Brad reviews YOU’VE GOT MAIL (1998), starring Tom Hanks and Meg Ryan!


Kathleen Kelly (Meg Ryan) owns a children’s bookstore in New York City named “The Shop Around the Corner.” It’s a small, cozy store that she inherited from her dear mother, and it’s part of the lifeblood of who she is as a person, as well as the community itself. Joe Fox (Tom Hanks), on the other hand, is the heir to a major bookstore chain, Fox Books (think Barnes & Noble), that threatens to wipe places like Kathleen’s off the map. As fate would have it, the two meet anonymously online where they trade their hopes, dreams and insecurities through daily e-mails, with both excitedly opening their computers each night hoping to hear those three little words, “You’ve Got Mail.” Things begin to get interesting when Joe plans to open up a Fox Books Superstore just around the corner from Kathleen’s place with neither knowing that they’re real-life business adversaries. When will they find out that they’re enemies in the business world? Can true love find a way in the most difficult of circumstances? And isn’t that why we watch these kinds of movies in the first place?!

I’ll start off by saying that Meg Ryan is operating at the top of her “America’s sweetheart” phase here… she’s cute, sincere, nostalgic, slightly neurotic, and ultimately quite believable as a person who romanticizes her world and truly believes there will always be a place for her small store and the gigantic superstores! I grew up and still live in the state where Wal-Mart started so I definitely know how hard it is for the “mom and pop” stores to compete. Tom Hanks walks a bit more of a tightrope as Joe Fox. He’s likable enough that you want him to be able to win her heart, but he’s also just arrogant enough that you understand why Kathleen resents everything he stands for. Ultimately, Hanks is able to pull it off with enough charm that you still root for him even when he can be a little bit of a jerk at times.

What’s really strange about revisiting YOU’VE GOT MAIL at this point in my life is the fact that it takes me back to the late 90’s when the internet was something new to me and it seemed like something magical. In this movie, the internet connects two souls, and when we hear “you’ve got mail” as they fire up their computers, the movie expects you to feel genuine excitement, without a hint of irony. Compare that with where the world is today with almost any kind of online activity, especially social media. While there are still a lot of positives to be found, it’s sad that going online now is often exhausting, hateful, and stressful! In 1998, though, it was still possible to believe that logging on could lead to something incredible!

Nora Ephron, who directed the film and co-wrote the screenplay, does a good job of presenting a sad reality of the real world underneath this romantic comedy’s love story. “Progress” can be cruel, and it seems like it just can’t be stopped no matter what! I spend a lot of time talking about the wonderful hours I spent in the video stores of my youth. Those stores are all gone now and have been for decades. The stores that replaced them are mostly gone now, and almost all of my movie viewing is now done through online streaming. In YOU’VE GOT MAIL, Fox Books certainly isn’t better than Kathleen’s Shop Around the Corner. As a matter of fact, it’s not nearly as educational or personal. What it is, however, is bigger, cheaper, and more efficient, and that’s what seems to win in the end, just like it did with the local video stores and Wal-Mart. This is where Ephron does her strongest balancing act. Joe Fox and Kathleen Kelly still fall in love despite the fact that the realities of the world around them take their realistic and natural course. A true human connection is made in the most difficult and painful of circumstances, and that ultimately means more than anything else in the film.

Revisiting YOU’VE GOT MAIL now doesn’t feel that much different than revisiting the film that inspired it, 1940’s THE SHOP AROUND THE CORNER, starring Jimmy Stewart and Margaret Sullavan. Both films are time capsules of a world that no longer really exists. However, both films ultimately realize the time-tested truth that it’s our relationships with other people that provides the most meaning to our lives. That’s a truth that won’t change whether we’re writing letters, sending e-mails, exchanging texts or whatever “progress” the human race achieves in communication in the future! I find some comfort in that.

Join #MondayMania For The Wrong Stepmother!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2019’s The Wrong Stepmother!

You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

4 Shots From 4 Films: Special Early Bill Murray Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Admittedly, it is not Bill Murray’s birthday today but it’s not really anyone else’s birthday either (and don’t you dare say Paul Mescal because you need to be around for a long while to get one of these appreciation posts).  Today is Groundhog Day and, even though the production of the movie of the same name was not exactly harmonious by most accounts, it is one of the movies that has come to define everything that people love about Bill Murray.

So today, it just seem appropriate to share….

4 Shots From 4 Bill Murray Films

Ghostbusters (1984, dir by Ivan Reitman, DP: Laszlo Kovacs)

Groundhog Day (1993, Dir. by Harold Ramis, DP: John Bailey)

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)

Lost In Translation (2003, dir by Sofia Coppola, DP: Lance Acord)

Monday Live Tweet Alert: Join Us For Millennium!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Millennium!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube and hit play at 8 pm et, and use the #MondayActionMovie hashtag!  The  watch party community is a friendly group and welcoming of newcomers so don’t be shy.   

See you soon!

6 Shots From 6 Films: Special John Ford Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

John Ford was born 132 years ago today, in Maine.  Seeing as how John Ford is one of the most influential and important directors of all time, it was pretty much guaranteed that we were going to share a few shots from his filmography on the Shattered Lens.

In honor of John Ford, here are….

6 Shots From 6 Films: Special John Ford Edition

The Informer (1935, dir by John Ford, DP: Joseph August)

Stagecoach (1939, dir by John Ford, DP: Bert Glennon)

The Grapes of Wrath (1940, dir by John Ford. DP: Gregg Toland)

My Darling Clementine (1946, dir by John Ford, DP: Joseph MacDonald)

The Searchers (1956, dir by John Ford, DP: Winston C. Hoch)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

Scenes I Love: John Ford’s The Man Who Shot Liberty Valance


The legendary director John Ford was born 132 years ago today, in Maine of all places.  He may have been born in New England but few directors have done a better job of capturing, on film, the forces that shaped America.

He also directed one of my favorite films, The Man Who Shot Liberty Valance.  Today’s scene that I love comes from the end of that 1962 film and it features a line that would become a classic.  “Print the legend.”  That was a line that Ford clearly understood and I imagine it’s one that all great filmmakers eventually come to appreciate.

Happy Birthday in Cinema Heaven to Character Actor, Stuart Margolin!


I love the character actor Stuart Margolin. He’s well known for his work as Angel Martin on the James Garner TV series THE ROCKFORD FILES, but I’ll always appreciate him the most for his important performances with director Michael Winner and actor Charles Bronson in the movies THE STONE KILLER and DEATH WISH. Margolin passed away in 2022 but his legacy on film and TV live on forever!

For a bit of 70’s cinema trivia, if anyone ever asks you who gave Paul Kersey his Colt revolver in the original DEATH WISH, the answer is Aimes Jainchill, played by Mr. Margolin. Join me in celebrating his legacy by watching this scene from the vigilante classic!

Live Tweet Alert: Join #ScarySocial for Waxwork!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  1988’s Waxwork!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime and Tubi!

Film Review: The Eagle Has Landed (dir by John Sturges)


The 1976 film, The Eagle Has Landed, takes place during World War II.

The year is 1943 and, with the war turning against Germany, Heinrich Himmler (Donald Pleasence, in a chilling turn) orders Colonel Max Radl (Robert Duvall) to come up with a plan to kidnap Winston Churchill.  When Radl learns that Churchill is scheduled to visit a small, coastal British village, he recruits a cynical member of the IRA, Liam Devlin (Donald Sutherland), to travel to the village and make contact with a Nazi sleeper agent, Joanna Grey (Jean Marsh).  While Devlin sets up the operation in Britain and falls in love with Molly Prior (Jenny Agutter), Radl recruits disillusioned Colonel Kurt Steiner (Michael Caine) to lead the mission to kidnap Churchill.

At first the village is welcoming to Steiner and his men, who are disguised as being Polish paratroopers.  However, it doesn’t take long for the plan to fall apart.  Soon, Steiner and his men are holding the villagers hostage in a church while battling a group of American soldiers led by the incompetent Colonel Clarence Pitts (Larry Hagman) and Captain Harry Clark (Treat Williams).  Meanwhile, in Germany, Radl learns that Hitler did not actually authorize the mission to kidnap Churchill and that he has been set up as the scapegoat in case the mission fails.

The Eagle Has Landed can seem like a bit of an odd film.  For a film that was released in the same year as Network, All The President’s Men, and Taxi Driver, The Eagle Has Landed feels rather old-fashioned and almost quaint in its storytelling.  This was the final film to be directed by John Sturges, a director who started his career in the 1940s and whose best-known films included The Magnificent Seven and The Great Escape.  Sturges’s direction is efficient but not at all flashy.  (It’s a film that feel like its very much a product of the mid-60s as opposed to the mid-70s.)  The story plays out at a deliberate pace, one that leaves no doubt that the film was based on a novel.  In fact, it sometimes feels as if the film itself should have chapter headings.  The film holds your interest but it’s hard not to feel that a film that should have been an epic action film has instead been turned into something far less ambitious.

Sturges works with an ensemble cast, with no one member of the cast really dominating over the other.  (I guess if the film has a main character, it would be Donald Sutherland’s Liam Devlin but, for all the time that’s devoted to him, he actually doesn’t do that much once the action starts.)  The cast is full of good actors, though a few of them are miscast.  Neither Michael Caine nor Robert Duvall make much of attempt to sound German.  As a member of the IRA, Donald Sutherland sounds as Canadian as ever.  Fortunately, Caine, Duvall, and Sutherland are all strong-enough actors that they can make an impression even with somewhat distracting accents.  Treat Williams is a bit bland as the heroic American but Larry Hagman generates a few chuckles as Williams’s amazingly dumb commanding officer.  The important thing is that ensemble is strong enough to hold the viewer’s attention.

The Eagle Has Landed is an old-fashioned but still entertaining film.  The actors are fun to watch, the action scenes are fairly exciting, and it ends with a clever twist, one that was apparently historically accurate.  It’s a well-done historical melodrama, even if it’s never quite as epic as it aspires to be.