David Wechter – Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!

This week, Sledge is going back to school!

Episode 1.6 “To Sledge, With Love”

(Dir by David Wechter, originally aired on October 31st, 1986)

When an obnoxious man insists on smoking a cigar in the police station despite it being against the rules, Sledge Hammer shoots the cigar out of his mouth. Later, when Hammer asks Captain Trunk if he’s going to yell at him about shooting the cigar, Trunk asks what difference it would make.

It’s good to see that Trunk is learning.

Speaking of learning, the local high school has been taken over by a gang! It’s time for Sledge Hammer and Dori to go back to school. Unfortunately for Hammer, that means that he can’t shoot or even hit anyone. “You mean I have to wait until this punk is 18 before I can toss him off the roof?” Hammer asks. Sorry, Hammer!

The school has a lot of problems, but the main one is a delinquent named Turk (Shawn Klugman). Turk is more concerned with stealing cars for Mr. Roscoe (Norman Alden) than with going to class. When Sledge Hammer tries to get through to him by showing off his gun and challenging him to a fight, Turk laughs him off. When Sledge Hammer tries to teach Turk that he’s a “homosapien,” Turk angrily declares that he has lots of girlfriends and then walks out of class.

It looks like Turk is a lost cause, but Hammer has one more trick up his sleeve. He reveals how much money Roscoe is making by selling used cars. Turk realizes that he deserves to get paid a lot more than just $500 for his hard work. Turk helps Hammer take down Roscoe and then, at the end of the episode, he announces that he’s going to join the Police Academy as soon as he graduates.

Good work, Hammer!

I enjoyed this episode more than last week’s. While last week’s episode sometimes seemed to be a bit too much of a straight crime drama, this week’s episode returns to the format of nonstop jokes. The entire episode is a parody of those painfully earnest films where a teacher comes to a tough school and manages to change the lives of their students. Hammer changes lives not with confidence-building and smart lesson plans but instead with a big gun. Hey, whatever gets the job done!

How do you thank someone who took you from crayons to perfume? It’s not easy, but I’ll try….

This week, Hammer’s former partner break out of prison!

Episode 1.4 “They Shoot Hammers, Don’t They?”

(Dir by David Wechter, originally aired on October 17th, 1986)

At the annual police quick-draw contest, Hammer is once again named the department champion. His secret is to shoot every target, whether it represents a criminal or a civilian. He also attaches a “loudener” to the barrel of his gun, which not only makes a lot of noise but also causes a lot of damage.

Hammer is going to need all of his abilities, because his childhood friend and former partner on the force, John Kogan (Jack Thibeau), has broken out of jail and hijacked a bus. He announces that he’s going to drive the bus across the country and cause a lot of trouble unless Hammer meets him for a duel. Kogan, a corrupt cop, blames Hammer for sending him to prison. Captain Trunk refuses to allow Hammer to meet with Kogan. As Trunk puts it, Kogan is one man with a bus. How much damage can he do?

After a montage of buildings exploding and people running in fear, Hammer finally confronts Kogan. As Dori Doreau watches, Kogan and Hammer attempt to outdraw each other. Kogan turns out to be faster than Hammer. He shoots the gun out of Hammer’s hand, then keeps shooting the gun.

“Stop shooting my gun!” Hammer yells.

This was a funny episode, even if it didn’t quite reach the comedic heights of the previous three. While those episodes were often intentionally absurd and even surreal, this one tells a relatively straightforward story. That said, David Rasche continues to be gleefully unhinged as Hammer, and Anne-Marie Martin and Harrison Page provide good support as the two people tasked with keeping him under control.

The funniest scene involves Hammer using a pay phone to talk to an informant who is himself using another pay phone only about five feet away. When the informant demands $25,000 for his information, Hammer has to use another pay phone to call the station and get Trunk’s permission. Trunk has left for lunch, so Hammer then has to use yet another pay phone to call Trunk’s home. It’s a wonderfully chaotic visual gag, and it gives David Rasche a chance to show off some impressive physical comedy.

In the end, the city is saved. Trust Sledge Hammer. He knows what he’s doing.