October Positivity: One Nation Under God (dir by Lisa Arnold)

Posted on October 15, 2026 by Lisa Marie Bowman

In 2o2o’s One Nation Under God, David Gutierrez (Isaak Presley) is a new student at an exclusive private school. (He was selected via a lottery of intelligent but economically disadvantaged kids.) On the first day of school, David makes a point of saying “One nation under God,” while reciting the Pledge of Allegiance. His classmate, Gordon (Thomas Kasp), corners him outside of class and tells him that he’s not allowed to say that in school. Since Gordon’s father happens to Headmaster Kingsley (Casper Van Dien), David’s first day is not off to a good start.

However, the debate coach, Mr. Truman (Kevin Sorbo), hears about what David said and decides that David should definitely be on the debate team. The topic for the semester is whether or not “God should be in schools.” Gordon is already prepared to argue the negative. Can David argue the positive?

But first, presidential candidate Sen. Viera (Antonio Sabato, Jr.) stops by the school for an assembly. He’s a graduate from the school and it’s felt that appearing there will be a good PR move for him. He’s accompanied by one of his strongest supporters, former football player and U.S. Senate candidate Herschel Walker. When David stands up and asks Viera about his own beliefs, Viera stumbles over the question and his aides quickly end the assembly.

Stunned by David’s question and ashamed of his own inability to answer it, Sen. Viera decides to make his religious faith the center of his campaign. His wife is happy but his campaign aides are freaking out. They’ve got a big debate coming up with Governor Palabra (Summer Selby) and they just know that she’s going to accuse Viera of wanting to legislate morality.

Meanwhile, David has his own debate to prepare for. Fearful that Gordon will lose the debate and also whatever chance he may have to attend an Ivy League college, the Headmaster plans to bribe David to lose. David’s single mother could really use the money. Will David sell out or will he stick to his beliefs?

As you can see, there’s a lot going on in this movie but, ultimately, every subplot serves the same purpose, which is to tick off any liberal who happens to watch it. Sure, there’s a lot of talk about the importance of faith and also the importance of freedom of speech but the main purpose of this movie is to upset liberal viewers. Judging from some of the reviews of this film that were posted on Letterboxd, the film appears to have accomplished that. My personal opinion is that, if you spend more than an hour composing an angry review about a relatively obscure film starring Kevin Sorbo, you’ve already lost the war. I always find the frenzied reaction to these type of films to be a bit amusing because they’re really not any more heavy-handed or one-sided than the typical mainstream film. It’s just they’re attacking from the right instead of the left.

And make no mistake, One Nation Under God is heavy-handed and one-sided. Nothing about its portrayal of the inner workings of a major presidential campaign feels authentic and quite a few of its subplots fall flat. That said, I actually liked some of the songs on the soundtrack and the film itself looked like a real movie, which definitely set this film apart from a lot of other faith-based films. Kevin Sorbo is properly authoritative as the debate coach. Casper van Dien is properly villainous as the evil Headmaster. In the end, though, the main purpose of the film is to annoy liberals and it accomplishes that goal.

October Positivity: The Fort (dir by Jason Campbell)

Posted on October 14, 2026 by Lisa Marie Bowman

2026’s The Fort opens with a group of children and teenagers huddled in what appears to be an empty classroom. The atmosphere is gray and bleak. One gets the feeling that this is a place where they have been hiding for a long time.

Billy Magnus (Kevin Sorbo) enters the room and sits down in front of the children. The viewer notices the graffiti written on the walls and the dry erase boards behind him. “2×4=7?” someone has written. As I watched the film, I have to admit that I had a hard time looking away from 2×4=7. Was that meant to indicate that the educational system had collapsed or was it an homage to Orwell’s claim that followers of the State will convince themselves that one plus one equals three? Or was it a call back to the numerology of the Bible, in which seven is presented as the perfect number?

Billy tells a story about what life used to be like, before whatever happened to send everyone into hiding in abandoned buildings. He talks about how normal society collapsed under the weight of financial hardship, civil unrest, and a pandemic that was used as an excuse to strip people of their civil liberties. (Hmmm …. sounds familiar.) Billy tells how a former army chaplain named Cooper (Tim Perez-Ross) lost his family to the pandemic and how he subsequently defeated Aamon (Richard Grieco), who claimed to be a follower of a group of people who called themselves the “Light Bringers.” Ammon died in his encounter with Cooper but was later brought back to life by a demon named Balthazar (Dean Cain) and then….

Okay, okay. I hear you snickering out there. Dean Cain as a demon? Richard Grieco as a wandering enforcer of evil? Yes, it’s easy to mock and I should point out that this is definitely a low-budget production so Balthazar brings Aamon back to life involves a very small electrical charge. And yet, it was more effective than I was expecting. The blank-eyed look of the demons was effectively creepy and Richard Grieco’s wasted appearance captured the character’s self-destructive energy.

Eventually, Cooper ends up leading a group of people to The Fort, a village that he runs with a firm but benevolent hand. Unfortunately, some citizens of The Fort chafe under all of Cooper’s rules and Cooper himself often doesn’t seem as if he truly wants the burden of being in charge of everyone. When a fallen priest shows up with a doctor (Eddie McClintock) who claims that he has the curse for the latest pandemic, the people of the Fort are tempted to reject Cooper’s rules.

The Fort is another low-budget film from Jason Campbell. That budget is noticeable in the film’s sometimes risible special effects. At the same time, there are other moments that effectively capture the isolation of being separated from the rest of the world. Tim Perez-Ross gives a pretty good performance as Cooper, playing him as a man who struggles with his own anger and doubts. In the end, I appreciated that this film was more about redemption and forgiveness than punishment. That’s an important theme that a lot of end-of-the-world films tend to miss.

October Positivity: One More Round (dir by Chip Rossetti)

Posted on October 13, 2026 by Lisa Marie Bowman

2015’s One More Round tells the story of Jack “The Jackhammer” Taylor (played by Tommy Lee Thomas).

Once upon a time, Jack Taylor was a big-time boxer, a contender to be worldwide champ. But eventually, he burned out on boxing. On the night of the “big fight,” he failed to show up. Now, he works at a furniture store. He spends most of his time sleeping and having dreams of the life he once had. When he makes a big sale, his boss tries to steal Jack’s commission. That’s not a good thing because Jack really needs that commission. His wife is getting frustrated with Jack’s inability to get his life together. His scheming mother-in-law all sorts of lies about him. Jack’s in trouble!

Finally, Jack does the one thing that he swore he would never do again. He returns to boxing. He steps into the gym that is owned by his uncle (Kevin Sorbo) and asks for another chance. He trains with Franco Turelli (Franco Columbu). He prepares for the fight against the fearsome B.A. Fontana (T.C. Stallings), a fighter who is so aggressive that he even takes a swing at a referee at one point. Throughout it all, Jack prays and feels that God is leading him back into the ring.

Along with Kevin Sorbo, there are some familiar faces in One More Round. Jeremy London appears as Brock Thornhill (now there’s a villainous name!), a man who courts Jack’s wife during their separation. Donald James Parker of Gramps Goes To College fame appears as one of Jack’s co-workers. It’s actually interesting to see Parker here because this is one of the few Donald James Parker performances in which he’s not playing a character who comes across as being super-aggressive and bitter. Instead, he just comes across as being a nice old man who reads the Bible and offers up spiritual advice. Parker’s character here comes across as who Parker was trying to play in Gramps Goes To College before that film became about Gramps telling off all the pointy-headed, liberal intellectuals who make up the academic world. This film features the nice version of Gramps!

That said, the majority of this movie is taken up with boxing. I actually like most boxing films. There’s something thrilling about watching two men punch each other until one of them collapses. I mean, it’s the type of thing to which I should probably object on humanitarian grounds but I can’t help myself. Boxing is (usually) exciting. The best boxing films present the fight as being modern-day gladiatorial combat. Unfortunately, the boxing scenes in One More Round aren’t particularly impressive. The low-budget is obvious as the film cuts from scenes inside the ring to shots of people in the audience, all pretending to be watching a boxing match. Neither one of the actors playing the boxers is particularly believable as a professional fighter.

In the end, I always have my doubts about any film that suggests that God picks sides when it comes to sports. I’d like to think that God would be like me and just hope that both teams have fun.

October Positivity: Abel’s Field (dir by Gordie Haakstad)

Posted on October 10, 2026 by Lisa Marie Bowman

In 2012’s Abel’s Field, Kevin Sorbo plays the role of Abel. He’s the new groundskeeper at a small town high school, one of those places where football is king. No one in town really seems to know much about Abel and that’s fine with Abel. He keeps to himself and he prefers not have long conversations with people. He works hard, he tries to stay out of trouble, and he spends a lot time writing in a notebook on which he keeps a very close eye.

And let’s give credit where credit is due. Kevin Sorbo actually gives a very good performance as Abel. I know that some people will snicker when they read that. At this point, Kevin Sorbo is so associated with a certain type of politics and a certain type of religion and a certain type of movie that merely mentioning his name will send some self-appointed cultural critics into a frothing rage. That said, Sorbo is one of the better actors to have found a niche in the faith-based film industry and he does a good job playing the role of Abel. He’s convincing as a man who doesn’t want to get close to anyone but who is still kind enough to reach out to people who need help.

Seth McArdle (Samuel Davis) is someone who could definitely use some help. A 17 year-old high school senior, Seth has had to step up and take on an enormous amount of responsibility. With his father having vanished and his mother having died, Seth is taking care of his two younger sisters. He attends high school, he works two jobs, and then when he finally returns home, he just hopes that he has enough money to pay the babysitter.

When Seth yells at the arrogant high school quarterback after the latter runs a stop sign and nearly hits Seth’s sisters, the entire football team starts to target Seth. The team is struggling on the field this season so they decide to take their frustrations out on Seth. Seth can’t even walk down the school hallway without the team attacking him. Because Seth fights back, he’s the one who ends up getting in trouble. Seth is told that he has two options. He can either help Abel install a new sprinkler system for the football field or he can just drop out of school.

(Wow, that’s harsh.)

You can guess where this is going. After an awkward beginning, Abel eventually becomes a mentor to Seth. Abel and Seth discover they have something in common. They’re both down-on-their luck and their both kind of miserable. When the bank threatens to foreclose on Seth’s house, Abel is there to try to keep Seth from breaking the law in order to pay. They share a lot of pain but they also share a common faith and, eventually, Abel even shares the dark secret from his past. How much that secret surprises you will depend on how much you know about the stories of the Biblical Cain and Abel and Seth.

Abel’s Field is a surprisingly effective film. Yes, it’s a religious film but it’s nowhere near as preachy as some of the other films of the genre that I’ve seen. The characters are portrayed as being flawed individuals who are trying to do their best in difficult situations. Both Davis and Sorbo give good strong performances. Believe it or not, it’s a good movie.

October Positivity: Storm Rider (dir by Craig Clyde)

Posted on October 8, 2026 by Lisa Marie Bowman

In 2013’s Storm Rider, Dani Fielding (Danielle Churchan) is a rich, spoiled teenager who loves to compete in horse shows with her horse, Admiral. However, when Dani’s father (C. Thomas Howell), is arrested and charged with financial fraud, Dani’s life changes forever. The government seizes Admiral and sells him to Dani’s rival. When Dani’s younger half-brother, Jordan (Jacob Buster), is sent off to live with his gold digging mother, Dani is sent to live with her uncle, Sam (Kevin Sorbo).

Sam is a taciturn veterinarian who lives on a ranch in …. well, I assume it’s Montana. Don’t most of these movies take place in Montana? Wherever the film was shot, the scenery is absolutely gorgeous. Sam’s not really comfortable with people in general and he has no idea how to deal with teenage girl, especially one who doesn’t eat meat. As for Dani, she’s initially miserable because she’s been separated from her former life and her former horse.

Fortunately, Sam owns a lot of animals. Dani notices an orphaned mule named Stormy and she takes it upon herself to train him. Taking care of Stormy helps Dani let go of her bitterness. Soon, she’s watching the blossoming romance between Sam and Jody Peterson (Kristy Swanson) and she’s got a romance of her own going with Kevin Winslow (Darien Willardson). Kevin’s father owns a horse that Dani starts to train in the hopes that she can enter a regional horse show with her.

However, when Sam, Jordan, and Kevin’s father get stranded in the mountains, it’s Stormy who helps Dani find them. When night falls and they find themselves surrounded by wolves, will they even make it back to civilization?

It would be a really depressing movie if they didn’t! Fortunately, Storm Rider is not a movie that was made to spread depression. Instead, it’s a rather heart-warming tale about a young woman who conquers her anger and discovers that a mule can be just as strong and brave as the biggest horse. This is very much a film that was designed to make viewers smile and feel good about life and, for the most part, it succeeds. Of course, I still cried constantly while watching the film because I kept thinking about my mom and my dad and how much I miss both of them. This film definitely made me emotional. Often, the best thing that a film can do is to make you cry. Sometimes, I think people forget just how important it is to cry when you’re feeling sad.

As I think I’ve said in the past, I’ve always has a weakness for films about angry or rebellious girls who find peace and grace through taking care of an animal. Whether it’s a cat or a dog or a horse or anything else, there’s something undeniably wonderful about winning the trust of another creature. “You can’t be a jerk and love animals,” someone once said and I imagine that’s true. This film, well-acted and featuring beautiful mountain scenery, made me smile even when I was crying,

October Positivity: Forgiven (dir by Kevan Otto)

Posted on October 1, 2026 by Lisa Marie Bowman

On a snowy night, a desperate man named James (Casey Fuller) enters a church with a gun. He’s on the run from the law and fearful that, if he’s arrested, he’ll be charged with murder. James holds a pastor (Steven Flanigan) and his two daughters, Elizabeth and Naomi (played, respectively, by Jenn Gotzon Chandler and Amy Sutton Hethcoat), hostage. While Lt. Morgan (Kevin Sorbo) coordinates the police outside the church, Elizabeth tries to reason with James and convince him to turn himself in. James feels that there can be no forgiveness for the mistakes that he’s made in his life. Elizabeth disagrees.

Normally, I can’t stand films about hostage situations. With a few notable exceptions (like Dog Day Afternoon), they tend to be dramatically inert and they also tend to features characters who spend more time filibustering than actually saying anything interesting. Inevitably, there’s a harried but idealistic hostage negotiator who tries to convince the main criminal to surrender before things get out of control. There’s always a lot of yelling, which tends to get old quickly. Because the film can’t really move anywhere beyond the hostage situation, there’s usually at least an hour of people refusing to answer the phone or the negotiator saying, “Hold on, I need more time!” It’s predicable and it’s boring.

There are certain elements of all of that in 2016’s Forgiven. This is a talky film and, because it takes place in only two locations, it’s also a rather stagey film. There were times when I definitely got tired of listening to James complain about his life. But, as annoyed as I got with James complaining, it was even worse when he would just silently look around with an annoyed look on his face. At times, the film is pretty predictable.

That said, Forgiven does have a few things to recommend it.

First off, it’s short. It clocks in at 79 minutes and that includes the closing credits. It may sound like a backhanded compliment to praise a film for being short but, in this age of 8-part docuseries and three-hour super hero films, it was a relief to see a film that didn’t take forever to make its point.

Secondly, for a faith-based film about a hostage situation, it was generally well-acted. Kevin Sorbo was properly world weary as the hostage negotiator. Casey Fuller was convincing as a desperate man who is essentially in over his head. Jenn Gotzon Chandler had the most difficult role and she played it well.

Third, in this age of cartoonish violence, I appreciated the fact that Forgiven actually was about forgiveness. Though James may not be a master criminal at heart, he still does some pretty bad things and there are definitely consequences to his actions. And yet, Elizabeth forgives him for his mistakes and she actually plays a positive role in his life. That’s certainly not a bad message.

Indeed, forgiveness is a concept that the world could stand to once again embrace. We live in an age of partisan bickering and grudge-holding. This film has the courage to say the forgiveness is better for the heart than revenge.

Late Night Retro Television Review: 4.5 “….The Clock Runs Out”

Posted on June 17, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Joe Hears meets his fate.

Episode 4.5 “….The Clock Runs Out”

(Dir by Stan Lathan, originally aired on November 2nd, 1988)

Poor Joe Hearns!

Last episode, Joe went from being a skid row windshield cleaner to being a defense coordinator to being a linebacker on the team. This episode …. well, he dies.

Seriously.

It’s not a particularly noble death either. After a rookie player (played by Kevin Sorbo, of all people) is seriously injured in a prank involving a bull, Hearns decides to go back to the farm and challenge the bull himself. The show ends with the bull charging at Hearns and since Harold Sylvester (the actor who played Hearn) is not listed as having appeared in any episode of 1st & Ten beyond this one, I can only assume that the bull won.

Seriously, what was the point of that whole storyline? Bubba, Jethro, and TD all thought that Joe Hearns would be able to redeem himself on the Bulls. Hearns turned out to be suffering from massive PTSD, the result of having crippled an opposing player the last time he played. This episode, Joe has a near breakdown when one of the team’s new executives reprimands Joe for parking in his spot. And then Joe dies. I guess the lesson here is that he would have been better off if Bubba and Jethro had just left him in that parking lot.

Watching this show, I get the feeling that the writers really didn’t have much direction in the writing room. It’s amazing how often a potentially interesting character like Joe Hearn will be introduced and then dropped an episode later. There have been so many storylines that have been started and abandoned in a similar fashion. This very season started with the Bulls players buying the team and then, three episodes later, they decided that they didn’t want to be team owners after all.

The one thing that remains consistent? The bland affability of OJ Simpson. OJ may not have been a particularly good actor but he certainly was personable. That undoubtedly paid off for him later in life.

Unfortunately, Joe Hearns was not personable. And now, he’s dead.

(Actually, so is OJ.)

October Positivity: Revelation Road 3: The Black Rider (dir by Gabriel Sabloff)

Posted on October 28, 2025 by Lisa Marie Bowman

Eric Roberts is not in Revelation Road 3.

I was hoping that he might be, even though his name didn’t appear in the credits. Quite a few cast members from the first two films return for the third film. David A.R. White is back as Josh McManus, the former super soldier who now drives his souped-car through the wastelands of America. Bruce Marchiano is back, credited as the Stranger though we all know he’s actually Jesus. (Since Marchiano appeared in all three films, I can only assume the Revelation Road films all take place in the same cinematic universe as The Encounter films and Sarah’s Choice.) Brian Bosworth shows up briefly.

But there is no Eric Roberts. Not even Eliza Roberts appears in this film! It’s a shame and they are both missed.

However, Kevin Sorbo does show up.

Kevin Sorbo plays Honcho, a bandit leader who lives in the wastelands and who is worshipped by those who follow him. Honcho occasionally speaks with an Australian accent. Occasionally, the accent slips or disappears all together. At first, I thought this was a case of bad editing, bad dubbing, or maybe Sorbo not really being that into the character. However, there’s actually a rather clever moment in which Honcho tells Josh that he’s not actually from Australia. He just speaks with the accent because it impresses his followers. Without the accent, he’s just some guy who used to work at a gas station. With the accent, he’s a warlord.

It’s a moment that made me laugh, largely because it’s true. People love and fear accents. If you’ve got a posh British accent, most Americans will assume that you’re planning a heist of some sort and that Sylvester Stallone or Harrison Ford is somewhere nearby, trying to stop you. If you’ve got an Australian accent, the assumption amongst Americans is that you can survive harsh conditions, handle your alcohol, and jump out of a plane without a second thought.

However, Sorbo’s fake Australian accent also pays a sort of homage to the Mad Max films. The Revelation Road trilogy was obviously envisioned as being a faith-based version of the Mad Max films, with David A.R. White cheerfully stepping into the somber shoes of Mel Gibson and Tom Hardy. Using Mad Max as a model for a faith-based apocalypse film actually isn’t that bad of an idea. Indeed, Gibson’s style of beatific madness opens up the original Mad Max trilogy to a similar interpretation. Unfortunately, Revelation Road 3 is at time a bit too faithful to the Mad Max films, to the extent that it struggles to establish an identity outside of the films that inspired it. That’s one reason why Kevin Sorbo’s character stands out. He’s a character who genuinely surprises us.

As for the plot of Revelation Road 3, it finds Josh being sent on a mission to find The Shepherd (Robert Gossett), a mysterious figure who is gathering together a religious flock in the desert despite the fact that the new world government has outlawed things like religion and individual freedom. While Josh’s wounded companion waits in a town ruled over by Mayor Drake (James Denton), Josh searches the desert and occasionally sees a mysterious rider on a horse. The film mixes action and theology and the results are definitely mixed, with a few well-done chase scenes mixed with a lot of scenes of people talking. That said, at its best, The Black Rider achieves a sort of desolate grandeur.

The Eric Roberts Collection: The Reliant (dir by Paul Munger)

Posted on April 3, 2025 by Lisa Marie Bowman

First released in 2019 and funded by an Indiegogo campaign, The Reliant is the epitome of a late-era Eric Roberts film.

Roberts appears towards the beginning of the film. He gets roughly 45 seconds of screen time. He delivers three lines, all in close-up. His character is named Mr. Johnson but, to know that, you have to sit through the entire film so that you can track down his name in the end credits. We don’t know anything about his character, other than he’s a hardware store owner. We don’t know anything about his fate. When last seen, his store is being overrun by a bunch of Antifa goons. It’s not looking good for Mr. Johnson but luckily, he has a lot of weapons.

Kevin Sorbo is also in the film. His role is slight larger. He only gets maybe 16 minutes worth of screentime. His character is killed off fairly early but he does get to appear in a few flashbacks and a fantasy sequence. He plays a father who has taught his children how to shoot guns and survive in case society breaks down. Society does break down and he dies while defending his family. He probably would have survived if his liberal daughter Sophie (Mollee Gray) hadn’t hid the key to the gun safe. Sophie (boo!) doesn’t believe in the Second Amendment and doesn’t like it when her father goes shooting. Not even the sight of hundreds of angry rioters getting ready to open fire on her house can change Sophie’s mind. Boo, Sophie, boo!

Sophie doesn’t believe in killing, even if self-defense. (I don’t believe in killing either. That said, if someone’s coming at you with a gun, you have every right to defend yourself.) When she finds out that her fiancé, Adam (Josh Murray), has had to kill people while she and her siblings were hiding out in the woods, Sophie throws a fit and says that she doesn’t even want Adam — who can barely walk due to an injury — staying at her family’s camp. Sophie is a …. well, I swore off profanity for Lent.

Sophie and her family are being stalked by Jack (Brian Bosworth), an angry man who has a personal grudge against them. Along with Roberts and Sorbo, Bosworth is the other “name” in this movie and he actually does get substantial screentime. And he actually gives a good performance as well, certainly the best in this film.

The Reliant is a technically well-made film and some of the action sequences are surprisingly effective. Unfortunately, whenever the characters are arguing about faith and whether or not guns cen be a useful tool, the movie becomes painfully draggy. The Reliant is occasionally fun in a “I’m going to show this to the most annoying leftie I know and watch them get offended” sort of way. But, for the most part, it’s just too talky and slow for its own good.

Previous Eric Roberts Films That We Have Reviewed:

The Films of 2024: Reagan (dir by Sean McNamara)

Posted on January 21, 2025 by Lisa Marie Bowman

In Reagan, Dennis Quaid stars at the 40th President of the United States.

Framed as a story being told by a former KGB agent (Jon Voight) who is attempting to make a younger politician understand why Russia lost the Cold War, Reagan starts with Reagan’s childhood, includes his time as an actor and as the anti-communist head of the SAG, and then gets into his political career. Along the way, several familiar faces pop up. Robert Davi plays a thuggish Russian leader. Mena Suvari plays Reagan’s first wife while Penelope Ann Miller plays his second. Xander Berekely plays George Schultz (who was just previously played by Sam Waterston in The Dropout miniseries.) C. Thomas Howell, Kevin Dillon, Dan Lauria, and Lesley-Anne Down all have small but important roles. And the usual suspects when it comes to conservative filmmaking — Nick Searcy, Kevin Sorbo, and Pat Boone — are there to compliment Voight and Davi. I was a little surprised to see that Dean Cain was not present.

As usually happens to films that feature sympathetic Republicans, Reagan was slammed by critic but better-appreciated by the audience for which the film was made. I wasn’t particularly surprised. Movie critics tend to be liberal and Reagan is very much not that. For a professional film critic, a film like Reagan must be met with snark and derision because otherwise, one would risk cancellation. Don’t get me wrong. I’m not saying that there aren’t things to criticize about Reagan the film. I’m just saying that one should always keep in mind that critics have their own individual biases. One reason why the Rotten Tomatoes score is such an unfortunate development is because it ignores the fact that most films have things that work and things that don’t work and that quality is often in the eye of the beholder. Instead, it just tells us that a film is either a 90% or a 10%.

As for Reagan, it’s definitely a bit on the heavy-handed side but, then again, I think the same can be said for just about every political film that’s come out over the last few decades. For those who claim Reagan is somehow more heavy-handed than most, I invite them to sit through Rob Reiner’s LBJ. Indeed, the only director who has really shown a willingness to admit that a President can be both good and bad was Oliver Stone and when was the last time anyone watched Nixon? Reagan is at its weakness when it tries to recreate Reagan’s time as an actor. Dennis Quaid gives a good and charming performance throughout the film but he’s also 70 years old and, in the scenes where he plays the youngish Ronald Reagan, all of the soft-lighting and Vaseline on the lens ends up making him look like a wax figure. Once Reagan gets older, Quaid is allowed to act his age and both he and the film become much more convincing. I enjoyed the film once Reagan became President, though you should understand that I have biases of my own. I’m a fan of low taxes and individual freedom, which is why I’m also not a fan of communism or, for that matter, any extreme ideology that attempts to tell people how to live or think. “Tear down this wall!” Regan says while standing in front of the Berlin Wall and it’s a rousing moment, both in reality and on film.

In the end, Reagan is a film that will be best appreciated by people who already like Ronald Reagan. Yes, the film is heavy-handed and the framing device is a bit awkward. But Dennis Quaid’s heartfelt (and, towards the end, heartbreaking) performance carries the film. The film is not at all subtle but you know what? I’ve seen a countless number of mediocre films that have portrayed Reagan negatively, often with as little nuance and just as heavy-handed an approach as Reagan uses in its positive portrayal of the man. I sat through The Butler, for God’s sake. There’s nothing wrong with having a film that looks at the man from the other side. Those who like Ronald Reagan will feel vindicated. Those who don’t will say, “What was up with that Pat Boone scene?”