Watching this trailer for Experimenter reminded me that I still need to watch The Stanford Prison Experiment. As for Experimenter itself, I’ll watch Peter Sarsgaard in anything.
If nothing else, it’ll probably be better than The Tenth Level.
Watching this trailer for Experimenter reminded me that I still need to watch The Stanford Prison Experiment. As for Experimenter itself, I’ll watch Peter Sarsgaard in anything.
If nothing else, it’ll probably be better than The Tenth Level.
Southpaw features Jake Gyllenhaal as a boxer who loses his wife, his daughter, his career, his self-respect, his car, his house, his manager, his friends, and nearly his life. But then, about 70 minutes into the film, he gets a chance to get it all back. Well, almost all of it. His wife is dead so he can’t get her back but there are hints that he might get together with a helpful social worker after the end credits role.
There was really only one reason why I was interested in seeing Southpaw and that’s because it starred Jake Gyllenhaal. Last year, Gyllenhaal gave the performance of his career in Nighcrawler. Gyllenhaal was so brilliant that you just knew the Academy was going to prove itself clueless by not nominating him. And that’s exactly what happened. Gyllenhaal was snubbed and, as a result, the Academy now owes him a nomination. When the trailer for Southpaw first appeared and we saw Gyllenhaal as muscular and bloody, a lot of us assumed that Southpaw would be the film that would get him that nomination.
And Jake Gyllenhaal does do a pretty good job in Southpaw. He’s one of the main reasons for seeing the film. It’s interesting to compare Gyllenhaal’s hyperactive performance and sickly appearance in Nightcrawler with his work as boxer Billy Hope in Southpaw. Billy is a professional brawler and you believe it when you look at him. Not only is he huge and muscular but he’s got a face that has obviously been punched more than a few times. When he speaks, he isn’t the hyper articulate con man of Nightcrawler and Love and Other Drugs. Instead, he stares at the ground as he mumbles and struggles to put together the simplest of thoughts. It’s a good performance but, at the same time, it lacks the element of surprise that Gyllenhaal has brought to his best roles in the past. You watched both Donnie Darko and Nightcrawler and you knew that only Gyllenhaal could have brought those roles to life. Billy Hope, however, is a far less interesting character and you could imagine any number of actors playing the role. (Reportedly, Southpaw was actually written with Eminem in mind and you really can see him playing the role.)
And really, the entire film is a lot like Billy Hope. It does its job but there’s nothing all that interesting about it. Southpaw‘s biggest surprise comes about 20 minutes into the film when Billy’s loving wife, Maureen (Rachel McAdams), is shot and killed and you already knew that was going to happen from the film’s trailer. After Maureen’s death, Billy starts using alcohol and drugs and, as a result, he loses custody of his daughter, Leila (12 year-old Oona Laurence, giving a great performance). Because this is a sports film, Billy has to hit rock bottom before, with the help of a grizzled and haunted trainer (Forest Whitaker), he can get a chance to win back both the championship and his daughter. Director Antoine Fuqua obviously know how to tell these type of testosterone-drenched stories but there’s not a single moment in Southpaw that you won’t see coming from miles away.
And don’t get me wrong. Unlike some other films that I was less than overwhelmed by, I can actually understand why some people in the theater applauded at the end of Southpaw. It’s an effective film, even if it does run on for a little bit too long. It tells a heartfelt story. It’s a crowd pleaser and I’m sure that a lot of people will enjoy it. But, for me, it was just too predictable. I like it when movies catch me off guard and that’s something that Southpaw never came close to doing.
A quick sidenote: Southpaw features the final score composed by the late James Horner and the film is dedicated to his memory. If you see the movie, be sure to stick around for the dedication so that you can put your hands together for a cinematic and musical legend.
Before I talk about the film, I need to make some apologies:
1. I apologize to Bobcat Goldthwait for reminding people that this movie exists.
2. I apologize to everyone for reminding them that Bobcat Goldthwait once had starring roles in movies. From what I can gather from IMDb, he did the Sofia Coppola and now works behind the camera. His movies seem to get decent reviews too.
3. I’d like to apologize to anyone involved in the production of the Francis movies.
This is about a moron who came across a movie about a talking horse that had bad ratings on IMDb, then discovered it was available for streaming and thought it would be funny to watch. Oh, wait, that’s my story. The movie is about a moron whose mother dies and leaves him a talking horse. This moron named Fred P. Chaney (Bobcat Goldthwait) works at a stockbroker firm. The firm is run by Walter Sawyer (Dabney Coleman) who really needs some dental work.
Let’s apologize to Dabney Coleman while we are here too. Anyways, Sawyer offers to buy the talking horse whose name is Don and is voiced by John Candy. Apologies to John Candy…and horses. This movie really is a blatant ripoff of those movies from the 1950’s about a smart ass talking mule named Francis and his buddy played by Donald O’Connor. Except those are kind of funny. This is painful.
That’s a blow up horse sex doll by the way. Getting ahead of myself. After acquiring Don, Chaney is introduced to Don’s family. Apparently, Don’s Mom is curious what it’s like to be facing someone while having sex with them. I say it a lot, but no joke, that happens in this movie. We return to the brokerage firm and Don calls Chaney with a hot tip. Of course it pans out and now Chaney has some dough. This is where another set of apologies needs to be issued:
1. I apologize to Little Richard that Tutti Frutti is used in the movie.
2. I apologize to The Replacements that their song Shooting Dirty Pool is in this movie.
3. I apologize to the Beastie Boys that their song (You Gotta) Fight For Your Right (To Party) is in here too. We now know that the Beastie Boys also divorced themselves from their first album because it was featured in Hot to Trot.
Oh, and Virginia Madsen is in this for some sort of love interest, but when horses are saying things like “Eat shit and die!” you can’t bring yourself to care about it. Don’t believe me that one of the horses says that? Here you go!
The meat of the movie basically goes like this. Chaney gets into some zany situations like hanging from the side of a building while a dove tries to do him in. Sawyer and his friend try and figure out how they can also make money using whatever secret Chaney seems to have discovered. Don has a house party with a dog, a cat, a bird, and probably some other animals. It all comes down to a horse race that Don needs to win with Chaney as the jockey. A stock deal goes south for Chaney and this is some sort of final showdown between him and Sawyer.
Oh, I forgot, Don’s Dad dies. Presumedly because they had already made an animatronic horsefly and needed to have some excuse to use it. Don’s Dad is reincarnated as it.
Of course Don and Chaney win the race. They do it by having Don say things to the other horses. He tells one horse that the winners are being turned into glue. He tells another one, who I guess is Spanish, that immigration is here. The jokes are so awful in this movie. And just for one final cherry on top of this dung heap, we get a short appearance by Gilbert Gottfried. Why? Because Don wants a diamond on his tooth like that bad guy in Remo Williams: The Adventure Begins (1985) and Gottfried is the dentist.
The one good thing about this movie is that I don’t even need to put in a final verdict sentence. The movie does it for me.
Below, you’ll find the last Hunger Games trailer ever!
The Hunger Games Mockingjay Part 2 comes to theaters on November 20th and I can tell you already that tears will flow from my mismatched, heterochromatic eyes when it’s all over. Much like Sharknado, The Hunger Games has truly become a part of our shared culture and it’s hard to imagine a world with no new installments on the horizon.
Watch the trailer below and then read Leonard Wilson’s review of the first Hunger Games.
And then after you read Leonard’s take, read Leon The Duke’s review.
And then check out my review of Catching Fire.
And finally, read my thoughts on the first part of Mockingjay!
Enjoy!
So, here we are. Nearly halfway through the year and we’re still waiting for a major Oscar contender to emerge. There’s been a lot of speculation about films such as Carol, Bridge of Spies, and Suffragette. However, this month, two new contenders have emerged.
One of those contenders is David O. Russell’s latest tribute to Jennifer Lawrence, Joy.
The other contender is Freeheld, which is based on a true story about lesbian homicide detective (Julianne Moore) who, after being diagnosed with cancer, fought a legal battle to allow her pension benefits to be left to her domestic partner (played by Ellen Page, who is due another Oscar nomination and probably should have won for both Juno and Super). Along with Page, both Julianne Moore and Steve Carell have been mentioned as possible nominees.
Check out the trailer below.
Let’s just be honest — Zipper is terrible title. But this upcoming film looks like it might be interesting, largely because it features Patrick Wilson playing a a man dealing with an ethical and political conflict.
Zipper opens on August 28th. Here’s the trailer!
Here’s the trailer for One & Two, which appears to be a big mix of sci-fi, fantasy, and rural family melodrama. The trailer feels a bit like a mix of Interstellar, If I Stay, and Tomorrowland.
(And maybe a little bit of Looper — then again, any movie that takes place on a far reminds me of Looper.)
One & Two comes out on August 14th.
In this trailer for Amnesiac, Wes Bentley suffers from memory loss and Kate Bosworth hatches an evil scheme. The film comes out on August 14th!
(This review contains spoilers because it’s impossible for me to imagine that you somehow have not already seen Sharknado 3.)
Last night, I watched and live tweeted Sharknado 3 and I’m still recovering. After the first hundred, I lost track of how many tweets I devoted to Sharknado 3. Of course, I wasn’t alone in that. Last night, it seemed like the entire nation was tweeting about Sharknado 3 and it was a wonderful thing. At its best, twitter can be the great equalizer, giving everyone an equal voice and last night was one of those moments.
In fact, I was tempted to just devote this review to posting the best Sharknado 3 tweets from last night. However, if I did that, 90% of those tweets would be from me. Out of the millions of Sharknado 3 related tweets last night, mine were definitely the best.
Over the past three years, the premiere of the latest Sharknado film has almost become an unofficial national holiday, a summer version of the Super Bowl. On twitter, Sharknado 3 was trending for days before the film even premiered. And, once Sharknado 3 did start, it seemed as if everyone in the country was watching and taking bets on which celebrity guest star would be the next to die. (I’m very proud to say that I correctly predicted the bloody and prolonged death of Frankie Muniz.) Even the majority of the commercials were specifically meant to tie in with the Sharknado franchise.
But what’s amazing and admirable is that, even though the franchise has now become an international phenomena, Sharknado 3 stayed true to its SyFy roots. Ignore all the hype and you’ll see that Sharknado 3 tells a story that will be familiar to anyone who has ever watched any SyFy original movie. The world is threatened by a flamboyant threat, in this case a bunch of tornadoes that happens to be full of sharks. Only one man (Ian Ziering as Finn) can save the world but first, he has to deal with skeptical military jackasses. As always seems to happen in these films, he’s separated from his wife (Tara Reid playing the role of April and sporting a truly badass robotic hand). Meanwhile, their teenage daughter (Ryan Newman as Claudia) has gone off on her own and finds herself right in the center of the disaster. It’s a plot that has been used in thousands of SyFy and Asylum films but director Anthony C. Ferrante directs with a lot of energy and writer Thunder Levin provides so many clever one liners that it doesn’t matter if the storyline is familiar. Ignore all the hype and you’ll discover that Sharknado 3 is still a wonderfully fun film that features everything that we love about SyFy movies.
Of course, one thing that distinguishes Sharknado 3 from other Asylum film is that it is full of celebrity cameos. Usually, I am weary of excessive celebrity cameos because they’re distracting and the celebs often turn out to be terrible actors. But the celebs in Sharknado 3 all do a wonderful job. (Add to that, the majority of them get eaten, as well.) Then again, the same could be said for the entire cast. Regardless of what they’re asked to do or say, Ian Ziering and Tara Reid both full commit to their performances. Casting director Gerald Webb is indeed one of the unsung heroes of the entire Sharknado phenomena.
The film opens with a shark attack on Washington D.C. and it’s during this time that we meet President Mark Cuban and Vice President Ann Coulter. And, oh my God, how certain heads on twitter exploded when Ann Coulter showed up. But you know what? After seeing Sharknado 3, I would totally vote for a Cuban/Coulter ticket. I don’t care what their platform is, they know how to fight sharks and they seemed far more believable than anyone who is currently running for President. At first, I assumed that Mark Cuban was supposed to be playing himself and I thought that Sharknado 3 had somehow managed to predict the presidential campaign of Donald Trump. However, I then checked with the imdb and I discovered that Cuban was playing President Marcus Robbins.
The same people on twitter who were bitching about Ann Coulter weren’t much happier when Michele Bachman showed up, playing herself. (For a few minutes, I was hoping that the movie would be full of cameos from former Presidential candidates.) However, the political cameos in Sharknado 3 are bipartisan. When the action moves down to Orlando, noted Democrat Jerry Springer shows up as a tourist and promptly gets eaten. And then Carlos Danger himself, Anthony Weiner, shows up as a heroic NASA guy. Eventually, for those of us who lean towards the libertarian side of the political spectrum, Penn Jilette and Teller eventually show up. Personally, I suspect that Teller knew how to stop the sharks but, of course, he wasn’t going to say anything.
As for the cameos from various media personalities, Sharknado 3 never manages to top the moment from Sharknado 2 where Kelly Ripa stomped a shark with her high heels. But no matter — it’s still fun to watch Kathie Lee Gifford and Hoda get drunk while sharks fall around them. And then Matt Lauer gets eaten by a shark so yay for that!
(Incidentally, whether intentional or not, the film was full of former contestants from The Celebrity Apprentice, with Ian, Penn, and Lou Ferrigno all showing up. Personally, I would have enjoyed seeing Piers Morgan get eaten by a shark.)
However, of all the celebrity cameos in Sharknado 3, nobody could top the Hoff. When David Hasselhoff first showed up as Finn’s father, it felt like a funny but obvious joke. Of course, Finn’s father would be David Hasselhoff. But you know what? Give credit where credit is due. The Hoff actually gave a pretty good performance and, during the film’s interstellar climax, he managed to do a pretty good impersonation of George Clooney as he looked out into space and said, “It’s a beautiful view.”
And yes, Sharknado 3 does go into space. How could it not? The film may have started out as an homage to the classic weather disaster films but, by the end of the movie, it turned into a delirious combination of Jaws, Gravity and Interstellar. By the time Finn was exploring the stomach of a shark while it floated through the starry sky, Sharknado 3 had achieved a definite state of grace.
Incidentally, the film ended with a cliffhanger and we were asked to vote whether or not April would live. At first, I voted to kill April because, quite frankly, I thought it would be fun to see a vengeance-obsessed Finn. But then Tara Reid tweeted the following and made me feel totally guilty:
So, I’m changing my vote! APRIL LIVES!
Of course, all this means that there will be Sharknado 4 and I can hardly wait!