What If Lisa Marie Picked The Oscar Nominees: 2021 Edition

Posted on February 7, 2022 by Lisa Marie Bowman

With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa Marie had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not be. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are listed in bold.

I should also point out that, unlike the Academy (which is using a March to December, 2021 eligibility window), I am using a January to December 2021 eligibility window. So, you may see a few nominees below that were technically nominated for the 2020 Oscars, despite the fact that the films themselves were not really given a theatrical release until the the first few months of 2021. The Father is probably the most obvious example of this.

It should also go without saying that I’ve only nominated films that I’ve actually seen. So, if you’re wondering why a certain film wasn’t nominated, it’s always possible that may have not gotten the opportunity to see it yet. I have a feeling that The Souvenir Part II and Cyrano would have potentially shown up in the list of nominee below if either one of those films was currently available in my part of the world. Of course, it’s also possible that I didn’t feel that a certain film was worthy of a nomination, despite what the critics may see. In the end, my best advice is not to worry too much about it. I’m not an Academy voter so ultimately, this is all for fun and that’s the spirit in which it should be taken.

You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.

Click on the links to see my nominations for 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, and 2010!)

And now, without further ado:

Best Picure
Belfast
CODA
The French Dispatch
The Last Duel
Licorice Pizza
Mass
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
Shiva Baby

Best Director
Paul Thomas Anderson for Licorice Pizza
Kenneth Branagh for Belfast
Jane Campion for The Power of the Dog
Joel Coen for The Tragedy of Macbeth
Fran Kanz for Mass
Emma Seligman for Shiva Baby

Best Actor
Nicolas Cage in Pig
Bradley Cooper in Nightmare Alley
Benedict Cumberbatch in The Power of the Dog
Anthony Hopins in The Father
Udo Kier in Swan Song
Denzel Washington in Tragedy of Macbeth

Best Actress
Jodie Comer in The Last Duel
Alana Haim in Licorice Pizza
Emilia Jones in CODA
Frances McDormand in The Tragedy of Macbeth
Rachel Sennott in Shiva Baby
Tessa Thompson in Passing

Best Supporting Actor
Reed Birney in Mass
Bradley Cooper in Licorice Pizza
Jamie Dornan in Belfast
Jason Isaacs in Mass
Troy Kostur in CODA
Chaske Spencer in Wild Indian

Best Supporting Actress
Caririona Balfe in Belfast
Ann Dowd in Mass
Kirsten Dunst in The Power of the Dog
Kathryn Hunter in The Tragedy of Macbeth
Ruth Negga in Passing
Martha Plimpton in Mass

Best Voice Over Performance
Olivia Colman in Ron Gone Wrong
Jack Dylan Grazer in Ron Gone Wrong
Micahel Imperioli in The Many Saints of Newark
Abbi Jacobson In The Mitchells vs The Machines
Danny McBride in The Mitchells vs The Machines
Sylvester Stallone in The Suicide Squad

Best Original Screenplay
Belfast
CODA
Licorice Pizza
Mass
Pig
Shiva Baby

Best Adapted Screenplay
The Father
The French Dispatch
The Last Duel
Nightmare Alley
Passing
The Power of the Dog

Best Animated Feature Film
Encanto
Flee
Luca
The Mitchells vs The Machines
Ron Gone Wrong
Summit of the Gods

Best Documentary Feature Film
Final Account
Flee
Boris Karloff: The Man Behind The Monster
Summer of Soul
Val
The Velvet Underground

Best International Feature Film
Another Round
Dear Comrades!
Flee
Quo Vadis, Aida?
Prayers For The Stolen
Summit of the Gods

Best Original Score
Assault on VA-33
Belfast
The French Dispatch
The Green Knight
Reminiscence
Shiva Baby

Best Original Song

“So May We Start” from Annette
“Beyond the Shore” from CODA
“Surface Pressure” from Encanto
“On My Way” From The Mitchells vs The Machines
“Remain” from Old
“Fire In The Sky” from Shang-Chi and The Legend of the Gold Rings

Best Overall Use Of Music
Annette
CODA
Encanto
Licorice Pizza
Summer of Soul
Tick …. Tick …. Boom!

Best Sound Editing
Black Widow
Dune
Godzilla vs. Kong
A Quiet Place Part II
Shang-Chi and the Legend of the 10 Rings
Spider-Man: No Way Home

Best Sound Mixing
Belfast
CODA
Dune
In The Heights
Tick …. Tick …. Boom!
Spider-Man: No Way Home

Best Production Design
Dune
The French Dispatch
The Last Duel
Licorice Pizza
Nightmare Alley
Tragedy of Macbeth

Best Casting
Belfast
CODA
East of the Mountains
Licorice Pizza
The Power of the Dog
Shiva Baby

Best Cinematography
Belfast
The French Dispatch
Nightmare Alley
Passing
The Power of the Dog
Tragedy of Macbeth

Best Costume Design
Dune
The Green Knight
The Last Duel
Nightmare Alley
Passing
Shang-Chi and the Legend of the Ten Rings

Best Film Editing
Belfat
The Father
The Last Duel
Licorice Pizza
Tragedy of Macbeth
Shiva Baby

Best Makeup and Hairstyling
Dune
The Eyes of Tammy Faye
The French Dispatch
The Green Knight
Nightmare Alley
The Suicide Squad

Best Stuntwork
Assault on VA-33
Black Widow
Dune
The Harder They Fall
No Time To Die
Shang-Chi and the Legend of the Ten Rings

Best Visual Effects
A Quiet Place Part II
Annette
Dune
Godzilla vs. Kong
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home

List of Nominees By Number of Nominations

10 Nominations — Belfast

9 Nominations — Licorice Pizza

8 Nominations — CODA, The Tragedy of Macbeth

7 Nominations — Dune, Mass, Nightmare Alley, The Power of the Dog, Shiva Baby

6 Nominations — The French Dispatch, The Last Duel

5 Nominations — Passing, Shang-Chi and the Legend of the Ten Rings

4 Nominations — The Mitchells vs The Machines

3 Nominations — Annette, Encanto, The Father, Flee, The Green Knight, Ron’s Gone Wrong, Spider-Man: No Direction Home, The Suicide Squad

2 Nominations — A Quiet Place Part II, Assault on VA-33, Black Widow, Godzilla vs Kong, Pig, Summer of Soul, Summit of the Gods, tick….tick….BOOM!

1 Nomination — Another Round, Dear Comrades!, East of the Mountains, The Eyes of Tammy Faye, Final Account, Boris Karloff: The Man Behind the Monster, The Harder They Fall, In The Heights, Luca, The Many Saints of Newark, No Time To Die, Old, Prayers For The Stolen, Quo Vadis Aida?, Reminiscence, Swan Song, Val, The Velvet Underground, Wild Indian

List of Films By Number of Oscars Won:

3 Oscars — Licorice Pizza

2 Oscars — CODA, Dune, Nightmare Alley, The Power of the Dog

1 Oscar — Belfast, Dear Comrades!, Encanto, The Father, The French Dispatch, The Green Knight, The Many Saints of Newark, Mass, Shang-Chi and the Legend of the Ten Rings, Shiva Baby, Summit of the Gods, The Tragedy of Macbeth, Val, Wild Indian

A Blast From The Past: I Like Bikes But…. (dir by Bob Deaton, Loren Dolezal, Dennis Hess, Ernest Johnson, Oscar Rojas, Robert Rose, and Trudy Travis)

Posted on February 6, 2022 by Lisa Marie Bowman

How many directors does it take to put together a 13-minute film about bicycles?

Apparently, it takes seven! At least that’s the amount that received credit for 1978’s I Like Bikes But…. I guess some of them did the live action shots and some of them did the animation and maybe one of them was in the recording booth with the narrator but still, seven seems like a lot. But I guess it takes a lot of manpower to make people like cyclists.

Anyway, this film was meant to encourage people to not only ride bicycles but to also observe all of the safety rules that surround riding bikes in public. A bicycle named Ike is convinced that he can make you love overlook the slow-moving nuisance of the public cyclist if he just keep repeating, “I like bikes over and over again….” That may have worked for Eisenhower but he won a war so everyone already liked him. Whereas bicyclists are usually the people you dread getting stuck behind in traffic.

I have to admit that, after watching this short film, I found myself hating bikes even more than I did before. But I do appreciate Ike’s enthusiasm. He tried.

The TSL’s Grindhouse: Blind Fury (dir by Philip Noyce)

Posted on February 4, 2022 by Lisa Marie Bowman

Nick Parker (Rutger Hauer) may have lost his sight in Vietnam but he gained something else. With the help of surprisingly friendly villagers, Nick learned how to master his other senses. He also became a proficient and deadly swordsmen. Why would the villagers go out of their way to help an American soldier who, in all probability, they viewed as an intruder?

Does it matter?

Of course not! All that matters is that 1990’s Blind Fury features Rutger Hauer as a blind swordsman who, 20 years after returning home from Vietnam, decides to to go to Florida to pay a visit on his old service buddy, Frank (Terry O’Quinn). Frank, however, has developed a gambling problem and is currently in Reno, Nevada. While Nick is getting to know Frank’s ex-wife, Lynne (Meg Foster), and Frank’s bratty son, Billy (Brandon Call), Slag (Randall “Tex” Cobb) shows up with two corrupt cops. As you can probably guess from his name, Slag is a bad guy. He’s looking for Frank. Nick manages to kill the cops and run off Slag but, in the process, Lynne is killed. With her dying breath, Lynne asks Nick to take Billy to his father. Nick, of course, agrees.

The rest of this fast-paced film follows Nick and Billy as they head across the country. Following them along the way is Slag and his men. Frank has obviously made some pretty big mistakes and gotten on the bad side of some pretty dangerous people and it’s now up to Nick to save Frank, if just so Billy doesn’t end up an orphan. At first, Billy is resentful and does things like demanding a window seat on the bus that they’re taking to Nevada. (As Billy rather rudely puts it, it’s not like Nick has any use for the window.) Billy also laughs when Nick trips in a puddle and then tries to trick Nick into eating a rock. However, Nick soon proves himself to be more than capable of defending both himself and Billy. Soon, Billy is calling him “Uncle Nick” and Nick …. well, Nick still seems to be wondering what he ever did that was so wrong that a part of his punishment was to get stuck with such a little brat. But, that is a part of Nick’s charm.

And, indeed, Nick has a lot of charm. That’s not particularly surprising, given that he’s played by the charismatic Rutger Hauer. Hauer is convincing as both a blind man and a fighter and he bring a lot of sly humor to the role. Nick may be a warrior but he’s definitely a warrior with a certain joie de vivre. Beyond his own talents as an actor, Hauer was just one of those performers who had enough natural athleticism to look totally credible while swinging a sword at his enemies. One of the things that makes Blind Fury so enjoyable is that you never doubt that Hauer could actually do all of the things that we see him do.

Blind Fury is a fast-paced and entertaining film. Director Philip Noyce keeps the action moving quickly and he’s smart enough to avoid getting bogged down with trying to convince the audience that film’s plot makes any more sense than it does. Blind Fury is a B-action movie that’s proud to be a B-action movie and, as a result, it’s a lot of fun. The film ends with a battle between Hauer and Sho Kosugi that is genuinely exciting to watch. It also ends with the promise of a sequel, one that was sadly never made.

As I watched the film tonight (and, with the temperature currently being below freezing and a good deal of ice still being on the ground outside, I definitely enjoyed the escape that the film provided), it occurred to me that I’ve recently viewed many Rutger Hauer films. I’ve seen a few bad films starring Rutger Hauer but I have never seen a bad Rutger Hauer performance. Hauer always gave 100%, regardless of what else might be going on with the movie. That’s why he was a great actor and one who is definitely missed today.

Blind Fury is definitely a very good Rutger Hauer film. Watch it the next time you need to see that, with a little determination, anything is possible.

8 Things That I Am Looking Forward To In February

Posted on February 1, 2022 by Lisa Marie Bowman

Ah, February!

February is usually one of my favorite months of the year. Not only do we usually have a lot of Oscar scenarios to which to look forward but it’s also the month of Valentine’s Day! This is the month of love, people! Admittedly, pre-COVID, this was also the month when I would usually take my vacation and get out of town for a while. My vacation’s going to be a little bit later this year, though.

What am I looking forward to this month? Well, there’s always a chance of snow! Of course, last year, it snowed in February and we ended up going without power for a week. That was a difficult time for a lot of people down here in Texas. It really wasn’t that difficult for me, though. I kind of enjoyed the snow. Even without the lights, I could still read a book late at night because of the light reflecting off of all the snow. That was kind of fun. But I should probably be careful about admitting that too loudly.

Anyway, here are eight things to which I am looking forward in February! What are you looking forward to? Let me know in the comments and maybe I’ll send some snow your way. (And by snow, you mean cocaine, right? No, I mean metaphorical snow. Wait a minute, who am I talking to?)

The Oscar Nominations

The Oscar nominations will finally be announced on February 8th! With any luck, I will be posting my personal nominations on the 7th. I have a lot of movies left to watch and I know I’m probably going to miss out on a few because there’s only so many hours during the day. That sucks but I’m going to do my best, I promise.

2. The Winter Olympics

Am I looking forward to the Olympics? On the one hand, I am because I’m love ice skating and curling and all of that good stuff. On the other hand, I’m like, “This is the most problematic Olympics of my lifetime.” I know that some people believe that we should have totally boycotted the Olympics this year. I don’t agree with that because that wouldn’t accomplish much beyond punishing our athletes. Instead, as a proud Irish-Italian-Spanish-American, I will be cheering on all of our athletes, even the really obnoxious ones and I will also be hoping that the coverage of the games will be honest when discussing why they are so controversial this year.

3. Death on the Nile

Speaking of controversy ….. Death on the Nile is finally getting released! First, it was delayed by COVID. Then it was delayed by Armie Hammer. I’m just curious to see how it does at the box office. Personally, I like the idea of Kenneth Branagh playing Poirot and solving murders. To me, it’s interesting that he directed this film before Belfast but it’ll be opening at a time when it’s success or failure could effect Belfast’s Oscar campaign.

4. Cyrano

Cyrano is apparently going to finally get a wide release on February 25th. I guess the hope is that it’ll pick up some Oscar nominations and, when it opens, everyone will be like, “Finally! We can see what the Academy is so excited about!” I hate platform releases but I’m still looking forward to finally seeing Cyrano.

5. Marry Me

This looks like the best romantic comedy of 2004! Seriously, sometimes you see a trailer for a movie that is so destined to be bad that you just have to watch it.

6. The Texas Chainsaw Massacre

My Marry Me comments apply here as well, except for the romantic comedy part. Don’t worry. If this latest reboot/sequel doesn’t work, they’ll just try again in 2024. Many years ago, someone got mad at me because I pointed out that no one would care about a Vermont Chainsaw Massacre. I stand by that opinion.

7. Super Bowl Sunday

Yes, I watched a bit of football in January. It was an experiment to see if I could get into the sport. It turns out that I can’t. But I’m still looking forward to the Super Bowl commercials and the trailers and the tweets! Always, the tweets….

8. Valentine’s Day

I love Valentine’s Day and I never quite get the bitterness that it seems to inspire in some people. Of course, I don’t think I’ve ever been single on Valentine’s Day, either.

As for what I’m not looking forward to in February …. the return of Celebrity Big Brother. Ugh. I’ll watch it but that doesn’t mean I’m looking forward to it.

2021 In Review: Lisa Marie’s Picks For The 26 Best Films of 2021

Posted on January 31, 2022 by Lisa Marie Bowman

Without further ado, here is the list that we’ve all been waiting for! Here are my picks for the 26 best films of 2021! Why 26? Because Lisa doesn’t do odd numbers!

(Also, be sure to check out my picks for 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, and 2020! Wow, I’ve been doing this for a while!)

1. Nightmare Alley
2. Licorice Pizza
3. The Tragedy of Macbeth
4. Mass
5. Shiva Baby
6. Belfast
7. CODA
8. The Last Duel
9. The Power of the Dog
10. The French Dispatch
11. The Father
12. West Side Story
13. Pig
14. Dear Comrades
15. Another Round
16. Dune
17. Spider-Man: No Way Home
18. Val
19. Wild Indian
20. Romeo and Juliet
21. East of the Mountains
22. Summit of the Gods
23. A Quiet Place Part II
24. Passing
25. The Lost Daughter
26. Swan Song

Lisa Marie’s 2021 In Review:

2021 In Review: The Best of Lifetime

Posted on January 31, 2022 by Lisa Marie Bowman

As chaotic as 2021 may have been, one thing remained unchanged! Lifetime provided me with a lot of entertainment! Below, you’ll find my picks for the best Lifetime films and performances of the past year!

(For my previous best of Lifetime picks, click on the links: 2014, 2015, 2016, 2017, 2018, 2019, and 2020!)

Best Picture: Just What The Doctor Ordered

Best Director: Jeff Hare for Just What The Doctor Ordered

Best Actor: Eric Roberts in Just What The Doctor Ordered

Best Actress: Lauren Lee Smith in Doomsday Mom: The Lori Vallow Story

Best Supporting Actor: Jonathan Stoddard in The Wrong Prince Charming

Best Supporting Actress: Joely Fisher in Girl In The Basement

Best Screenplay: Just What The Doctor Ordered

Lisa Marie’s 2021 In Review:

Lisa Marie’s Oscar Predictions for January

Posted on January 31, 2022 by Lisa Marie Bowman

Well, here we are. Another awards season is wrapping up. Almost all of the regional critic groups have announced their picks for the best of 2021. The Guilds have spoken. The front runners have emerged. Both Don’t Look Up and Being the Ricardos have weathered bad reviews and become probable Oscar nominees. If nothing else, I’ll have something to complain about for the next three or four months. At the same time, Power of the Dog has emerged as the critical favorite. Belfast seems to be the populist favorite. West Side Story is the big production that has to be nominated, even though no one seems to feel particularly strongly about it one way or the other. Dune is the blockbuster that the Academy is hoping will cause people to tune into the ceremony, especially now that it appears that the Spider-Man Oscar campaign has fizzled. Don’t Look Up is the “Let’s piss off the cons” nominee. Being the Ricardos is this year’s “Wow, our industry really is the best” nominee. Personally, I’m going to view tick, tick….Boom! as being the most likely dark horse to pull off an upset.

So, with all that in mind, here’s my last set of 2021 Oscar predictions.

Looking at the list below, I have to say that we certainly have a good race this year. It’s interesting that, this year, only films that were released between March and the end of December were eligible for the Oscars. 2021 was a very good year for movies! Not only do we have the nominees below but we also had films like The Father and Judas and the Black Messiah, both of which are 2021 films as far as I’m concerned.

(Consider this. If the Oscars had kept the eligibility window the same last year instead of extending it to accommodate films delayed by the pandemic, Anthony Hopkins would probably be the Best Actor front runner right now and the Academy probably would have given Chadwick Boseman a posthumous Best Actor award last April. I also imagine that Jesse Plemons would have a better chance of picking up a supporting actor nomination if the members of the Academy were currently screening both The Power of the Dog and Judas and the Black Messiah at the same time.)

To see how my thinking has evolved, check out my predictions for March and April and May and June and July and August and September and October and November and December!

The Oscar nominations will be announced on February 8th. Below are my predictions!

Best Picture

Being The Ricardos
Belfast
CODA
Don’t Look Up
Dune
King Richard
Licorice Pizza
The Power Of The Dog
Tick, Tick….Boom!
West Side Story

Best Director

Jane Campion for The Power of the Dog

Adam McKay for Don’t Look Up

Lin-Manuel Miranda for tick, tick …. Boom!

Steven Spielberg for West Side Story

Denis Villeneuve for Dune

Best Actor

Nicolas Cage in Pig

Benedict Cumberbatch in The Power of the Dog

Andrew Garfield in tick, tick….Boom!

Will Smith in King Richard

Denzel Washington in The Tragedy of Macbeth

Best Actress

Jessica Chastain in The Eyes of Tammy Faye

Olivia Colman in The Lost Daughter

Jennifer Hudson in Respect

Nicole Kidman in Being the Riacardos

Kristen Stewart in Spencer

Best Supporting Actor

Bradley Cooper in Licorice Pizzia

Ciaran Hinds in Belfast

Troy Kostur in CODA

Jared Leto in House of Gucci

Kodi Smit-McPhee in The Power of the Dog

Best Supporting Actress

Caitriona Balfe in Belfast

Ariana DeBose in West Side Story

Kirsten Dunst in The Power of the Dog

Aunjanue Ellis in King Richard

Ruth Negga in Passing

The TSL’s Grindhouse: Bolero (dir by John Derek)

Posted on January 29, 2022 by Lisa Marie Bowman

The 1984 film, Bolero, tells the story of Ayre “Mac” MacGillvary (Bo Derek) and her best friend, Catalina (Anna Obregon). They’re young, they’re rich, they’ve just graduated from college, and, despite the fact that they both appears to be in their early 40s, they’re determined to lose their virginities to the most perfect lovers that they can find.

Because the film is taking place in the 1920, Mac and Catalina first travel to the Middle East in hope of finding a Rudolph Valentino-style sheik. Accompanying them is Mac’s chauffeur and protector, Cotton (a clearly embarrassed George Kennedy). Though Mac does manage to find a sheik (played by Greg Benson), her efforts to lose her virginity to him prove to be a failure. Though the Sheik is willing, he indulges a bit too much with his hookah and ends up passing out right before the consummating the act.

Well, if a sheik can’t do it, how about a bullfighter? Mac and Catalina leave the Middle East for Spain and it’s there that Mac catches the eyes of Angel (Andrea Occhipinti), a celebrated bullfighter. Mac decides that Angel will be the one to take her virginity but it turns out that, once again, nothing as is easy as it should be. It turns out that Angel already has a lover and he’s been with her since she was a teenager. And a 14 year-old Gypsy named Paloma (played by Olivia d’Abo) has already decided that she is going to be Angel’s next lover, which is incredibly icky even before the film makes it even ickier,

While Mac is trying to seduce Angel, Catalina is trying to seduce a Scottish attorney named Robert Stewart (Ian Cochrane). “What do you wear under your skirt?” Catalina asks. “It’s a kilt!” Stewart yells because he’s Scottish. Anyway, Catalina eventually does get an answer to her question so yay Catalina!

As for Mac, she does eventually manage to win Angel’s attention but then …. OUCH! Angel gets gored by a bull and yes, he gets wounded exactly where you think that he gets wounded. Suddenly, Angel can no longer get it up but fear not. “We’re going to make that thing work,” Mac says, before she then takes up bullfighting herself. It all eventually leads to a scene that makes heavy use of dry ice and a neon light that misspells the word ecstasy.

Bolero is one of those sex-obsessed films that tries so hard to be erotic that it actually goes in the opposite direction and becomes so firmly anti-erotic that one gets the feeling it could be used as a torture device in a George Orwell novel. “The Anti-Sex League sentences you to watch Bolero!” A huge part of the problem is that, even though everyone in the film is certainly attractive, there’s still next to no chemistry between Bo Derek and any of her potential lovers. The film was directed by Bo’s then-husband, John Derek and, somewhat perversely, John continually films her in the least flattering ways possible. John also tries to introduce some humor into the film — at one point, it turns into a silent film, complete with title cards — but it all falls flat. Finally, the gored bullfighter is played by a very handsome Italian actor named Andrea Occhipinti who I immediately recognized as being the same actor who played the killer in Lucio Fulci’s The New York Ripper. Though it was a bit unfair to Occhipinti (whose likable blandness was exactly what made him such a subversive choice to play the killer in Fulci’s film), I was worried every moment that Mac was left alone with him. (Occhipinti is now one of Italy’s most respected film producers.)

Produced by Cannon Films, Bolero was apparently a huge flop when it was released. Bolero was considered to be so bad that it led to MGM announcing that they would no longer help to distribute any other Cannon Films. I can’t really blame MGM. Even when viewed decades later, Bolero is a dull romp that’s fit only for the Anti-Sex League.

A Blast From The Past: Censorship: A Question of Judgment

Posted on January 29, 2022 by Lisa Marie Bowman

The year is 1963 and Nancy is the editor of the high school newspaper. She’s upset that so many students are settling their disagreements through fighting. She wants to run a story about the fights and she wants to publish the pictures of the two students who were involved in the latest brawl. When her faculty advisor points out that a high school newspaper is supposed to be positive and that publishing the pictures of the combatants would be an invasion of their privacy, Nancy argues that she has a responsibility as a journalist….

NANCY, IT’S A HIGH SCHOOL NEWSPAPER! YOU’RE NOT A JOURNALIST!

Anyway …. what would you do?

This film is from 1963 and it seems to be a bit biased in Nancy’s favor. Of course, Nancy should publicly shame any student caught fighting! Myself, I have to disagree. I’m reminded of the old but very true saying: “No one likes a snitch.” Add to that, judging from the opening shots of this film, the entire school witnessed the fight so it’s not like Nancy is going to be telling her readership something that they didn’t already witness firsthand. Seriously, what is Nancy’s problem?

I’m against censorship but I’m also against being a snitch. Honestly, I think Nancy has gone a little power mad.

However, if you want to consider for this issue for yourself, here, from 1963, is Censorship: A Question of Judgment:

Finally, Here Are The 2021 Nominations of the Costume Designers Guild!

Posted on January 27, 2022 by Lisa Marie Bowman

I have one last set of guild nominations to share with you today. Here are the 2021 nominations of the Costume Designers Guild!

Excellence in Sci-Fi / Fantasy Film
Dune – Jacqueline West & Robert Morgan
The Green Knight – Malgosia Turzanska
The Matrix Resurrections – Lindsay Pugh
Shang-Chi and the Legend of the Ten Rings – Kym Barrett
Spider-Man: No Way Home – Sanja M. Hays
The Suicide Squad – Judianna Makovsky

Excellence in Contemporary Film
Coming 2 America – Ruth E. Carter
Don’t Look Up – Susan Matheson
In The Heights – Mitchell Travers
No Time to Die – Suttirat Anne Larlarb
Zola – Derica Cole Washington

Excellence in Period Film
Cruella – Jenny Beavan
Cyrano – Massimo Cantini Parrini & Jacqueline Durran
House of Gucci – Janty Yates
Nightmare Alley – Luis Sequeira
West Side Story – Paul Tazewell