Rocky Giordani – Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!

This week, Sledge is going back to school!

Episode 1.6 “To Sledge, With Love”

(Dir by David Wechter, originally aired on October 31st, 1986)

When an obnoxious man insists on smoking a cigar in the police station despite it being against the rules, Sledge Hammer shoots the cigar out of his mouth. Later, when Hammer asks Captain Trunk if he’s going to yell at him about shooting the cigar, Trunk asks what difference it would make.

It’s good to see that Trunk is learning.

Speaking of learning, the local high school has been taken over by a gang! It’s time for Sledge Hammer and Dori to go back to school. Unfortunately for Hammer, that means that he can’t shoot or even hit anyone. “You mean I have to wait until this punk is 18 before I can toss him off the roof?” Hammer asks. Sorry, Hammer!

The school has a lot of problems, but the main one is a delinquent named Turk (Shawn Klugman). Turk is more concerned with stealing cars for Mr. Roscoe (Norman Alden) than with going to class. When Sledge Hammer tries to get through to him by showing off his gun and challenging him to a fight, Turk laughs him off. When Sledge Hammer tries to teach Turk that he’s a “homosapien,” Turk angrily declares that he has lots of girlfriends and then walks out of class.

It looks like Turk is a lost cause, but Hammer has one more trick up his sleeve. He reveals how much money Roscoe is making by selling used cars. Turk realizes that he deserves to get paid a lot more than just $500 for his hard work. Turk helps Hammer take down Roscoe and then, at the end of the episode, he announces that he’s going to join the Police Academy as soon as he graduates.

Good work, Hammer!

I enjoyed this episode more than last week’s. While last week’s episode sometimes seemed to be a bit too much of a straight crime drama, this week’s episode returns to the format of nonstop jokes. The entire episode is a parody of those painfully earnest films where a teacher comes to a tough school and manages to change the lives of their students. Hammer changes lives not with confidence-building and smart lesson plans but instead with a big gun. Hey, whatever gets the job done!

How do you thank someone who took you from crayons to perfume? It’s not easy, but I’ll try….

In New York City, murders are being committed by a hulking man dressed in a policeman’s uniform. The NYPD brass (led by William Smith and Richard Roundtree) want to cover up the fact that the murders are being committed by an apparent maniac cop but Lt. Frank McRae (Tom Atkins) leaks the news to the press. With the citizens taking up arms against cops, the brass is eager to frame adulterous cop Jack Forrest (Bruce Campbell) for not only murdering his wife but also committing all of the murders. Lt. McRae believes that Jack is innocent.

Why is the brass so eager to frame Jack? Maybe it’s because they know that the Maniac Cop is actually Matt Cordell (Robert Z’Dar), a formerly good cop who was sent to Sing Sing on trumped up brutality charges. Cordell was killed in prison but he has now come back to life and is seeking revenge on the police force that he feels betrayed him.

Written by Larry Cohen and directed by William Lustig, Maniac Cop is the first of three Maniac Cop films. While the other two Maniac Cop movies largely work and hold up well, the first Maniac Cop is undoubtedly the worst of the trilogy, with most of the kills occurring offscreen and the action moving very slowly. The film is full of genre vets and Tom Atkins gives another one of this good tough guy performances. Bruce Campbell disappointingly plays his role straight and Robert Z’Dar, as intimidating as he is, is actually underused in this film.

As with most films written by Cohen, Maniac Cop has an interesting political subtext. It focuses on cop brutality and corruption with Cordell becoming a symbol of most people’s mixed feelings about the police. But the Maniac Cop trilogy wouldn’t really come to life until the second film. The first spends a lot of time setting Cordell up as a relentless avenger but there’s not much of pay-off.