Playing Catch-Up With The Films of 2017: Megan Leavey (dir by Gabriela Cowperthwaite)


One of the best (and, in my opinion, overlooked) films of 2017 was Megan Leavey.

Based on a true story, Megan Leavey tells the true story of … well, Megan Leavey.  When the film starts, Megan (played, in one of the best performances of 2017, by Kate Mara) is living a somewhat directionless life in upstate New York.  Her parents are divorced and she’s closer to her father (Bradley Whitford) even though she has more contact (and shares a much more strained relationship) with her mother (Edie Falco).  Speaking as a child of divorce, the scenes of Megan trying to navigate the mine field between her parents rang painfully true at times. I spent the entire movie waiting for Megan and her parents to have some sort of big moment where, in typical artificial movie fashion, all conflicts would be solved and everything would suddenly be okay.  To the film’s credit, that moment never comes.

Instead, Megan enlists in the Marines.  She finds herself assigned as a Military Police K9 handler.  What that means is that Megan finds herself in Iraq, working with a dog named Rex.  Rex’s job is to sniff out explosives and other threats.  One wrong move by either Megan or Rex will result in not only their deaths but also the deaths of everyone around them.  Remember how tense some of the scenes in The Hurt Locker were?  Well, that’s nothing compared to the intensity of the bomb-sniffing scenes in Megan Leavey.  After all, in The Hurt Locker, we only had Jeremy Renner to worry about.  Megan Leavey, however, features a truly adorable dog.

When Megan returns home from serving two tours in Iraq, she struggles with PTSD and the adjustment to civilian life.  Rex is assigned to a different handler and continues his duties, leaving Megan without the one creature that she felt she could trust.  And again, Megan Leavey deserves a lot of credit for not offering up any easy or pat solutions for Megan’s difficulties to adjusting to life back in the States.  It’s too honest a film and has too much respect for it audience to cheapen its narrative with easy or manipulative sentiment.

When Rex develops facial paralysis, he is retired from active duty.  With the help of her U.S. Senator, Megan adopted Rex and gave him a home until he passed away in 2012.  That senator was Chuck Schumer and thankfully, Megan Leavey resisted the temptation to cast Chuck Schumer as himself.  Instead, when Megan approaches her Senator on the Capitol steps, the senator is played by a professional-looking character actor who looks and sounds absolutely nothing like Chuck Schumer.  By making this simple casting decision, the film keeps the focus off of the politicians and on Megan and Rex, where it belongs.

Did Megan Leavey make me cry?  You better believe it did.  However, it earned every one of these tears.  This is a wonderfully sweet and moving film, one that works largely because it refuses to overemphasize the sentimental aspects of the story.  Instead, Megan Leavey always remains rooted in reality.  It’s a gritty film about a dog and a soldier who survived being sent to one of the most dangerous places n the world.  It’s the story of how Rex saved Megan’s life and how Megan returned the favor by saving Rex’s.  It’s a sweet, straight forward story that can be appreciated even by people, like me, who prefer cats.

Here Are The Very Confusing SAG Nominations!


Spotlight

The nominees for the SAG Awards were announced earlier today!  The SAG Awards are usually one of the more accurate of the various Oscar precursors.  Because so many members of the Academy are also members of the Screen Actors Guild, the SAG Awards are usually a pretty good indication of what films are on the Academy’s radar and which ones aren’t.  Occasionally, an actor will be nominated by SAG and then snubbed by the Academy.  Last year, for instance, SAG nominated Jake Gyllenhall for Nightcrawler, Jennifer Aniston for Cake, and Naomi Watts for St. Vincent.  None of those three received any love from the Academy.  But, for the most part, SAG is one of the most reliable precursors out there.

And that’s why so many of us are in shock today!  The SAG Awards in no way resembled what many of us were expecting.  Other than Spotlight, none of the film’s that many of us expected to be nominated for best ensemble (the SAG’s equivalent of the Academy’s best picture) were nominated (and even Spotlight only received one other nomination, for Rachel McAdams who, up to this point, hasn’t really figured into the Oscar discussion).  The Martian was not nominated for best ensemble or anything else for that matter.  Creed was totally snubbed.  Brooklyn was nominated for actress but not ensemble.  Mad Mad: Fury Road was nominated for its stunt work and nothing else.  Helen Mirren received two nominations, for films that hardly anyone (outside of the SAG, obviously) was really paying any attention to.  Sarah Silverman received a best actress nomination for I Smile Back, which I hadn’t even heard of until about a week ago.  It’s an unexpected and strange group of nominees.

Keep in mind, it’s not necessarily a bad thing that the nominees are unexpected.  Beasts of No Nation and Straight Outta Compton will both receive deserved boosts in their hunt for Oscar gold.  At the same time, I have to admit that I wasn’t happy to see either The Big Short or Trumbo nominated for best ensemble because I know I’m going to feel obligated to see them and they both look so freaking tedious and blandly political!  But consider this: if The Big Short and Trumbo are both huge Oscar contenders, we may face a situation where both Jay Roach and Adam McKay are nominated for best director in the same year.  I think that’s one of the signs of the apocalypse and, at this point, I’m kind of ready to welcome the end of the world.

Anyway, here are the SAG nominations!  Look them over and, after the Golden Globe nominations are announced tomorrow, update your Oscar predictions accordingly.

Best Performance by a Cast Ensemble in a Motion Picture

Best Performance by a Male Actor in a Leading Role

Best Performance by a Female Actor in a Leading Role

  • Cate Blanchett – Carol
  • Brie Larson – Room
  • Helen Mirren – Woman in Gold
  • Saoirse Ronan – Brooklyn
  • Sarah Silverman – I Smile Back

Best Performance by a Male Actor in a Supporting Role

Best Performance by a Female Actor in a Supporting Role

  • Rooney Mara – Carol
  • Rachel McAdams – Spotlight
  • Helen Mirren – Trumbo
  • Alicia Vikander – The Danish Girl
  • Kate Winslet – Steve Jobs

Best Performance by a Stunt Ensemble in a Motion Picture

Best Performance by an Ensemble in a Drama Series

  • Downton Abbey
  • Game of Thrones
  • Homeland
  • House of Cards
  • Mad Men

Best Performance by a Male Actor in a Drama Series

  • Peter Dinklage – Game of Thrones
  • Jon Hamm – Mad Men
  • Rami Malek – Mr. Robot
  • Bob Odenkirk – Better Call Saul
  • Kevin Spacey – House of Cards

Best Performance by a Female Actor in a Drama Series

  • Claire Danes – Homeland
  • Viola Davis – How to Get Away with Murder
  • Julianna Marguilles – The Good Wife
  • Maggie Smith – Downton Abbey
  • Robin Wright – House of Cards

Best Performance by an Ensemble in a Comedy Series

  • The Big Bang Theory
  • Key and Peele
  • Modern Family
  • Orange is the New Black
  • Transparent
  • Veep

Best Performance by a Male Actor in a Comedy Series

  • Ty Burrell – Modern Family
  • Louis CK – Louie
  • William H. Macy – Shameless
  • Jim Parsons – The Big Bang Theory
  • Jeffrey Tambor – Transparent

Best Performance by a Female Actor in a Comedy Series

  • Uzo Aduba – Orange is the New Black
  • Edie Falco – Nurse Jackie
  • Ellie Kemper – Unbreakable Kimmy Schmidt
  • Julia Louis-Dreyfus – Veep
  • Amy Poehler – Parks and Recreation

Best Performance by a Male Actor in a TV Movie or Mini-Series

  • Idris Elba – Luther
  • Ben Kingsley – Tut
  • Ray Liotta — Texas Rising
  • Bill Murray – A Very Murray Christmas
  • Mark Rylance – Wolf Hall

Best Performance by a Female Actor in a TV Movie or Mini-Series

Best Performance by a Stunt Ensemble in a Comedy or Drama Series

  • Blacklist
  • Game of Thrones
  • Homeland
  • Marvel’s Daredevil
  • The Walking Dead