jack Koening), that is planning on heading over to Austria so he can meet with Sigmund Freud and talk about dream interpretation with him.  Interestingly enough, it appears that Ernest doesn’t really believe in anything paranormal, outside of vampires.  Myself, I think if I ever saw proof that vampires existed, I would probably accept that anything could exist.  I mean, it’d be strange for it just be vampires.

Before he can retire, Ernest does have one last job to complete.  Ms. Warren (Page Hannah) claims that her brother has been acting strangely, as if he’s been bitten by a vampire.  Ernest is skeptical of Ms. Warren’s claims and decides to take a trip to Ms. Warren’s hometown so that he can investigate her background before he agrees to help her.  The far more naïve Jack, however, goes with Ms. Warren back to her home.

It turns out that Ernest was right to be suspicious because Ms. Warren is the reluctant servant of Charles Poole (John Bolger), a vampire who wears a blue mask because of a facial injury that was inflicted upon him by Ernest in the past.  Jack holds Ernest off with a crucifix but, after he loses that, he soon discovers that it’s not as easy to stake a vampire as he thought.

Ernest returns to his office from investigating Ms. Warren’s background, saying that it required him to work in cotton mill.  His housekeeper tells him that Jack left with Ms. Warren.  A panicked Ernest goes to Ms. Warren’s home where he finds Jack in a coffin and Charles Poole eager for a final battle….

And that’s pretty much it.  This was a really weird episode, largely because there wasn’t even an attempt at a clever twist at the end or anything like that.  Instead, it was just a straight-forward story of an old vampire hunter coming face-to-face with a vampire.  In the end, Ms. Warren chooses to help Ernest instead of Charles.  The good guys win and the final credits role.  It’s all very earnest and, again, straight-forward.  At the same time, it’s also not that interesting.  It feels like a scene from a bigger story and, when viewed outside of the context of that bigger story, it lacks the type of emotional depth necessary to really hold the viewer’s attention.

It’s a shame.  I usually love a good vampire story!  Unfortunately, this isn’t one.  Oh well.

Late Night Retro Television Reviews: Monsters 1.1 “The Feverman”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991.  The entire show is streaming on Youtube.

Monsters was an anthology series that ran, in syndication, from 1988 to 1991.  It was produced by Richard Rubinstein and Mitchell Galin, who had previously produced another anthology series called Tales From The DarksideMonsters, unlike Tales, almost exclusively focused horror stories and, as the title suggests, each story featured at least one monster.  As well, each episode opened with a family of monsters sitting around a television and looking for something to watch.

Sounds like fun!  I’m looking forward to watching and reviewing this series for Through the Shattered Lens.

Episode 1.1 “The Feverman”

(Dir by Michal Gornick, originally aired on October 22nd, 1988)

Timothy Mason (John C. Vennema) is in a panic because his daughter (Michele Gornick) has a contracted a fever and is now on the verge of death.  When Mason’s friend, Dr. James Burke (Patrick Garner), is unable to lower the girl’s fever, Mason decides to take her to see the Boyle (David McCallum), the feverman.  A disreputable fellow who is never seen without a glass of liquor in his hand and a dingy crystal hanging out around his neck, Boyle claims that he can pull fevers out of those suffering.  He charges a good deal of money for his services but he also claims that, unlike the doctors of the world, he’s never lost a patient.  Indeed, Boyle claims that, if anyone brought to him died, he would die as well.

Burke goes with Mason to Boyle’s house and, when Boyle announces that he must be alone with Mason’s daughter in order to cure her, Burke denounces him as being a charlatan.  Still, Mason agrees to leave his daughter alone with Boyle in Boyle’s basement.  However, as Burke and Mason wait for Boyle to return from the basement, they grow impatient and Burke pressures Mason to disobey Boyle’s orders.  Finally, Burke and Mason head into the basement and that’s where they catch Boyle wrestling with this thing….

It turns out that Boyle wasn’t lying when he said that he could literally bring the fever out of a patient.  However, when Burke and Mason interrupt him, that allows the fever monster to once again reenter Mason’s daughter.  The crystal necklace falls off Boyle’s neck.  Boyle explains to Burke that he is now dying and he can no longer fight the fever.  And, because it’s all Burke’s fault, it is now Burke’s obligation to wear the crystal and battle the fever.

Realizing that he’s at fault, Burke puts on the crystal and he wrestles with the fever monster.  Burke manages to destroy the monster but, afterwards, he discovers that he cannot take the crystal off.  As Boyle explains it, Burke is the new feverman and he will now wear the crystal until the day he dies.  Mason, happy that his daughter is now cured, still refuses to stick around to talk to Burke afterwards.  Burke is now an outsider.  Resigned to his fate, Burke starts drinking and prepares to meet his next patient.

This was an effective episode, featuring a wonderfully dissolute performance from David McCallum as Boyle and plenty of grimy atmosphere.  Maybe it’s just because I’m still getting over having the flu last week but the fever monster totally freaked me out.  I imagine that creature probably is what a fever really would look like.  This episode was the exact right way to start things off for Monsters!

4 Shots From 4 Films: Special George Romero Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been George Romero’s 83rd birthday.

Now, those of you who have been reading us since the beginning know how important the work of George Romero has been to this site.  A mutual appreciation of Night of the Living Dead is one of the things that first brought many of us together.  It’s a film that we watch ever Halloween and Arleigh’s review of the original remains one of our most popular posts.  If this site had a patron saint, it would probably be George Romero.

And yet, Romero wasn’t just a director of zombie films.  He made many films, dealing with everything from hippie lovers (There’s Always Vanilla) to wannabe vampires (Martin) to government conspiracies (The Crazies) and eccentric bikers (Knightriders).  George Romero was one of the pioneers of independent films and today, on his birthday, we should all take a minute to consider and appreciate the man’s cinematic legacy.  It’s not just horror fans who owe George Romero a debt of gratitude.  It’s lovers of cinema everywhere.

With that in mind, here are….

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero, DP: George Romero)

Season of the Witch (1973, dir by George Romero, DP: George Romero)

Creepshow (1982, dir by George Romero, DP: Michael Gornick)

The Dark Half (1993, dir by George Romero, DP: Tony Pierce-Roberts)

8 Shots From 8 Horror Films: 1984 — 1986


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at a very important year: 1984, 1985, and 1986.

8 Shots From 8 Films: 1984 — 1986

A Nightmare on Elm Street (1984, dir by Wes Craven, DP: Jacques Haitkin)

Gremlins (1984, dir by Joe Dante, DP: John Hora)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito, DP: João Fernandes)

Phenomena (1985, dir by Dario Argento, DP: Romano Albani)

Day of the Dead (1985, dir by George Romero, DP: Michael Gornick)

Demons 2 (1986, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Witchboard (1986, dir by Kevin S. Tenney, DP: Roy Wagner)

The Fly (1986, dir by David Cronenberg, DP: Mark Irwin)

10 Shots From 10 Horror Films: 1981 — 1983


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at 1981, 1982, and 1983!

10 Shots From 10 Horror Films: 1981 — 1983

The Funhouse (1981, dir by Tobe Hooper. DP: Andrew Laszlo)

The Beyond (1981, dir by Lucio Fulci, DP: Sergio Salvati)

The House By The Cemetery (1981, dir by Lucio Fulci, DP: Sergio Salvati)

The Evil Dead (1981, dir by Sam Raimi, DP: Tim Philo)

Creepshow (1982, dir by George Romero, written by Stephen King, DP: Michael Gornick)

Tenebrae (1982, dir by Dario Argento, DP: Luciano Tovoli)

Poltergeist (1982, dir by Tobe Hooper, DP: Matthew F. Leonetti)

The Dead Zone (1983, dir by David Cronenberg, DP: Mark Irwin)

Christine (1983, dir. John Carpenter, DP: Donald M. Morgan)

Halloween III: Season of the Witch (dir by Tommy Lee Wallace, DP: Dean Cundey)

6 Shots From 6 Horror Films: 1978


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at a very important year: 1978.

6 Shots from 6 Horror Films: 1978

Halloween (1978, dir by John Carpenter, DP: Dean Cudney)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Piranha (1978, dir by Joe Dante, DP: Jamie Anderson)

Martin (1978, dir by George Romero, DP: Michael Gornick)

Blue Sunshine (1978, dir by Jeff Lieberman, DP: Don Knight)

The Grapes of Death (1978, dir by Jean Rollin)

4 Shots From 4 Films: Special Stephen King Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Mr. Stephen King!

In others words, it’s time for….

4 Shots from 4 Stephen King Films

Creepshow (1982, dir by George Romero, written by Stephen King, DP: Michael Gornick)

Maximum Overdrive (1986, dir by Stephen King, written by Stephen King, DP: Armando Nannuzzi)

Sleepwalkers (1992, dir by Mick Garris, written by Stephen King, DP: Rodney Charters)

The Stand (1994, dir by Mick Garris, written by Stephen King, DP: Edward J. Pei)

4 Shots From 4 George Romero Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Happy Halloween!  Today, we pay tribute to the patron saint of American horror, George Romero!  We’ve watched Night of the Living Dead!  Now, it’s time for….

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero, DP: George Romero)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Martin (1978, dir by George Romero, DP: Michael Gornick)

Day of the Dead (1985, dir by George Romero, DP: Michael Gornick)