Today’s song of the day the main theme from Dario Argento’s The Cat O’Nine Tails. Ennio Morricone’s score brought a lot of atmosphere to Argento’s classic giallo.
And here it is:
Horror Scene That I Love: The Pool Scene from Cat People
Today’s horror scene that I love comes to us from the 1942 psychological thriller, Cat People!
In this noirish scene, Alice (Jane Randolph) goes for a swim, just to find herself suspecting that she may not be alone.
Artwork of the Day: Gripping Terror! (by Oliver Brabbins)
by Oliver Babbins
This ominous cover is from 1949.
Music Video of the Day: You Could Be Mine by Guns N’ Roses (1991, directed by Andy Morahan, Stan Winston and Jeffrey Abelson)
In this video, Arnold Schwarzenegger is sent to the past to eliminate Guns N’ Roses but ultimately decides that it would be a waste of ammo. Obviously, he knew that fulfilling his mission would change history and the world would never get to hear Chinese Democracy.
This song (and this video) were used to promote Terminator 2: Judgement Day.
Enjoy!
4 Shots from 4 Horror Films: Sam Raimi Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
October Positivity: Storm Rider (dir by Craig Clyde)
In 2013’s Storm Rider, Dani Fielding (Danielle Churchan) is a rich, spoiled teenager who loves to compete in horse shows with her horse, Admiral. However, when Dani’s father (C. Thomas Howell), is arrested and charged with financial fraud, Dani’s life changes forever. The government seizes Admiral and sells him to Dani’s rival. When Dani’s younger half-brother, Jordan (Jacob Buster), is sent off to live with his gold digging mother, Dani is sent to live with her uncle, Sam (Kevin Sorbo).
Sam is a taciturn veterinarian who lives on a ranch in …. well, I assume it’s Montana. Don’t most of these movies take place in Montana? Wherever the film was shot, the scenery is absolutely gorgeous. Sam’s not really comfortable with people in general and he has no idea how to deal with teenage girl, especially one who doesn’t eat meat. As for Dani, she’s initially miserable because she’s been separated from her former life and her former horse.
Fortunately, Sam owns a lot of animals. Dani notices an orphaned mule named Stormy and she takes it upon herself to train him. Taking care of Stormy helps Dani let go of her bitterness. Soon, she’s watching the blossoming romance between Sam and Jody Peterson (Kristy Swanson) and she’s got a romance of her own going with Kevin Winslow (Darien Willardson). Kevin’s father owns a horse that Dani starts to train in the hopes that she can enter a regional horse show with her.
However, when Sam, Jordan, and Kevin’s father get stranded in the mountains, it’s Stormy who helps Dani find them. When night falls and they find themselves surrounded by wolves, will they even make it back to civilization?
It would be a really depressing movie if they didn’t! Fortunately, Storm Rider is not a movie that was made to spread depression. Instead, it’s a rather heart-warming tale about a young woman who conquers her anger and discovers that a mule can be just as strong and brave as the biggest horse. This is very much a film that was designed to make viewers smile and feel good about life and, for the most part, it succeeds. Of course, I still cried constantly while watching the film because I kept thinking about my mom and my dad and how much I miss both of them. This film definitely made me emotional. Often, the best thing that a film can do is to make you cry. Sometimes, I think people forget just how important it is to cry when you’re feeling sad.
As I think I’ve said in the past, I’ve always has a weakness for films about angry or rebellious girls who find peace and grace through taking care of an animal. Whether it’s a cat or a dog or a horse or anything else, there’s something undeniably wonderful about winning the trust of another creature. “You can’t be a jerk and love animals,” someone once said and I imagine that’s true. This film, well-acted and featuring beautiful mountain scenery, made me smile even when I was crying,
Late Night Retro Television Review: Hunter 2.5 “Killer In A Halloween Mask”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, Hunter faces off against a scarred killer wearing a mask! Pretty scary, kids!
Episode 2.5 “Killer In A Halloween Mask”
(Dir by Sidney Hayers and Michael Peerce, originally aired on October 26th, 1985)
After getting the bill for yet another high-speed chase involving Hunter and McCall, Captain Wyler (the great Bruce Davison) decides that they need to take a week off from causing trouble. He assigns them to work as technical advisors for a cop show called Street Heat.
At first, everything seems fine. Hunter hits on the publicity woman. The star of the show, J.J. Hendrix (Stephen Shortridge), asks McCall out to dinner. But then, one night, a man in a cheap plastic mask breaks into Hendrix’s house, bashes in his skull in with a fireplace poker, and sprays acid on the star’s face! (I guess he wasn’t a fan of the last season of Welcome Back Kotter.)
A masked killer is targeting the cast and crew of Street Heat! Hunter and McCall suspect that it might be Dave Tolan (Gary Graham), the former star of the show whose career ended when he set himself on fire while freebasing. The horribly scarred Dave now works at a wax museum and has access to all sorts of chemicals and acids. Plus, Hendrix was dating Dave’s ex-girlfriend….
And, of course, Hunter and McCall are correct. We know that they’re correct because we see Dave plotting the murders at the start of the episode. I have to admit that I spent the entire episode waiting for some sort of twist. I thought Dave would have an accomplice or something similar. But nope, it’s just Dave. It all leads to a confrontation in the wax museum. During a struggle with Hunter, Dave gets impaled. Hunter doesn’t say, “Works for me,” but you can tell that he’s thinking it.
There weren’t any big surprises in this episode but I still enjoyed it. It aired on October 26th and it was obviously produced with Halloween in mind. The late Gary Graham gave an appropriately unhinged performance as Dave. The scenes on the set of Street Heat also served as a commentary on Hunter as a show. After watching Hendrix “shoot” a suspect in a scene that felt like it could have been lifted from any episode of Hunter, McCall and Hunter commented that Street Heat wasn’t very realistic.
Fans of washed-up politicians will be happy to see Jesse “The Body” Ventura in this episode. He shows up at the start of the show. He’s been arrested for attacking his dentist. Ventura complains about his toothache. Hunter knocks the tooth out of his mouth. Ventura thanks him. Whenever I see Jesse Ventura in an old TV show or movie, I always regret that Arnold Schwarzenegger was the only other future governor that he co-starred with. If Fred Dryer had later been elected governor of California, this episode would have been legendary.
Governor Dryer. It has a nice ring to it.
Horror On Television: Fear Itself 1.8 “Skin and Bones” (dir Larry Fessenden)
On tonight’s episode of Fear Itself, Doug Jones plays a rancher who disappears on one snowy night. After ten days, he returns but there’s something different about him. This episodes is a good example of rural horror. Don’t go hunting unless you’re sure you can get back.
This episode originally aired on July 31st, 2008. It was the last episode to air before Fear Itself went on hiatus for the Summer Olympics. The show never returned, though the remaining five episodes were subsequently released on DVD.
Brad reviews URBAN LEGEND (1998), starring Alicia Witt!
I’m not always successful, but I spend a fairly large part of my life trying to make my wife happy. One of the ways I do that is I try to find movies for us to watch that she will enjoy, and that I will have at least some interest in. So anytime I can find a movie starring Alicia Witt, most notable in our household for her voluminous work with the Hallmark Channel, I’m definitely heading in the right direction. I was looking through her filmography on IMDB the other day and noticed she was in URBAN LEGEND. I remember the movie coming out in the late 90’s, but I had never seen it, and I had no idea she was the primary lead! It being the spooky season, I thought now was the perfect time for the two of us to cuddle up on the couch with some popcorn and enjoy the show!
Alicia Witt is Natalie Simon, a student with a dark, secretive past, who begins to suspect that a series of gruesome murders on the campus of Pendleton College are being committed by a killer obsessed with “urban legends.” Each murder seems to take a cue from those scary stories that pretty much all of us grew up hearing, and maybe even believing. As her friends are being picked off one by one, Natalie must do everything to find the killer before she becomes the next victim!
I must admit I had fun with this one. We watched it on a night where we just wanted to relax and see a bunch of obnoxious college students getting whacked in a variety of ways while we try to figure out who the killer is. I remember when SCREAM came out back in 1996 when I was 22 years old. Like so many others, I saw it in the theater and loved it. URBAN LEGEND is in that same tradition. It gives us some suspicious characters and some interesting murders inspired by stories I heard as a kid, and that late-90’s nostalgia kicked right in for me.
It was also fun looking back at the popular young cast whose careers have gone a variety of ways since the movie was made. Along with Witt, our cast of potential killers and victims include Jared Leto, Rebecca Gayheart, Joshua Jackson, and Tara Reid. I really enjoyed seeing veteran genre actors pop up as the movie goes along. The opening scene with Brad Dourif is very effective and lets us know immediately that we can’t trust our normal expectations. Robert Englund is also on hand to provide a creepy and suspicious professor. Heck, Danielle Harris is also in the cast, which was right at the beginning of her extensive career in horror movies.
Until I watched this movie, I didn’t realize just how universal some urban legends really are! A couple of freaky ones I remember as a kid include the story of the gang initiation where potential members drive around with their lights off just waiting for someone to flash their lights at them. Even more disturbing is the one where someone hides under your car ready to slice your Achilles tendon. Each of those stories are represented here. Building a scary movie around those legends, and many more, is a darn clever idea, and I enjoyed seeing what the filmmakers might come up with next.
URBAN LEGEND isn’t a horror masterpiece. It’s not very original, and it’s full of dumb characters making dumb decisions. But I still had a good time with it. For me, it’s a fun little slasher that takes an interesting premise and provides a few cheap scares. And most importantly, it made my wife happy, and that means a lot!
The TSL Horror Grindhouse: Point of Terror (dir by Alex Nicol)
In the 1971 film Point of Terror, Peter Carpenter plays Tony Trelos. Tony is a hip, cool, swinging hep cat. He’s got a job singing at the Lobster House in Santa Monica, California. Everyone wants a piece of Tony because he has got the swagger of Sinatra and the voice of Tom Jones. When he meets Andrea (Dyanne Thorne), it’s lust at first sight. Andrea is married to Martin (Joel Hilliard), a wealthy and bitter record producer who is confined to a wheelchair. When Andrea murders Martin, it brings Martin’s daughter, Helayne (Lori Hansen), back to Santa Monica, and soon Tony is sleeping with her too. However, Tony has reason to be concerned because it appears that there might be another murderer stalking all of them. Or maybe there isn’t. The plot of this Crown International production is not always easy to follow.
Who was Peter Carpenter? I am honestly not sure, but this film appears to have been some sort of vanity production for him. He gets to sing several songs, and everyone he meets either wants to sleep with him or hang out with him. He gets a lot of big dramatic scenes, the majority of which he really didn’t have the acting ability to pull off. Tony is meant to be charismatic, mysterious, and a little bit dangerous, but as played by Peter Carpenter, he comes across as a second-rate lounge act who got lucky. Carpenter both co-produced the film and came up with the story. To be honest, you almost have to respect the amount of confidence in his own abilities that Carpenter apparently possessed. One can just imagine Carpenter turning to someone like Wayne Newton and telling him to scream, because there was only one actor/singer who was good enough to star in Point of Terror. Carpenter apparently died shortly after this film was released, and that is indeed a shame. Who knows how many ego-driven projects he could have given us?
Point of Terror is definitely a film of its time, which is to say that there’s a lot of polyester and a lot of nudity that was probably considered daring in 1971 but which is just kind of tame in 2026. The film does attempt to play around with the audience’s sense of perception and encourage them to wonder whether Tony is truly seeing what’s happening or if he’s just imagining things. For that reason, it sneaks across the line dividing psychological horror and neo-noir. It’s one of those films that’s probably more entertaining than it should be, just because it is such a film of its time. Someone could probably retitle this film 1971 and re-release it as a Paul Thomas Anderson-style satire.
Point of Terror was distributed by Crown International Pictures. Whenever I see the Crown International logo on an old movie, I know I’m in for a good time. Dyanne Thorne, it should be said, does a pretty good job as the femme fatale. That said, the true star of this film is definitely 1971.
